Arts and Culture
SF City Hall Gets A Taste of Wakanda Celebrating Black History

On Wednesday, February 28th San Francisco City Hall was filled to capacity with guests enjoying the Black History Month Cultural Experience. Hosted by Supervisor Malia Cohen and the Board of Supervisors President, London Breed, the event featured music, art, dance, wine tasting and traditional cuisine.
Emceed by radio broadcaster Miranda Wilson, the stairs of the Rotunda included two large portraits of Martin Luther King, Jr. behind bars fighting for justice and a presidential Barack Obama as head of the nation. The two works of art spoke to how far Black Americans have come in the pursuit of equality led by King to Obama leading the wealthiest nation in the world.
“Black History Month is special because we always discover something new about not just our African history, but American history and how we’re all a part of that not just in San Francisco but throughout the world,” said Broadcaster Miranda Wilson.
Mayoral candidate and Board of Supervisors President London Breed addressed the audience with excitement. “I am honored to serve with Supervisor Cohen to bring forth a celebration of our ancestors and the shoulders we stand – the many folks who made history in San Francisco and all over the world,” said Board of Supervisors President and mayoral candidate, London Breed. “Tonight is a celebration of how far we’ve come and how far we have to go.”
Breed also briefly touched on the politics at hand. “We are resilient and we don’t back down, we stand tall, proud and we go hard, because we know what’s at stake,” she said. “Supervisor Cohen and I are on the frontline for the community.”
Both dressed in traditional African garb, Breed and Cohen stood before a proud community as two African queens. “We contribute to Black history and American history in a profound way, said Cohen. “Celebrating in this venue (San Francisco City Hall Rotunda) is a wonderful way to remind ourselves that this building is for everyone,” said Supervisor Malia Cohen.
Vocalist Dee Dee Simon sang, Chaka Khan’s “I’m Every Woman,” and welcomed all the women in the audience to join in. A spiritually led performance by Carla Service and the Dance A Vision dancers portrayed the strength of African Americans pursuing freedom. A high powered hip hop performance included dozens of youth of Kim Sims-Battiste Culture Shock Dance Troupe.
After the program guests dined on complimentary bites and beverages from over two dozen venues and restaurants including Asheba and Auntie Aprils. Carrie Carter of the Bay View district attended with several of her friends and danced to the master mixes of DJ Russ of the infamous Rick and Russ Show. “This is a wonderful way to celebrate our culture and bring the community together,” said Carter.
Attendees included Karen Allen, Ida Hurst, Frances Luster, Paul Henderson, Tracey Webb, and Elaine Feemster among others.
Arts and Culture
Berkeley’s Black Repertory Theater to Hold Fundraiser for Youth Programs
The Bay Area Jazz Society will hold a fundraiser and CD listening party to raise funds for youth programs at Berkeley’s Black Repertory Theater (BBRT), the only Black-owned-and-operated theater in the East Bay.

By Clifford Williams
Special to The Post
The Bay Area Jazz Society will hold a fundraiser and CD listening party to raise funds for youth programs at Berkeley’s Black Repertory Theater (BBRT), the only Black-owned-and-operated theater in the East Bay.
The event will take place at the BBRT on Sunday, Oct. 8 from 5 p.m. until 9 p.m. at 3201 Adeline St., Berkeley, CA. Tickets are $25. The master of ceremonies will be KPFA’s Afrikahn Jamal Davis.
Many artists featured in “The Sounds of Oakland: Music from the Streets” compilation CD will perform with special guests including Larriah Jackson from “The Voice” Niecy ‘Living Single’ Robinson, one of the Bay Area’s most popular vocalists and Derick Hughes, who sang with Roberta Flack for many years, taking the place of Donnie Hathaway.
Other artists attending include Donnie Williams from “American Idol,” (the same year Jennifer Hudson and Latoya London appeared), and Williams’ sister, Terrill Williams. There will be live performances with food and drink for everyone, and the CD will be playing in the lobby when the performers take a break.
BBRT has had limited programming during and throughout the pandemic and is now struggling to regain continual of operations. Bay Area Jazz Society Executive Director Paul Tillman Smith, has an extensive background in theatre, starting with a stint as musical director for the Oakland Ensemble Theater’s Melvin Van Peebles play, “Ain’t Supposed to Die a Natural Death,” featuring television star Ted Lange of the “Love Boat,” as director.
Tillman Smith is also the co-producer, along with Norman Connors, Levi Seacer Jr., and Nelson Braxton for the new Bay Area CD ‘The Sounds of Oakland: Music from the Streets.” Other artists listed on the CD may be in attendance, including Lenny Williams, Derick Hughes, and Lady Bianca to meet and greet guests.
The Berkeley chapter of the NAACP will also support the fundraiser.
The first 20 individuals attending the fundraiser will receive a free copy of the CD. Thirty percent of the CD sales will go into a fund to help aging artists who don’t have a pension and, in many cases, no social security.
For more information regarding the fundraiser and how to obtain tickets, contact Paul Tilman Smith at 510. 689.3332, or Bayjazz@gmail.com.
Art
Oakland Celebrates Hiero Day 2023, Commemorating the 50th Anniversary of Hip-Hop
Thousands of music fans showed up at Oscar Grant Plaza Monday, Sept. 4 to celebrate the 11th annual Hiero Day block party and commemorate the 50th anniversary of hip-hop, featuring the Souls of Mischief, Oakland native Kev Choice, Mister F.A.B. and a special guest appearance by Common.

By Post Staff
Thousands of music fans showed up at Oscar Grant Plaza Monday, Sept. 4 to celebrate the 11th annual Hiero Day block party and commemorate the 50th anniversary of hip-hop, featuring the Souls of Mischief, Oakland native Kev Choice, Mister F.A.B. and a special guest appearance by Common.
Hosted by the City of Oakland and Mayor Sheng Thao, the free event showcased over 30 live performances on three stages, including legendary, underground and undiscovered performers of hip-hop, R&B and other genres.
Souls of Mischief is part of the rap collective Hieroglyphics, which founded Hiero Day and this year celebrated its 30th anniversary.
“HIERO DAY (is) a driving force in the music festival culture in Oakland,” according to event organizers. “The event is widely regarded as a day to celebrate independent hip-hop music and serves as a Labor Day destination being one of the largest hip-hop music gatherings in the Bay Area.”
The event was held at Jack London Square last year, but this year, it moved to the plaza in front of Oakland City Hall, reflecting its new connection with the Mayor’s Office and the City of Oakland.
“I’m so grateful to be here in Oakland,” said Common said after receiving a “heavyweight champion” belt and proclamation from Mayor Thao. “Y’all inspired us … The music, the culture — Hieroglyphics influenced me.”
Said Mayor Thao: “Oakland is the heart of the Bay Area’s music, art and culture scene, and I am so grateful for all the work our Hiero Day organizers did to celebrate it.”
The City of Oakland this year is hosting three events to commemorate the 50th anniversary of hip-hop, including the collaboration with event organizers of Hiero Day. A special event was held on Sept. 10 to honor “50 years of women rooted in hip-hop,” including Pam the Funkstress, the Conscious Daughters, Traci Bartlow, and Mystic and Black.
Art
Thornton Dial: A Visionary Artist Ahead of His Time
Thornton Dial, a pioneering American artist, left an indelible mark on the art world with his expressive and monumental works. Born on Sept. 10, 1928, in Emelle, Alabama, Dial’s artistic journey began in the late 1980s when he gained prominence for his assemblages of found materials, executed on a grand scale.

By Tamara Shiloh
Thornton Dial, a pioneering American artist, left an indelible mark on the art world with his expressive and monumental works. Born on Sept. 10, 1928, in Emelle, Alabama, Dial’s artistic journey began in the late 1980s when he gained prominence for his assemblages of found materials, executed on a grand scale. His works encompass a wide range of subjects, from human rights to natural disasters and current events, reflecting a deep engagement with history and social issues.
Growing up in poverty on a former cotton plantation, Dial was raised by his teenage mother, Mattie Bell. It was his time spent with his second cousin, Buddy Jake Dial, a farmer and sculptor, that ignited his passion for art. Dial’s early experiences of witnessing the art created from everyday objects in people’s yards during his move to Bessemer, Alabama, fascinated him and instilled in him a deep appreciation for craft and creativity.
For many years, Dial worked as a metalworker at the Pullman Standard Plant in Bessemer, Alabama, until its closure in 1981. It was after this that he dedicated himself to his art, creating works for his own pleasure and self-expression.
He encountered Lonnie Holley, an artist who introduced Dial to Atlanta collector and art historian William Arnett. Arnett played a pivotal role in bringing Dial’s work to national prominence, along with other African American vernacular artists, through his efforts as an art historian and the founder of the Souls Grown Deep Foundation.
Dial’s work gained recognition in major cultural institutions and exhibitions, including the 2000 Whitney Biennial. His art resonated with viewers, addressing American sociopolitical issues such as war, racism, bigotry, and homelessness.
Through his assemblages, Dial incorporated a wide array of found materials, creating layered and textured compositions. His use of objects like bones, rope, and scrap metal added depth and symbolism to his works, reflecting the history and struggles of the rural South.
The tiger motif became a prominent symbol in Dial’s art, representing survival and the struggle for civil rights in the United States. Over time, Dial’s work began to be acknowledged as “first-rate, powerful Art” by critics such as Karen Wilkin of The Wall Street Journal. Dial’s unique artistic vision and his ability to merge materials into captivating and meaningful compositions led to his recognition as a contemporary artist.
Dial’s work can be found in notable collections worldwide, including the Metropolitan Museum of Art, where ten of his works were acquired in 2014. He passed away in 2016, but his legacy lives on, inspiring artists and viewers alike to explore the transformative power of art.
Thornton Dial’s contributions to the art world, his commitment to expressing social issues, and his ability to create captivating compositions from found materials cement his position as a visionary artist ahead of his time.
Source: https://www.blackpast.org/african-american-history/dial-thornton-1928-2016/
https://en.wikipedia.org/wiki/Thornton_Dial
Image:
By copyright Jerry Siegel – Original publication: Garden & GunImmediate source: http://gardenandgun.com/article/thornton-dial, Fair use, https://en.wikipedia.org/w/index.php?curid=49514861
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