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`Keep Your Hustle, But Change Your Product’

THE AFRO — Author Lamont Carey’s latest book, The Transition: From One Hellhole to Another, continues his searing narrative about the perils of mass incarceration, which impacts millions of Americans on both sides of the wall.

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By Sean Yoes

Author Lamont Carey’s latest book, The Transition: From One Hellhole to Another, continues his searing narrative about the perils of mass incarceration, which impacts millions of Americans on both sides of the wall.

Although Carey, a native of Washington, D.C. crafts fictionalized stories about life in prison, they are born of his very real experience as a young Black man who was once caught up in perhaps the most vicious system of incarceration on the planet.

“I was in prison, to keep…from being bored, I use to jump in rap battles and one of the guys challenged me to write a book, because he said I couldn’t battle,” said Carey during a phone interview. “And I wrote the book and I started being the institution favorite, everybody wanted to read the book. So, I kept writing books.”

All of Carey’s books (The Transition is his seventh), give readers an intimate and ultimately authentic immersion into life in prison. “So, the books that I released are a guy’s journey through one of the worst prisons in the world. So, you get to see how prison works, how relationships work, how individuals chose to navigate based off of their experiences,” Carey said. But, the author, motivational speaker and filmmaker revealed what he experienced inside the system when he first entered it was nothing like he expected.

“Prison was nothing like I thought it would be. I thought prison would be this constant battle of having to prove myself to protect me from being raped and all of that,” he said.

“But, what prison actually was, well, you had two roads you could take; you could take that road where you live a life of violence and aggression, or you could take the road of programming. And initially, I took the road of violence, but then it was working against me,” Carey added. “I was losing good days and going to the hole. And so, I chose the other path so I could get home. So, people go to prison and sometimes lose sight of freedom and when you lose sight of freedom that’s when you become institutionalized.”

Carey first hit the national stage as a spoken word artist in 2005 on HBO’s “Def Poetry Jam.” But, he said he had no expectation of where poetry would take him. “I wasn’t focused on being a change agent, I just was trying to infuse truth into the art, because a lot of people hadn’t come from that background and they were doing poems in the third person, so it wasn’t truth,” he said. “So, I just added, hard…straight from the streets kind of material and that material ended up having an impact because it gave other people, it made them see that their voice was being heard, and that somebody else shared their ideas,” Carey added.

“And so from there I started getting invited to speak in jails and prisons and their communities and so I just latched onto that. Because it gave me the opportunity, all those bad experiences I had this was an opportunity to use them for good. So, I turned my mistakes and roadblocks to success.”

Carey’s journey has taken him from seemingly divergent locations like Ames, Iowa to Africa. But, ultimately his message is universal, especially for people of color.

“There is poverty everywhere, there are Black people everywhere trying to figure out how to come up,” he said.

“There are Black people everywhere that succumb to the barriers. And then when I enter the room and talk about my challenges and how I overcame them, it gives hope.”

This article originally appeared in The Afro

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Oakland Post: Week of June 17 – 23, 2026

The printed Weekly Edition of the Oakland Post: Week of June 17 – 23, 2026

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Books

Book Review: Something We Said: Richard Pryor, A Notorious Word, and Me

Though sticks and stones and words are weapons, as in the new memoir, “Something We Said” by Elizabeth Stordeur Pryor, they can also hold people together.

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By Terri Schlichenmeyer

Author: Elizabeth Stordeur Pryor, Copyright: c.2026, Publisher: Simon & Schuster, SRP: $29.00, Page Count: 304 pages

Sticks and stones may break my bones.

You know the rest of that childhood rhyme, and you know it’s not true: words have meaning, and they can cut like a knife. And yet, though sticks and stones and words are weapons, as in the new memoir, “Something We Said” by Elizabeth Stordeur Pryor, they can also hold people together.

The college lecture was supposed to have been about the 1850 Fugitive Slave Act.

It was supposed to be a lively discussion, but unintentionally it quickly veered off course. When a White student quoted a movie line featuring the “n-word,” the room went quiet, and Professor Elizabeth Stordeur Pryor panicked.

She’d grown up hearing that word, and seeing it, and she’d experienced the painful feelings attached to it. She knew who wrote that movie line. It was her father, Richard Pryor.

In her first few years, Pryor spent most of her time in a White world, hearing her mother’s tales of her larger-than-life father, and trying to grasp meaning in her father’s albums, peppered as they were with a word that was off-limits to her.

When she was six, she met her father for the first time. She began to visit him regularly.

It was fun at her Dad’s house; though he was sometimes moody, he taught her to fish and play dominoes. She became close with her siblings, fearful of her great-grandmother, and confused about a word that her father’s uncles threw around like a beach ball. It was a forbidden word at her mother’s house, but her father used it. Differently. Often.

The word hurt. She knew first-hand that it did.

“The word became a degrading slur that shackled all Black people together into a single, inescapable tribe,” she says.

So why was it okay for certain people to say it?

Knowing that, in the years since Richard Pryor’s accident and his death from multiple sclerosis, he’s become somewhat of a legend. It is a very satisfying thing, isn’t it? So is reading about him, especially from the viewpoint of one of his seven children. But his is not the only story you get inside “Something We Said.”

Wrapped around the life of Richard Pryor is the life of a word that straddles a line between danger and provocation, a word that author Elizabeth Stordeur Pryor refuses to say or even print. As she tells readers about her father and her loving-but-difficult relationship with him, she warily circles that word, as if it might bite. You may cringe, but she weighs it carefully, helping readers see it as a chameleon before always bringing us back to her father, his work, and his life before and after her and that word.

It’s a push-pull balance that holds readers fast, and keeps them there. It’s perfect for fans of this genre, or Richard Pryor, or of language – and it’s going to make you think. If you want a good memoir this week, one that may send you to your old album collection, “Something We Said” is rock-solid.

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Oakland Post: Week of June 10 – 16, 2026

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