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Molestation Claim Against Michael Jackson’s Estate Dismissed

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In this March 5, 2009 file photo, US singer Michael Jackson speaks at a press conference at the London O2 Arena. A Los Angeles judge ruled on Tuesday, May 26, 2015, that choreographer Wade Robson waited too long to file a claim alleging that Jackson abused him and the allegations should be dismissed. (AP Photo/Joel Ryan, File)

In this March 5, 2009 file photo, US singer Michael Jackson speaks at a press conference at the London O2 Arena. A Los Angeles judge ruled on Tuesday, May 26, 2015, that choreographer Wade Robson waited too long to file a claim alleging that Jackson abused him and the allegations should be dismissed. (AP Photo/Joel Ryan, File)

ANTHONY McCARTNEY, AP Entertainment Writer

LOS ANGELES (AP) — A choreographer who accused Michael Jackson of years of molestation cannot pursue his allegations against the singer’s estate because he waited too long to file the legal action, a judge ruled.

Superior Court Judge Mitchell Beckloff wrote in his ruling Tuesday that Wade Robson’s claim is untimely and should be dismissed.

Robson had previously denied the pop superstar molested him and testified in Jackson’s defense at the singer’s criminal trial in 2005. Robson also spoke favorably about Jackson after the singer’s death in 2009.

However, Robson sued Jackson’s estate in May 2013 over the molestation allegations.

Attorneys for Robson said Jackson molested him over a seven-year period. Attorneys for Jackson’s estate have denied the allegations.

Robson’s attorney Maryann Marzano wrote in a statement that Beckloff’s ruling will be appealed, and the molestation claim will be pursued against Jackson’s business entities.

Jackson estate attorney Howard Weitzman praised the ruling and noted Robson’s previous testimony about Jackson.

“Mr. Robson testified under oath in a courtroom that Michael never did anything improper with him,” Weitzman wrote in an email.

Marzano, however, wrote that her client was incapable of filing his legal action any sooner due to psychological damage he suffered. She also noted that Beckloff’s ruling did not make any determination about whether Robson’s allegations were factual.

“We are confident that when all the facts are presented in civil court, there will be no doubt left about just what kind of sexual predator Jackson was,” Marzano wrote.

Robson was 5 when he met Jackson, and he spent the night at Neverland Ranch more than 20 times, sleeping in the singer’s bedroom on most visits, he told jurors during the trial that ended with Jackson’s acquittal.

Robson told jurors that Jackson had “absolutely not” molested him during the trial.

Robson, an Australian-born choreographer, has appeared on the Fox series “So You Think You Can Dance” and worked with Britney Spears and other stars.

Marzano argued at an April hearing that the seriousness of the claims being lodged against Jackson’s estate warranted a full evidentiary hearing.

Jackson estate attorney Jonathan Steinsapir argued that the law doesn’t allow liability for a person’s actions to transfer to their estate in perpetuity, and that Robson missed his opportunity to file a claim.

Jackson died at 50 while preparing for a series of comeback concerts dubbed “This Is It.” His estate benefits his mother and three children.

The pop singer died deeply in debt, but a posthumous bounce in the popularity of his music has generated hundreds of millions of dollars.

Robson filed one of the last major claims against Jackson’s estate, although disputes with a former business manager, another man alleging underage sexual abuse, and the IRS remain unresolved.

___

Anthony McCartney can be reached at http://twitter.com/mccartneyAP

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of January 28, 2025 – February 3, 2026

The printed Weekly Edition of the Oakland Post: Week of January 28, 2025 – February 3, 2026

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Oakland Post: Week of January 21 – 27, 2026

The printed Weekly Edition of the Oakland Post: Week of January 21 – 27, 2026

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Entertainment

Molestation Claim Against Michael Jackson’s Estate Dismissed

Published

on

In this March 5, 2009 file photo, US singer Michael Jackson speaks at a press conference at the London O2 Arena. A Los Angeles judge ruled on Tuesday, May 26, 2015, that choreographer Wade Robson waited too long to file a claim alleging that Jackson abused him and the allegations should be dismissed. (AP Photo/Joel Ryan, File)

In this March 5, 2009 file photo, US singer Michael Jackson speaks at a press conference at the London O2 Arena. A Los Angeles judge ruled on Tuesday, May 26, 2015, that choreographer Wade Robson waited too long to file a claim alleging that Jackson abused him and the allegations should be dismissed. (AP Photo/Joel Ryan, File)

ANTHONY McCARTNEY, AP Entertainment Writer

LOS ANGELES (AP) — A choreographer who accused Michael Jackson of years of molestation cannot pursue his allegations against the singer’s estate because he waited too long to file the legal action, a judge ruled.

Superior Court Judge Mitchell Beckloff wrote in his ruling Tuesday that Wade Robson’s claim is untimely and should be dismissed.

Robson had previously denied the pop superstar molested him and testified in Jackson’s defense at the singer’s criminal trial in 2005. Robson also spoke favorably about Jackson after the singer’s death in 2009.

However, Robson sued Jackson’s estate in May 2013 over the molestation allegations.

Attorneys for Robson said Jackson molested him over a seven-year period. Attorneys for Jackson’s estate have denied the allegations.

Robson’s attorney Maryann Marzano wrote in a statement that Beckloff’s ruling will be appealed, and the molestation claim will be pursued against Jackson’s business entities.

Jackson estate attorney Howard Weitzman praised the ruling and noted Robson’s previous testimony about Jackson.

“Mr. Robson testified under oath in a courtroom that Michael never did anything improper with him,” Weitzman wrote in an email.

Marzano, however, wrote that her client was incapable of filing his legal action any sooner due to psychological damage he suffered. She also noted that Beckloff’s ruling did not make any determination about whether Robson’s allegations were factual.

“We are confident that when all the facts are presented in civil court, there will be no doubt left about just what kind of sexual predator Jackson was,” Marzano wrote.

Robson was 5 when he met Jackson, and he spent the night at Neverland Ranch more than 20 times, sleeping in the singer’s bedroom on most visits, he told jurors during the trial that ended with Jackson’s acquittal.

Robson told jurors that Jackson had “absolutely not” molested him during the trial.

Robson, an Australian-born choreographer, has appeared on the Fox series “So You Think You Can Dance” and worked with Britney Spears and other stars.

Marzano argued at an April hearing that the seriousness of the claims being lodged against Jackson’s estate warranted a full evidentiary hearing.

Jackson estate attorney Jonathan Steinsapir argued that the law doesn’t allow liability for a person’s actions to transfer to their estate in perpetuity, and that Robson missed his opportunity to file a claim.

Jackson died at 50 while preparing for a series of comeback concerts dubbed “This Is It.” His estate benefits his mother and three children.

The pop singer died deeply in debt, but a posthumous bounce in the popularity of his music has generated hundreds of millions of dollars.

Robson filed one of the last major claims against Jackson’s estate, although disputes with a former business manager, another man alleging underage sexual abuse, and the IRS remain unresolved.

___

Anthony McCartney can be reached at http://twitter.com/mccartneyAP

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Activism

Oakland Post: Week of January 28, 2025 – February 3, 2026

The printed Weekly Edition of the Oakland Post: Week of January 28, 2025 – February 3, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Activism

Oakland Post: Week of January 21 – 27, 2026

The printed Weekly Edition of the Oakland Post: Week of January 21 – 27, 2026

Published

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To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Published

on

Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

Continue Reading

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