Book Reviews
Mothers that made us, author Anna Malaika Tubbs offers insight, perspective
THE THREE MOTHERS is an assessment of its subjects’ emotional, moral, physiological, psychological, and familial bearings. Further, it explores each subject’s aspirations and motivations, the inherent attributes that inform their existential impact as daughters, as mothers, as members of the movement; their pursuits for dignity, for commerce, for acceptance of and by black people.
Book Reviews
Book Review: “Dear Black Girls: How to Be True to You” by A’Ja Wilson
The envelope on the table is addressed to you. It caught your attention because — who, besides politicians, utilities, and creditors sends anything in the mail these days? Still, it was a nice surprise, no matter what, like a throwback or something. And like the new book, “Dear Black Girls” by A’Ja Wilson, every letter means something.
c.2024, Moment of Life Books /Flatiron Books
$24.99
192 pages
Photo Caption: Courtesy of A’Ja Wilson
The envelope on the table is addressed to you.
It caught your attention because — who, besides politicians, utilities, and creditors sends anything in the mail these days? Still, it was a nice surprise, no matter what, like a throwback or something. And like the new book, “Dear Black Girls” by A’Ja Wilson, every letter means something.
From the time she was born until she was in fourth or fifth grade, A’Ja Wilson lived in a bubble. She didn’t know it; she was only a kid, just being herself with no worries. And then, right before one of her best friends was having a birthday party, Wilson learned that the girl’s dad “really [didn’t] like Black people.” Those few words shook Wilson’s dad, they made her mother quietly angry, and they made Wilson doubt herself for many years.
It was her first reminder: “You’re a girl.
Oh! And you’re a Black girl.
Alright, good luck!”
With the help of her parents and her beloved grandmother, Wilson healed but she never forgot. She made sure to know her roots and her family’s story. She was dyslexic, so she struggled, tried to fit in, and grew taller than most boys, which didn’t help her self-esteem. Neither did the fact that at almost every point in her life, the color of her skin mattered in ways that it shouldn’t have mattered. That included her activity on a basketball court.
Wilson was a young teen when her father first threw her a ball and she hated it, but by the time she graduated from high school, she’d found her way. She’d developed a good “Nonsense Detector.” She got some therapy (“Ain’t no shame in it.”); she learned that when she did her best, there were still going to be haters; and she always remembered to be herself and to be a light for others.
Remember, she says, “You don’t have to be an WNBA player or a politician or a celebrity to have an impact on someone.”
So, will you learn a thing or two by reading “Dear Black Girls”?
Yes and no. In her short introduction, author A’Ja Wilson says that this “is not a self-help book,” and that it’s just “a diary of somebody… who looks like you…” Eh, that’s nothing new but despite her protests, “Dear Black Girls” is helpful. You just have to be ready for it.
That’s not hard; Wilson, a two-time WNBA MVP tells her story with a flair for fun. She even tells the sad tales with exuberance, subtly letting readers know that it’s okay, she’s okay, and it’s all just part of her story. Her voice lets you know how much she enjoys life, even when she has tough things to deal with. It’s like hearing encouragement from the top bunk, or getting straight talk from a mentor.
While it might seem to be a book for teenagers only, “Dear Black Girls” would also be a great resource for younger adults. Take a look, see if it doesn’t get your stamp of approval.
Book Reviews
Book Review: “Who Got Game? Basketball”
A little less than two feet. That’s how far you can get your two feet off the floor if you’re an average kid doing an average vertical jump. Not quite twenty-four inches, but don’t worry: the taller you grow, the higher you could be able to jump. Practice some, dribble a little, shoot more three-pointers, and you might jump right into a book like “Who Got Game? Basketball” by Derrick Barnes, illustrated by Jez Tuya.
A little less than two feet.
That’s how far you can get your two feet off the floor if you’re an average kid doing an average vertical jump. Not quite twenty-four inches, but don’t worry: the taller you grow, the higher you could be able to jump. Practice some, dribble a little, shoot more three-pointers, and you might jump right into a book like “Who Got Game? Basketball” by Derrick Barnes, illustrated by Jez Tuya.
Here we are, football season’s almost over, and your mind has turned to other things – namely, hoops set high over your head, and a round bouncy basketball. Kids like you who “got game” have had it for more than a century. Yes, the game of basketball was created by Dr. James Naismith in 1891 in Massachusetts.
In the years since, basketball has changed a lot, thanks to what Derrick Barnes calls “pioneers.” Julius “Dr. J” Erving improved the dunk. Before that, in 1950, the NBA first allowed Black basketball players on the teams. There have been super-tall players (Manute Bol and Gheorghe Muregan were both seven feet, seven tall) and smaller b-ballers – five-three Muggsy Bogues had a vertical jump of nearly four feet! – and just two years after the game was invented, America had its first women’s team.
A lot of off-court people poured themselves into the game, too. Barnes writes, for example, about Pat Summitt, hoopster, leader, and “one of the greatest coaches in all of sports history.” Her record of 1,098 wins ranks her at first-place in coaching women’s basketball, and as the coach with the second-most wins overall.
You can probably guess that in a book about buckets, there are bucketfuls of stats. Barnes includes a list of NBA players who jumped to a team right out of high school. He writes about the greatest basketball park ever, he explains why winners cut down the net, how Title IX changed the game, why backboards rarely break into a zillion pieces anymore, high scores, bad injuries, “hoops movies,” and where in the world you can pick up a game today.
So, your 9-to-13-year-old loves basketball so much that they dribble a ball in their sleep? They think their favorite jersey is church wear? Then you’ll be the hero of the day when you bring home “Who Got Game? Basketball.”
But first, there’s one big thing you need to know: this is not a how-to book. There aren’t any instructions inside here, no rules or plays to follow. Instead, author Derrick Barnes makes young b-ballers happy by sharing little-known info about the game they love so much, short lists, great stories about great players, wins and losses, and phrases they should know to talk the talk. All this knowledge is supported by colorful illustrations by Jez Tuya that kids will enjoy alongside the facts.
This book is for die-hard young b-ballers, but don’t be surprised if an adult finds a thing or two to learn here. “Who Got Game? Basketball” is a book any fan will want to jump on.
“Who Got Game? Basketball” by Derrick Barnes, Illustrated by Jez Tuya, c.2023, Workman Publishing, $16.99, 172 pages.
Book Reviews
Books: “The Risk It Takes to Bloom: On Life and Liberation” by Raquel Willis
The catalogs should start arriving soon. If you’re a gardener, that’s a siren song for you. What will you put in your pots and plots this spring? What colors will you have, what crops will you harvest? It never gets old: put a seed no bigger than a breadcrumb into some dirt and it becomes dinner in just weeks. All it needs, as in the new memoir “The Risk It Takes to Bloom” by Raquel Willis, is a little time to grow.
By Terri Schlichenmeyer
The catalogs should start arriving soon.
If you’re a gardener, that’s a siren song for you. What will you put in your pots and plots this spring? What colors will you have, what crops will you harvest? It never gets old: put a seed no bigger than a breadcrumb into some dirt and it becomes dinner in just weeks. All it needs, as in the new memoir “The Risk It Takes to Bloom” by Raquel Willis, is a little time to grow.
The last time Raquel Willis remembers being completely safe and loved without strings attached was at age five, at a talent show. Shortly afterwards, some elders began telling Willis to speak with “a particular brand of clear,” to move differently, to act differently. Willis was a Black boy then, and that was how her father worked against his son’s “softness.”
Willis didn’t know the truth about herself then, but other boys did. So, eventually, did the girls, as a grade school Willis “gravitated… toward” them. Young Willis prayed for God to “just make me a girl” but the bullying that had already begun only got worse.
She changed schools and things were no better. Meanwhile, her father tried “even harder to correct who I was becoming.” Friends and online friends were encouraging and supportive, offering her courage to come out to her mother, who thought it was “a phase.” Her father was angry, then accepting. Other family members took Willis’ news in stride.
It was going to be okay. More than okay, in fact, because Willis was introduced to drag, and she started to feel more comfortable in women’s clothing than in men’s attire. To Willis, the drag troupe had begun feeling like family. She settled into life as a gay drag performer because that was the “language” that came naturally to her.
And then, one day, while talking on the phone with an on-again-off-again boyfriend, something important hit Willis, hard.
“I think I’m a woman,” she told him. “I’m a woman…. I am.”
Sometimes, it takes a while to understand the person you really are. Half a book, in this case, because “The Risk It Takes to Bloom” is quite wordy: author Raquel Willis tells her story in excruciating detail, and it can get rather long.
And, yet, the length allows for clues that readers can follow, to truly see the woman, the activist and writer, who penned this book. But is that enough to attract readers? What sets this book apart from other, similar books by star-powered Black trans women?
The answer lies in the approachability of its author.
The strength of Willis’ story lies in its familiarity and its simplicity — it is more down-to-earth — like she could have lived up the street from you or sat in the last row of your high school Algebra class. You could’ve known her. You could know someone like her. Or Willis could be you.
Indeed, this book might hold plainspoken inspiration for anyone who needs it. If that’s you, get “The Risk It Takes to Bloom,” find a chair, and plant yourself.
“The Risk It Takes to Bloom: On Life and Liberation” — c.2023, St. Martin’s Press, $29.00, 384 pages
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