Entertainment

Sandra Varner Sits Down with Tika Sumpter

Published

12 years ago

December 12, 2013

Celebrity Profiles by Sandra Varner/Talk2SV

Tyler Perry’s latest film offering, A Madea’s Christmas, features Tika Sumpter, in this holiday comedy, set in a struggling Midwest community hit by hard economic times yet bound together by dedication and faith.

The synopsis describes the fast-paced, 90-minute romp thusly; Madea accompanies her niece, Eileen (inveterate funny lady Anna Maria Horsford), to pay a surprise visit to Eileen’s daughter, Lacy (the attractive and insightful Sumpter), who has mysteriously informed her that she is not coming home for Christmas.

Not hearing any of that, Madea and Eileen head to Buck Tussel, the small town where Lacy teaches grade school and lives on a farm with hubby, Connor (Eric Lively). The marriage has also been kept a secret from Eileen for fear of judgmental backlash.

The funny is sandwiched between the comedic antics of Larry the Cable Guy and Kathy Najimy as Buddy and Kim, Connor’s parents, straight from good-hearted, ol’ boy central casting, joined with Horsford and Perry for a barrage of quips, one-liners and signature Madea-isms.

During press interviews in New York, I sat with Sumpter–who centers The Haves and The Have Nots, Perry’s arrestingly good primetime drama on the OWN channel–to discuss the film and the future.

Your character in A MADEA’S CHRISTMAS is a very caring teacher with affinity for Bailey, a young male student torn between family commitments and his love of learning. What type of student were you?

T. Sumpter: I was a very happy student; friends with everyone; every group, whether they were the black jackets, or wore the long black trench coats to the cheerleaders, to the really smart people. I was just friends with everyone. Pretty much a B student but I was also president of my class for three years and the first black cheerleader on the squad. I was probably the glue that sort of brought people together if somebody didn’t like someone. I always felt people shouldn’t put down anyone else because they’re just like you.

It sounds as if Bailey, the student, could easily have grown into Lacy, the teacher.

T. Sumpter: Yes! That’s a good connection. That totally could be Lacy. Lacy is just trying to help people out, a school that she loves, the students that she loves and the town that she’s grown to love with her husband. She just wants things to be right but sometimes she goes about it in ways that are not the direct path to doing the right thing.

When we talk about choosing paths let’s talk about the path to love. You’re the perfect package: beauty, brains, successful and for some, they may find the whole of you a bit hard to get their arms around. Have you had a problem in that regard…getting the right relationship?

T. Sumpter: Well, thank you so much for thinking of me so highly. You know, it’s funny because I don’t want to say people are intimidated because I think that’s silly but I do think that I give off an, “I’m taken” kind of vibe, maybe. Maybe people think I’m not single because they’re thinking, ‘how could you not be single?’ To that, I go to bed by myself every night. Yeah, I mean, it would be great to share all of this with someone but, of course, they have to be the right person. They have to come correct as we may say. I would love to be able to share all of this with someone.

You do have a glossy veneer, I mean, you were a model. Did you feel any connection to Lacy and farm life?

T. Sumpter: It’s so weird because ‘you say’ a model but I modeled for K-Mart. I wasn’t like Naomi Campbell (laughter). When I think of model I think of Naomi, Cindy, and that whole era. My family is from North and South Carolina so I love being in the dirt. I love just wearing boots and hanging out, playing and laughing in the fields—that was how it was. We were laughing the whole time on set and it was easy, no pretentious vibe, nothing. That’s my kind of people and I like that.

Eileen and Lacy didn’t always agree on how she was living and who she chose to marry. Describe the relationship with your mother and advice she gave that seems to go along with you every step of the way?

T. Sumpter: My mom is like my backbone, she’s my best friend. You know, it was the things that she didn’t say, it was her actions that spoke way louder to me, she persevered through a lot; she didn’t complain about it, she did what she had to do for us, for her kids. I think that stuck with me. Times seeing the car break down and she had to make another way; when we didn’t have much food, she had to make a way; every time that she had to make a way, she kept going and that spoke volumes to me. I was a little girl and remember seeing it over and again so it was what she didn’t say.

With her example in front of you, what imprint are you making?

T. Sumpter: I’m still trying to make an imprint and trying to figure out what I am here to do? I know it’s a higher calling than anything I could ever dream of and I’m not just talking about money and success. I feel there’s a bigger reason why I am here and I get inspiration from women everywhere. Sometimes there’s a lot of negativity amongst women and sometimes we tear each other down or there’s even other people tearing us down, making us think we don’t deserve what we should get but, I want to inspire women across the world to be the best. You are your only ‘you’ and your only competition. Nobody else has your DNA, unless you’re a twin. I want to inspire others to just live their best life.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

Published

2 days ago

February 10, 2026

Oakland Post

Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various,

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow? In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons? They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are. This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Published

3 days ago

February 9, 2026

Oakland Post

‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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Alameda County

Black History Events in the East Bay

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event

Published

3 days ago

February 9, 2026

Oakland Post

The Oakland Black Cowboys Association will hold an event to teach children the love of riding at Fairyland on Feb. 14. Here, a member of the OBCA high-fives a young rider at an event in 2021. Facebook photo.

By Post Staff

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event, and nearly every day in the Bay Area, there is somewhere to honor the ancestors, our living thought leaders, artists, and activists, and prepare children for the future. Below are just a few places to go.

Lunar New Year X Black History Month 2026: Celebrating Asian & African American Solidarity

Now in its fourth year, the Oakland Asian Cultural Center rolls out its biggest event, featuring lion dancers, drummers, performers, arts & crafts, a Kids + Teens Zone curated by Storyland Collective, a marketplace of local artisans, and free admission for all ages! This event is part of OACC’s ongoing Open E.A.R.S. for Change initiative, launched in 2020 to build stronger relationships between local APIA and Black communities. SambaFunk closes out the day at 3:15 and the Bantaba Drum Call and Comrade Lover Lion Dancers perform shortly after story time for young children at noon. Register for free tickets. https://oacc.liveimpact.org/li/8737/sevent/evt/home/294475/69

Oakland Asian Cultural Center
388 Ninth St. Suite 290
Oakland, CA
Feb. 7, 11 a.m.- 4 p.m.

DIY: Black Culture Bookmark Making

Go to the Golden Gate Branch of the Oakland Public Library for small-scale collaging at this Black-themed make-your-own-bookmarks session.

Bring: Your vision, creativity, and, if you like, wallet-sized photos or images of your favorite Black heroes or family members.

We’ll supply the cardstock paper, African diaspora designs, artwork, images, lettering, glue, scissors, and laminating. This session is suitable for adults and seniors.

Golden Gate Library
5609 San Pablo Ave.
Oakland, CA,
Feb. 11, 5:30-7 p.m.

Oakland Black Cowboy Association Shares Love of the Ride

Celebrate the history, culture, and living legacy of Black cowboys at the Black Cowboy Academy. It will be an interactive day of lasso lessons, pony grooming with real live ponies, and meet and greets with actual cowboys! Fairyland joins hands and hearts with the Oakland Black Cowboy Association and the Metropolitan Horsemen’s Association this Valentine’s Day for an immersive event of learning and love. Included with general admission.

Children’s Fairyland
699 Bellevue Ave.
Sat., Feb. 14, 10 a.m.- 1 p.m.

Love Stories for Black History Month

At the Berkeley Public Library, a children’s book fair “Valentine to Black Stories” will feature some of your favorite Black authors of children’s books!

Come celebrate love, Black authors, and Black stories at this special children’s book fair. They will have free books, crafts and special presentations from Bay Area Black authors.Festivities will feature a collage workshop led by Oakland artist Chanel London of Hella Artsy. Participants will be invited to make collage portraits inspired by artist Derrick Barnes.

Berkeley Central Public Library
2090 Kittredge St. Berkeley, CA
Sat. Feb. 14, 1- 4 p.m.

The Black Child Book Fair (BCBF) from Chicago to Oakland, CA- Book Signing Event

BCBF began in Chicago in 2009 through the vision and experience of author and poet Darryl Harvey. Harvey’s vision brings extraordinary children’s book authors together to close the great need for black representation in children’s books. Engage with authors, participate in story time and fun activities.

Oakland African American Museum and Library
859 14^th St., Oakland CA
Sat. Feb. 21, 12-5 p.m.