Art

Mayor London Breed Announces Over $12 Million In Funding for Arts Organizations

Grants for the Arts funding priorities the City’s commitment to economic recovery and community activation by supporting local parades and festivals

Published

3 years ago

September 27, 2021

Isabelle Price

Female Artist Works on Abstract Oil Painting, Moving Paint Brush Energetically She Creates Modern Masterpiece. Dark Creative Studio where Large Canvas Stands on Easel Illuminated. Low Angle Close-up

Mayor London N. Breed and City Administrator Carmen Chu announced on Monday over $12 million in general operating support grants to fund arts and cultural organizations. This year’s Grants for the Arts (GFTA) funding is primarily dedicated to the general operating support for arts organizations and also aims to support community parades and festivals to help restore the City’s cultural vibrancy and drive its economic recovery.

“We know that the pandemic has been hard on all of us, but it has been especially difficult for our city’s artists and cultural organizations,” said Breed. “The arts are part of what makes San Francisco so special and create an inclusive atmosphere for all who live in and visit our city. During this critical time in our economic recovery, we need to do everything we can to bring back our community festivals that are loved by so many, and support those who contribute to our city’s vibrant culture.”

As president of the Board of Supervisors, Breed spearheaded Proposition E, which was passed by voters in 2018 and allocated 1.5% of hotel tax revenue to the arts. Due to the loss of hotel tax revenues brought on by the COVID-19 pandemic, Breed allocated funding from the General Fund to backfill losses during this year’s budget cycle. Breed’s budget for Fiscal Year 2021-2022 also includes $12 million for GFTA to support arts organizations, as well as parades and festivals.

“Cultural festivals and arts have always been an essential part of San Francisco’s vibrant community. They draw people to San Francisco, bring communities together, and in many ways, define our experiences here,” said City Administrator Carmen Chu. “Supporting our arts organizations during these challenging times is key to our City’s recovery.”

The City Administrator manages GFTA, a program that has provided a stable and dependable source for general operating costs to support the City’s arts and cultural organizations since 1961. Since its inception, GFTA has distributed over $400 million to hundreds of arts non-profits and cultural organizations. GFTA funds over 250 arts organizations each fiscal year, including those organizing and supporting parades and festivals throughout the City.

Committed to serving San Francisco’s diverse communities, this is the first year GFTA implemented a funding process that used a strong equity lens to focus on art organizations deeply rooted in and serving diverse populations.

“Having art and cultural events around every corner in the City is why people live here and it’s why people from all over the world visit San Francisco. Art and culture is the soul of San Francisco,” said Vallie Brown, director of Grants for the Arts. “As San Francisco slowly comes out of our long COVID nap, it’s vital that we support our arts organizations and our community’s parades and festivals.”

“Cultural live music and dance has been missing from our community throughout the pandemic,” says Roberto Hernandez, CEO of Carnaval San Francisco. “We appreciate Mayor Breed and Grants for the Arts for providing funding for all communities as we begin to recover and heal.”

In addition to parades and festivals, GFTA funds other essential arts activities, specifically those that capture and reflect the experiences of the City’s diverse communities, including BIPOC and LGBTQ communities and cross-cultural collaborations.

“We are blessed to live in one of the best cities in the world that cares about BIPOC stories, artists, and arts organizations by putting actionable effort into funding them,” says Rodney Earl Jackson Jr., artistic director of San Francisco Bay Area Theatre Company (SFBATCO). SFBATCO is a Black, Latin, Asian-led non-profit organization producing compelling theater that builds community, fosters cross-cultural dialogue, and promotes social justice.

A complete list of GFTA’s Fiscal Year 2022 grants can be found here.

Isabelle Price

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Art

Mario Van Peebles’ ‘Outlaw Posse’ Screened at Oakland’s Grand Lake Theatre

Published

3 days ago

May 4, 2024

Oakland Post

Film director Mario Van Peebles, who also stars in “Outlaw Posse,” appeared at a press conference held at RBA Creative on MacArthur Boulevard hosted by the Oakland International Film Festival. Photo By Carla Thomas.

By Carla Thomas

The Oakland International Film Festival hosted a screening of “Outlaw Posse” at the Grand Lake Theatre on Monday. Special guests included director/actor Mario Van Peebles and his co-star, Oakland native Scytorya Rhodes. The film is Peebles’ second western, the first being ‘Posse,’ 13 years ago. Filmmaker Van Peebles shared his passion for independent artistry and producing projects with his son, Mandela, who also starred in the film, along with Whoopi Goldberg and Cedric the Entertainer. Next week, The Post will publish an in-depth interview featuring Peebles’ reflections on his work, future projects, and continuing his father’s legacy and Rhodes on her grandfather, a real-life cowboy.

Oakland Post

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Art

Marin County: A Snapshot of California’s Black History Is on Display

The Marin County Office of Education, located at 1111 Las Gallinas Ave in San Rafael, will host the extraordinary exhibit, “The Legacy of Marin City: A California Black History Story (1942-1960),” from Feb. 1 to May 31, 2024. The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

Published

3 weeks ago

April 16, 2024

Oakland Post

Early photo of Marin City in the exhibit showing the first department store, barber shop, and liquor store. (Photo by Godfrey Lee)

By Post Staff

The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

All will have the opportunity to visit and be guided by its curator Felecia Gaston.

The exhibit will include photographs, articles and artifacts about the Black experience in Marin City from 1942 to 1960 from the Felecia Gaston Collection, the Anne T. Kent California Room Collection, The Ruth Marion and Pirkle Jones Collection, The Bancroft Library, and the Daniel Ruark Collection.

It also features contemporary original artwork by Chuck D of the Rock and Roll Hall of Fame group Public Enemy, clay sculptures by San Francisco-based artist Kaytea Petro, and art pieces made by Marin City youth in collaboration with Lynn Sondag, Associate Professor of Art at Dominican University of California.

The exhibit explores how Marin City residents endured housing inequities over the years and captures the history of plans to remove Black residents from the area after World War II. Throughout, it embodies the spirit of survival and endurance that emboldened the people who made Marin City home.

Felecia Gaston is the author of the commemorative book, ‘A Brand New Start…This is Home: The Story of World War II Marinship and the Legacy of Marin City.’ Thanks to the generous contribution of benefactors, a set of Felecia’s book will be placed in every public elementary, middle, and high school library in Marin.

In addition, educators and librarians at each school will have the opportunity to engage with Felecia in a review of best practices for utilizing the valuable primary sources within the book.

“Our goal is to provide students with the opportunity to learn from these significant and historical contributions to Marin County, California, and the United States,” said John Carroll, Marin County Superintendent of Schools.

“By engaging with Felecia’s book and then visiting the exhibit, students will be able to further connect their knowledge and gain a deeper understanding of this significant historical period,” Carroll continued.

Felecia Gaston adds, “The Marin County Office of Education’s decision to bring the Marin City Historical Traveling Exhibit and publication, ‘A Brand New Start…This is Home’ to young students is intentional and plays a substantial role in the educational world. It is imperative that our community knows the contributions of Marin City Black residents to Marin County. Our youth are best placed to lead this transformation.”

The Marin County Office of Education will host an Open House Reception of the exhibit’s debut on Feb. 1 from 4 p.m. – 6 p.m.. All school staff, educators, librarians, and community members are encouraged to attend to preview the exhibit and connect with Felecia Gaston. To contact Gaston, email MarinCityLegacy@marinschools.org

Oakland Post

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Activism

Alternative Outcome to Slayings by Police Explored in One-Man Play

BLACK MEN EVERYWHERE! is the explosive new one man play written, directed, and performed by Jinho “Piper” Ferreira. Set against the backdrop of a presidential election, the play explores how political and cultural leaders wield the myth of the dangerous Black man to manipulate the masses for personal gain. Piper penned the follow-up to his ground-breaking solo play, “Cops and Robbers,” after an impromptu cross-country Black history tour.

Published

3 months ago

February 16, 2024

Oakland Post

BLACK MEN EVERYWHERE! is the explosive new one man play written, directed, and performed by Jinho “Piper” Ferreira.

Special to The Post

What would happen if police officers who have gotten off for killing unarmed Black people started turning up dead?

Piper penned the follow-up to his ground-breaking solo play, “Cops and Robbers,” after an impromptu cross-country Black history tour.

“My wife and I had been talking about it for years,” Ferreira said. They had taken their three children to Brazil several times and West Africa but had yet to explore their history as Black people in this country. “It was Juneteenth last year and I realized we had a few weeks to make it happen, so we just jumped in the car and left” Piper said.

Three weeks later the family had seen everything from the African American Museum of History and Culture in Wash., D.C., to the phenomenally preserved Whitney Plantation in Louisiana. They’d stood outside of the balcony of the Lorraine Hotel where Dr. Martin Luther King Jr. was assassinated in Memphis, Tenn., walked across the Edmund Pettus Bridge in Selma, Ala., and paid their respects at the Africa Town cemetery – where the passengers of the Clotilda (the last known U.S. slave ship to smuggle captured Africans into this country) were buried near Mobile, Ala.

“We had the kids keep a journal of the trip and my wife and I took notes, but once we got back home, I knew I had to make the pen move,” he said.

Ferreira plays 21 characters in the 60-minute emotional roller coaster ride; personalities we all know. While brilliantly weaving in themes of revolution, treachery, and revenge, “Black Men Everywhere!” is surprisingly — more than anything else — a love story.

“I wrote the play for Black men and everyone who loves us,” Ferreira said. “The play is narrated by a sistah and performed in front of the deeply spiritual artwork of Nedra T. Williams, an Oakland priestess of Olokun. It’s called ‘Black Men Everywhere!’ but we don’t exist without the Black woman.”

For tickets, please go to: http://tinyurl.com/5dm3mhra