Art
The Gibbes Museum of Art’s Distinguished Lecture Series Presents Fred Wilson
CHARLESTON CHRONICLE — The Gibbes Museum of Art have announced that renowned artist Fred Wilson will be the keynote speaker at the museum’s annual Distinguished Lecture Series, taking place at Charleston Music Hall on Wednesday, November 13.
By The Charleston Chronicle
The Gibbes Museum of Art have announced that renowned artist Fred Wilson will be the keynote speaker at the museum’s annual Distinguished Lecture Series, taking place at Charleston Music Hall on Wednesday, November 13.
“The Gibbes does not tell Charleston’s story from a singular point-of-view, but rather through a series of artistic lenses and diverse perspectives,” says Angela Mack, executive director of the Gibbes Museum of Art. “We are thrilled to be hosting Fred Wilson for this lecture as someone who challenges assumptions of history, culture, race and conventions of display with his work. We are honored to be introducing Wilson to Charleston ahead of his exhibition that will be on display at the Gibbes next year.”
Since his groundbreaking and historically significant exhibition Mining the Museum (1992) at the Maryland Historical Society, Wilson continues to use cultural products to address issues of racism and erasure as the subject of many solo exhibitions. The artist’s most recent body of work, an exhibition entitled Afro Kismet, was originally produced for the Istanbul Biennial in the Fall of 2017 and subsequently shown in New York and Los Angeles. Afro Kismet will open at the Gibbes Museum of Art in the Spring of 2020.
Wilson’s many accolades include the prestigious John D. and Catherine T. MacArthur Foundation’s “Genius” Grant (1999); the Skowhegan Medal for Sculpture (2006); the Alain Locke Award from The Friends of African and African American Art at the Detroit Institute of Arts (2013); a Lifetime Achievement Award, Howard University, Washington, D.C. (2017); the Ford Foundation’s, The Art of Change Award (2017-18); and an honor by The Black Alumni of Pratt Institute during their 2017 Celebration of the Creative Spirit. Wilson was recently named the 2019 recipient of Brandeis University’s Creative Arts Award and is a trustee of the Whitney Museum of American Art.
Event Details:
- Wednesday, November 13, 2019
- Doors: 5:30 PM / Show: 6:30 PM
- Charleston Music Hall, 37 John Street, Charleston, S.C. 29403
- $60 – Tier 1 ($50 for Members) | $40 – Tier 2 | $15 – Student/Faculty
Event sponsors included former Gibbes board member and philanthropist Esther Ferguson, Bank of America, Samuel Freeman Charitable Trust, Lynch Cracraft Wealth Management of Raymond James and the City of Charleston.
Tickets will be for sale beginning June 21, 2019. Members will have access to a presale on June 17, 2019. For information on becoming a member, visit www.gibbesmuseum.org. To purchase tickets, visit Charleston Music Hall’s website at www.charlestonmusichall.com or call the box office Monday-Thursday from 12pm-6pm or Friday from 10am-6pm at 843-853-2252.
This article originally appeared in the Charleston Chronicle.
Art
Artist Highlight: TJ Walkup “Iconoclast, Cartoon Illustrator, Filmmaker”
Born in 1970 in Napa, California, TJ has studied and practices in multiple creative and technical disciplines, MIDI and Sound Design, Stagecraft, Art and Graphic Arts in LA, Napa, Central Coast and San Francisco. TJ is a solo artist and a contributor and collaborator in various forms from art shows, published in activist rags advocating for homeless with Street Spirit, Street Sheet and Homeless in the Homeland.

Born in 1970 in Napa, California, TJ has studied and practices in multiple creative and technical disciplines, MIDI and Sound Design, Stagecraft, Art and Graphic Arts in LA, Napa, Central Coast and San Francisco. TJ is a solo artist and a contributor and collaborator in various forms from art shows, published in activist rags advocating for homeless with Street Spirit, Street Sheet and Homeless in the Homeland. As a musician and recording technologist he has played on college radio and on underground pirate radio.
TJ recalls “I had a one-man painting show at the last club with a cabaret license in SF and Edward Snowden was in attendance”. Locally TJ produced the Punk and Edge Arts Festival “Mocktoberfest,” the first of its kind in Vallejo.
Children received instruments and lessons free of charge in their chosen genre. This was in partnership with the Mira Theater and included 2 stages at the Empress and Mira theaters with 13 bands as well as a showing of “Afropunk” and an art show. Former museum director Jim Kern’s set list sheets from “The Cramps” appeared in the art show as well as an “Otaku Patrol Group” Cyberpunk leather jacket as artifact displays.
Klaus Flouride of the Dead Kennedy’s was in attendance and a presenter through Schroom Custom Guitarworks, Consumer music and Ernie Ball were sponsors.
Today TJ and his wife Christina own and operate a small production company Omnific Pictures.
He is actively illustrating zines, books and re- imagining classic literature as graphic novels, and makes experimental music under a secret moniker in the top 10 of the genre for 8 years.
This Artist Highlight was brought to you by the Vallejo Commission on Culture and the Arts.
Art
Choreographer, Poet, Playwright Robert Henry Johnson, 54
Robert Henry Johnson, a Bay Area dancer, choreographer, and playwright, passed away on Dec. 16, 2022. His body was identified in March. Johnson will be missed deeply. He worked in the Bay Area for decades, teaching a generation of Black artists.

By Zoe Jung
Robert Henry Johnson, a Bay Area dancer, choreographer, and playwright, passed away on Dec. 16, 2022. His body was identified in March.
Johnson will be missed deeply. He worked in the Bay Area for decades, teaching a generation of Black artists.
He was born Jan. 30, 1968, to Robert Gonzales, a guitarist, and jazz singer Lady Mem’fis. He grew up in the Western Addition neighborhood showing early talent in theatre and dance.
One of the first students to graduate from the San Francisco School of Performing Arts, Johnson went on to receive a full scholarship to the San Francisco Ballet School in 1985, where he studied for four years. After graduating, he moved further into the world of writing and choreography.
He applied for a playwrights’ residency at Sugar Shack Performance Gallery in 1992 where he staged, directed and developed several of his plays. For his poetic and lively writing style, he was honored with the Levi’s & Strauss Certificate of Literary Appreciation that same year.
In 1993, he founded the Robert Henry Johnson Dance Company the same year his first play, “Poison Ground,” was featured in the Bay Area Playwrights Festival and was produced by the Hartford Stage Company two years later.
Over time he created works for the Bavarian State Ballet, Ballet British Columbia, Oakland Ballet, and others.
Although his troupe performed for several years, earning local and national acclaim, he disbanded it to focus on solo efforts.
Among those efforts were writing plays and poetry. In the months before his passing, he had taken up a challenge to create poems just for his Facebook audience.
At the turn of the year, Facebook posts from friends showed they were concerned that they couldn’t get in touch with him, especially around his birthday.
When his death was announced, there was an outpouring of grief on social media.
On March 27, Wanda Sabir of Wanda’s Picks radio held an online memorial for Johnson. Each person attending was given a five-minute window to remember Johnson, tell stories about him, speak to his passing, and celebrate his life.
More than 80 people came to watch the memorial on YouTube, which ran for about two hours.
Dancer, teacher, and author Halifu Osumare began the memorial with a libation, invoking the spirits of the ancestors to help mourners through their grief and help Johnson’s spirit find its way.
Raissa Simpson, the founder of PUSH Dance Company, said, “He was young, gifted, and Black, the epitome of it. And he also mentored so many of us, so many of us young Black choreographers. He stood up for us, he protected us . . . he did a lot for us.”
Sherrie Taylor, Johnson’s cousin, said, “He was such an inspiration to everyone here. He will always be a bright light in my life because that’s what he did. He shined like a bright light. He was a wonderful person, and I just wish I could have spent some more time with him.”
Antoine Hunter said it was “a time to celebrate that light that was lit from the day I met him.” At the end of his speaking window, Hunter shared that the last words he said to Johnson were “I love you.”
Another celebration of Johnson’s memory will be held April 8 at the Zaccho Dance Theatre at 1777 Yosemite Ave., San Francisco, and another on May 27 at the African American Art and Culture Complex at 762 Fulton St, San Francisco. Time to be announced.
Art
Oakland Museum of California to Feature Works of NIAD Artists
Oakland Museum of California (OMCA) is partnering with Richmond’s NIAD Art Center and other Bay Area organizations serving artists with developmental disabilities to present “Into the Brightness: Artists from Creativity Explored, Creative Growth & NIAD,” a large-scale, multimedia exhibition Fri., May 19, 2023, through Jan. 21, 2024.

By Kathy Chouteau
Oakland Museum of California (OMCA) is partnering with Richmond’s NIAD Art Center and other Bay Area organizations serving artists with developmental disabilities to present “Into the Brightness: Artists from Creativity Explored, Creative Growth & NIAD,” a large-scale, multimedia exhibition Fri., May 19, 2023, through Jan. 21, 2024.
OMCA said it will be “a major exhibition celebrating the myriad works of world-renowned contemporary artists with developmental disabilities producing work of incredible power, exuberance, humor, complexity and joy across multiple mediums and styles.”
Artists from Creativity Explored in San Francisco and Creative Growth in Oakland will join NIAD in the exhibition, sharing their “powerful work across multiple artistic disciplines” including painting, sculpture, film, multimedia, textiles and more, per the museum.

Photo courtesy of the Oakland Museum of California.
It’s the largest museum exhibition to date featuring artists from the three Bay Area organizations, including: Saul Alegria, Peter Cordova, Tranesha Smith-Kilgore, Marlon Mullen, Dorian Reid, William Scott, Dinah Shapiro, Nicole Storm and Marilyn Wong.
“Our organizations were founded under the premise that everyone has creative potential that deserves to be nurtured and celebrated,” said Creativity Explored, Creative Growth and NIAD Art Center in a collaborative statement.
The organizations added that the existing and emerging artists from their studios “are powerful members of the Bay Area art scene who provide an important lens into how art is a tool for communication, expression and connection.” They said they’re excited “to bring this show to life” with OMCA.
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