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Justice for Rodney Reed!

NNPA NEWSWIRE — “All we want is a fair trial. That’s all we’re asking for,” Rodney Reed’s brother, Roderick, told The Final Call. “We want to be able to present witnesses and new evidence and clear his name … I believed he would have gotten off when he was on trial because we knew the truth. He and the rest of us as a family have always stood in that truth.”

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(Photo: The Final Call)

Family, supporters press Texas governor for new trial for man on death row

By Barrington M. Salmon, Contributing Writer, The Final Call
@bsalmondc

A crowd some of Rodney Reed’s family members estimated was about 1,000 people, recently gathered at the Governor’s Mansion in Austin, Texas demanding that Gov. Greg Abbott act to halt the execution of Mr. Reed in a controversial murder case.

In the past several months, there has been a groundswell of support for Mr. Reed, 51, who has been on death row for 20 years. In 1996, he was charged with and convicted of the rape and murder of 19-year-old Stacey Stites by an all-White jury.

Rodney Reed and his family have always maintained his innocence and his brother and family spokesman Roderick Reed said the family wants a stay of execution and a new trial.

Rodney Reed is scheduled for execution Nov. 20 when an appeals court stepped in November 15th to suspend his death sentence indefinitely. The decision also ordered the court where he was originally tried to consider new evidence in the case.

“All we want is a fair trial. That’s all we’re asking for,” Mr. Reed told The Final Call. “We want to be able to present witnesses and new evidence and clear his name … I believed he would have gotten off when he was on trial because we knew the truth. He and the rest of us as a family have always stood in that truth.”

Roderick Reed said he knew his brother and Ms. Stites had been in a relationship and had met Ms. Stites but because of the racial climate and the potential for backlash and retaliation, the couple had kept their relationship secret. Ms. Stites, at the time, was engaged to a police officer, Jimmy Fennell, who many believed was her killer.

The uncovering of new evidence, recent affidavits from witnesses that point to Mr. Fennell’s involvement in Ms. Stites’ death and enduring questions about details of the victim’s death necessitates a new trial, Mr. Reed’s supporters say.

Roderick Reed and his wife Wana recounted the isolation the family endured. The family approached local churches and civil rights organizations for help but was rebuffed, he said.

“The family had been turned down repeatedly by local clergy. The Nation of Islam was the only one present,” said Student Min. Robert L. Muhammad, who has been supporting the Reed family for about 17 years. “The family has been disappointed and dismayed but recently, we have seen a great outpouring of support recently that is very encouraging.”

Mrs. Reed concurred.

“We were shunned by their people, shunned by Black press,” she recalled. “When the family first went out to Black churches, one pastor said, ‘I wouldn’t touch this with a 10-foot pole.’ ”

Both spoke of the Reed brothers—Robert, Ronald, Richard, Roderick, Ryan—being denied jobs because of their last names, and some older family members staying away from the family home for fear of being shot, ostracized or punished for their family ties.

Bastrop, Texas is 33 miles from Austin, the state capital and 85 miles from San Antonio. In 2017, the town had 8,802 residents. Min. Muhammad and the Reeds described a small Southern town steeped in racism, with the typical American racial hierarchy of Whites on top, Latinos in the middle and Blacks languishing at the bottom.

“Bastrop is racist but it’s lot different and deeper now,” Mrs. Reed said. “You don’t realize how deep it is because it’s almost second nature. It’s so deeply engrained in people. But it’s not like how it used to be. We have Confederate monuments on the courthouse lawn. Things may be getting better but there is always a sense of looming White supremacy and the racial hierarchy.”

Min. Muhammad, who heads Muhammad Mosque No. 64 in Austin, agreed.

“Bastrop has a history of racism that existed there from the early 1900s to the ’70s and ’80s,” said Minister Muhammad, who was born and raised in nearby Austin, which is a considerably more liberal city.

Mr. Reed said he knew his brother was dating Ms. Stites although that wasn’t common knowledge. His brother, his sister-in-law said, got caught up in the narrative of a Black guy was in relationship with White woman in a Southern town.

Staff at The Innocence Project, which is handling Mr. Reed’s case, and the Reed family have raised a number of troubling questions and highlighted a series of discrepancies which they say all add up to Mr. Reed being an innocent man railroaded by the criminal justice system. It includes discrepancies about the time of Ms. Stites’ death as well as, the fact that the murder weapon, a belt, has never been tested for DNA evidence; and the state’s three forensic experts’ admission on the record to errors in their testimony, which led to Rodney Reed’s conviction and death sentence. They have submitted affidavits that the original time of death is inaccurate, charging the timeline for Mr. Reed killing Stites implausible.

Further, renown forensic pathologists including Dr. Michael Baden, Dr. Werner Spitz, Dr. LeRoy Riddick, M.D., and Dr. Cyril Wecht, have all concluded that Rodney Reed’s guilt is medically and scientifically impossible; Mr. Reed and Ms. Stites were having a consensual sexual relationship although at the time of the trial, no one came forward to corroborate their relationship. Today, new witnesses including Stites’s cousin and a co-worker, Alicia Slater, have corroborated Rodney Reed’s claim that they knew that Reed and Stites were romantically involved for months after the murder, and Jimmy Fennell was the prime suspect in the case. Mr. Fennell’s best friend at the time of the crime, Bastrop Sheriff’s Officer Curtis Davis, has now revealed that Mr. Fennell gave an inconsistent account of where he was on the night of the murder.

Two witnesses have come forward in recent weeks and submitted signed affidavits that add to the mounting evidence against Mr. Fennell. These affidavits include testimony from an insurance salesperson who stated that Mr. Fennell threatened to kill Ms. Stites while applying for life insurance. The second witness was a deputy in the Lee County Sheriff’s Office at the time of the murder, who alleges Mr. Fennell made an alarming and incriminating statement at Ms. Stites’s funeral regarding her body. Then there is an alleged a confession by Mr. Fennell that came to light Oct. 29. Mr. Fennell served 10 years and was released from prison in 2018 after being convicted of assaulting a woman who was in his custody as a police officer. Arthur Snow, a former member of the Aryan Brotherhood and prison mate of Mr. Fennell, disclosed a conversation in which Mr. Fennell allegedly confessed to murdering Stacey Stites stating, “I had to kill my nigg**-loving fiancée.”

The prosecution’s only forensic evidence linking Rodney Reed to the crime was semen taken from Ms. Stites’s body, which was attributed to the consensual relationship between them. The prosecution used this to connect him to the murder and refute a consensual romantic relationship, but some testimony has been recanted and discredits the state’s case, The Innocence Project said.

“We identify as death penalty abolitionists,” Mrs. Reed said. “Gov. (Greg) Abbott has been silent. He’s aware of Rodney’s case but has not made any statement, said nothing about it. He may be waiting for the (state) Supreme Court to act.”

Mrs. Reed said there are many holes in this case and substantial doubt.

“We want the state to give Rodney’s life back, show that he’s innocent,” she said. “The family wants them to stop the execution ASAP. Abbott can issue a stay and he has the power to direct this towards a new case.”

Rodney’s case has caught the attention of celebrities such as Oprah Winfrey, Kim Kardashian—who Mrs. Reed said has called, kept in touch and who is working behind the scenes along with rapper Meek Mill. Prison abolitionists, anti-death penalty advocates, ministers, priests and pastors have joined to lift their voices calling for Gov. Abbott to issue a stay of execution and order a new trial. Journalist and social justice activist Shaun King started a petition that had garnered more than 2 million signatures.

Then on Oct. 10-11, Dr. Phil McGraw explored the case on his television show to consider Mr. Reed’s claims of innocence.

“I don’t think it’s a question of whether he’s guilty or not guilty,” said Dr. Phil, who had an in-person interview with Mr. Reed, according to the Death Penalty Information Centre. I think the question is, has he had a fair trial with a full airing of all of the evidence. And I think the answer to that question, in my opinion, is not just ‘no’ but ‘hell no.’”

The Innocence Project and Rodney Reed are seeking DNA testing of evidence that they say will exonerate him.

Mrs. Reed described the conditions under which her brother-in-law has lived for the past two decades.

“He’s incredibly strong. God has allowed me to see and witness true strength,” she said. “I went to visit him. He was upbeat. He is in a 6-foot square cell 23 hours a day, 7 days a week. He’s a big man in small space. He has pretty severe sensory deprivation. He’s not allowed to hug his mother, family or friends since all this time. But despite all that he’s pretty positive.”

She said Mr. Reed has no access to a computer, cell phone, or technology. He has supporters who reach out to him and that happens through his partner Judy Ann, who shares every day comments from his supporters and updates.

“He has family visits two hours a week. There’s a lot to get out because he’s trying to get everything out,” she said. “It can be a little tense sometimes. Rodney remains very strong and is being cautiously optimistic.”

Roderick Reed said his brother’s incarceration has been “a game-changer, life changing.”

“Dealing with this for this amount of time is a life changer. It has changed our lives. We’ll never be the same,” he said. “But every day knowing the truth and that Rodney’s innocent and this experience has brought me to a whole other place in my mind.”

Now, Roderick Reed said, he’s focused, looking forward to the day when his brother comes home.

“I’m very optimistic. He will be exonerated. We will have time to heal,” he concluded.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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