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With Carolyn Bryant’s Death, Where is Justice for Emmett Till?

NNPA NEWSWIRE — Last year President Joe Biden signed the Emmett Till Antilynching Act into law — legislation that had previously been killed more than 200 times. The passage was a hard-fought win, but the activist William Barber III reminded us that no law, “verdict or election can bring about the racial reckoning America needs after 400 years of building systems that have rested upon White supremacy.”
The post With Carolyn Bryant’s Death, Where is Justice for Emmett Till? first appeared on BlackPressUSA.

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By Liz Courquet-Lesaulnier | Word in Black

Emmet Till deserved to grow old.

If he hadn’t been murdered in Money, Mississippi, on August 28, 1955 — if he had lived long enough to develop wrinkles and gray hair, and bounce his children, grandchildren, and possibly his great-grandchildren on his knees — he might have celebrated his 82nd birthday this July.

His mother, Mamie Till-Mobely, who died in 2003, might have had many happy years with her beloved son. She wouldn’t have gone to her grave with horrifying memories of his brutalized body. She wouldn’t have had to make the courageous decision to leave his casket open. There would have been no reason for her to say these heartbreaking words: “I wanted the world to see what they did to my baby.”

But thanks to the need of White men in the Jim Crow South to preserve the purity and honor of 21-year-old Carolyn Bryant — the White woman who falsely accused Till of making sexual advances at her — Emmet Till never made it past 14.

Carolyn Bryant — known later in life as Carolyn Bryant Donham — lived to the ripe old age of 88 without ever being held accountable for her part in Till’s murder.

As reporter Ed Pilkington wrote in the Guardian in 2020 about the people involved in Till’s murder, “Not a day has been spent in jail nor a penny paid in compensation.”

That was still true on April 25, the day Carolyn Bryant died.

A Last Chance for Justice

On the morning of April 27, before most people knew about Bryant’s death, the social media accounts of the Emmett Till Legacy Foundation — the nonprofit founded in 2005 by Till’s family posted black squares to their various pages.

The squares were, perhaps, an acknowledgment that with Bryant’s death, the family’s last chance for justice for Emmett Till — for anyone involved in his murder to be held accountable — was now gone.

“This is not a celebratory moment,” Keith A. Beauchamp, the filmmaker who co-wrote and produced the 2022 feature film “Till,” explained on his Facebook page.

“Since 1955, law enforcement and local officials have allowed Bryant – Donham to evade justice. It’s infuriating to come to the realization that the American judicial system has failed us yet again.”

In his post, Beauchamp also acknowledged, “The question that everyone should be asking is how and who allowed this predator to get away?

Like Till’s family, Beauchamp has long pursued truth and justice for the murdered teen.

Beauchamp spent 10 years making the 2005 documentary, “The Untold Story of Emmett Louis Till.”

The evidence he uncovered was instrumental to the U.S. government reopening its investigation of the case in 2004 — before the film was released. However, no charges ended up being brought, and the investigation closed in 2007.

The FBI reopened the case after the January 2017 publication of the book “The Blood of Emmett Till,” by historian and author Timothy B. Tyson.

Tyson spent an unprecedented amount of time with Bryant, and he detailed in the book that she admitted to him that she had lied.

Tyson wrote that Bryant said: “Nothing that boy did could ever justify what happened to him.” However, he was unable to produce an audio recording of that specific conversation — he only had a handwritten note of Bryant’s remarks. The Till case was closed again in 2021.

An Unserved Arrest Warrant

Bryant’s death came just two weeks after the April 13 announcement that Ricky Banks, the sheriff in Leflore County, Mississippi, had declined to serve a recently discovered 1955 arrest warrant for Carolyn Bryant.

Why wasn’t the warrant served in 1955? The then-sheriff decided he didn’t want to “bother” Bryant because she was a mother.

This unserved warrant was found in June 2022 at the Leflore County Courthouse by five members of the Emmett Till Legacy Foundation.

Despite the discovery of the warrant, in August 2022, a Leflore County grand jury refused to indict Bryant.

“It is evident that the outstanding warrant was not ever intended to be served in 1955 and obviously not intended to be served in 2022,” Deborah Watts, another cousin of Till and a co-founder of the Emmett Till Legacy Foundation, wrote in a statement at the time.

“This is a missed opportunity to break the cycle of protection that has been afforded to White women, specifically to Carolyn Holloway Bryant Donham, Mrs. Roy Bryant, the last living known accomplice, who has been allowed to escape full accountability and judicial judgment in this case. No family should ever have to endure this pain and injustice for this long,” Watts wrote.

In February 2023, another of Till’s cousins, Patricia Sterling, filed a federal lawsuit seeking to compel Banks to serve the warrant.

“But for Carolyn Bryant falsely claiming to her husband that Emmett Till assaulted her, Emmett would not have been murdered,” the lawsuit stated.

Bryant is widely believed to have identified Till to her husband, Roy Bryant, and J.W. Milam, Roy Bryant’s half-brother. It’s also believed that Carolyn Bryant helped the two men locate Till so that they could abduct him from his bed in his great-uncle’s home.

“It was Carolyn Bryant’s lie that sent Roy Bryant and JW Milam into a rage, which resulted in the mutilation of Emmett Till’s body into unrecognizable condition,” Sterling’s lawsuit stated.

However, on April 13, Banks’ attorney, Charles J. Swayze III, filed court papers stating, “Since the Grand Jury found no probable cause to indict Donham on the charges of kidnapping and manslaughter, there is no probable cause to support the 1955 Arrest Warrant.” Swayze also asked for Sterling’s federal lawsuit to be dismissed.

Despite this setback, the Till family didn’t give up.

In an April 26 Facebook post, Watts clarified that far from the discovery of the warrant being a surprise — as some news outlets had reported — she and the other foundation members were “intentionally Searching for the Unserved Warrant.”

Watts wrote that they found the warrant “within an hour and a half” of looking for it — raising the question of why it had not previously been discovered in the decades before.

Watts subsequently demanded “that Mississippi authorities that are responsible, do their jobs and #ServeTheWarrant now!”

Little did Watts know when she uploaded her post that Carolyn Bryant had died the day before.

We Can Never Forget

In 2003, one week before she died, Mamie Till Mobeley told Beauchamp to “tell Emmett’s story until man’s consciousness is risen, only then there will be justice for Emmett Till!”

Till’s “case is so relevant today because he is the Anne Frank for Black America,” Beauchamp wrote me in an email in 2015.

“Just like our Jewish brothers and sisters, we must continue to tell Emmett’s story over and over again.”

The details of what followed after Till’s abduction are horrific, but given the persistent attacks on teaching the truth about Black history — about American history — they bear repeating.

We know that Roy Bryant and J.W. Milam drove Till to a barn, stripped him naked, and tortured and beat him beyond recognition. A passerby reported hearing the boy crying out, “Mama, please save me.”

As the historian Tyson wrote, “Affronted White supremacy drove every blow.”

The men went on to gouge out one of Till’s eyes, shoot him in the head, and use barbed wire to tie his body to a 75-pound cotton gin. They then threw his body into the Tallahatchie River and took Till’s clothes and shoes home to burn them.

Despite the weight of the cotton gin, Till floated eight miles downstream. Once discovered, his body was only identifiable because of a silver ring on his pinky finger.

During Roy Bryant and J.W. Milam’s trial, Carolyn Bryant sat coolly beside her husband.

When called to testify, she claimed that Till had grabbed her hand and waist, asking her, “How about a date, baby?” She claimed he’d made sexually explicit comments and said he’d been with other White women.

Both men were acquitted in Sept. 1956 by an all-White jury.

We only know the details of Till’s murder because in 1956, Look magazine paid Roy Bryant and J.W. Milam $4,000 to spill the gruesome circumstances.

The article describes 5′ 4″ tall Till as looking “like a man” — a reminder of how from Emmett Till to Trayvon Martin to Tamir Rice, the combination of adultification and racism gets Black children killed.

Milam told the magazine that when a Black man “gets close to mentioning sex with a White woman, he’s tired o’ livin’. I’m likely to kill him. Me and my folks fought for this country, and we got some rights.”

He went on to say he told Till, “I’m going to make an example of you—just so everybody can know how me and my folks stand.”

Double jeopardy laws protected both men from being tried again for Till’s murder.

A Steep Price for Civil Rights

Surely, the actions of Mamie Till-Mobley weren’t what either man expected. The widely circulated photograph of Till’s mutilated body in the open casket requested by Till-Mobley shocked the world and galvanized the civil rights movement.

Her description of her son’s body is what no mother should ever have to see:

“I saw his tongue had been choked out and it was lying down on his chin. I saw that this eye was out, and it was lying about midway to cheek. I looked at this eye, and it was gone. I looked at the bridge of his nose, and it looked like someone had taken a meat chopper and chopped it. I looked at his teeth, because I took so much pride in his teeth. His teeth were the prettiest things I’d ever seen in my life, I thought. And I only saw two. Where are the rest of them? They had just been knocked out. And I was looking at his ears. His ears were like mine. They curled. They’re not attached, and they curled up the same way mine are. And I didn’t see the ear. Where’s the ear? And that’s when I discovered a hole about here, and I could see daylight on the other side. I said, now was it necessary to shoot him? If that’s a bullet hole, was that necessary? And I also discovered that they had taken an axe, and they had gone straight down across his head, and the face and the back of the head were separate.”

When you read Till-Mobley’s words, you understand why on Dec. 1, 1955, Rosa Parks had Emmett Till on her mind when she refused to go to the back of the bus — which led to her arrest and sparked the Montgomery Bus Boycott.

That, in turn, led to Martin Luther King Jr. becoming the president of the Montgomery Improvement Association — activism that catapulted him onto a national stage.

In 2005, the Rev. Al Sharpton told Democracy Now that because of Till-Mobley’s choice to open her son’s casket, “because she put the picture of this young man’s body on the conscience of America, she might have saved thousands of young Black men and young Black women’s lives.”

Last year President Joe Biden signed the Emmett Till Antilynching Act into law — legislation that had previously been killed more than 200 times. The passage was a hard-fought win, but the activist William Barber III reminded us that no law, “verdict or election can bring about the racial reckoning America needs after 400 years of building systems that have rested upon White supremacy.”

And what a steep price has been paid for our freedoms by Till and his family.

Another of his cousins, Thelma Wright Edwards, told the Guardian in 2020 that she didn’t actually want Bryant in jail due to the woman’s age.

However, “I do want Miss Bryant to admit she lied,” she said. “Stand up and tell the truth. We can’t move on until we hear it from her mouth.”

With Bryant’s death, that longed-for moment of accountability — of truth — will never come.

This piece was originally published by Word in Black.

The post With Carolyn Bryant’s death, where is justice for Emmett Till? appeared first on AFRO American Newspapers .

 

The post With Carolyn Bryant’s Death, Where is Justice for Emmett Till? first appeared on BlackPressUSA.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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