National

Museum Capturing Ferguson History as it Happens

Published

11 years ago

January 3, 2015

In this Wednesday, Nov. 26, 2014 photo, artists paint on boards protecting a business in Ferguson, Mo. From street-artist paintings on boards over store windows to protester signs, the cultural images of Ferguson have become an iconic part of recent history. (AP Photo/Jeff Roberson)

Jim Salter, ASSOCIATED PRESS

ST. LOUIS (AP) — From street-artist paintings on boards protecting store windows to signs bearing the now iconic statement, “Hands Up. Don’t Shoot,” cultural images from the Ferguson protests have become firmly established in recent Missouri history. So much so that the Missouri History Museum is gathering images and items cataloguing the unrest that followed the August shooting death of Michael Brown by a Ferguson police officer.

The museum in St. Louis’ Forest Park is in the process of gathering not only physical artifacts from Ferguson, but Twitter feeds, oral histories from protesters, residents and police, and even cellphone videos. It’s all meant to give future generations a real-time perspective from those affected by the shooting and the aftermath that included protests, riots, and the strained relations between police and minority communities.

The items aren’t being collected for a specific exhibition and will mostly be used for research. The goal is to seize on history as it happens.

“This is a rare example of being at a point where history is made all around you,” said Chris Gordon, Library and Collections director for the museum. “We’re standing in the midst of it, and we haven’t had that chance very often. Documenting everything we can — getting all sides, all perspectives — is very important.”

Aside from its regular exhibits, the expansive museum offers a public library housing an array of documents, relics and written words from events dating back more than two hundred years, including the Lewis and Clark expedition and the Louisiana Purchase.

The historical significance of what happened in Ferguson quickly became evident. Brown, 18 and black, was fatally shot on Aug. 9 after a confrontation with a white police officer, Darren Wilson. Brown was unarmed, and some witnesses said he was trying to surrender. Wilson said Brown was threatening his life.

A day after the shooting, protesters flooded the streets near the site. Several businesses were damaged and looted.

Anger percolated in the community for months, and escalated on Nov. 24 after St. Louis County Prosecuting Attorney Bob McCulloch announced that a grand jury would not indict Wilson. Furious protesters swarmed streets across the St. Louis area, spurring a nationwide movement protesting police brutality. Some protests became violent. A dozen Ferguson-area businesses were destroyed in fires and other businesses were damaged.

The shootings and unrest made the St. Louis region a focal point of media attention, with images of police in riot gear facing off with angry protesters dominating headlines and news broadcasts around the world.

Gordon said the museum has already collected T-shirts, protest signs, buttons. Photos have been taken of a makeshift memorial for Brown in the street where he was killed. And efforts are in place to secure graffiti art, still highly visible in Ferguson. Plywood boards over store windows still contain messages such as, “Injustice anywhere is a threat to Justice everywhere,” and “Stop the Violence.”

On a recent chilly morning, Carol Snyder of Lehighton, Pennsylvania, walked along South Florissant Road snapping photos of the plywood art with her phone as her husband, James, followed along in the car.

Standing in front of a plywood sheet painted with the words, “Hands Up Let’s Pray,” the 60-year-old retired physical therapist felt a mixture of sadness and hope.

“I do hope for a brighter future,” she said. “I do hope for peace for the people here in Ferguson and throughout the United States.”

Some items have been hard for Gordon to procure. He has failed to find a spent tear gas canister or rubber bullet — items used by police when the protests turned violent. He is also pursuing buttons, T-shirts and signs showing support for Wilson, but they are hard to come by because there were not so many demonstrations in the officer’s favor.

The museum is not just collecting physical items. Museum officials are working with Washington University, where researchers are collecting cellphone video along with Tweets, emails, Facebook posting and other social media related to unrest in Ferguson and St. Louis for a project called “Documenting Ferguson.”

It is unclear if any of the items will ever be put on display.

“The biggest portion of this will be for research purposes,” Gordon said. “Our hope is to preserve this for future generations so they can get a clearer picture of what actually happened.”

___

AP National Writer Allen Breed contributed to this report.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

Published

4 days ago

May 10, 2026

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

2 weeks ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

2 weeks ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.