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Marquesa

By Marquesa LaDawn
NNPA Columnist

 

Real Housewives of Atlanta (RHOA) via Kandi’s Family ski trip just ended and it was really good. It’s no secret that this family had some kinks in the relationships department. The real divas on steroids were Mama Joyce and the old lady gang, as they call themselves. Frankly, without them in the mix, it would have been a bit boring.

Some highlights:

  • Mama Joyce and Carmen (Kandi’s assistant and best friend) had it out and all hell broke lose. Carmen finally realized that the gossip has nothing to do with her, Mama Joyce had some issues she needs to face. Carmen had a conversation with Mama Joyce’s sisters and all was confirmed. The sisters agreed that Mama Joyce needs to deal with some internal stuff.
  • Because of the big argument between Carmen and Mama Joyce, Kandi had to admit to herself, her Mama just refuses to accept her husband.
  • Todd was so frustrated that he swore on his mother’s grave that he’s never been with Carmen and those words seem to shut Mama Joyce down.
  • Todd, for the first time, felt welcomed into the family by the old lady gang and all it took was a trip to the “pot” shop.
  • The mini-series ended with the family writing down their issues with one another on a slip of paper and burning it to signify a new start.
  • Everyone burned their issues and accepted some type of responsibility, even Mama Joyce –kinda.

 

This was wonderful. I will miss the Tuckers until next season.

Up north, the Real Housewives of New York (RHONY) killed it, as always. I know because I am a New Yorker and admit we can be tough in relationships! That aside, it was really good this week. Let’s start with my girl Bethenny, the business powerhouse. Bethenny, I say this in love, can be a mean girl! She either likes you or doesn’t and there is no in between. Since these ladies are in a group, this is frustrating and confusing to the ladies,  I have to say, in everyday life, women make the same decisions, they just do it, with a fake smile, just saying. Anyway, Bethenny was emotional and messy boots in one scene, especially if someone disagrees with her yet professional and classy in another. Yes, it’s a rollercoaster and you have to hold on for the ride.

Did you see the skinny girl summit, dang! You go girl! Sonya was the lucky housewife guest attending and taking lots of notes. It was refreshing to see Carole stand up for Heather doing a heated conversation with Bethenny and Ramona. Bethenny was complaining about Heather mothering her.  Now, I get an adult not wanting to be mothered, but I felt like Heather was being nice and caring. Bottom line, it’s not about Heather, but Bethenny’s pain around never really having a mother or a peaceful childhood. Our hearts ache for her.

This episode ended with Bethenny feeling attacked, though I think it was about boundaries. Luann’s checking in, Carole’s sharing Bethenny’s mean words with Kristen and Kristen’s asking Bethenny why. Bethenny responds with a harsh reaction and walking away, she then leaves. Whew, that was  interesting!

More drama, although at times inauthentic, on the Queens of Drama from the ladies of daytime TV. Although I enjoyed the show, and simply loved Donna Mills being her alter ego, Abby Ewing, from Knots Landing. Actresses need to stay with fictional TV. Just sayin!

Married With Medicine, my medical reality TV girls are back and messier than ever. I’m surprised by how messy the relationships are so early. Keep your eyes on these gals because we are in for an over the top season for sure.

Speaking of over the top, the Braxton girls are putting on their  “medium girl” panties. Between Trina’s messy divorce, kids getting married at 17, Tamar trying to get along with her sisters, this show is on fire!

Quick note on RHOBH, Kim Richards is out and her sister Kathy Hilton is in! More news on that coming soon.

 

Marquesa LaDawn is a professional businesswoman who escapes the pressures of living in New York City by retreating into the real world of reality TV. Follow me on twitter @realityshowgirl and subscribe to her podcast at www.RealitytvGirl.com.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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