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Texans Fall to Colts; Fight Breaks Out

The Houston Texans had their first home game of the season when they faced the Indianapolis Colts on Sunday, Sept. 16. Over 71,000 fans packed out NRG Stadium, cheering excitedly for the home team. But many of them would leave disappointed (and possibly bruised). The game was divisional, as the Texans and Colts both vie […]
The post Texans Fall to Colts; Fight Breaks Out first appeared on BlackPressUSA.

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The Houston Texans had their first home game of the season when they faced the Indianapolis Colts on Sunday, Sept. 16.

Over 71,000 fans packed out NRG Stadium, cheering excitedly for the home team. But many of them would leave disappointed (and possibly bruised).

The game was divisional, as the Texans and Colts both vie for control of the AFC South. Both teams were coming off Week 1 losses; both have brand-new quarterbacks. Texans quarterback C.J. Stroud was the No. 2 pick in this year’s NFL Draft; Colts QB Anthony Richardson was the No. 4 pick.

Sunday’s game was only the second game in NFL history to start two quarterbacks under 22. According to NBC Sports, the last game with two QBs this young was 2015. And both quarterbacks had a rough day, with Richardson exiting early due to injury and Stroud being beat up by the Colts defense.

Indianapolis was in control from the very start. Barely four minutes into the first quarter, Richardson stepped back to throw and then took off. Richardson ran right through a gap in the Texans defense, streaking almost untouched into the end zone for the touchdown.

Colts QB Anthony Richardson rushes in for the score. (Photo by Medron White/Forward Times)

Stroud didn’t fare as well on the Texans’ first drive. On 3rd down, Stroud got sacked by Colts defensive end Samson Ebukam. Stroud lost control of the ball, which was recovered by the Colts. And Indianapolis cashed in quickly, scoring on the next play. Richardson again scored with his legs, rushing for a 15-yard touchdown despite a massive hit from Texans safety M.J. Stewart, who ran headfirst into his shoulder. Richardson flew backwards, hitting the back of his head on the turf. But his daring play helped the Colts jump out to a 14-0 lead.

The Texans bounced back with their own scoring drive, going 68 yards in 13 plays and just under six minutes. C.J. Stroud found Texans wide receiver Nico Collins for an 8-yard touchdown reception.

The Colts went three-and-out on their next drive, and so did the Texans after Stroud was sacked by Colts defender E.J. Speed. Indianapolis led 14-7 at the end of the first quarter.

Though Anthony Richardson completed the first quarter, he realized early in the second that something wasn’t right. Richardson self-reported concussion symptoms before staff escorted him to the locker room. Tests confirmed that Richardson had suffered a concussion; he was out for the rest of the game. So Colts QB Gardner Minshew came in as backup.

About five minutes into the second quarter, Minshew found tight end Will Mallory for a 43-yard catch-and-run. Then Colts running back Zack Moss carried the ball for seven yards before running in nearly untouched for an 11-yard touchdown. Indianapolis led Houston 21-7 with 12:45 remaining in the second quarter.

The Texans responded with their own scoring drive, as Stroud completed first-down passes to receivers Nico Collins and Robert Woods. After a nine-play, 64-yard drive, Texans kicker Ka’imi Fairbairn drilled a 29-yard field goal attempt.

But the Colts extended their lead in just minutes. Minshew tossed to tight end Kylen Granson, who dove near the end zone as he was tackled. Initially, he was ruled short of the goal line. But after further review, referees ruled that Granson had extended the ball across the pylon for a touchdown. The Colts led the Texans 28-10 at halftime.

Houston fans were frustrated by the team’s lack of production on offense, and that frustration began to boil over in the third quarter. The Colts added to their lead when kicker Matt Gay drilled a 42-yard field goal to put them up 31-10. That apparently sent some people over the edge.

At some point around this time, Texans fans got into a brawl near NRG’s Bud Light Lounge. Two pairs of men slugged it out near the concessions area, throwing punches as they fell to the ground. As the bodies hit the floor, some bystanders tried to intervene. But they, too, fell down, slipping and sliding on an apparently wet floor. The entire fight was captured on video.
Meanwhile, the Texans were fighting to catch up to their rivals. They were driving when the third quarter ended. But a 13-play, 70-yard drive fell apart near the red zone. First, Stroud’s touchdown pass to receiver Tank Dell was overturned due to an offensive holding penalty. Then Stroud got sacked on third down by defensive end Kwity Paye, losing six yards on the play. Houston settled for three; Fairbairn kicked a 36-yard field goal to make it 31-13 early in the fourth quarter.

After a punt by the Colts, Texans receiver Robert Woods caught a pass from Stroud and ran nearly untouched into the end zone. Texans fans roared their approval at what looked like a touchdown. But video replay showed that Woods stepped out of bounds near the 25-yard line.

Two plays later, Stroud threw to rookie receiver Tank Dell for a 23-yard score. It was Dell’s first NFL career touchdown (he spent three years at the University of Houston). The Texans pulled closer, trailing the Colts 31-20 with 9:48 remaining.
Houston’s defense kept Indianapolis from scoring for the entire fourth quarter. And with three minutes to go, the Texans offense was finally gaining some momentum. Stroud completed a 32-yard pass to Nico Collins and then two consecutive throws to tight end Dalton Schultz. But Stroud got sacked on the following play, and it was 4th down.

The Texans attempted a field goal; the result was a disaster. First, Fairbairn’s kick got blocked by Colts defensive end Dayo Odeyingbo; then referees threw a flag for a false start on the offense. (That backed the Texans up five yards, taking them from a 46-yard attempt to a 51-yard field goal attempt.) Houston retried the field goal, but the ball sailed wide left; the kick was no good. The Texans had blown their chance to score. And with just 2:44 left to play, any hope of winning had evaporated. Disappointed fans began filing out of the stadium.

The Texans fell to the Colts, 31-20. C.J. Stroud went 30-for-47, throwing for 384 yards and two touchdowns. But he also got sacked six times and hit nine times on top of that. Stroud got beaten up all day, thanks largely to a makeshift offensive line that was without star left tackle Laremy Tunsil (out due to a knee injury). Right tackle Tytus Howard has a broken hand and center Juice Scruggs has a hamstring injury; two other linemen have been placed on season-ending injured reserve.

Texans head coach Demeco Ryans was understanding of the offensive line’s struggles with injury, telling postgame reporters that “we don’t want to see the quarterback get hit, but I thought the guys’ offense took a move in the right direction today. They got better overall.”

What concerned him more (predictably) was the defense. “Defensively today, we weren’t good enough. If we want to be a good defense, it all starts up front – stopping the run. We did not stop the run. We did not tackle well. Fundamental football wasn’t good enough. If you want to win games in this league, we’ve got to play better.”

C.J. Stroud also spoke of needing to play better, though he revealed after the game that a shoulder injury nearly kept him out of the game altogether. But he fought through it. “Trying to fight my tail off just to be able to play because my shoulder was hurting me. But, at the end of the day, I wanted to be out there for my guys, and I wanted to play.

The Texans are off to an 0-2 start, but Stroud isn’t discouraged: “I think there’s hope. I think we showed that today, that we’re going to fight, and we’re not just going to turn around and lay down just because the score flips early. We’re going to keep fighting till the end.”

Just like those fans.

The post Texans Fall to Colts; Fight Breaks Out appeared first on Forward Times.

The post Texans Fall to Colts; Fight Breaks Out first appeared on BlackPressUSA.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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