#NNPA BlackPress

2019 New Orleans Jazz & Heritage Festival – A Melting Pot of the Finest Music

NNPA NEWSWIRE — The 2019 New Orleans Jazz & Heritage Festival kicked off its 50th year anniversary with a bang. The annual two-weekend fest featured world-renown musicians, tempting food concession stands, a friendly crowd of music fans and a positive vibe that was even warmer than the sun.

Published

6 years ago

May 14, 2019

Oakland Post

By Dwight Brown, NNPA Newswire Film Critic

The 2019 New Orleans Jazz & Heritage Festival kicked off its 50^th year anniversary with a bang. The annual two-weekend fest featured world-renown musicians, tempting food concession stands, a friendly crowd of music fans and a positive vibe that was even warmer than the sun.

Jazz Fest dates back to 1970, when Mahalia Jackson and Duke Ellington graced the stages for famed producer/impresario George Wein. Over the years that spirit has developed into a festival that embraces indigenous music, jazz, blues, soul, funk, Dixieland and Zydeco, rock, pop, country, Latin music, folk and other genres.

As you walk around the Fair Grounds where the fest takes place, on lush lawns or soft sand, you encounter various stages and gigantic white musical tents (jazz, blues, gospel). There’s a wide variety of food booths (ever hear of Alligator Pie?), arts and crafts tents and cultural centers too.

This year, the list of vibrant acts included artists like these:

Ziggy Marley: Legendary singer Bob Marley had 12 children. The most famous is Ziggy Marley, who heads the band Ziggy Marley and the Melody Makers. His career has spanned 15 years and his latest album “Rebellion Rises,” which continues his father’s legacy of social awareness, formed the basis of his energetic performance on The Congo Square Stage, which is usually reserved for African Heritage music. Dancing to a reggae beat and swaying in unison with his backup singers, Ziggy’s optimistic vibe lit the crowd up. One of the biggest treats for his sundrenched fans was his classic, “True to Myself.” Bob had a once-in-a-lifetime voice. Ziggy has a verve all his own and he passes on his father’s spirit of peace and love.

Tom Jones: He’s been around since the ‘60s, currently appears on The Voice UK and Tom Jones’ set was on Gentilly Stage, second largest at NOJHF. Stripped down to just a guitar, a bass and drums, Jones’ band captured a strong beat as his baritone voice bellowed through the air. He performed like he was a young rocker in his prime, and not like a 79-year-old man. Screaming “Maybe there ain’t no heaven. Maybe there ain’t no hell,” the lyrics from his hit song “Burning Hell,” Jones held the audience in the palm of his hand. He was in fine voice, oblivious to the ravages of time and displaying enough British swagger to start a street fight. As his concert continued, with something old and something new, the crowd was amazed that this is the man who rose to fame in 1965 with “What’s New Pussycat.” That’s 55 years ago and counting!

Mavis Staples: As Mavis Staples approaches 80 years of age, she’s turned back the clock by working with younger producers (Ben Harper), exploring music that takes her out of her comfort zone of R&B, Blues, Soul and Gospel, and incorporating those sounds into whatever music she tackles. Innovation came to mind when she launched into The Talking Heads “Slippery People.” Backed by a top-notch band, she infused a funky gospel spirit into her arrangement: “What’s the matter with him? He’s alright. How do you know? The lord won’t mind. Don’t play no games, he’s alright
Love from the bottom to the top.” Emphasizing the syncopation, swirling around on stage, throwing her hands in the air, shuffling her shoulders and occasionally letting out her famous earthy growl, she slayed the crowd. It was a song that the Staple Singers had covered in the mid ‘80s, and Mavis, like she always does, made it her own. The crowd inside the Jazz Tent was so large it spilled outside. They all knew they were watching an icon create a moment that was going to be memorable for years to come. Staples was equally strong with the socially conscious Buffalo Springfield hit “For What It’s Worth.”

Chris Stapleton: Stapleton used to be known for writing hit songs for country music stars like Miranda Lambert, Kenny Chesney and Blake Shelton. That changed one night in 2015 on a broadcast of the Country Music Awards when he dueted with Justin Timberlake. They sang harmony together on “Tennessee Whiskey,” and Stapleton flaunted a supple, elastic voice that was far more flexible and soulful than that of most country western singers. As he took his place on Acura, the biggest stage at NOJHF, the audience had grown deep into the thousands and the Grammy-winner didn’t disappoint. Catchy songs like “Traveler” and “Broken Halos” played to country music fans. His performance of “Millionaire” was more reminiscent of a southern/soul/rock style, the kind that rock legends like Delaney & Bonnie or Leon Russell coined back in the 70s when they blended genres. With his gravelly voice, Stapleton led the listeners through his stable of songs, ending the night with the aforementioned “Tennessee Whiskey,” a sweet song even Patti LaBelle covers in her concerts.

Gary Clark Jr.: Out on a tour that will last at least until September, Clark did his usual opening song, “Bright Lights.” It’s the perfect song to use to begin a set, as he sings to the audience, “You gonna know my name by the end of the night.” This gifted lead guitarist is often mentioned in the same breath with Jimi Hendrix, Eric Clapton and Prince. He’s not as enigmatic as the Jimi, as melodious as Eric nor as dynamic on stage as Prince, but he lets his strumming do the talking. A modern, wide-brimmed hat along with his signature red Fender Stratocaster solidifies his brand. Classic songs like “When My Train Pulls In” and “Gotta Get Into Something” pushed the crowd into a fervor.

Rita Coolidge: Known as the first person to sing the song “Superstar,” and later credited for co-writing it, Rita Coolidge stepped on to the stage dressed in a white blouse and pants with white sneakers. Her set list started with the feminist song “Basic Lady:” “Basic lady doesn’t need a diamond ring…” She sashayed around the stage with great confidence as her country-sounding band played on. Her voice was not as rich and smooth as it has been (the 2005 jazz album “And So Is Love” features her smoothest vocals), but her star power was making up for it. Fans liked her most popular hits the best: “Higher and Higher” and “We’re All Alone.”

Gladys Knight: She’s got more hits than most, a stronger voice than many and her fans know the words to her songs as well as she. So, when Gladys Knight asked the crowd to sing along with her, she got a backup chorus that was in tune and well-rehearsed. Strutting around in a black jumpsuit with a white blouse, Knight commanded her band and crooned. After several residencies in Vegas, this show woman knows exactly how to make an audience happy. With a great sense of urgency, she sang: “I’ve got to use my imagination. To think of good reasons. To keep on keepin’ on (keep on keepin’ on)…” The Pips were missed but ably replaced by a gigantic crowd of well-wishers. “The Best Thing That Ever Happened to Me” was just one in a string of tunes to come that had the audience remembering how Gladys Knight has been such a unique talent for five decades.

Los Lobos: This rock band from East Los Angeles defies categories. Hints of Tex-Mex, zydeco, R&B, blues and other genres are the sounds that make their music distinctive. Their brand of brown-eyed soul has made them a vibrant presence on the music scene since the 1970s. Different members have come and gone over the years, but their affable vibe has remained the same. The band’s name means “The Wolves,” so when they broke into one of their most famous songs, “Will the Wolf Survive?” the audience was particularly happy. Also, of great interest was their rendition of “La Bamba:” the group’s leader, David Hidalgo, sang it, just like he did for the movie of the same name. Actor Lou Diamond Phillips played the lead character Richie Valens in that film, but when it was time to sing, he was miming to Hidalgo’s savory vocals.

These were but a few of the magical roster that had attracted artists from everywhere, who were performing all kinds of music: Diana Ross, Taj Mahal and the Phantom Blues Band, The Doobie Brothers, Santana, Gregory Porter, Katy Perry, Al Green and Bonnie Raitt were all a part of the festivities along with many others.

The 2019 New Orleans Jazz & Heritage Festival was a big gumbo of music that gave NOLA audiences lots to savor.

Visit NNPA Newswire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

Oakland Post

Posts by Oakland Post

Up Next

2019 Ford Shelby Mustang GT350 On The Road

Don't Miss

2019 Ford Shelby Mustang GT350 Me On Track

Oakland Post

1 Comment

#NNPA BlackPress

Chavis and Bryant Lead Charge as Target Boycott Grows

BLACKPRESSUSA NEWSWIRE — Surrounded by civil rights leaders, economists, educators, and activists, Bryant declared the Black community’s power to hold corporations accountable for broken promises.

Published

4 days ago

April 23, 2025

Stacy M. Brown

By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent

Calling for continued economic action and community solidarity, Dr. Jamal H. Bryant launched the second phase of the national boycott against retail giant Target this week at New Birth Missionary Baptist Church in Atlanta. Surrounded by civil rights leaders, economists, educators, and activists, Bryant declared the Black community’s power to hold corporations accountable for broken promises. “They said they were going to invest in Black communities. They said it — not us,” Bryant told the packed sanctuary. “Now they want to break those promises quietly. That ends tonight.” The town hall marked the conclusion of Bryant’s 40-day “Target fast,” initiated on March 3 after Target pulled back its Diversity, Equity, and Inclusion (DEI) commitments. Among those was a public pledge to spend $2 billion with Black-owned businesses by 2025—a pledge Bryant said was made voluntarily in the wake of George Floyd’s murder in 2020.“No company would dare do to the Jewish or Asian communities what they’ve done to us,” Bryant said. “They think they can get away with it. But not this time.”

The evening featured voices from national movements, including civil rights icon and National Newspaper Publishers Association (NNPA) President & CEO Dr. Benjamin F. Chavis Jr., who reinforced the need for sustained consciousness and collective media engagement. The NNPA is the trade association of the 250 African American newspapers and media companies known as The Black Press of America. “On the front page of all of our papers this week will be the announcement that the boycott continues all over the United States,” said Chavis. “I would hope that everyone would subscribe to a Black newspaper, a Black-owned newspaper, subscribe to an economic development program — because the consciousness that we need has to be constantly fed.” Chavis warned against the bombardment of negativity and urged the community to stay engaged beyond single events. “You can come to an event and get that consciousness and then lose it tomorrow,” he said. “We’re bombarded with all of the disgust and hopelessness. But I believe that starting tonight, going forward, we should be more conscious about how we help one another.”

He added, “We can attain and gain a lot more ground even during this period if we turn to each other rather than turning on each other.” Other speakers included Tamika Mallory, Dr. David Johns, Dr. Rashad Richey, educator Dr. Karri Bryant, and U.S. Black Chambers President Ron Busby. Each speaker echoed Bryant’s demand that economic protests be paired with reinvestment in Black businesses and communities. “We are the moral consciousness of this country,” Bryant said. “When we move, the whole nation moves.” Sixteen-year-old William Moore Jr., the youngest attendee, captured the crowd with a challenge to reach younger generations through social media and direct engagement. “If we want to grow this movement, we have to push this narrative in a way that connects,” he said.

Dr. Johns stressed reclaiming cultural identity and resisting systems designed to keep communities uninformed and divided. “We don’t need validation from corporations. We need to teach our children who they are and support each other with love,” he said. Busby directed attendees to platforms like ByBlack.us, a digital directory of over 150,000 Black-owned businesses, encouraging them to shift their dollars from corporations like Target to Black enterprises. Bryant closed by urging the audience to register at targetfast.org, which will soon be renamed to reflect the expanding boycott movement. “They played on our sympathies in 2020. But now we know better,” Bryant said. “And now, we move.”

Stacy M. Brown

Posts by Stacy M. Brown

#NNPA BlackPress

The Department of Education is Collecting Delinquent Student Loan Debt

BLACKPRESSUSA NEWSWIRE — the Department of Education will withhold money from tax refunds and Social Security benefits, garnish federal employee wages, and withhold federal pensions from people who have defaulted on their student loan debt.

Published

5 days ago

April 23, 2025

Oakland Post

By April Ryan

Trump Targets Wages for Forgiven Student Debt

The Department of Education, which the Trump administration is working to abolish, will now serve as the collection agency for delinquent student loan debt for 5.3 million people who the administration says are delinquent and owe at least a year’s worth of student loan payments. “It is a liability to taxpayers,” says White House Press Secretary Karoline Leavitt at Tuesday’s White House Press briefing. She also emphasized the student loan federal government portfolio is “worth nearly $1.6 trillion.” The Trump administration says borrowers must repay their loans, and those in “default will face involuntary collections.” Next month, the Department of Education will withhold money from tax refunds and Social Security benefits, garnish federal employee wages, and withhold federal pensions from people who have defaulted on their student loan debt. Leavitt says “we can not “kick the can down the road” any longer.”

Much of this delinquent debt is said to have resulted from the grace period the Biden administration gave for student loan repayment. The grace period initially was set for 12 months but extended into three years, ending September 30, 2024. The Trump administration will begin collecting the delinquent payments starting May 5. Dr. Walter M. Kimbrough, president of Talladega College, told Black Press USA, “We can have that conversation about people paying their loans as long as we talk about the broader income inequality. Put everything on the table, put it on the table, and we can have a conversation.” Kimbrough asserts, “The big picture is that Black people have a fraction of wealth of white so you’re… already starting with a gap and then when you look at higher education, for example, no one talks about Black G.I.’s that didn’t get the G.I. Bill. A lot of people go to school and build wealth for their family…Black people have a fraction of wealth, so you already start with a wide gap.”

According to the Education Data Initiative, https://educationdata.org/average-time-to-repay-student-loans It takes the average borrower 20 years to pay their student loan debt. It also highlights how some professional graduates take over 45 years to repay student loans. A high-profile example of the timeline of student loan repayment is the former president and former First Lady Barack and Michelle Obama, who paid off their student loans by 2005 while in their 40s. On a related note, then-president Joe Biden spent much time haggling with progressives and Democratic leaders like Senators Elizabeth Warren and Chuck Schumer on Capitol Hill about whether and how student loan forgiveness would even happen.

Oakland Post

Posts by Oakland Post

#NNPA BlackPress

VIDEO: The Rev. Dr. Benjamin F. Chavis, Jr. at United Nations Permanent Forum on People of African Descent

https://youtu.be/Uy_BMKVtRVQ Excellencies: With all protocol noted and respected, I am speaking today on behalf of the Black Press of America and on behalf of the Press of People of African Descent throughout the world. I thank the Proctor Conference that helped to ensure our presence here at the Fourth Session of the […]

Published

5 days ago

April 23, 2025

Oakland Post

https://youtu.be/Uy_BMKVtRVQ

Excellencies:

With all protocol noted and respected, I am speaking today on behalf of the Black Press of America and on behalf of the Press of People of African Descent throughout the world. I thank the Proctor Conference that helped to ensure our presence here at the Fourth Session of the UN Permanent Forum on People of African Descent.

The focus on AI and digital equity is urgent within the real time realities today where there continues to be what is referred to as the so called mainstream national and international media companies that systematically undergird racism and imperialism against the interests of People of African Descent.

We therefore call on this distinguished gathering of leaders and experts to challenge member states to cite and to prevent the institutionalization of racism in all forms of media including social media, AI and any form of digital bias and algorithmic discrimination.

We cannot trust nor entertains the notion that former and contemporary enslavers will now use AI and digital transformation to respect our humanity and fundamental rights.

Lastly we recommend that a priority should be given to the convening of an international collective of multimedia organizations and digital associations that are owned and developed by Africans and People of African Descent.

Basta the crimes against our humanity!

Basta Racism!

Basta Imperialism!

A Luta Continua!

Victory is certain!