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Three’s Complicated and Fun on Film

THE AFRO — The project stars Shanola Hampton (of Showtime’s “Shameless”), who also served as an executive producer on the film.

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By George Kevin Jordan

What would you do? You are 42, divorced and passed over for a promotion. You meet a cute young thing at a bar and have some fun—for once. You have a no-strings-attached session and keep it pushing back to your “real life.” But then you discover  your daughter (read: your real life) is dating your weekend-stand. Throw in an ex or two and it gets…well…complicated.

That the premise behind “Three’s Complicated,” a film that debuts Jan. 13 at 7 p.m. EST/ 6 p.m. Central on TV One.

The project stars Shanola Hampton (of Showtime’s “Shameless”), who also served as an executive producer on the film. The film was written and directed by Shari Lynette Carpenter. Rounding out the cast are Tyler Lepley (“The Haves and The Have Nots”), Kyanna Simone Simpson (“The Immortal Life of Henrietta Lacks”) and Charles Malik Whitfield (“The Temptations”).

Hampton was excited to bring the project to life, and to have a bigger hand in the process.

“It’s really a great concept,” Hampton said about the film, adding that the project gave her a chance to fulfill many goals she envisioned for herself in the upcoming year.

“It was one of my visions last year for my life,” Hampton said. “I wanted to find a film I was excited about, I wanted to work with a great team. It was a great partnership with TV One. It was so much fun. It really was what I call the perfect marriage for my first time as executive producer.”

Hampton was very candid about taking the helm, saying, “There are all sorts of decisions that need to be made that people have no idea about.”

She added with a laugh, “But I like being a boss. I’m a boss in my own house  – ask my husband. I executive produce my life. It was an easy transition to do it on set.”

All jokes aside Hampton and the crew are excited to be on the uptick of entertainment gigs for people of color, but are not afraid to call out the hypocrisy of Hollywood.

“We have had more opportunities than we’ve ever had which is a good thing but we still have a long way to go,” Hampton said.

Tyler Lepley said he was excited as well but knows talent is talent regardless of the beholder.

“You have someone like Viola Davis,” Avery said. “She was great before anyone White said she was great. This whole thing of a Black artist not being great unless a White person says so is just stupid. That Black artistry is great before anyone else says it is.”

Even though it’s a comedy, “Three’s Complicated” is doing some low-key activism, pushing to the forefront ideas of sexuality, romance, identity and, of course, aging.

“This is definitely one reason I was drawn to the role,” Hampton said. “The fact of the matter that 42 is not old by any means but in certain industries it’s perceived that way. It is a story that needs to be told; I really wanted to show beauty, talent, heart, even in your forties.”

Last week, Regina King, after winning a Golden Globe for her role in “If Beale Street Could Talk,” made a promise that 50 percent of any crew she worked on would be women. This call to action resonates with Hampton and her team.

“Look at our film: A woman wrote it, a women directed,” she said, adding, “A woman is going to bring something different than a male. There’s a different love that goes to it. So it needs to be done more.”

Once a project is completed your idea of what you wanted may have shifted. But Hampton an Lepley were very focused on their goals for the film.

“I want to bring a grounded sense of reality to this romantic comedy and not have it be slapstick,” Lepley said; “to bring the truth to something that is funny.”

Hampton concurred, “I really want people to feel the subtlety of this being a romantic comedy but making sure it was rooted in truth. I wanted people to feel the reality of it.”

For more information on the film please go to the TV One site.

This article originally appeared in The Afro. 

Business

From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

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Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum. 

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”

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Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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Books

BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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