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Keisha Drammeh: The art of redesigning vintage clothes

THE BIRMINGHAM TIMES — Keisha Drammeh’s eye for history comes in handy, especially with her line of vintage clothing.

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By Ameera Steward

Keisha Drammeh’s eye for history comes in handy, especially with her line of vintage clothing. Based on what she buys from thrift stores and estate and garage sales, she can always tell what was going on in the world when a certain item was in style. She researches the year and the era to make sure the attire is “authentically vintage.”

“There is a lot of copycat stuff out here,” she said. “You can look at zippers, buttons, and stitching to see if [an item] is truly vintage or not.

“Art is in everything, and fashion is an art form. So, anything I see can be used for fashion. I’ve always been taught to appreciate everything because you can see nature in it all. Patterns, fabrics, designs all have naturally occurring aesthetics [that] can be turned into artwork.”

It’s Poppin!

Drammeh creates artwork from used clothing she finds and recycles, and she sells those creations through her business, It’s Poppin! Vintage. Her “sustainable” vintage clothing store, which opened in 1994, features trendy, urban, vintage items while sustaining the environment and minimizing carbon footprints. She chose the name “It’s Poppin” because it’s long been one of her favorite phrases.

“I was saying that before it got trendy,” she said. “Now everybody is like ‘It’s poppin!’ It’s been poppin’ for me.”

A self-professed fashion activist, Drammeh doesn’t feel there’s a limit to what a person can wear, where they can wear it, and how they can wear it.

“I like gender-neutral items,” she said. “I’m not super-girly, but I’m not super-tomboy, [either]. I like to mix men’s pieces with women’s pieces. … There’s … no limit to fashion. It runs the gamut.”

In addition to telling the story of the clothes, she uses the word “sustainability” in what she does because “that’s what [my parents and I have] always done, being sustainable, … recycling and reusing, trying to reduce the amount of money [we would] spend on stuff,” she said.

Black History Month

February is a big month for Drammeh. On February 1 she was part of a fashion show presented by Golden Hour Productions and Unity Culture. And on February 10, she will host a Sip and Shop at the current It’s Poppin! Vintage, location, 1904 2nd Ave. N., inside the Paisley Pig in Bessemer; tickets are $10, and those attending should bring five items and have about three minutes to shop.

“[It] kind of gives it like a little exhilarating rush,” Drammeh said, explaining that any clothing that isn’t sold during the event will be donated to Olivia’s House, a transitional house for women and children.

“I hope I can be a part of that whole movement [to change fashion],” she said. “If it’s trendy to shop at a thrift store, please be trendy. You’ll save so much money, and you’ll have your own unique look.”

Beyond fashion and business, Drammeh is part of the National Hook Up of Black Women, an organization that started in Chicago, “because this sister felt like black women didn’t have a place to meet or hook up and be resourceful with each other,” she said, adding that the group is resourceful to the point that they have become her team for whatever she needs when it comes to her programs.

Drammeh also has established an art and culture program. Because it’s Black History Month, the topic of discussion will likely be about Africa, and participants will make three-dimensional masks.

“The event is for kids,” she said. “It’s a [two-day] youth program … in conjunction with the Hook Up, … which is the type of organization that [will provide support for] whatever you want to do.”

“Spirit of Birmingham”

Drammeh, a 44-year-old mother of three, was born in Chicago, Ill. When she was 14, her family moved to Detroit, Mich., where they lived for the next 20 years. She then moved to Atlanta, Ga., where she lived until August 2018, when her husband received a better job opportunity that brought their family to Birmingham.

Drammeh loves the Magic City, but for her there’s no place like the Motor City.

“I love Detroit, and I see some similarities between Detroit and Birmingham,” she said. “I like the spirit of Birmingham. I’ve been able to connect with some really creative people here, and I like how the creative community is tight knit. It seems like a small, big city. I like that feel versus coming from a place that was on steroids.”

Artistic Beginnings

Drammeh was an only child, and her parents were activists.

“My parents always [bought black]. We’ve been buying black since I was little,” she said. “[We] lived a real African-centered lifestyle, so we put black before anything.”

Her mother was an account executive who sold commercial time for major television networks, and her father was an artist.

“[My dad was always] digging, … pulling up, and putting stuff in the back of the car that people were trying to throw away,” she said. “He didn’t believe in wasting.”

Drammeh’s family didn’t go to church, so Sundays were the creative days in their household.

“Jazz, Miles Davis playing. Painting. … Just doing stuff in the house. … That’s the type of vibe my parents were on,” she said. “Looking back on how I grew up, I think a lot of black people could have benefitted from coming from such an African-centered household. … I don’t think a lot of black families were having the type of conversations that took place in our home and letting their kids be part of them.”

Growing up in such a creative household helped Drammeh develop her own style—and not care what others thought about it.

“I was one of those kids putting graffiti on and holes in their clothes before [designers] started selling [clothes like that],” she said. “You know, that was tacky for some people, especially your parents. I feel like that [style] was kind of inspired by [my] generation.”

Growing up in the Motor City also influenced Drammeh’s sense of style.

“In Detroit, you’ve gotta be ready for whatever at all times,” she said. “I look at [rapper] Kash Doll, [singer, rapper, and songwriter] Dej Loaf, and other Detroit artists and say they are basically still Detroit girls.”

Community Work

Drammeh earned a bachelor’s degrees in mortuary science and community development from Detroit’s Wayne State University, but she has always been an educator at heart.

“I ended up in art education because I love art and I love community,” she said. “I’ve always worked with after-school programs and had my own after-school programs for youth.”

Drammeh has been in the education and youth-development fields for years, both with her own cultural art programs and with the Boys and Girls Club in Atlanta, where she served as the cultural art director. She left that job in 2014 to devote time to It’s Poppin! Vintage.

In Atlanta, Drammeh found several nice thrift stores, where she would often shop for her friends. She also would add fabrics or patchwork to pieces to create different looks.

“For my friends and myself, … if I saw something cute [at a thrift store], I would buy it because it was cheap,” she said. “One day, I woke up and realized I had about 50 pieces that I didn’t give away. I couldn’t fit [any of the items], so invited people over for a big sale at my house. After that, I just kept shopping, [and] I never stopped.”

Drammeh recalled the number of people who showed up to her sale, and she has since turned her hobby into a hustle. Most of her customers are people who like to thrift: women and some men between the ages of 24 and 50. She also has seen her customer base grow among the lesbian, gay, bisexual, transgender, and questioning and/or queer (LGBTQ) community.

Drammeh feels she offers her customers hope, as well as a sense of unorthodox style. The selections available at It’s Poppin! Vintage blends patterns, colors, and textures, but it’s about more than just selling clothes.

“It’s selling style, personality and character all in one,” she said, adding that her ultimate goal is to reduce the amount of money people spend on stuff.

“You spend money on a T-shirt that was made in a sweatshop by someone who was paid maybe 3 cents and can’t even feed their family. [Manufacturers] use gallons and gallons of water to make the cotton,” Drammeh said. “It’s just stupid when you can get something that has stood the test of time and is still great.”

When it comes to pricing, Drammeh doesn’t try to match other retailers. She takes a few things into consideration: her time, the clothing selection, and the era in which the clothing was made.

Visit www.itspoppinvintage.com to not only shop but also check out Drammeh’s blog, which includes the history of some her pieces.

This article originally appeared in The Birmingham Times. 

Black History

IN MEMORIAM: Marcia Ann Gillespie, Editor of Essence and Ms. Magazines, Dies at 82

Marcia Ann Gillespie, the trailblazing journalist who served as the first editor-in-chief of Essence magazine, has died at age 82. After joining the publication at its inception in 1970, Gillespie spent a decade elevating the beauty and voices of Black women during a pivotal era of self-love and cultural revolution. She later broke barriers as the first Black woman to lead Ms. magazine, further solidifying her status as a titan of the publishing industry. Her expansive career also included authorship and teaching, leaving a profound impact on American media. Read more.

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Marcia Ann Gillespie. Facebook photo.

Marcia Anna Gillespie, the first editor in chief of Essence magazine, has died. She was 82.

Born in Rockville Centre, New York, in 1944. The daughter of a church sexton/small business owner and domestic worker/caterer, Gillespie parlayed her degree in American studies from Illinois’s Lake Forest College into a research job at Time-Life Books, Inc. in New York.

There she advocated for fairness and inclusion of Black life in its publications. When the owners of the standard bearer of Black life, Ebony magazine, ventured into creating a special publication for young, Black women, Gillespie was hired as managing editor in 1970, and became editor-in-chief a year later at the young age of 26.

At the time, the venture by the Johnson family – the owners of Ebony magazine and Jet – into creating a publication for young Black women met the growing revolution of self-love in the Black community.

In other words, the battle cry of the late 1960s, “Black is Beautiful,” had a place to be seen and not just heard.

Thousands of young women who had already abandoned straightening combs and European aesthetics learned more ways to wear their natural hair from Afros to cornrows. Young Black designers got a place in the spotlight not just in clothing but jewelry that expressed neo-African ideals. But one of the most important impacts was the magazine’s unapologetic elevation of the beauty of the dark-skinned Black female to the status she deserved.

Under Gillepie’s tenure, Essence championed storytelling that celebrated Black women’s identities, experiences, and contributions at a time when their voices were often overlooked in mainstream media,” Essence wrote in a statement posted to Instagram

For 10 years she steered the fledgling publication before joining Ms. Magazine as a contributor in 1980 later becoming the first Black woman to edit a mainstream American magazine when she took charge in 1992.

In 1998, she helped secure the publication’s future through a women-led ownership group. She stayed at Ms. In various capacities until 2001, during which time the magazine had the most diverse readership in its history.

She also mentored future Essence editor Susan L. Taylor and taught young journalists at SUNY Old Westbury.

Emmy-winning actor Sheryl Lee Ralph took to social media to honor Gillespie’s life. 

“Rest in peace, dear Marcia Gillespie,” she wrote on Threads. “Your voice, your brilliance, and your commitment to lifting up Black women leaves a legacy that will continue to inspire me and so many others.”

A professor at SUNY Old Westbury and Bennett College, she also co-authored the authorized biography “Maya Angelou: A Glorious Celebration” in 2008.

According to Wikipedia, she also served on various boards as a director or advisor, including: “…the Arthur Ashe Institute of Urban Health, the Black & Jewish Women of New York, the Violence Policy Center in Washington, D.C., Aspen Institute, …and the Studio Museum of Harlem. Gillespie is a member of the National Council of Negro Women and the American Association of Magazine Editors.”

She was the recipient of several awards, including: the Lake Forest College Outstanding Alumni Award (1973), the New York Women in Communications Matrix Award (1978); a Lifetime Achievement Award from the New York Association of Black Journalists for print journalism (1982); a ‘Top Ten Outstanding Women in Magazine Publishing’ recognition by the March of Dimes.

In later years she was inducted into the American Society of Magazine Editors’ Hall of Fame (2002); the NAACP President’s Award (2006) and the Barbara Graves Legacy Award at the Black Enterprise Women of Power Summit in 2017.

The conclusion for her online obituary reads: “She leaves behind a legacy written not just in the pages she edited, but in every editor, journalist, and reader who found themselves — finally — in the stories she chose to tell.”

Online sources for this report include “The History Makers,” The Washington Informer, Wikipedia, Essence magazine, Ms. Magazine and her obituary.

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Business

Oakland Latino Chamber of Commerce Hosts Statewide Convention, Generating $3 Million in Economic Impact

The Oakland Latino Chamber of Commerce recently hosted the 47th Annual California Hispanic Chambers of Commerce Statewide Convention, drawing more than 1,000 attendees to the city. The event generated an estimated $3 million economic impact, benefiting local retailers, hotels, and small businesses throughout the region. Organized in partnership with Visit Oakland, the convention featured a marketplace for local entrepreneurs and focused on advancing economic prosperity for Latino-owned businesses. Several innovative features were introduced during the summit to provide lasting resources for the state’s business community, read more.

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Cutting the ribbon at the California Chamber of Commerce (CHCC) last month were CHCC Northern Region Director Mayra Perez, Aliza Gallo, Oakland Latino Chamber President CHCC Foundation Chairman David Betancourt, CHCC Madam Chair Veronica Corona, CHCC President & CEO Julian Canete and CHCC Northern Region Chair Leo Callejas. Courtesy photo.

The Oakland Latino Chamber of Commerce (OLCC) recently served as the Host Chamber for the 47th Annual California Hispanic Chambers of Commerce (CHCC) Statewide Convention, held in Oakland in August 2026.

The Convention welcomed more than 1,000 attendees from throughout California and generated an estimated $3 million economic impact for the City of Oakland, providing significant support to local hotels, restaurants, transportation providers, retailers, and small businesses.

In conjunction with Visit Oakland, OLCC brought in various local sponsors and worked closely with the California Hispanic Chamber of Commerce, to make the Oakland Convention a success.

The success of the 47th Annual CHCC Statewide Convention demonstrates what is possible when business leaders, entrepreneurs, community organizations, and public partners work together with a shared vision, said Aliza Gallo, president of the OLCC.

“By welcoming more than 1,000 attendees and generating an estimated $3 million economic impact, we not only showcased Oakland as a premier destination for business and innovation but also created lasting opportunities for local businesses and entrepreneurs,” said Gallo, who also served as co-host of the event.

She adds that the “convention elevated Oakland’s visibility, strengthened statewide and local partnerships, and reinforced the Oakland Latino Chamber of Commerce’s commitment to advancing economic prosperity for our members and our community.”

As part of its leadership role, OLCC introduced two innovative features designed to extend the convention’s impact beyond the event itself. Conference workshops were recorded and made available for continued learning and professional development.

These recordings will be shared with OLCC members and made available for broader public access, expanding educational opportunities for businesses and entrepreneurs throughout California. The workshop content will also be distributed to the 85 Latino Chambers and Affiliate Members within the CHCC network, which collectively is 135 member organizations statewide.

In addition, OLCC created and managed the Oakland Mercadito, a vibrant marketplace showcasing local Latino and Latina entrepreneurs. The Mercadito provided small business owners with an opportunity to market their products and services, connect with new customers, and gain exposure to business and community leaders from across the state.

The initiative highlighted Oakland’s entrepreneurial talent and demonstrated OLCC’s commitment to supporting small business growth and economic opportunity.

“Oakland is one of the most diverse cities in the United States” commented Peter Gamez, president & CEO of Visit Oakland. “Our city’s celebration of culture makes everyone feel they belong here and allows for truly authentic experiences.

“Our diversity is a powerful draw for groups and individual visitors. We are extremely proud of this and continue to cultivate and grow this message as we welcome conferences and conventions to The Town,” Gamez said. 

For more information, see the Visit Oakland video about the CHCC Convention In Oakland: https://lnkd.in/p/eRpe2sYD 

The Oakland Latino Chamber of Commerce is the source of this story.

About The Oakland Latino Chamber of Commerce

Oakland Latino Chamber of Commerce (OLCC) www.oaklandlatinochamber.com is dedicated to advancing economic opportunity, strengthening business capacity, and elevating the visibility of Latino-owned businesses throughout Oakland and the East Bay. Through advocacy, partnerships, technical assistance, and community engagement, OLCC works to ensure that Latino entrepreneurs have the resources and support necessary to thrive. 

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Black History

Five Hospitals Said No! Who Will Help Annette Henry Recover?

Annette Henry, a 67-year-old Oakland woman, is struggling to access essential medical care after a devastating stroke left her with a rare neuropathic pain syndrome. Despite medical documentation confirming her need for inpatient rehabilitation, five different Bay Area hospitals have denied her admission, often citing her inability to meet rigid therapy thresholds. Her family’s efforts to seek intervention from state and federal lawmakers have yielded no results, leaving Henry at home without a clear path to recovery. To see how these systemic failures are impacting her health, read more.

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Annette Henry. Photo by Mario Decuir.

A tangle of red tape and contradictions between health providers and Medicare rules have impeded an Oakland woman’s ability to recover from a stroke she had last year.

Her family – who are her caretakers – have reached out to various professionals and state and federal lawmakers for help to no avail.

At 67, Annette Henry needs inpatient stroke rehabilitation after a devastating stroke in May 2025. Since then, multiple Bay Area hospitals have denied it. She was accepted into a rehabilitation facility in June 2025 but discharged prematurely in July, in essentially the same condition.

Three hospitals where she was a patient pushed skilled nursing over inpatient rehabilitation. Two more declined referrals.

Now at home, Henry is caught in a system that measures her need for treatment against the limitations treatment should address.

Medical professionals have documented her need for a higher level of care.

In August 2025, a Medicare Quality Improvement Organization (QIO) overturned Henry’s discharge from an inpatient rehabilitation facility (IRF).

The QIO’s independent physician reviewer found she had not received the “intensive therapy program outlined on admission,” according to the Aug. 30, 2025, determination letter. Yet the decision did not secure her readmission or guarantee continued rehabilitation.

Henry has central post-stroke pain, a rare neuropathic pain syndrome that can make movement and touch intensely painful. Her pain specialist recommended inpatient rehabilitation alongside pain management.

Nevertheless, facilities have cited her inability to tolerate three hours of daily therapy as a reason to deny inpatient rehabilitation.

That practice raises questions about Medicare coverage policy. In Hooper v. Sullivan, No. H-80-99 (D. Conn. 1989), the court recorded the parties’ agreement that denials based on numerical utilization screens, diagnostic screens, treatment norms, the “three-hour rule,” or other “rules of thumb” were not appropriate.

CMS subsequently cited Hooper in its Aug. 7, 2009, final rule (74 Fed. Reg. 39762, 39794). The policy is also addressed in the Medicare Benefit Policy Manual, Chapter 1, Section 110, and CMS’s June 1 Review Choice Demonstration for IRF Services: Operational Guide.

These authorities underscore the need for individualized assessments rather than rigid numerical thresholds.

The central contradiction is stark: the pain and disability that make rehabilitation necessary have been cited as reasons to deny it. UCSF Stanyan’s April 7 discharge summary for Henry states that acute rehabilitation unit (ARU) placement was declined for “inability to tolerate three hours of therapy daily.” Without appropriate treatment, Henry risks further decline.

Her records document complications associated with prolonged immobility.

Orthopedics documented flexion contractures of the small and ring fingers on March 19.

Chest imaging on April 1 showed bibasilar dependent atelectasis, a condition involving reduced inflation of the lower portions of both lungs. These concerns can be examined through her medical records and photographs.

“What does a ‘not reasonable’ discharge look like?” her family asks. For them, it looks like an appeal decision recognizing a problem without ensuring a remedy: repeated referrals, denials and a patient still without the rehabilitation her treating professionals have recommended.

The family has sought help from the California Department of Public Health and the federal Office for Civil Rights to no avail. They contacted U.S. Rep. Lateefah Simon in June 2025, while Henry was in rehabilitation; Senator Alex Padilla in May 2026; and Senator Adam Schiff in September 2026.

DeCuir says the family received no meaningful assistance and was redirected to the QIO or advised working with a social worker after Henry had already been discharged.

The consequences extend beyond rehabilitation. The family reports that Henry has struggled to attend in-person specialist or any appointments and needs in-person evaluation and treatment for complications, recommended evaluations, health screenings and preventive care.

Her mobility limitations have become barriers to broader medical care.  Every office tells her their office is not set up to accommodate her.  This has happened with specialty care, out-patient services, screenings and physical therapy.

Henry is a Black woman on Medicare, and her family believes her experience raises concerns about unequal access to intensive rehabilitation. Research has documented disparities in discharge to inpatient rehabilitation rather than skilled nursing, underscoring the importance of individualized review.

CMS, state regulators and healthcare providers should examine Henry’s records, assess her needs on their clinical merits and explain how the applicable coverage standards were applied, and whether they are being enforced.

Rehabilitation is not a reward for patients who can already tolerate treatment. It is care intended to help people recover function. Henry’s case asks whether a system designed to support recovery can leave a patient without a path to it.

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