Entertainment
Success in the Cards for Philadelphia Magician Derek Lee
NNPA NEWSWIRE — A former government employee who decided he wanted to work for himself, the Philadelphia-born DerekLee has turned into a remarkable showman who’s perfected his craft, making him a modern master of his trade.
By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia
Derek Lee has mesmerized many an audience around the country with his innovative magic.
His sleight-of-hand skill and presentation of illusions are world-class and have earned him rave-reviews from customers and peers alike.
A former government employee who decided he wanted to work for himself, the Philadelphia-born Lee has turned into a remarkable showman who’s perfected his craft, making him a modern master of his trade.
“I just enjoy doing this,” Lee said in an interview with NNPA Newswire.
He’s been performing since 1996 and has earned raves for his high energy magic and comedy performances even making appearances on the “Dr. Oz Show,” “Comic View,” and “Good Day Philadelphia.”
Because of a reputation as a “clean magician” Lee’s shows often enjoy participation from children and adults alike.
He sat down for a Q&A with NNPA Newswire about his craft.
NNPA: How did you come to be a magician and when did the idea first develop?
LEE: I started dressing up as clown for parties. Because my friends stated they couldn’t afford one. Then I was trained magic by the great Chris Capehart.
There were no African American clowns in Philadelphia in the 1990s.
NNPA: Is there anyone in particular who inspires you?
LEE: Tyler Perry, Oprah Winfrey and Barack Obama. I feel they are inspiring because of the struggle they faced early on.
NNPA: Where are you from? Where did you go to school?
LEE: I am from North Philadelphia. I have lived in many homeless shelters and salvation armies. My father wasn’t great in keeping a roof over our head.
I didn’t go to college. Just a clown school. I wasn’t a good fit for college. I just wanted a full time job. After high school my government job I had at 17 was a great fit for me.
NNPA: What kind of audiences do you perform for?
LEE: I perform for schools, company events, daycares and all ages for adults. I started performing Christian comedy at gospel concerts, which was unheard of in the 90s.
NNPA: Do you have a favorite trick?
LEE: Every trick is my favorite. Just performing and receiving a check afterward is great.
NNPA: What is the most rewarding part of being a magician?
LEE: The most rewarding part of being a comedic magician is when you love what you do; it’s not a job. I have met thousands of people across this great country.
NNPA: Have you ever been in a situation where a certain trick just wasn’t working at the moment?
LEE: When a certain trick breaks… you just move on with your act… the audience won’t notice.
NNPA: What’s the most difficult thing you’ve been asked to do as a magician?
LEE: The most difficult thing I’ve been asked to do was being asked, “Can you strip for us later.” Some women have been extra at events.
NNPA: Are there any magicians that you look up to or aspire to be like or better than?
LEE: The magician I look up to Chris Capehart and Ice McDonald. They broke barriers for African American magicians.
NNPA: What’s the business like for African Americans and other minorities?
LEE: We have to be excellent just to be equal. I was laughed upon by my family and friends when I started performing. They didn’t take my business as an art, or serious. They called me names and said a clown is a fit for him. But, after I started making money, the name calling turned to jealousy.
For more information about Derek Lee, click here.
Arts and Culture
African American Vintners Showcased in Black Vines Event
Black Vines: A Toast to Black Wineries, Black Art and Black Culture held their 12th anniversary event on Saturday, Feb. 25 at The Bridgeyard, near the Judge John Sutter Regional Shoreline in Oakland. It is the longest-running African American winemaker showcase.

By Carla Thomas
Black Vines: A Toast to Black Wineries, Black Art and Black Culture held their 12th anniversary event on Saturday, Feb. 25 at The Bridgeyard, near the Judge John Sutter Regional Shoreline in Oakland. It is the longest-running African American winemaker showcase.
Hundreds of guests gathered to celebrate and enjoy a live jazz band while sampling wines and buffets of gourmet bites throughout the venue.
The brainchild of founder Fern Stroud, the event is designed to both promote and support the Black wine experience along with good food and great music.
Stroud, a former Silicon Valley technology professional says, “Black Vines, is a way to bridge gaps and build lifelong ties between community, business and the arts while we celebrate Black excellence.”
Proceeds from the event supports the nonprofit think tank, BlackFemaleProject.org.
Stroud was also excited to announce a new partnership with Alaska Airlines. In the new “Wines Fly Free” program, guests were able to bring cases of wine on their flights back home for free. Also, the McBride Sisters wines are now a featured option on flights with Alaska Airlines.

A.T. Howe, founder of Bass Note Sangria at the Black Vines: A Toast to Black Wineries, Black Art and Black Culture 12th anniversary event. Photo By Carla Thomas

Paula Harrell, left, owner of P. Harrell Wines with staff at the Black Vines: A Toast to Black Wineries, Black Art and Black Culture 12th anniversary event. Photo By Carla Thomas

Wachira Wines staff pour samples of wine at the Black Vines: A Toast to Black Wineries, Black Art and Black Culture 12th anniversary event. Photo By Carla Thomas
Winemakers and vintners at Black Vines included Free Range Flower Winery, Wachira Wines, She Wines, Vintnoir, P. Harrell, and Bass Note Sangria, among others.
“We see this event as an extension of their collective and independent outreach efforts to increase awareness, visibility and market demand for these labels. Our core mission is to provide a tasting experience unlike any other. There has been a steady loyalty factor born out of our Black Vines annual event.”
Additional Black Vine partners include Wine Direct, an industry-leading direct-to-consumer platform; the NAACP x BeyGOOD Black-Owned Small Business Impact Fund for winery empowerment, and She Can, which provides grants and services via the McBride Sisters wine brand.
For Stroud, building economic pathways in the industry will strengthen the business of Black vintners, and ensure sustainability for their community.
“These strategic alliances further establish our desire to provide a consumer touchpoint for wineries to be introduced to a new consumer base. The future success of wineries, going forward, will be heavily dependent upon the experiences created for new potential customers.”
For every event, Stroud, says spreading love is key. “With all that we do for Black Vines, love is at the heart of it, and we want our guests and patrons to feel every bit of that.”
For more information visit: www.BlackVines.net
Activism
Oakland Post: Week of March 15 – 21, 2023
The printed Weekly Edition of the Oakland Post: Week of March 15 – 21, 2023

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Arts and Culture
‘Put Ur Play On’ Productions Showcases Local Talent at Laney College
On Saturday, Feb. 26 at the Laney College Odell Johnson Theater, the Third Annual Black Centric Showcase celebrated Black History Month. The show depicted eras of Black history, while featuring talent showcases of monologues, skits, dance, rap and singing expressing the past, present and future.

By Carla Thomas
On Saturday, Feb. 26 at the Laney College Odell Johnson Theater, the Third Annual Black Centric Showcase celebrated Black History Month. The show depicted eras of Black history, while featuring talent showcases of monologues, skits, dance, rap and singing expressing the past, present and future.
“The showcase was designed to feature talented members of the community performing all eras of Black history: Where we are from, where we have been, and where are we going,” said Saleemah Jones, production company founder-producer of “Put Ur Play On” with assistant director Angel Galloway.
Pamela Terry performed a monologue spun from August Wilson’s “Fences.” Terry responded to a casting call ad for the role. “Through my audition I learned about the production company, Saleemah Jones, and assistant director, Angel Galloway,” said Terry. “These two sisters are brilliant in their work to improve the quality of life in the community.” She said the experience was both inspiring and challenging.
AKIL of Oakland performed his original song “Gave Us 28,” referring to the number of days in February for Black History Month. “I like to produce positive rap,” said AKIL. “They gave us 28 but every day we make history.”
Other performances featured an original skit on love by Lauren Black and Erynne-Dnae of Cotati, California, and a poem by Oakland middle-schooler Talia Rochelle entitled “Go to the Back, Rosa Parks.” “Rosa Parks is an important, strong, brave woman in Black history,” she said.
Paris Jackson Jr. performed an original dance.
Gary Moore of San Francisco performed a monologue from August Wilson’s “Ma Rainey’s Black Bottom.” Shelly Broadnax performed an original poem entitled “MIBPOC,” about having to check the ‘other’ box when filling out surveys and applications.
IMAC FADICHI of Chicago performed an original rap, “The Good Show,” and Pierre Jones of Richmond performed an original monologue entitled, “Black Caesar.”
The second half of the show included the stage production “Unapologetically Black: Here to Facilitate Harm Reduction Services for Those in Need, Inc.,” written by Itoro Bassey, a Nigerian playwright.
“Itoro reached out to us, and we thought it was a great way to put this perspective on our platform to raise voices,” said Jones, play producer.
The production, satiric in nature, explored the seriousness of Black and white race relations including white privilege and white insensitivity toward African Americans in everyday situations.
In one scene a white male doctor talks to a Black female patient in a dismissive manner. At the height of their disagreement, the two actors are frozen in time. A third actor enters, “Dr. Find You an Ally,” performed by Anthony Dixon, who narrates the situation and offers to serve as a white ally for the Black woman for 24 hours at the price of $59.99.
The actors unfreeze and the Black woman joins the narrator, as he explains his services including a bootcamp provided to retrain white perpetrators and transform their behavior into one of respect, understanding and empathy toward Black people.
Actors in the production included Tyler Mae, David Cesari, Shayna Howlett, Toni Rochelle, Ziare Whitelow, Christina Gluszaczak, Harley Ford and Cody Johnson.
“It’s been great to combine a showcase featuring some of the best in Bay Area talent with a stage play production written by a Nigerian sister,” said Jones. “The month may have 28 days, but we are 365 days a year, 24-7 making history,” said Galloway.
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