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6 must-visit Black museums in Atlanta

ROLLINGOUT.COM — There is no question that Atlanta is the best city to visit for a real Black history lesson. With Atlanta playing a major role in the history of Rev. Dr. Martin Luther King Jr. and of the Civil Rights Movement, it comes as no surprise that the largest museum of primary resources for both are housed in Atlanta. Five out of six of the museums are located in the epicenter of African American history on Auburn Avenue. Whether you live in Atlanta or are planning on a visit in the near future, these six landmarks should be on your list.

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By Rollingout.com

There is no question that Atlanta is the best city to visit for a real Black history lesson. With Atlanta playing a major role in the history of Rev. Dr. Martin Luther King Jr. and of the Civil Rights Movement, it comes as no surprise that the largest museum of primary resources for both are housed in Atlanta. Five out of six of the museums are located in the epicenter of African American history on Auburn Avenue. Whether you live in Atlanta or are planning on a visit in the near future, these six landmarks should be on your list.

The King Center
449 Auburn Ave NE
Atlanta, GA 30312
(404) 526-8900

The King Center is the primary source of materials on Dr. Martin Luther King, Jr. and the American Civil Rights Movement. The collection consists of the papers of Dr. King and those of the organization he co-founded — the Southern Christian Leadership Conference, records of eight major civil rights organizations and several other individuals who were active in the Movement. The museum houses more than 200 oral history interviews with teachers, friends, family, and other civil rights associates of Dr. King.

Auburn Avenue Research Library on African American Culture
101 Auburn Ave NE,
Atlanta, GA 30303
(404) 613-4001

The Auburn Avenue Research Library is a part of the Atlanta-Fulton Public Library System but offers specialized reference and archival collections dedicated to the study and research of African-American culture, history and others of African descent.

Spelman College Museum of Fine Art
350 Spelman Ln SW
Atlanta, GA 30314
(404) 270-5607

The Spelman College Museum of Fine Art is the only museum in the nation emphasizing art by women of the African Diaspora, located on the historic Spelman College campus.

MLK National Historic Site
450 Auburn Ave NE
Atlanta, GA 30312

The MLK National Historic Site consists of 35 acres of family-friendly learning and fun. The historic site includes the visitor center, the BEHOLD Monument, “I Have A Dream” World Peace Rose Garden, MLK Jr.’s Birth Home, Fire Station No. 6, the historic Ebenezer Baptist Church, The King Center, Dr. & Mrs. King’s Tomb, and Freedom Hall.

Hammonds House Museum
503 Peeples St SW
Atlanta, GA 30310
(404) 612-0481

The Hammonds House Museum displays a 250-piece collection that features the work of African-American artists from the 19th century to the present. It is the only fine arts museum in Atlanta that features artists of African-American descent.

The APEX Museum
135 Auburn Ave NE
Atlanta, GA 30303
(404) 523-2739

The Apex Museum was founded in 1978 by Mr. Dan Moore and is full of history presented from the Black perspective.

This article originally appeared in Rollingout.com

Activism

IN MEMORIAM: Robert Farris Thompson, Renowned Professor of African American Studies

Prolific Professor Robert Farris Thompson truly embodied the term ‘Maestro de Maestros.’ He was an absolute giant in the field of Afro-Atlantic history and art, respected by his peers for his groundbreaking work and multiple major articles and publications, particularly the seminal “Flash of the Spirit” (1984) and “Faces of the Gods” (1993).

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Robert Farris Thompson. Yale University photo.
Robert Farris Thompson. Yale University photo.

TRIBUTE

By John Santos

We’ve lost a Rosetta Stone.

Prolific Professor Robert Farris Thompson passed in his sleep Monday morning due to complications from Alzheimer’s disease and having been weakened by a bout with COVID-19 at the beginning of the year. He would’ve completed his 89th year on December 30.

Born on Dec. 30, 1932, Thompson was a White Texan who spectacularly disproved the fallacy of White supremacy through his pioneering and tireless elevation and clarification of African art, philosophy and culture. He removed the blinders and changed the way that generations of international students see African art.

A U.S. Army veteran, he went to Yale on a football scholarship and earned a B.A. in 1955. He joined the faculty in 1964 and earned his Ph.D. in 1965. He remained on the faculty until 2015.

‘Master T,’ as his students and friends often referred to him, was the Col. John Trumbull professor of the History of Art and professor of African American Studies at Yale University.

Thompson was also an Honorary Doctor of Humane Letters from the Maryland Institute College of Art.

He curated game-changing national exhibitions such as “African Art in Motion,” “The Four Moments of the Sun: Kongo Art in Two Worlds,” and “Faces of the Gods: Art and Altars of Africa and the African Americas.” The latter had a run at U.C. Berkeley in 1995 when local practitioners of African spirituality and musicians — including myself – demonstrated the powerful knowledge of tradition.

Thompson truly embodied the term ‘Maestro de Maestros.’ He was an absolute giant in the field of Afro-Atlantic history and art, respected by his peers for his groundbreaking work and multiple major articles and publications, particularly the seminal “Flash of the Spirit” (1984) and “Faces of the Gods” (1993). If he did not coin, he certainly standardized the term ‘Black Atlantic.’ He was a brilliant presenter, writer and teacher. But unlike many if not most academicians, he was also loved, revered and respected by the musicians, artists and communities about whom he wrote.

Initiated in Africa to Erinle, the deity of deep, still water, Thompson was hip, quirky and totally immersed in African and African-based music, dance, language, art and history. His lifetime of research, immersion and visionary work formed a bridge between Black America and her African roots.

Countless trips to Africa, the Southern U.S., the Caribbean and Central and South America informed his passionate work. He wrote about sculpture, painting, architecture, dance, music, language, poetry, food, the trans-Atlantic slave trade, African history, stolen antiquities, African spirituality, African retention, Brazil, Haiti, Cuba, Black Argentina, New York, México, mambo, tango, jazz, spirit possession and so much more. He recorded African drumming. He befriended giants of African diaspora music such as Julito Collazo, Babatunde Olatunji and Mongo Santamaría.

I first saw his writing around 1970 on the back of the classic red vinyl 1961 Mongo Santamaria LP, Arriba! La Pachanga (Fantasy 3324). They are inarguably among the deepest liner notes ever written.

He told me that he used our 1984 recording, Bárbara Milagrosa, by the Orquesta Batachanga, to demonstrate danzón-mambo to his students. I nearly burst into tears when he invited me and Omar Sosa to address and perform for his students at Yale, his alma mater, where he was a rock star. It was an unforgettable occasion for me.

He wrote wonderful liner notes on our 2002 Grammy-nominated production SF Bay, by the Machete Ensemble. He went out of his way to support and encourage countless students and followers like me. I was highly honored to count him as a friend as well as mentor.

He will be missed.

John Santos is a seven-time Grammy-nominated percussionist and former director of Orquesta Batachanga and Machete Ensemble and current director of the John Santos Sextet.

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Activism

New California “Strike Force” Gives Teeth to State Housing Laws

California Attorney General Rob Bonta said that California’s 17 million renters spend a significant portion of their paychecks on rent, with an estimated 700,000 Californians at risk of eviction. High home purchase costs — the median price of a single-family home in California is more than $800,000 — have led to the lowest homeownership rates since the 1940s.

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The Housing Strike Force will address the shortage and affordability crisis by enforcing state housing and development laws in the attorney general’s independent capacity and on behalf of the DOJ’s client agencies.
The Housing Strike Force will address the shortage and affordability crisis by enforcing state housing and development laws in the attorney general’s independent capacity and on behalf of the DOJ’s client agencies.

By Antonio Ray Harvey, California Black Media

To advance housing access, affordability and equity, California Attorney General Rob Bonta announced earlier this month the creation of a Housing Strike Force.

The team, housed within the California Department of Justice (Cal DOJ) has been tasked with enforcing California housing laws that cities across the state have been evading or ignoring.

The strike force will conduct a series of roundtables across the state to educate and involve tenants and homeowners as the state puts pressure on municipalities failing to follow housing rules and falling short of housing production goals set by the state.

“California is facing a housing shortage and affordability crisis of epic proportion,” Bonta said. “Every day, millions of Californians worry about keeping a roof over their heads, and there are too many across this state who lack housing altogether.

“This is a top priority and a fight we won’t back down from. As Attorney General, I am committed to using all the tools my office has available to advance Californians’ fundamental right to housing.”

The Housing Strike Force will take “an innovative and intersectional approach” to addressing the housing crisis, focusing on tenant protections, housing availability and environmental sustainability, housing affordability, and equitable and fair housing opportunity for tenants and owners.

Bonta also launched a Housing Portal on the Cal DOJ’s web site with resources and information for California homeowners and tenants.

The strike force will enlist the expertise of attorneys from the Cal DOJ’s Land Use and Conservation Section, the Consumer Protection Section, the Civil Rights Enforcement Section, and the Environment Section’s Bureau of Environmental Justice in its enforcement efforts.

“California has a once-in-a-generation opportunity to address its housing crisis, thanks to the historic $22 billion housing and homelessness investments in this year’s budget. But it’ll only work if local governments do their part to zone and permit new housing,” Governor Gavin Newsom said. “The attorney general’s emphasis on holding cities and counties accountable for fair housing, equity, and housing production is an important component to the state’s efforts to tackle the affordability crisis and create greater opportunities for all Californians to have an affordable place to call home.”

According to the National Association of Real Estate Brokers (NAREB), the level of Black ownership nationally has decreased below levels achieved during the decades when housing discrimination was legal.

The 2020 census reports that there was a 29.6% gap between homeownership rates for African Americans and whites. Homeowners accounted for 44.6% of the Black population as compared to 74.2% for whites.

“Blacks have made little, if any, strides at closing the homeownership gap. Systemic discriminatory regulations and policies continue to thwart any meaningful effort at increasing Black homeownership,” Lydia Pope, NAREB’s president, said.

In California, the DOJ reports that over the last four decades, housing needs have outpaced housing production. It has caused a crisis that stretches from homelessness to unaffordable homes.

Despite significant effort, the DOJ stated that California continues to host a disproportionate share of people experiencing homelessness in the United States, with an estimated 150,000 Californians sleeping in shelters, in their cars, or on the street.

Bonta said that California’s 17 million renters spend a significant portion of their paychecks on rent, with an estimated 700,000 Californians at risk of eviction. High home purchase costs — the median price of a single-family home in California is more than $800,000 — have led to the lowest homeownership rates since the 1940s.

Due to decades of systemic racism, these challenges have continuously and disproportionately impacted communities of color. For example, Bonta said, almost half of Black households in California spend more than 30% of their income on housing, compared with only a third of White families.

In addition, less than one in five Black California households could afford to purchase the $659,380 statewide median-priced home in 2020, compared to two in five white California households that could afford to purchase the same median-priced home, the California Association Realtors (CAR) said in a February 2021 statement.

The percentage of Black home buyers who could afford to purchase a median-priced, existing single-family home in California in 2020 was 19%, compared to 38% for white households, CAR stated.

“Just as the price for a single-median home reaches a new record of more than $800,000 in California, everywhere you look, we are in a housing crisis,” Bonta said during the virtual news conference on Nov. 3.

“Among all households, one in four renters pays more than half of their income on rent.”

The Housing Strike Force will address the shortage and affordability crisis by enforcing state housing and development laws in the attorney general’s independent capacity and on behalf of the DOJ’s client agencies.

Earlier this year, Newsom signed Assembly Bill (AB) 215, enhancing the attorney general’s concurrent role in enforcing state housing laws.

AB 215 was designed for reforms, facilitating housing development and combating the current housing crisis.

Newsom also signed Senate Bill (SB) 9 and SB 10 in September, legislation designed to help increase the supply of affordable housing and speed up the production of multi-family housing units statewide.

Authored by Senate President Pro Tem Sen. Toni Atkins (D-San Diego), SB 9 allows a homeowner to subdivide an existing single-family residential lot to create a duplex, triplex, or fourplex.

In response to SB 9, homeowner groups have formed across the state to oppose it. The groups are citing challenges they anticipate the law will bring to their communities, from garbage collection to increased risk of fires.

Livable California, a San Francisco-based non-profit that focuses on housing, is one of the groups that opposes the new laws.

“Senate Bill 9 ends single-family zoning to allow four homes where one now stands. It was signed by Gov. Newsom, backed by 73 of 120 legislators and praised by many media. Yet a respected pollster found 71% of California voters oppose SB 9,” the Livable California website reads.

“It opens 1.12 million homes in severe fire zones to unmanaged density — one-sixth of single-family homes in California,” the message continues. “SB 9 could reshape, in unwanted ways, hundreds of high-risk fire zones that sprawl across California’s urban and rural areas.”

But Newsom says the laws are urgent and overdue.

“The housing affordability crisis is undermining the California Dream for families across the state, and threatens our long-term growth and prosperity,” Newsom said in a Sept. 16 statement.

SB 10 was designed for jurisdictions that want to opt-in and up-zone urbanized areas close to transit, allowing up to 10 units per parcel without the oversight of the California Environmental Quality Act (CEQA).

“Passing strong housing laws is only the first step. To tackle our severe housing shortage, those laws must be consistently and vigorously enforced,” said California State Sen. Scott Wiener (D-San Francisco), chair of the Senate Housing Committee. “I applaud Attorney General Bonta’s commitment to strong enforcement of California’s housing laws.”

The Housing Strike Force encourages Californians to send complaints or tips related to housing to housing@doj.ca.gov. Information on legal aid in your area is available at https://lawhelpca.org.

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Activism

Facebook’s “We the Culture” Panel Discusses Black Portrayals in Mainstream News

The increase in Black representation in the news media was discussed when the topic turned to controversy surrounding Rachel Nichols, an NBA sportscaster on ESPN. In a July 2020 leaked recording, she appeared to be uncomfortable sharing hosting duties with Maria Taylor, another ESPN personality who is African American. In the recording, Nichols, who is white, suggested Taylor had been promoted because she is Black.

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A 2019 Pew Research Center analysis revealed that Black media professionals only make up 7% of newsroom staffers nationally.

By McKenzie Jackson, California Black Media

When Erica Cobb, co-host of the Daily Blast Live, first stepped into the world of mainstream news over two decades ago, she overheard a conversation in which an industry person considered Cobb the perfect minority for a particular role because, although she is Black, to them she “didn’t come across like a Black person” based on stereotypes in their head.

“Those convos now are few and far between because we have more seats at the table,” said Cobb, who is also a podcaster with a background in radio. She was referring to the growing numbers of Black faces appearing regularly in the news media. “The pipeline has opened for more people of color.”

However, Cobb said, the news industry still needs more African Americans.

Independent journalist Georgia Fort, the founder of BLCK Press, said the lack of Black professionals in newsrooms across the U.S. contributes to African Americans being portrayed in a negative way.

“The media industry since its inception has capitalized on exploiting our stories and disproportionately portraying us in a negative light,” said Cobb, who identifies as biracial.

“You can go back to blackface; even modern-day newscasts are saturated with Black mug shots,” she said.

The current state of Black representation in the mainstream media was the subject of a recent online discussion hosted by Facebook’s “We The Culture,” a content initiative created and managed by a team of Black Facebook employees focused on amplifying content from Black creators.

The social networking giant launched the platform in February with an inaugural class of over 120 creators specializing in news and social media content.

Cobb and Fort were panelists on We The Culture’s video chat on how Blacks are depicted in mainstream media.

The third panelist was Zyahna Bryant, a student activist, community organizer, and online content creator who is known for spearheading the movement to take down a statue of Confederate Gen. Robert E. Lee in in Charlottesville, Va.

The 53-minute discussion was moderated by Rushadd Hayard, a freelance web producer.

The quartet’s webcast happened a year after the murder of George Floyd, an African American man who died after Derek Chauvin, a white former Minneapolis police officer kneeled on his neck for nearly nine minutes.

Video of Floyd’s death shined a light on the aggressive tactics law enforcement officers sometimes employ when engaging Black Americans. The horror of his violent murder sparked national conversations on racial inequity, motivating many businesses and organizations in the U.S. to support African American causes and take steps to increase diversity, equity and inclusion in their organizations.

The increase in Black representation in the news media was discussed when the topic turned to controversy surrounding Rachel Nichols, an NBA sportscaster on ESPN. In a July 2020 leaked recording, she appeared to be uncomfortable sharing hosting duties with Maria Taylor, another ESPN personality who is African American.

In the recording, Nichols, who is white, suggested Taylor had been promoted because she is Black.

“A privileged woman like Nichols,” Fort said, “refusing to support — or even accept — the advancement of a person from a disenfranchised community like Taylor is a problem.”

“You have people like Rachel, she wants something to be done as long as it doesn’t require her to make a sacrifice,” Fort continued. “In order for our nation to be more equitable, it is going to require all the Rachels to step aside and make space. Performative ally-ship is the best way I can describe her.”

Cobb noted that Nichols, who has since been pulled from appearing on the sporting network but continues to be paid, put herself in the forefront of a perception in the industry that ESPN had a diversity issue.

Bryant said media groups’ desires to increase the number of Blacks as employees are empty gestures if they don’t come with institutional change.

“I noticed we needed more Black voices after the George Floyd incident,” she said. “After the entire summer of organizing and moving into the election cycle, I felt that there was a disconnect. Not just with white people talking about Black issues, but the media altogether not having their ear to the ground.”

Hayard cited a 2019 Pew Research Center analysis that revealed that Black media professionals only make up 7% of newsroom staffers nationally.

Cobb said she first realized more Black representation was needed in the media when former President Barack Obama, began his initial run for the country’s highest office and a controversy ignited around him attending the church of controversial pastor Rev. Jeremiah Wright.

“I was the only one speaking out in defense of Obama,” she said. “I remember my co-host turning off my mic and people calling in saying I was racist. I left in the middle of the show. A Black reporter from the Chicago Tribune called me and first asked if I was OK and secondly, what happened and how it went down, and if I thought it was racist.”

The same realization came to Fort when she was assigned to cover the shooting of a Black man by a police officer for a news station. She was directed to pull up the criminal history of the man, but Fort also investigated the officer and found he had a litany of complaints against him, including racial-profiling ones.

“This was omitted from the five o’clock news because my white superiors didn’t feel it was relevant to the story,” she said. “I found myself being characterized in the newsroom as the angry Black woman.”

Cobb said for more African Americans to be present in front of news cameras, more Blacks need to be in positions of power behind the camera, beyond just the editor and producer roles.

Fort said a change in culture could also be helpful.

“The industry standard is AP-Style English and a certain image,” she said. “Not all Black people or people of color use AP English as their natural dialect, and we need to stop expecting people to conform to that. Allow people to be their authentic selves. Why are we saying we want diversity, but we want people to conform? To me that’s not diversity.”

When Bryant began her drive to get the Confederate statue removed, a Black reporter interviewed her. She said talking with a person from the same race, from possibly a similar background, and who was empathetic helped the interview go smoother

“I’m looking forward to seeing more journalists with their Blackness on display,” Bryant said.

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