I’m still in Manhattan, performing in Oakland resident Ishmael Reed’s off-Broadway play now at Theater for the New City.

I’m not a New York tourist, I’m more like a working resident. Acting like a New Yorker.

That’s not to say I’m brash or rude, but when it comes to whether or not there’s protests over the possibility of an impending Trump indictment, most New Yorkers seem more concerned with when the cold weather is going away, not when Trump is going away, or with any repeat of Jan. 6.

And if anyone wants to “take back the government” in the name of Donald Trump, I’d like to see them take on the NYPD.

I’m actually still quite immersed as an actor in Ishmael Reed’s “The Conductor.” In Reed’s play, a fictional Indian despot’s actions impact Indian Americans who face a wave of xenophobia and are forced to flee to Canada on an “underground railroad.”

Hence, the need for a “conductor.”

Turns out everyone who is feeling some heat may need to flee the U.S.

“The Conductor” runs through March 26. Get tickets so see in person or live-streamed here:

https://theaterforthenewcity.net/shows/the-conductor-2023/

Reed wasn’t so prescient to include the possibility of a Trump indictment (or four) in a storyline but  I now wonder if the twice-impeached former president of the United States will soon need a “conductor.”

To get to Canada? After all that he’s said about Justin Trudeau?

I was thinking out loud on this issue with Asian American Studies Professor Daniel Phil Gonzales on www.amok.com (Episode 489/481).

We go straight to wondering if Trump will get convicted for any of the cases that are brewing. From minor to major, they include the hush money/Stormy Daniels/falsifying of documents case in New York; the voter fraud and possible racketeering case in Georgia; the Mar-a-Lago stolen presidential documents case; and possible federal charges connected to the Jan. 6 insurrection.

If Trump is ensnared in any or all of them, would he even have the courage of a Martha Stewart to don a matching orange jumpsuit? Or does he just flat out leave the country?

Gonzales says he leaves. But to where?

I think Trump has his Putin parachute ready under his left arm. And under his right arm, there’s his North Korean parachute fashioned together with love letters from Kim Jong Un.

Ah, a former president in exile because he dared to be president again?

That’s the narrative the Republicans are drumming up, as if all this is simply a political “witch hunt.” We won’t know till we see any official charges.

Republicans can opine about the legal process, but it’s another thing to intimidate the New York DA with threats of congressional investigations.

What’s worse is that law-and-order Republicans can’t see their blind spot when it comes to the respect for the rule of law when their own fearful leader is the possible perp.

Trump’s reaction was simply to go off half-cocked, not even knowing what the charges are. But most appalling is his “go to”—the call for violence.

“Protest, protest, protest,” Trump wrote in his social media posts over the weekend, prompting calls for “civil war” among his base. Trump respects the law so much, his best response to a possible indictment in New York is to throw a dictator’s tantrum.

This is a man who doesn’t understand American democracy and didn’t deserve to be president even once.

And it’s not just the GOP leaders under Trump’s spell, but even some in our communities still supporting the twice-impeached former pres.

When it comes to Asian Americans running for president, Nikki Haley is still mum. But there’s one presidential hopeful Vivek Ramaswamy, the anti-woke Indian American rushing to Trump’s defense.

“This will mark a dark moment in American history and will undermine public trust in our electoral system itself,” Ramaswamy said, undermining a standing criminal investigation by  Manhattan District Attorney Alvin Bragg.

We should all be rooting for Bragg, a Harvard College and Harvard Law graduate who grew up in Harlem and knows what it’s like to be stopped by police for no good reason other than one’s race. Bragg has said his prosecutors will not be intimidated.

If Bragg’s indictment comes down this week or next, Trump will be treated both like a former president, and a common criminal. No man is above some kind of perp walk, right?

That’s never happened before in history. Will it make him more popular? That’s Chris Rock’s spin. But no democracy-loving American I know would ever vote for an indicted outlaw for president.

And once Bragg lights the wick, it should clear the way for Fulton County, Georgia DA Fani Willis, another African American with a keen sense of justice, to explode on the scene.

House Speaker Kevin McCarthy (R-CA) has decried all the politics and said he just wants to see equal justice for all. What a hoot.

We all do, especially those of us in the BIPOC community, where equal justice is too often hard to come by. Ask Tyre Nichols’ family in Memphis.

Me?  I can’t wait to see the first presidential mug shot.

NOTE: I will talk about this column and other matters on “Emil Amok’s Takeout,” my micro-talk show. Occasionally Live @2p Pacific. Livestream on Facebook; my YouTube channel; and Twitter. Catch the recordings on www.amok.com.

By Janis Mara
Bay City News Service

Cartoon enthusiasts, graphic novelists and folks from all over the Bay Area braved the rain to meet Wonder Woman – or at least the first woman to draw her – at the Cartoon Art Museum Saturday and Sunday.

The occasion was a pop-up Women’s Comic Marketplace, and Trina Robbins, the first female illustrator of the feminist icon, was on hand along with 20 or so exhibitors whose work reflected the rich variety of styles and subject matter in women’s comics today.

“We love comic books. We are vibing out,” said Valaree Garcia of San Francisco, who attended the event with her partner Sunday. “Every single booth is amazing, every woman is telling her story her own way.”

Exhibitor Avy Jetter of Oakland displayed her indie comic “Nuthin’ Good Ever Happens at 4 a.m.” which offers an Equal Opportunity look at the world of zombies, with an all-black cast of undead.

Around the corner at another table was cartoonist Jules Rivera, a surfer who detailed her dive into the largely male world of surfing in one of her first zines.

“I was already an aqua creature. I grew up in Orlando and had always lived on the beach,” Rivera said. When she moved to California, becoming a surfer came easily.

Rivera took over the decades-old Washington Post cartoon strip “Mark Trail” in 2020. The conservation-minded but rather conventional male character quickly got a makeover.

Rivera said, “I made him hot. They always intended him to be hot, they just went about it the wrong way.” In her zine, “Thirst Trapped in a Cave,” Rivera depicts Trail in a series of seductive poses she describes as “pinups.”

While many of the exhibitors create material intended for adults, Jen de Oliveira, a Livermore resident, is the co-creator of Sunday Haha, a free weekly comics newsletter for kids.

Children were much in evidence at the event, grouped around a table in the back industriously coloring and drawing, gathered in front of a big screen in another room watching (what else?) cartoons, sprawled on the floor reading (what else?) comic books.

At 4 p.m., the event adjourned to the library for tea with Robbins and Marrs.

Sitting at a round table sipping tea and eating gingersnaps, the two shared stories of their lives in the comics field.

Marrs, a Berkeley resident, created the comic book series, “The Further Fattening Adventures of Pudge, Girl Blimp,” which was nominated for an Eisner Award in 2017, the highest honor bestowed in the comic book world.

In 1972, Robbins, a San Francisco resident, wrote and drew a short story called “Sandy Comes Out,” starring the first lesbian comic-book character outside of pornography. Shifting gears, she began drawing for DC Comics in the 1980s, and since then has authored several books and continues to write and draw comics.

“Lee Marrs and Trina Robbins talking about feminism, and the younger artists writing graphic novels about their lives – you don’t have to create a universe. You don’t have to make up a planet” the way traditional cartoonists have done, said Ron Evans, chair of the museum’s board of trustees, who was on hand for the event.

“It’s what you experience, and it’s much more relatable,” Evans said. Reading about common experiences in graphic novels and cartoons can make people, especially young people, feel less alone.

“In school you’re taught to write about what you know, and that’s what they’re doing. It’s cathartic, and who knows? Maybe it will help other people.”

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On Saturday, March 25, the Museum of the African Diaspora is featuring a special one-night-only performance by Black dandy Michael Wayne Turner III called ‘Hat Matter: Thoughts of a Black Mad Hatter’ as the highlight of its casual spring fundraiser.

Hat Matter uses movement and dance, accompanied by original classical string music, to explore the headspace of an American Black dandy in a one-man show of hip-hop theatre, comprising poems, stories and monologues.

The play explores the thoughts of a Black man living a precarious existence, oftentimes forced to deal with warring identities placed on him by the oppressor, in much the same way that W.E.B. Dubois spoke of the double consciousness and schizophrenic social nature of the so-called “negro” a century ago, wrote JR Valrey for the S.F. Bayview last summer when Turner was performing in Oakland.

The very fashionable Turner is a classically trained thespian and award-winning poet. Turner has shared stages with the likes of Beyoncé, Daveed Diggs and the Kronos Quartet, to name a few. He is a winner of “The Moth Story Slam” and triple award-winner at the International Conference of Performance Art and Creativity.

The event, from 6-8:30pm, takes place off-site at The Taube Atrium Theater (nestled inside the San Francisco War Memorial) at 401 Van Ness Avenue, San Francisco and starts with a reception before the show and is followed by a Q&A between the artist and Martin Luther.

Tickets are $95.