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Oklahoma’s Hope for Cashing In on Heritage Becomes a Debacle

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A picture of what the interior of the  unfinished American Indian Cultural Center and Museum will look like one day is on display inside the Museum in Oklahoma City, Tuesday, March 4, 2014. After nearly 10 years and $90 million spent, the state’s attempt to build the tourism centerpiece – a Smithsonian-quality museum of native American culture -- has turned into a curious spectacle on full display before hundreds of thousands of motorists who drive by it every day.  (AP Photo/Sue Ogrocki, File)

A picture of what the interior of the unfinished American Indian Cultural Center and Museum will look like one day is on display inside the Museum in Oklahoma City, Tuesday, March 4, 2014. After nearly 10 years and $90 million spent, the state’s attempt to build the tourism centerpiece a Smithsonian-quality museum of native American culture — has turned into a curious spectacle on full display before hundreds of thousands of motorists who drive by it every day. (AP Photo/Sue Ogrocki, File)

SEAN MURPHY, Associated Press

OKLAHOMA CITY (AP) — Like many states, Oklahoma wants to be a tourist destination. And leaders here believe they have an ideal attraction: Oklahoma’s heritage as the U.S. Indian Territory in the 1800s and as home to 39 tribes.

But after nearly 10 years and $90 million spent, what was to be the centerpiece for a tourism magnet, a Smithsonian-quality museum of Native American culture, has become a costly debacle that had yet to lure its first visitor and is stirring sour feelings among the Indians whose traditions would be portrayed.

Strategically located at the crossroads of two major interstates, and next to Oklahoma City’s glitzy redeveloped downtown entertainment district, sits a modernistic complex of C-shaped buildings that is large enough to fit 30 football fields but only half finished and out of money.

Another $40 million is needed for the project, but the Legislature is balking at paying, in a head-on collision between the state’s tourism ambitions and its increasingly conservative, anti-spending politics.

“The state was too aggressive here and bit off more than it could chew,” said Republican Rep. Jason Murphey, one of many legislators in the GOP-controlled House who opposes more state money for the museum. “And we’re paying for that mistake, but this isn’t the time to double down.”

Even the support of the state’s Republican governor, Mary Fallin, and the state Senate and an earlier pledge of $40 million in mostly private funds haven’t broken the stalemate, which will confront the Legislature when it reconvenes next month.

In another twist, the recent swoon in oil prices may now make any appropriation harder to get, even though the price drop has underscored the need to diversify the state’s energy-dependent economy.

“Our caucus has brainstormed on some different ideas, and I don’t have an answer today about what that looks like,” said House Speaker Jeffrey Hickman.

The vision for the Indian attraction began in the 1980s when oil prices collapsed from more than $35 per barrel to below $10. Oil and gas production taxes accounted for more than one-third of the state-appropriated budget at the time.

Studies projected that a Native American cultural center could bring in up to 225,000 visitors and $190 million annually. The Legislature approved a series of bond issues to pay for it.

The museum would weave together the stories of the dozens of tribes forced by the U.S. government to move out of the path of white expansion in other regions to the remote prairies of what is now Oklahoma. The forced removals included the notorious “Trail of Tears,” in which more than 17,000 Cherokees were marched overland from their ancestral home in Georgia. An estimated 4,000 died during the trek.

About 120,000 Indians overall were resettled here before the territory itself was gradually opened to white settlers in a series of land runs beginning in the late 1880s.

Oklahoma — named after the Choctaw word for “red people” — has a story ripe for presentation to visitors, according to historians and museum experts.

“Because of the unprecedented and unequalled assemblage of Indian nations in Oklahoma, it’s a very unique story and one that is national in scope,” said Kevin Gover, director of the Smithsonian National Museum of the American Indian in Washington, D.C.

The Smithsonian has offered a major loan of artifacts from its huge Native American collection.

The museum’s ambitious design features several huge galleries, a multipurpose theater and a gathering space dubbed the Hall of the People. Towering stone walls at one entrance were built with thousands of individual stones that symbolized the tribes’ journeys to Oklahoma. The site includes a 90-foot-tall earthen mound visible for miles, inspired by the mound building Native American cultures.

But the project didn’t get the federal funds its backers expected, and the Legislature, which grew more conservative in recent elections, wouldn’t approve another bond issue.

Although the Indian history portrayed is one of struggle and loss, many Native Americans in Oklahoma welcomed the tribute and have been put off by the political fight, especially suggestions that the tribes themselves put up the needed money — beyond the $20 million they’ve already kicked in — to finish what was always a state project.

“I don’t understand why it hasn’t been completed,” said Kelly Haney, a renowned Native American artist and former chief of the Seminole Nation of Oklahoma. “I’ve never lost my faith in the fact that the cultural center will be built. I still think it will. I just don’t know how.”

___

Follow Sean Murphy at www.twitter.com/apseanmurphy

 

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Black History

Oakland Observes Black August with Block Parties, Film Showings, Workshops

POST NEWS GROUP — Beginning in 1979 in San Quentin State Prison, the Black Guerrilla Family called for the remembrance of political prisoner George Jackson and his brother Jonathan Jackson who were assassinated in the early 1970s. George Jackson was considered a political prisoner in that it was the anti-Black justice system that led to his incarceration for armed robbery with a sentence of one year-to-life in 1960.

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George Jackson wrote two books: “Soledad Brother,” and “Blood in My Eye” before her was killed in an attempt to escape prison on Aug. 21, 1971.

Study. Train. Fast. Fight.

These are the four tenets of Black August, a month dedicated to commemorating the sacrifices of political prisoners and Black revolutionaries in the struggle for Black liberation.

Observers are urged to study the history of the Black struggle for freedom, train their bodies for health and self-defense, fast to cleanse the mind, body, and spirit, and fight ongoing oppression alongside their communities and local political organizations.

Beginning in 1979 in San Quentin State Prison, the Black Guerrilla Family called for the remembrance of political prisoner George Jackson and his brother Jonathan Jackson who were assassinated in the early 1970s. George Jackson was considered a political prisoner in that it was the anti-Black justice system that led to his incarceration for armed robbery with a sentence of one year-to-life in 1960.

While in prison, George befriended fellow prisoner W.L. Nolen, who introduced him to the works of Karl Marx, Vladimir Lenin, Mao Zedong, and Frantz Fanon. This radicalization coupled with his experiences of violence while imprisoned led to him writing and publishing two books, “Soledad Brother” (1970), and “Blood in my Eye” (1972). In January of 1970, George and two other prisoners were charged with murdering a corrections officer at Soledad State Prison in Monterey County.

On Aug. 7, 1970, Jonathan Jackson burst into a Marin County courtroom armed with a shotgun to demand the freedom of the Soledad Brothers. He, along with the inmates he freed, was shot and killed while driving away. This involved one of the Black Panther Party’s most notable associates, Angela Davis, because the shotgun was registered in her name. She was later acquitted of charges of conspiracy, kidnapping, and murder in 1972.

On Aug. 21, 1971, George Jackson was assassinated by a corrections officer after attempting to escape and free other inmates. As a result, there were uprisings and protests within prisons all over the country that year, calling forth resistance against racial oppression and mass incarceration.

Since its outset, Black August has evolved across the country, taking many forms to honor this history and embody the four tenets.

In Oakland, the upcoming Black August Experience, hosted by Youth Alive! and the East Oakland Boxing Association (EOBA), is a free, family-friendly event celebrating the legacy of Black August. Activities include free food and drinks, a kids’ activity zone, interactive workshops, live cooking and boxing demonstrations, and more.

Happening on Aug. 21 from 4-8 p.m. at the EOBA Patio, Carolyn Flynn, director of administration at EOBA, said the event, in its second year, will be an opportunity to engage with people in person through food, shared space, and education.

“We do regular classes in education, and those are ongoing programs that we offer, but we wanted to have [an opportunity] for our neighbors to utilize this space.” Combined with Youth Alive’s work in community violence prevention and youth leadership, this event surely aims to bring the Oakland community together to capture what Black August means today.

Here are additional Black August events happening in Oakland:

Forum and Community Discussion hosted by the Oakland Liberation Center, 1499 Fruitvale Ave., Aug. 14, 7 p.m.

“George Jackson/San Quentin” Screening hosted by Nostalgic for Nothing Cinema at Moments Co-Op, 410 13th St., Aug. 16, doors at 6 p.m., show at 6:30 p.m. (Masks required and scent-free)

Commemorating the Struggle, Building the Altar for Liberation: Black August at Bandung Books, 2269 International Blvd., Aug. 23rd, 1-5 p.m.

Building Opportunities for Self-Sufficiency (BOSS), will host “Black August: The Arc of Liberation” at Oakland City Hall on Sat. Aug. 29, from 11 a.m. to 3 p.m.

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Activism

Oakland Post: Week of August 12 – 18, 2026

The printed Weekly Edition of the Oakland Post: Week of August 12 – 18, 2026

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Commentary

COMMENTARY: Why Local School Tax Measure G1 Will Not Be on the November Ballot

POST NEWS GROUP — Measure G1 is the local tax measure that supports middle school teacher retention and the expansion of arts, music, and world language programs at both OUSD middle schools and charter middle schools. The current measure expires in 2029.

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iStock.

There has been considerable speculation recently about why Measure G1 will not appear on the November ballot and what that means for the Oakland Unified School District’s current budget.

I want to provide some clarity about what happened and, importantly, what did not happen.

Measure G1 is the local tax measure that supports middle school teacher retention and the expansion of arts, music, and world language programs at both OUSD middle schools and charter middle schools. The current measure expires in 2029.

Because these funds are important to our schools and to the continuity of these programs, the district initially intended to place a renewal initiative on the November ballot to provide greater early certainty about funding beyond the expiration of the current measure.

As part of that process, the Board scheduled a special meeting for the required public hearing on the ballot initiative. There has been some suggestion that this meeting was noticed only one day in advance. That is not accurate.

Public hearings of this nature are subject to specific notice requirements, and the meeting must be noticed at least two weeks before the hearing. In practice, the notice may appear even earlier depending on publication schedules. The notice for the Measure G1 public hearing was published in the Tribune on 7/24/2026 and 7/31/2026.

So, why wasn’t the Measure G1 paperwork ultimately filed?

After the Board approved placing the measure on the ballot, the next step required the Alameda County Superintendent of Schools to sign the necessary paperwork before it could be submitted to the Oakland City Clerk.

During that process, Alameda County Superintendent Alysse Castro raised concerns about potential litigation stemming from another court case unrelated to OUSD and about whether proceeding with the measure could expose the district or County to legal challenges. Superintendent Castro’s action is unprecedented and concerning. 

It is important to distinguish between the Board’s decision to pursue Measure G1 and the subsequent procedural and legal issues that arose. The Board did approve moving forward with the measure. The measure did not fail because the Board chose not to support it, nor was the public hearing improperly noticed.

The decision not to proceed with the November ballot was made in light of the County’s concerns about potential litigation and the County’s required approval process.

We also need to be clear about what this does, and does not, mean for OUSD’s current budget. The existing Measure G1 funds remain available through the expiration of the current measure in 2029. The immediate issue is the longer-term continuity of funding beyond that date, not the elimination of these resources from the current year’s budget.

Our responsibility as a Board is to protect the educational programs and services our students depend on while ensuring that our decisions comply with the law and protect the district from unnecessary legal and financial risk.

We will continue working to understand the County’s concerns, explore our options, and advocate for the resources our students deserve. Our middle school students, teachers, and school communities deserve stability, and continued investment in arts, music, world languages, and teacher retention—and that work remains a priority for Oakland Unified.

Jennifer Brouhard is a retired OUSD educator and is the current OUSD School Board President representing District 2.

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