Entertainment

Study: Women Find Little Change Off Camera in Hollywood

Published

11 years ago

January 13, 2015

FILE - In this Wednesday, Nov. 12, 2014 file photo, Ava DuVernay, left, director of the film "Selma," and cast member, David Oyelowo, who plays Martin Luther King Jr., pose together at the Four Seasons Hotel in Los Angeles. The widely acclaimed movie "Selma" about the 1965 Civil Rights movement has disappointed at least one moviegoer: a leading historian of President Lyndon B. Johnson. The director of the LBJ Presidential Library in Austin, which hosted a major civil rights summit this year that was headlined by four U.S. presidents, said the film that opens in theaters Thursday, Dec. 25, 2014, incorrectly portrays Johnson as an obstructionist to the Rev. Dr. Martin Luther King Jr. (Photo by Chris Pizzello/Invision/AP)

In this Wednesday, Nov. 12, 2014 file photo, Ava DuVernay, left, director of the film “Selma,” and cast member, David Oyelowo, who plays Martin Luther King Jr., pose together at the Four Seasons Hotel in Los Angeles. (Photo by Chris Pizzello/Invision/AP)

(Reuters) – The number of women working behind the camera in Hollywood’s top-grossing films has changed little over the past decade despite a slight uptick last year, an annual study released on Tuesday has found.

The “Celluloid Ceiling” study from San Diego State University’s Center for the Study of Women in Television and Film said 7 percent of the top 250 films at the U.S. box office in 2014 were directed by a woman, a 1 percentage point increase from 2013.

“It’s not really moving much one way or the other,” said study author Martha Lauzen, who added that the number of films directed by women in 2014 has declined to 7 percent from 9 percent since the study began 1998.

Seventeen percent of key off-screen figures – which includes directors, writers, producers, executive producers, editors and cinematographers – were women last year, the study found, also a 1 percentage point rise from 2013 but unchanged from 1998.

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IN MEMORIAM: Oakland Dance Legend Reginald Ray-Savage, 67

Savage lived his life as tribute to the teachers who had shared their wisdom on art and life with him. With a palpably genuine enthusiasm and desire to bring out the best in people, and pass the torch to the next generation, he poured into his students, as his teachers and mentors had into him. His infectious energy, love of life, and generosity of spirit inspired countless souls, both inside and outside the dance studio.

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June 24, 2026

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Reginald Ray-Savage brought the old-school teaching techniques he learned in the Katherine Dunham Dance Company to the youth at the Oakland School for the Arts in 2003. Courtesy photo.

Special to The Post

Reginald Ray-Savage – dancer, choreographer, and beloved teacher, mentor, and inspiration to many – passed away on May 17. The Oakland School for the Arts dance instructor was 67.

Born Reginald Ray, Jr. in St. Louis, Missouri, on Sept. 5, 1958, he formally adopted the name ‘Savage,’ to honor the great Archie Savage, his mentor at Katherine Dunham’s Performing Arts Training Center where his dance training journey began in East St. Louis, Illinois.

He soon started dancing professionally with Katherine Dunham Dance Company, making dance a way of life. His grit, tenacity, and notorious work ethic brought him scholarships to train at multiple prestigious dance institutions, including The Ailey School (NYC) and Ruth Page School of Dance (Chicago), under the direction of acclaimed ballet instructor Larry Long and Dolores Lipinski-Long.

He danced with several companies including Joel Hall Dance Company, Ruth Page Ballet Chicago, Lyric Opera, Chicago City Ballet, American Festival Ballet, and touring productions of “Music Man” and “A Chorus Line”.

In 1989, Savage moved to Oakland where he started teaching seven days a week, amassing a devoted following that was attracted to his no-nonsense, impassioned, and effective old-school teaching style.

In 1992, at the insistence of his committed core of students, he founded Savage Jazz Dance Company (SJDC). Over a span of 30 years, Savage produced more than 100 original works, and tour SJDC nationally and internationally, performing at Casa del Jazz in Rome to a packed house and rave reviews—the first dance company to receive such an invitation.

Savage built SJDC into one of the Bay Area’s most respected dance companies, creating a signature style known for its combination of disciplined training, blended with rich artistic musical expression, and raw energy.

In 2003, Savage joined the Oakland School for the Arts as chair of the School of Dance. Over the next two decades, he created, built, and maintained a strong dance program, recognized, and respected by other dance institutions for forging well-trained and resilient dancers and human beings.

The depth of Savage’s tough love and care, and the skill of his teaching and mentoring are reflected in the careers of his students who have gone on to dance with the San Francisco Ballet, Martha Graham Dance Company, Mark Morris Dance Group, Janet Jackson, Ariana Grande, and companies across the globe.

Mark Kitaoka, a photographer hired by Savage in 2016, posted a living eulogy on the dance instructor.

“When I see the self-pride he builds in his students I am constantly impressed that people like Savage still exist in our ‘meme’ society,” Kitaoka wrote. “The kids he mentors are fiercely loyal to one another and I’m certain his methods teach each of those kids to put aside social status, race and gender and is replaced by solid loyalty for other souls.

“What Savage contributes to our world cannot be completely summed up in a few meager paragraphs but can be seen in the countless lives of those he has touched. Because of him, our world, and the world of the future is both a richer and better place.

Reginald Ray-Savage will forever be missed, remembered, and lovingly quoted. He is survived by his beloved wife, Alison Hurley, his sister, Sonia, and his brothers, Pierre, and Andre. May his inextinguishable spirit and impact live on in all the lives he touched.