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Univision Drops Miss USA, Miss Universe Over Trump Comments

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In this June 16, 2013 file photo, Donald Trump, left, and Miss Connecticut USA Erin Brady pose onstage after Brady won the 2013 Miss USA pageant in Las Vegas, Nev. Univision says it is dropping the Miss USA Pageant and says it will cut all business ties with Donald Trump over comments he made about Mexican immigrants. The network said Thursday, June 25, 2015, it will not air the pageant on July 12, as previously scheduled, and has ended its business relationship with the Miss Universe Organization due to what it called "insulting remarks about Mexican immigrants" by Trump, a part owner. (AP Photo/Jeff Bottari, File)

In this June 16, 2013 file photo, Donald Trump, left, and Miss Connecticut USA Erin Brady pose onstage after Brady won the 2013 Miss USA pageant in Las Vegas, Nev. Univision says it is dropping the Miss USA Pageant and says it will cut all business ties with Donald Trump over comments he made about Mexican immigrants. (AP Photo/Jeff Bottari, File)

FRAZIER MOORE, AP Television Writer

NEW YORK (AP) — Donald Trump’s fledgling GOP presidential bid quickly led to business fallout for him, with Univision saying it will drop the Miss USA and Miss Universe pageants and cut all ties with Trump over comments on Mexican immigrants.

The company said Thursday it was canceling its Spanish-language coverage of the Miss USA pageant July 12. It will also ax its planned coverage of the Miss Universe pageant next January and is severing its business relationship with the Miss Universe Organization, which produces both pageants, because of what it called “insulting remarks about Mexican immigrants” by Trump, a part owner of Miss Universe.

NBC remained silent about its scheduled coverage of the Miss USA pageant, which has aired on the network since 2003. But it sought to distance itself from Trump’s remarks.

“Donald Trump’s opinions do not represent those of NBC, and we do not agree with his positions on a number of issues, including his recent comments on immigration,” NBC said in a statement.

Trump has long been featured on another NBC program, “Celebrity Apprentice,” which is currently on hiatus. The show has been renewed, but the network hasn’t commented on its future since Trump declared his candidacy.

During his presidential campaign kickoff speech last week, Trump portrayed immigrants from Mexico as “bringing drugs, they’re bringing crime, they’re rapists, and some, I assume, are good people.” He also called for building a wall along the southern border of the U.S. The remarks drew condemnation from the Mexican government as “biased and absurd.”

In an interview Thursday, Trump said his criticism was directed against U.S. policymakers, not the Mexican people or government, adding that Univision would be defaulting on its contract if it doesn’t air the pageant.

This year’s telecast would have been the first in a five-year deal also including Miss Universe that Trump said “has no termination rights.” He pledged to take legal action against the company.

“At Univision, we see firsthand the work ethic, love for family, strong religious values and the important role Mexican immigrants and Mexican-Americans have had and will continue to have in building the future of our country,” said the New York-based Univision Communications Inc.

Trump accused Univision of having ties to Mexico that led the network to submit to pressure from Mexican leaders to punish him for positions he voices as a candidate on the campaign trail.

“They don’t want me saying that Mexico is killing the United States in trade and killing the United States at the border,” Trump said. “Univision is totally laying down for the Mexican government. … They want to silence Donald Trump. And Donald Trump can’t be silenced. … I have great respect for Mexico and I love the Mexican people, but my loyalty is to the United States.”

Univision declined to comment on Trump’s remarks.

In an interview scheduled to air Sunday on Telemundo’s “Enfoque con José Díaz-Balart,” Trump said that “many bad people are coming in” from Mexico and elsewhere.

“You’re going to have terrorists coming through the southern border. There’s no question about it,” he said.

The host challenged Trump, contending there has been no act of terrorism committed by someone crossing the U.S.-Mexico border.

“You don’t know that,” Trump replied, adding later: “See what happens tomorrow. See what happens in two weeks from now. … I’m not even talking about terrorists from this region. I’m talking about from the Middle East they can come in. The border is totally open.”

In severing her ties with the show, Puerto Rican actress Roselyn Sanchez, one of the two co-hosts, cited Trump’s comments about immigrants.

“Since I heard Trump’s speech, as a Latina I felt a lump in my stomach. ‘It’s got to be a joke,’ I thought,” the star of the Lifetime series “Devious Maids” told The Associated Press.

Also on Thursday, Chilean actor-producer Cristian de la Fuente, the show’s other co-host, had strong words for Trump: “It’s a shame that such an important institution as Miss USA is now in the hands of a clown.”

Singer-songwriter Ricky Martin also took to Twitter to blast Trump.

“A lot of hatred and ignorance in his heart,” he tweeted.

Miss California USA Natasha Martinez was asked about Trump’s comments during an interview Thursday on Los Angeles TV station KCAL and said they were “a little bit tough to hear.”

“But I know that this opportunity for me as Miss California-USA, and now competing for Miss USA, is a great bridge to kind of represent my community and let the world know that I am a proud Latino-American,” she said.

___

Associated Press writers Sigal Ratner-Arias and Claudia Torrens in New York, and John Antczak and Lynn Elber in Los Angeles contributed to this report.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Business

From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

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Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum. 

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”

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Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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Books

BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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