National

Problems Linger in Baltimore

Published

11 years ago

May 6, 2015

Protesters call for justice for Freddie Gray as Baltimore police officers watch. (Freddie Allen/NNPA News Wire Service)

By Jazelle Hunt
NNPA Washington Correspondent

WASHINGTON (NNPA) – Baltimore’s curfew has been lifted, the officers have been charged, and Freddie Gray has been laid to rest. But the underlying causes of the protests around his homicide remain.

“I think that people need to understand the history of poverty, negligence, and police brutality in the city of Baltimore,” says Jocelyn Providence, a math teacher at Digital Harbor High School in Baltimore’s Riverside area.

Last week, she said, there were more absences than usual and her students were more emotional. Many expressed fear, anger, worry, and frustration with the riots that have negatively impacted their communities.

She continued, “There are students and residents who are fed up and angered by the continued violence on their lives, whether it be by police, poor education, and poverty.”

As the city turns its attention to addressing these issues and securing justice for Freddie Gray, several opportunities to support the youth and longstanding community groups have surfaced.

Baltimore United, a coalition of Baltimore city community groups and concerned citizens, is keeping a list of organizations and churches serving as safe spaces for youth and activists, with free hot lunches each day and opportunities to volunteer. The list, which can be accessed on their website (www.bmoreunited.org), includes contact information for people who are directing incoming support.

The coalition is also trying to raise a $100,000 bailout fund for protesters and other wrongfully imprisoned people (donations accepted online at www.crowdrise.com/legalbailsupportforbaltimore). A legal assistance and information hotline is also in operation (443-814-9160).

Some of the efforts in Baltimore are spillovers from Ferguson, Mo. Operation Help or Hush, for example, began as a conversation on Twitter. Its mission, “taking social media to the streets,” is an answer to those who critique the legitimacy of “hashtag activism,” or, calling attention to injustices and relaying on-the-ground information on social media.

So far, the group has served daily hot lunch to youth and protesters of all ages, and has been helping coordinate lodging, and demonstrations between Baltimore natives and visiting protesters. This week the group is going mobile, taking these lunches plus items for babies and toiletries for seniors, to social service sites around town. Items can be sent to 655 N Bentalou St., Baltimore, Md. 21216; monetary donations are accepted via its website www.operationhelporhush.org or PayPal. The funds also go toward travel for those who want to be on the front line, and to purchase protester supplies such as boards for signs, food, and water.

Other efforts are focused on uplifting the youth who have been on the front lines since Freddie Gray’s homicide.

“When we saw the protests start to turn somewhat negative down there in Baltimore out of people’s frustration, we knew that we had try to pull something together for the young people so that they could vent their frustrations, and tell us what some of their issues are. And so that we could provide some solutions, along with some caring adults and some local programs that they might be involved in beyond this,” says Seandra Sims, a Philadelphia-based public relations professional working to coordinate efforts in Baltimore between partners across the Northeast.

The result of this coordinating is Bmore Youth Rise, a free community event that will serve as an outlet for the city’s young people. The event takes place this Saturday, and will include a youth town hall where rappers and local leaders will respond to concerns the young people present express. Earlier in the week, young residents of Gilmor Homes housing projects, where Freddie Gray lived and was arrested, will be creating a mural on one wall of a nearby recreation center; it will be publicly dedicated as part of Saturday’s events. After the town hall, there will be a peace walk to Harlem Square Park for a free hip-hop concert and rally.

“We pulled this together in four days. We got every single piece of this event for free, just by calling and saying ‘the kids need you.’ What we’re trying to encourage the young people to do is calm down,” Sims says. “These kids are upset about problems that were existing long before Freddie Gray was murdered in their community. It’s been festering and festering. It’s OK to be civilly disobedient. It’s not OK to destroy property, but it is OK to get mad. But the goal is that we can move from being reactionary to being proactive.”

At the rally, Justice League NYC, a community-based criminal justice task force, will issue a call to action for support of three pieces of legislation that will address police brutality. The Justice League is an offshoot of Harry Belafonte’s organization, Gathering for Justice, and one of the event’s major sponsors.

In addition to these community efforts, demonstrations are ongoing across the country – some in solidarity with Baltimore, some as part of continuing action against police violence, and others as part of the larger Black Lives Matter movement. WeTheProtesters.org and NationalStoptheKilling.com are two resources for finding opportunities around the country to get involved.

Jocelyn Providence protested on three occasions last week, and says that each action was student led. In talking to her students, she expressed that they need support in making themselves heard.

“My students need to know that they are supported by a national movement. I think there are a lot of times where they feel very small and alone, and it is hard for them to see the big picture,” says Providence. “People can help and support form afar by continuing to promote youth leaders and tell the true story of Baltimore, which is not solely riots, but students coming together to change their city for the better.”

Follow Jazelle Hunt on Twitter at @JazelleAH.

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Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

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5 days ago

May 10, 2026

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

2 weeks ago

May 3, 2026

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

2 weeks ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.