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West African Dance Company Presents “The Forbidden Bush”

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Nimely Napla’s “The Forbidden Bush” addresses the little known deforestation devastating most of West Africa in a production presented by Diamano Coura West African Dance Company.The performance tells a stark, scary story that is unfortunately all too true. Though Napla’s “Bush” looks at the relationship between global warming and rain forest depletion in his native, Liberia, the work is emblematic of the clearcutting of virgin forest throughout Africa.

In much of Africa where there is bush or forests, boys carry chainsaws like cowboys toted pistols in the old west. Quick to draw, despite sagging pants, boys complete over how fast they can chop a tree down.

The production continues to be topical, whether we are looking to the 2015 production on the eve of climate talks in Paris or at the shaky truce at Standing Rock in 2016 or at President Obama using his authority to save and preserve public lands as monuments with the Antiquities Act.

The full production, which included a short documentary, was presented at Diamano Coura’s annual fall program at Laney College Odell

Forbidden Bush: Zoe with servant. Zoekeyah in rear. Photo by Wanda Sabir.

Forbidden Bush: Zoe with servant. Zoekeyah in rear. Photo by Wanda Sabir.

Johnson Theatre in November.

 

The story begins with a single mother needs wood to cook dinner. Her neighbors, both men and women, refuse to share their supply with her as they pass by her home.

One suggests that she send her daughters into the woods to gather wood. She warns the girls to avoid the sacred forest as she gives both of them machetes.

 

The children set off, yet once they arrive at the forest it is full of stomps . . . the trees have been chopped down. The girls see a lit path which takes them deeper into the woods or Forbidden Bush which is only safe for Zoe, medicine people and spiritual masks.
Zinnah (Laija Loving) escapes, but her sister Ma Titah (Sia Bandabaila) is captured. The Zoebah masks are huge creatures – all Black, layers and layers of raffia with a white crown and white designs on its faces.

 

There is an even bigger mask (Gbatu), which grows large and then collapses to the floor when he dances. It is the one-eyed monster that

Forbidden Bush: Villagers distressed over the news of Ma Tita's capture. Photo by Wanda Sabir.

Forbidden Bush: Villagers distressed over the news of Ma Tita’s capture. Photo by Wanda Sabir.

terrifies the men from the village who promised Ma Yatta (Betty Robinson), they would save her daughter.

 

In the Bush mortals are clearly disadvantaged. Without magic there is not much they can do to protect themselves, not to mention save a child, but they do.
Clever often trumps magic, and when the brave village men (Diony Gamoso, Phillip Amo Agyapong, Akebulon) subdue and then kill the beast, the Zoe or chief medicine women (Mama Naomi Diouf) removes the spell from Ma Titah and she returns home with the elders.
Each scene is characterized not only by the superb dance – a fusion of traditional and folkloric, but by colorful amazing Napla’s costume design. Yes, he is also the choreographer.

 

The forest, the girls’ capture, then the village celebration which includes the Zoe and her entourage are stunning especially the Mystical Fire which grows from four women to 20 (or so it seems) and the stunning solo by the Zoekeyah.

 

The film, which looks at programs which address deforestation on Liberia and facts about the environmental impact on Liberia’s loss of rainforest which between 1980 and 2001 has been losing 2.6 percent of forest a year. The decrease has only grown faster since, increasing by 17.3 percent to 1.74 percent per annum. What is a tragedy is that Liberia has much of what remains of the rainforest in Africa. While Forbidden Bush doesn’t offer a consummate solution, it does pose strategic and thought-provoking scenarios and resources for the audience to get involved.
Next up at Diamano Coura is its 22nd Annual Collage des Culture Africaines March 9 – March 12 at Malonga Casquelourd Center for the Arts.

 

#NNPA BlackPress

COMMENTARY: The National Protest Must Be Accompanied with Our Votes

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

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Dr. John E. Warren Publisher, San Diego Voice & Viewpoint
Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper. File photo..

By  Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper

As thousands of Americans march every week in cities across this great nation, it must be remembered that the protest without the vote is of no concern to Donald Trump and his administration.

In every city, there is a personal connection to the U.S. Congress. In too many cases, the member of Congress representing the people of that city and the congressional district in which it sits, is a Republican. It is the Republicans who are giving silent support to the destructive actions of those persons like the U.S. Attorney General, the Director of Homeland Security, and the National Intelligence Director, who are carrying out the revenge campaign of the President rather than upholding the oath of office each of them took “to Defend The Constitution of the United States.”

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

In California, the primary comes in June 2026. The congressional races must be a priority just as much as the local election of people has been so important in keeping ICE from acquiring facilities to build more prisons around the country.

“We the People” are winning this battle, even though it might not look like it. Each of us must get involved now, right where we are.

In this Black History month, it is important to remember that all we have accomplished in this nation has been “in spite of” and not “because of.” Frederick Douglas said, “Power concedes nothing without a struggle.”

Today, the struggle is to maintain our very institutions and history. Our strength in this struggle rests in our “collectiveness.” Our newspapers and journalists are at the greatest risk. We must not personally add to the attack by ignoring those who have been our very foundation, our Black press.

Are you spending your dollars this Black History Month with those who salute and honor contributions by supporting those who tell our stories? Remember that silence is the same as consent and support for the opposition. Where do you stand and where will your dollars go?

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Activism

Dorothy Lee Bolden: Uniting Domestic Workers

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

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Dorothy Lee Bolden. File photo.
Dorothy Lee Bolden. File photo.

By Tamara Shiloh

Her first experience with domestic work was at the age of nine. For $1.25 per week, Alabama-born Dorothy Lee Bolden (1923–2005), alongside her mother, washed soiled diapers for a White employer. Little did anyone know that this profession would spur Bolden to spearhead the movement for basic dignity and respect for generations of domestic workers.

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

It was Bolden’s experiences working as a domestic in 1940’s Atlanta that inspired her civil rights activism. A White female employer demanded that Bolden remain beyond her shift and wash dishes. Bolden refused. She was arrested and held in a county jail because “she was crazy.” There was no other reason for disobeying an order from a White person.

Bolden was never sentenced or institutionalized, but this event was the seed that grew into organization that would protect domestic workers across the United States: the National Domestic Workers Union of America.

Rosa Parks had made public transportation a major breeding ground for civil rights activism, so Bolden began organizing during the long bus rides her peers made to the wealthy neighborhoods. Many were fed up, working long hours for little pay, with little to no worker protections.

This organization of women would go on to fight for worker’s rights, create training programs, and teach workers to advocate for themselves. It was also important to Bolden to teach communication skills.

In the book Household Workers Unite, Bolden is quoted as saying: “You have to teach each maid how to negotiate… And this is the most important thing — communication. I would tell them it was up to them to communicate.”

But respect for Bolden’s activism was not shared by everyone. Although she consulted presidents Ford, Reagan, and Carter, she received several death threats from the Ku Klux Klan.

The New York Times reported that during the makings of an oral history project, Bolden said that “men claiming to be members of the KKK called her house and spoke about “whipping my behind,” but in coarser terms. “I told them any time they wanted to, come on over and grab it,” Bolden said during the interview. “It didn’t scare me, didn’t bother me. It made me angry. It made me determined to do what I had to do.”

Representative John Lewis of Georgia said that Bolden “spoke up, and she spoke out, and when she saw something that wasn’t fair, or just, or right, she would say something.”

The NDWU of America ran until the mid-1990s, but Bolden’s legacy lives on.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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