Arts and Culture
15th Annual Oakland International Film Festival to Honors ‘Roots’ at Closing on April 8

From April 4-8, about 40 films from 33 countries screened, including works by Oakland directors
By Wanda Sabir
The Oakland International Film Festival gave Oakland an opportunity to shine – its artists the polish and vehicle. From its inception 15 years ago, this festival has maintained its focus—on Oakland and its diversity of talent: directors, writers, actors, technicians—famous and up and coming.
Beginning on Tuesday, the festival featured at least 40 films from 33 countries that were screened all over Oakland, from the Grand Lake Theatre to Oakland’s Chinatown and Holy Names University with workshops and panel discussions for many.
“About a third of the films are by Oakland filmmakers,” said OIFF co-founder David Roach said. “About a third are feature films. Some of them are documentaries, shorts, narratives, a couple animation films. We have submissions from 33 different countries, which is more than usual. This means that folks are seeing Oakland. We hope we can connect the Oakland filmmakers to those other markets as well as we continue trying to utilize this medium as a way to connect people and cultures to create more understanding.”
It culminates on Saturday with “Roots at 40” at the Scottish Rites Theatre at 1547 Lakeside Drive on April 8 at 6:30 p.m. Actors will be present from the first series and the more recent series in 2016. Together with directors for the series, they will discuss “Roots” and its impact on American consciousness 40 years later. How did Roots shape our perceptions of being black in America and by extension how blackness was perceived then and now? Does it matter that Haley’s research was not 100 percent accurate and that his results questionable? Joanna Mountain, Senior Research Director of “23&Me,” one of the guest moderators, will help facilitate such questions.
Roach did a lot of research preparing for the festival, one part was perceiving a pattern in the selections and creating its theme.
“Our Festival has a lot of rootsy themes,” Roach said. “For example, Regina Mason’s “Gina’s Journey: In Search of Williams Grimes,” who wrote a narrative before Frederick Douglass about the horrors of slavery. (It) shows how a question raised when she was a child about her ancestors and her heritage, took many years before it was resolved. Mason learns how to do genealogy research and finds out that she is” descended from William Grimes, Roach said.
On Wednesday night at Holy Names University, two documentaries deal with the presence of African culture in the New World, “Yemanja: Wisdom from the African Heart of Brazil” and “Masters of Rhythm,” a short film about Afro-Peruvian drumming.
Roach also made sure that Oakland’s ‘roots’ were showing, by featuring six shorts on Tuesday by home-grown directors.
Two films deal with agriculture, one on the impact of climate change restrictions in Europe and the other, “Cultivating Community,” on urban farming in Oakland.
As part of its “made in Oakland” programming, OIFF gave newcomers a chance to get feedback from “The Pitch,” a daylong series of screenings at City Hall of new work on April 7. Directors were invited to screen an excerpt of their work, speak for 1-minute about the film and what their needs are to move forward, and get feedback from audience.
Arts and Culture
‘Black On Point’ Artists Sparkle at Fall Open Studios
Bay Area art lovers look forward to the open studio event at Hunters Point Shipyard and the growing “Black On Point” artists’ collective did not disappoint last weekend. Of the 250+ artists with studios at the historic shipyard, there are now over 25 Black artists to discover amid the sprawling, repurposed buildings at the end of Evans Avenue in the Bayview.

By Linda Parker Pennington
Bay Area art lovers look forward to the open studio event at Hunters Point Shipyard and the growing “Black On Point” artists’ collective did not disappoint last weekend.
Of the 250+ artists with studios at the historic shipyard, there are now over 25 Black artists to discover amid the sprawling, repurposed buildings at the end of Evans Avenue in the Bayview.
This talented group includes:
- Bayview native son, Malik Seneferu – whose son, Osaze, is also an emerging artist.
- Afatasi the Artist who tells stories in casted metal;
- Jazz musician turned mixed-media artist Charles Unger who is an artist-in-residence
- Adonia Middleton, who is Unger’s studio mate and fellow artist-in-residence, creates vibrant images of black women
- This year’s third artist-in-residence is quiltmaker William Rhodes whose latest quilt featuring Angela Davis is a must-see
- Maguerite Browne, an eclectic collector and fashion artist, now occupies the studio of internationally renowned public artist Joe Sam whose work is now on display at MoAD. (Seneferu worked and studied under Sam in the ’90s.)
Rhonel Roberts, Ira Watkins, Pete Dent, Nina Fabunmi, Leslie Printis, Dolores Gray, Stephen Namara, Charles Tuggle, Nyya Lark, The Hillman Girls, Pearl Brown and studio photographer Marco Williams are all worth the trip to this off-the-beaten path location.
If you missed this year’s Hunters Point Shipyard Open Studios, there will be a Holiday Open Studios in December. For more info, you can follow Black On Point on Facebook or check their website at blackonpointsf.org.
Arts and Culture
DJ Zernell Gillie Gives Hip Hop a New Scent
Zernell Gillie has been in and around the Hip Hop and House music scene in Chicago for over 30 years. The world-renowned DJ has spun records all over the world and headlined parties in London, the Netherlands, Italy, Sweden, France to name a few.

By Lee Hubbard
Zernell Gillie has been in and around the Hip Hop and House music scene in Chicago for over 30 years. The world-renowned DJ has spun records all over the world and headlined parties in London, the Netherlands, Italy, Sweden, France to name a few.
His love for music started at 14 during the early years of House music as he would listen to the Hot Mix on WBMX in Chicago. Listening to the early pioneers of House music such as Ron Hardy, Gillie generated his own style, which is called grimy. The grimy style of Rouse music mixes the rarest disco and house music together.
Gillie now heads the record label Grimy Edits and its sister label Grimy Trax and the clothing brand Grimy Gear. Now a Los Angeles resident, he saw his worldwide DJing opportunities come to a stop during the COVID-19 pandemic when he was housebound.
“I was sitting around the house kind of depressed as there was nothing to do,” said Gillie.
It was during this time Gillie came up with the idea to start his own fragrance line.
“I was and have been wearing fragrances since I was a boy, so I was always drawn to them,” said Gillie. “I had been thinking about this for a while, but [worldwide slowdown] just helped to jump start it.”
In contact with a perfumery via ZOOM about starting a brand, Gillie began sampling scents weekly at home and discussing the different notes he wanted in a fragrance.
“I had been thinking about this for a while, but this just helped to jump start it,” continued Gillie.”
The pandemic was the perfect time for Gillie to launch his line. His first fragrance to hit the market was ‘Disco’ in the spring of 2022 and his second fragrance was ‘Techno’ which was released in fall of 2022.
These two were met with moderate success and they were featured at various musical festivals where Gillie performed as the pandemic wound down in 2022.
“Fragrance kept me from going dark during the pandemic,” continued Gillie. “Just like music. It uplifted me.”
But Gillie’s newest fragrance, “Hip Hop,’ changed the game, dropping during the 50th anniversary of Hip Hop.
Gillie was on hand recently to celebrate the 50th anniversary of Hip Hop and to reveal his new scent at the independent fragrance retailer, Ministry of Scent at 973 Valencia St. in San Francisco’s Mission district.
“This event is to help celebrate Hip Hop, Gillie’s third fragrance in his line of fragrances,” said Antonia Kohl, a co-owner of Ministry of Scent, which specializes in independent and niche fragrances.
Hip Hop is a boozy scent with notes of black currant, saffron, spice leather, white musk and amber with a sweet twist. It has a 50% concentration with 10 hours of longevity.
“I started the fragrance line for myself,” continued Gillie. “If I liked the smells, I felt like others would as well and if the brand didn’t work, I would just smell good for the rest of my life.”
He joins other Black perfumers who have made a mark on the fragrance scene. This includes Chris Collins, Chris Crenshaw and Pink Mahogany to name a few who have entered the multi-billion dollar industry.
“A lot of people are getting into the independent lane and making fragrances,” said Gillie. “It’s about providing a good product and taking it to the marketplace.”
Gillie’s fourth scent, ‘House,” will be coming out soon.
After ‘House,’ he said he will launch another quartet of fragrances which will be called Soul, Jazz. Blues and R&B.
“Fragrances are subjective, and they are not for everyone,” added Gillie. “But I want people to be happy and feel good and to be uplifted.”
Hip Hop can be purchases at the Ministry of Scent in San Francisco and at retailers online.
Arts and Culture
Alameda County Supervisor Nate Miley, PIC Lead Effort to Save East Oakland Martial Arts School
For over 50 years Sifu Bill and Mary Owens have owned and operated Cascos Martial Arts Academy in East Oakland. They have specialized in teaching self-defense, cultural awareness, educational values, and self-confidence to students of all ages. But the COVID-19 pandemic has nearly brought down the dojo located at 7415 MacArthur Blvd.

By Post Staff
For over 50 years Sifu Bill and Mary Owens have owned and operated Cascos Martial Arts Academy in East Oakland.
They have specialized in teaching self-defense, cultural awareness, educational values, and self-confidence to students of all ages. But the COVID-19 pandemic has nearly brought down the dojo located at 7415 MacArthur Blvd.
The Owens hoped that students would return after the shutdown and they did, but not in the numbers they had before. Having prided himself for never turning away a student who could not pay, last summer Bill Owens found himself far behind on his mortgage.
Alameda County Supervisor Nate Miley helped them secure a small grant to try to recover from the pandemic, but they have been served with a foreclosure notice anyway.
Miley has again responded by making a $5,000 donation to the Private Industry Council (PIC), which will, in turn, provide aid to the dojo. The Oakland Post is planning to match Miley’s contribution.
Post Publisher Paul Cobb said he will help Miley and PIC Executive Director Ray Lankford raise the funds to prevent the dojo from closing.
“We must fight for constructive programs to save our youth in the same manner that the community rallied to raise more than $80,000 to prevent foreclosure of the North Oakland Baptist Church’s properties,” Cobb said.
The Cascos Martial Art Academy has been recognized as being an integral part of Oakland’s history and has received hundreds of trophies and awards for being one of the longest-running martial arts schools in California.
In addition to traditional martial arts training, they also teach OFA, which is short for Ofanics.
OFA is a unique, evolutionary martial art form taught nowhere else in the world, as it was created and developed over many years at Cascos Martial Arts Academy.
The techniques taught and used within the exercises and drills fuse the beautiful art of Chinese Kung Fu with African American culture, where each self-defense or fighting stroke becomes a rhythmic musical delivery.
On June 25, 2021, Congresswoman Barbara Lee of Oakland wrote a letter acknowledging the immensely positive impact that Cascos Martial Art Academy has had on the community.
Bill and Mary have also received commendations from members of the California State Assembly for exemplary teaching and support for the youth in the community. Having served more than 6,000 students, the couple’s impact is not just local but worldwide.
The Owens’ are asking the community to help them preserve this legacy by inviting the public to attend and participate in the free, self-defense program called “Black Girls Missing,” which is designed for young girls and women of all ages. This program builds self-confidence, self-appreciation, self-discipline, and awareness.
The first class and kick-off of the “Black Girls Missing Program” will be held Sat. Nov. 11, from 7-9 p.m. at Geoffrey’s Inner Circle at 410 14 St. in Oakland CA. It’s a workshop and a party. Wear something comfortable.
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