Black History
Organization Sparks ‘Year of Return’
THE AFRO — With 2019 marking the 400 year anniversary of the first recorded slave ships docking on Western Shores, The United States Congress recently put into motion, {H.R. 1242}, a bill also known as “400 Years of African-American History Commission Act.” This initiative is an umbrella for a number of different projects, but more specifically, as it states in Section 3 of it’s doctrine, “This bill establishes the 400 Years of African-American History Commission to develop and carry out activities throughout the United States to commemorate the 400th anniversary of the arrival of Africans in the English colonies at Point Comfort, Virginia, in 1619.”
By Nyame-kye Kondo
With 2019 marking the 400 year anniversary of the first recorded slave ships docking on Western Shores, The United States Congress recently put into motion, {H.R. 1242}, a bill also known as “400 Years of African-American History Commission Act.” This initiative is an umbrella for a number of different projects, but more specifically, as it states in Section 3 of it’s doctrine, “This bill establishes the 400 Years of African-American History Commission to develop and carry out activities throughout the United States to commemorate the 400th anniversary of the arrival of Africans in the English colonies at Point Comfort, Virginia, in 1619.”
Funded through donations and steered by a committee of volunteers, the Bill sets precedence on honoring the Black Experience in America, while also being open to international collaboration.
The bill is ” to look at the ways we can confront our history and ensure that the contributions of African Americans to society are never forgotten,” according to Wade Robinson of Civilrights.org.
The passing of {H.R. 1242} was the incentive that D.M.V based entrepreneur Diallo Sumbry, needed to further expand his business, fulfill his purpose, and to help diasporans build a new relationship with Africa, specifically, Ghana.
The founder of Adinkra Cultural Arts Studio (ACAS) in Mount Rainier, Sumbry is at the helm of the “Year of Return” movement that has many African Americans heading to Ghana for pilgrimage, immersion and enjoyment. Leading a handful of tours to Ghana over the last five years, Sumbry recognizes that immersion is apart of the reacclimation process.
“I came to Ghana for the first time in 2013, and in a short span of time I have been able to build an exchange between Ghana and America that is steeped not only in arts and culture, but the African Americans reclamation of the continent as a whole,” Sumbry said. “It is my hope that this movement will help to reconnect not only those displaced as a result of slavery, but the African Diaspora in general.”
Having more than a decade of experience in arts managing, directing, and facilitating, Sumbry has been a, “key figure in the planning and development of the year-long calendar of activities in celebration of the resilience of the African spirit,” reports {Business Ghana}.
Recently named the first African-American ambassador of Tourism by former Minister of Tourism and Culture, the Honorable Catherine Afeku, this year marks the third year that Sumbry will be facilitating his own tours. With the first tour featuring GoGo legends, Backyard Band, and the 2019 edition featuring singers Raheem Devaughn and Wes Ellington Felton, the tours are amplified by the fact that they are open to the community as well. Much like the classes and cultural activities that ACAS provides for the D.M.V area, it should come as no surprise that the “Year of Return” grew out of a grassroots organization like ACAS.
Nestled in the heart of the Mount Rainier Arts district, ACAS offers a number of African Dance and drumming classes, fitness classes, intensives, workshops, various pop ups and a slew of resources for the community. At the epicenter of a creative exchange with Ghana, ACAS also offers yearly tours to Ghana in the form of the “Back2Africa” movement. Partnering with a number of different entities to make tour happen, it was the Ghana Tourism Authority itself that officially proclaimed this as the “Year Of Return” on a global scale.
With ACAS establishing important relationships prior to the “Year of Return,” movement being fully established, the possibilities evolved when the idea was brought to the Ghana Commission of Tourism and Culture, and after the president of Ghana, Nana Akufo Addo gave his seal of approval, it took off.
“It all started with Birthright” said Sumbry, referring to an annual celebration of African dance and drumming that his organization produces each year. “It became more than an event, but a portal of discovery, and over time it evolved into the tours and a partnership with African Ancestry so that when everything lined up, we had a full package ready for the people.”
The passing of the {H.R. 1242} was a catalyst for a number of important exchanges and activities that have taken place or will take place throughout the year. Members of the Congressional Black Caucus, along with Speaker of the House Nancy Pelosi, went to Ghana last week. In addition, there is the “Jamestown-Jamestown Tour” which is focused on the NAACP, and will travel from Jamestown, Virginia, to Jamestown,Ghana this August. Taking place on the actual date that the first ships carrying human cargo arrived, this tour like all of the tours that will happen this year, Is meant to honor those whose lives were irrevocably changed, and to welcome their descendants back to their continent of origin, forever changed but always connected.
This article originally appeared in The Afro.
Activism
Oakland Post: Week of June 18 – 24, 2025
The printed Weekly Edition of the Oakland Post: Week of June 18 – 24, 2025

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Activism
Juneteenth: Celebrating Our History, Honoring Our Shared Spaces
It’s been empowering to watch Juneteenth blossom into a widely celebrated holiday, filled with vibrant outdoor events like cookouts, festivals, parades, and more. It’s inspiring to see the community embrace our history—showing up in droves to celebrate freedom, a freedom delayed for some enslaved Americans more than two years after the Emancipation Proclamation was signed.

By Wayne Wilson, Public Affairs Campaign Manager, Caltrans
Juneteenth marks an important moment in our shared history—a time to reflect on the legacy of our ancestors who, even in the face of injustice, chose freedom, unity, and community over fear, anger, and hopelessness. We honor their resilience and the paths they paved so future generations can continue to walk with pride.
It’s been empowering to watch Juneteenth blossom into a widely celebrated holiday, filled with vibrant outdoor events like cookouts, festivals, parades, and more. It’s inspiring to see the community embrace our history—showing up in droves to celebrate freedom, a freedom delayed for some enslaved Americans more than two years after the Emancipation Proclamation was signed.
As we head into the weekend full of festivities and summer celebrations, I want to offer a friendly reminder about who is not invited to the cookout: litter.
At Clean California, we believe the places where we gather—parks, parade routes, street corners, and church lots—should reflect the pride and beauty of the people who fill them. Our mission is to restore and beautify public spaces, transforming areas impacted by trash and neglect into spaces that reflect the strength and spirit of the communities who use them.
Too often, after the music fades and the grills cool, our public spaces are left littered with trash. Just as our ancestors took pride in their communities, we honor their legacy when we clean up after ourselves, teach our children to do the same, and care for our shared spaces.
Small acts can inspire big change. Since 2021, Clean California and its partners have collected and removed over 2.9 million cubic yards of litter. We did this by partnering with local nonprofits and community organizations to organize grassroots cleanup events and beautification projects across California.
Now, we invite all California communities to continue the incredible momentum and take the pledge toward building a cleaner community through our Clean California Community Designation Program. This recognizes cities and neighborhoods committed to long-term cleanliness and civic pride.
This Juneteenth, let’s not only celebrate our history—but also contribute to its legacy. By picking up after ourselves and by leaving no litter behind after celebrations, we have an opportunity to honor our past and shape a cleaner, safer, more vibrant future.
Visit CleanCA.com to learn more about Clean California.
#NNPA BlackPress
IN MEMORIAM: Legendary Funk Pioneer Sly Stone Dies at 82
Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

By Stacy M. Brown
BlackPressUSA.com Newswire
Sylvester “Sly” Stewart—known to the world as Sly Stone, frontman of the groundbreaking band Sly and the Family Stone—has died at the age of 82.
His family confirmed that he passed away peacefully at his Los Angeles home surrounded by loved ones, after battling chronic obstructive pulmonary disease (COPD) and other health complications.
Born March 15, 1943, in Denton, Texas, Stone moved with his family to Vallejo, California, as a child. He began recording gospel music at age 8 with his siblings in a group called the Stewart Four. By his teenage years, he had mastered multiple instruments and was already pioneering racial integration in music—an ethos that would define his career.
In 1966, Sly and his brother Freddie merged their bands to form Sly and the Family Stone, complete with a revolutionary interracial, mixed-gender lineup.
The band quickly became a commercial and cultural force with hits such as “Dance to the Music,” “Everyday People,” and “Thank You (Falettinme Be Mice Elf Agin)”—all penned by Stone himself.
Their album “Stand!” (1969) and live performances—most notably at Woodstock—cemented their reputation, blending soul, funk, rock, gospel, and psychedelia to reflect the optimism and turmoil of their era.
Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.
As the 1970s progressed, Stone confronted personal demons. His desire to use music as a response to war, racism, and societal change culminated in the intense album “There’s a Riot Goin’ On” (1971). But drug dependency began to undermine both his health and professional life, leading to erratic behavior and band decline through the early 1980s.
Withdrawn from the public eye for much of the 1990s and early 2000s, Stone staged occasional comebacks. He was inducted into the Rock & Roll Hall of Fame in 1993, received a Lifetime Achievement Award from the Grammys in 2017, and captured public attention following the 2023 release of his memoir “Thank You (Falettinme Be Mice Elf Agin)”—published under Questlove’s imprint. He also completed a biographical screenplay and was featured in Questlove’s documentary “Sly Lives!” earlier this year.
His influence endured across generations. Critics and historians repeatedly credit him with perfecting funk and creating a “progressive soul,” shaping a path for racial integration both onstage and in the broader culture.
“Rest in beats Sly Stone,” legendary Public Enemy frontman Chuck D posted on social media with an illustrative drawing of the artist. “We should thank Questlove of the Roots for keeping his fire blazing in this century.”
Emmy-winning entertainment publicist Danny Deraney also paid homage. “Rest easy Sly Stone,” Deraney posted. “You changed music (and me) forever. The time he won over Ed Sullivan’s audience in 1968. Simply magical. Freelance music publicist and Sirius XM host Eric Alper also offered a tribute.
“The funk pioneer who made the world dance, think, and get higher,” Alper wrote of Sly Stone. “His music changed everything—and it still does.”
Sly Stone is survived by three children.
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