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Idea Generation Taps Bun B for its Live Taping Experience

ABOVE: Bun B chats with Idea Generation’s Noah Callahan-Bever in a Live Taping Experience at White Oak Music Hall (Photo by Medron White/Forward Times) Real Conversation Served Up Alongside Trill Burgers On June 28, in partnership with Tres Generaciones tequila, media platform Idea Generation held a live conversation with Houston rap legend Bun B at […]
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ABOVE: Bun B chats with Idea Generation’s Noah Callahan-Bever in a Live Taping Experience at White Oak Music Hall (Photo by Medron White/Forward Times)

Real Conversation Served Up Alongside Trill Burgers

On June 28, in partnership with Tres Generaciones tequila, media platform Idea Generation held a live conversation with Houston rap legend Bun B at White Oak Music Hall. The session was hosted by Noah Callahan-Bever, a veteran content creator and strategist who has written for MTV News and served as editor-in-chief of Complex magazine. Callahan-Bever sat down with the Trill OG, who recently celebrated the wildly successful opening of his Trill Burgers restaurant, for a frank and uncensored three-part conversation about ideas, creativity, and business.

Inside White Oak Music Hall, guests enjoyed customized tequilas from the open bar. They waited in line outside for Trill Burgers being fired up on the grill. They entered a photo booth where they wrote messages to their younger selves. They heard DJ Supastar on the turntables. And they listened raptly as Bun B spoke about his younger self — growing up as Bernard Freeman in Port Arthur, TX, where he met Chad Butler. They became friends, bonding over a shared love of hip-hop. They adopted new monikers and formed a group called the Underground Kingz. With Freeman and Butler renamed Bun B and Pimp C, UGK signed with Jive Records in 1992.

DJ Supastar (Photo by Medron White/Forward Times)

Bun warned fellow creatives about the record business: “This is how record deals, or any kind of deals, typically work. They put a 75 or 80-page contract in front of you, and you see these yellow tabs coming out the side – these three yellow tabs […] And the check is sitting right there. You see the check in front of you, on the table. So, you’re just trying to sign whatever the f–k they want you to sign so that you can get to that check. I’m literally signing my life away, because I’m looking at three pages of an 80-page contract, those only three pages giving me what I want. I’m not paying attention to the other 77 pages that are giving them what they want […] This is why I tell people, ‘Make sure you know what you’re really getting yourself into.’”

UGK’s first album Too Hard to Swallow (1992) was altered before hitting the stores. “They sent us the album,” Bun remembered, “and I want to say at least three or four songs had different music – like, totally re-produced.” When they contacted the label, they said, “Well, the samples didn’t clear, so we had to remake those records.’”

Label problems continued to plague the group throughout the 1990s. But UGK had a commercial breakthrough in 2000 with two high-profile features: on Jay-Z’s smash hit “Big Pimpin’” and on Three 6 Mafia’s “Sippin’ on Some Syrup.” Both collaborations raised UGK’s profile. And after Pimp C came home from a three-year prison sentence in 2005, the label offered UGK creative freedom for their next project: a self-titled double album released in 2007. It debuted at No. 1 on the Billboard 200 — giving the group their first number-one album. The single “International Players Anthem” scored a Grammy nomination.

Trill Burgers meal captured at White Oak Music Hall (Photo by Medron White/Forward Times)

After the album’s release, Pimp called Bun on the phone. “He called me and we had a very long conversation,” Bun remembered. “I told him I loved him. He told me he loved me. And he was dead two days later.”

On Dec. 4, 2007, Pimp C was found dead in a Los Angeles hotel room, due to a fatal combination of prescription cough syrup and sleep apnea. Though the audience chatter had grown louder over time, a hush fell over the room when Bun discussed the loss.

“You don’t know how much time you have with people,” Bun mused. He told the crowd: “If there’s somebody you got an issue with and it’s petty, but you’re waiting for them to be the bigger person, just go ahead and do it. Be the bigger person. Now if you don’t want to f–k with them no more, don’t f–k with them no more. But make peace and don’t leave s–t hanging. ‘Cause you don’t want to be in that room when they’re in the casket, wishing you would’ve said something.”

Guest enjoys Trill Burgers meal (Photo by Medron White/Forward Times)

As he moved through the grieving process, Bun B also moved into other fields beside music. Now he’s a restaurant owner. Callahan-Bever asked how Bun got involved in the food industry, and why burgers, specifically? “Well, it wasn’t particular that I said I wanted to do a burger,” Bun replied. “I’m a fat dude; I eat almost everything.” As the audience laughed, Bun explained that he’d wanted to get into the food business for years. One day he was approached by Andy Nguyen and Nick Scurfield. They had a new burger concept and wanted to know if Bun would be a part of it.

“I honestly didn’t really know if I wanted the responsibility,” Bun said. But he agreed to a meeting. “I ate the burger, and this is the best burger I’ve ever had in my life,” he told Callahan. I’m like ‘This is the greatest s–t in the world.’” Offered two options — be the face of the brand, or own a part of the company — he chose the latter.

Trill Burgers launched in 2021 with pop-up shops. Last summer, it won Good Morning America’s “United States of Burgers” competition, earning the title of “the best burger in America.” But Bun wants the restaurant to be about more than just good food: “We want to show people there is a way to be everything you are culturally and still deliver a product to everybody, even if they don’t agree with you or identify with you.”

“You got to leave a lot of bulls–t at the door when you go to the Trill. Just like the rodeo,” he said. “If you’re white and you don’t like black people, don’t go to the rodeo. if you’re black and you don’t like white people, don’t go to the rodeo. They’re going to be there, turning up. Mexican, gay — it doesn’t matter. Whatever your prejudice is, you got to leave it at the door.”

Trill Burgers team prepares meals for hungry guests
(Photo by Medron White/Forward Times)

Trill Burgers were served to guests who attended Idea Generation’s Live conversation with Bun B at White Oak Music Hall (Photo by Medron White/Forward Times)

Guest enjoys a Trill Burger, dubbed “America’s Best Burger” at Idea Generation’s Live Building Session with Bun B (Photo by Medron White/Forward Times)

Idea Generation host Noah Callahan-Bever (Photo by Medron White/Forward Times)

Bun B chats with host Noah Callahan-Bever during Idea Generation’s Live conversation taping (Photo by Medron White/Forward Times)

Idea Generation’s Live Building Session in Houston, TX was powered by Tres Generaciones Tequila (Photo by Medron White/Forward Times)

Bun B discussed his storied musical career and wildly successful food venture, Trill Burgers during the live conversation (Photo by Medron White/Forward Times)

The post Idea Generation Taps Bun B for its Live Taping Experience appeared first on Forward Times.

The post Idea Generation Taps Bun B for its Live Taping Experience first appeared on BlackPressUSA.

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Study: Waiting Lists for Child Care Assistance Nearly Doubled

BLACKPRESS USA NEWSWIRE — “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”
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By National Women’s Law Center

The National Women’s Law Center released its annual State Child Care Assistance Policies report, finding that the number of children placed on waiting lists for federally funded child care assistance nearly doubled between 2024 and 2025 — and that number has only continued to grow.

The report serves as a key resource for state lawmakers, advocates, and policymakers by tracking state child care assistance policies and identifying where states are strengthening support for families and early educators — or falling behind.

“This deeply troubling increase in the number of children on child care waiting lists is the result of a failure to invest in this crucial sector,” said Karen Schulman, senior director of state child care policy and author of the report. “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”

Key findings in the report related to waiting lists for child care assistance include:

• 17 states had waiting lists or a freeze on intake for child care assistance in February 2025, up from 13 states in February 2024.

• Approximately 106,700 children nationwide were added to waiting lists between February 2024 and February 2025, bringing the total to 225,500 children in February 2025 — a 90 percent increase compared to February 2024.

• The numbers climbed even further between February 2025 and summer/fall 2025, with more than 175,000 additional children added to state waiting lists in just a few months — a 78 percent increase.

• At least seven states newly began placing families on waiting lists or freezing intake, while at least 10 additional states saw their waiting lists grow, after February 2025.

The report also includes state-by-state data on key child care assistance policies, including income eligibility limits, parent copayments, provider payment rates, and eligibility policies for parents searching for work.

Click the link to learn more: Warning Signs: State Child Care Assistance Policies 2025.

The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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Venus Williams Calls a Sabalenka Exit a Tragedy

ROLLING OUT — Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport.
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The seven-time major champion read frustration, not a real goodbye, in the world No. 1’s words

By David Kesiena | Rolling Out

When the world’s top-ranked player said she wanted to walk away from the sport, Venus Williams chose empathy over alarm.

Aryna Sabalenka’s blunt remark after her French Open quarterfinal collapse rattled plenty of fans, but Williams heard something different in it. The seven-time Grand Slam champion treated the comment as the raw reaction of a hurting athlete rather than a serious signal about her future.

The collapse that triggered the comment

Sabalenka looked headed for a routine win over Diana Shnaider. She took the opening set 6-3 and built a commanding lead in the second, climbing to 4-1 and later serving for the match at 5-4 while sitting just two points from victory.

Then everything unraveled. Shnaider stormed back to steal the second set 7-5 and bageled the world No. 1 in the third, with Sabalenka dropping 12 of the final 13 games in gusty conditions that reached around 26 mph. The 3-6, 7-5, 6-0 result sent Shnaider into her first Grand Slam semifinal and extended Sabalenka’s long wait for a maiden Roland Garros title.

In the aftermath, Sabalenka did not soften her feelings. She told reporters she had no thoughts and no emotions left and felt like quitting on the spot. She described being stuck in a deep, dark mental hole during the match, unable to find her way back.

What Venus Williams said about Sabalenka

Williams reacted with understanding. She admitted the moment made her sad and said she had been swept up in Sabalenka’s emotions, feeling a surge of empathy for her. She praised the Belarusian for laying everything bare on court, where every feeling shows.

Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport. Rather than scold her, Williams offered a gentle observation about the rhythm of professional tennis. She suggested players might benefit from a little more time to gather themselves before stepping in front of the cameras, a quiet acknowledgment that athletes are routinely asked to dissect painful defeats before the sting has faded.

Sabalenka walks it back

The story did not end on that bleak note. Within days, Sabalenka signaled she was not actually quitting, framing the press-conference outburst as heat-of-the-moment honesty rather than a plan. At the time of the loss she had also left the door open, saying she would see how she felt in a few days and hoped to get back on track mentally. The walk-back lined up with how Williams had read the situation from the start.

It is not the first time a Paris quarterfinal has pushed Sabalenka to her limit. In 2024 she exited at the same stage and skipped her press conference entirely because of illness, with the tour later releasing her quotes on her behalf. The pattern underscores how heavily this particular tournament has weighed on her despite deep runs in recent years.

For now, attention shifts to the grass. Wimbledon offers Sabalenka a quick chance to reset, and a strong showing there would turn this French Open meltdown into a footnote rather than a turning point.

Originally published by Rolling Out — https://rollingout.com

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COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue

THE CAROLINIAN — Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
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By Judaea Ingram | Special to The Carolinian

RALEIGH, N.C. – Music filled the air as families danced through the crowd, children gathered around activity stations, and community members explored wellness resources from local organizations. Black-owned businesses lined the streets while people stopped for chair massages, conversations, and moments of connection inside the wellness suite.

At the center of the event stood a simple but powerful reminder:

“You Matter.”

For Darkness RISING, those words represent far more than a slogan. They reflect the organization’s mission to break the stigma surrounding mental health in the Black community while creating spaces centered on healing, honesty, and hope.

Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.

The organization hosts a variety of programs and events throughout the year, including block parties, wellness workshops, mixers, kickoff events, community classes, and Darkness RISING: Live — a free annual arts and wellness festival now celebrating its ninth year.

The festival combines entertainment with healing-centered resources, featuring live music, dancing, singing, food trucks, Black vendors, children’s activities, mental health resources, wellness spaces, and opportunities for open conversations about mental health.

While the events may feel celebratory on the surface, organizers say the deeper purpose is creating safe spaces where people can feel comfortable discussing mental health without fear of judgment.

Darkness RISING also provides free nationwide resources, including a Black Mental Health Resource Packet, a Black Mental Health Provider Database, and its “Find Me a Therapist” initiative, which helps connect individuals with culturally competent care.

The organization’s work is rooted in addressing longstanding inequities that continue impacting mental health access within Black communities.

Historically, segregation, redlining, racial discrimination, incarceration, poverty, and unequal healthcare access have contributed to higher rates of behavioral health challenges while simultaneously limiting access to proper treatment and support. Darkness RISING approaches those issues through what organizers describe as a transformative justice lens, focusing on healing rather than punishment and creating equitable wellness opportunities for marginalized communities.

Its REBUILD program specifically supports justice-involved and formerly incarcerated people of color through free therapy and wellness support, while the REBUILD Youth program focuses on young people impacted by Adverse Childhood Experiences, also known as ACEs.

For Rudolph, therapy became life-changing after decades of incarceration and years of rejection after returning home.

“Came home in 2015, started my own computer company, investing in real estate, did the normal thing and got some jobs here and there and was met with rejection after rejection and people telling me I am not a good person,” Rudolph shared. “Even had a rejection in church.”

He said one of the hardest battles became overcoming the mental barriers created during incarceration.

“I got in touch with a couple of friends, and they explained to me how I had to get over the mental hurdles and get rid of the way my prison mindset was in order to survive and become successful,” he said.

Rudolph later moved to North Carolina hoping for a fresh start, but the struggle continued.

“Things were looking bad,” he said. “Could not get a job. The struggle was real.”

Eventually, therapy and support through organizations like Darkness RISING helped begin his healing process. He said working alongside other justice-involved men through therapy gave him the ability to rebuild mentally while finding community with people who understood his experiences.

Stories like Rudolph’s reflect the foundation behind Darkness RISING’s mission: ensuring people feel seen, supported, and worthy of healing regardless of their background or circumstances.

Community members who attend the organization’s events often describe them as emotionally transformative.

Some participants say Darkness RISING encouraged them to seek therapy for the first time, while others say the organization gave them a safe space to openly discuss struggles they previously kept hidden.

“I have been encouraged by the beautiful, generous, brave and open individuals who come together and use their talents to create art, share personal experiences and provide hope to those who may be struggling with mental health,” one participant shared.

By combining art, wellness, education, and community outreach, Darkness RISING continues changing how mental health conversations happen within the Black community.

Not through silence.

But through healing, honesty, connection, and joy.

Originally published by The Carolinian — https://caro.news

The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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