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‘I see it first and then I make it happen’— Michael Beasley

LOS ANGELES SENTINEL — ou may not know his name but it’s a good chance that you know actor Michael Beasley by his face.

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By Lapacazo Sandoval

You may not know his name but it’s a good chance that you know actor Michael Beasley by his face, and it’s a nice face even when he has three teardrops painted under his eye, a mark charting the number of people that he murdered. In real life, Beasley is a 6’3’’ lovable teddy bear.

In Showtime’s “Escape at Dannemora,” directed by Ben Stiller starring Benicio del Toro, Paul Dano and Patricia Arquette, who earned a Golden Globe for her role, Beasley plays the character ‘Murder’ one of the main inmates at the Clinton Facility, a maximum-security prison in the sleepy town of Dannemora in Upstate New York.

The series is based on true events and follows the 2015 prisoners escape of Richard Matt (Benicio del Toro) and David Sweat (Paul Dano). At the start of the story Murder (Michael Beasley) and his closest friend Kilo, are on seemingly good terms with Matt and Sweat. It’s later revealed that Matt snitches on Murder, which lands him in solitary confinement for a week. A now vengeful Murder gets together with the new tailor-shop patrolman CO Frank, to set up revenge.

Beasley’s other acting credits include Netflix’s series “Bloodline,” a reoccurring role in HBO’s comedy series, “Eastbound and Down,” a two-part episode run in CW’s drama series “Preacher,” Netflix’s “House of Cards” and “Superfly” to name a few.

Here is what Michael Beasley had to share about seizing opportunities, making plans and telling the universe exactly what he wants.

Los Angeles Sentinel: Before we jump into talking about “Escape at Dannemora,” where do you call home?

Michael Beasley: Atlanta. Atlanta has changed a lot. When I first got started [in acting] everyone was telling me that I had to live in Los Angeles or New York. In New York, for example, you might have eight thousand actors auditioning for one role. That’s not the case in Atlanta and I wanted to create opportunities for myself here [Atlanta]. I had a plan. It didn’t just happen. It was a numbers game. The more auditions that you have, the more chances you have to book. Once the casting agents knew they could trust me, the work came in. I’m definitely about the work and having a plan.

LAS: I viewed the trailer for Escape at Dannemora, now on Showtime and I am blown away. Unfortunately, they did not provide me access to watch the series.

MB: ‘Escape at Dannemora’ is now streaming so hopefully you can catch it. I play a character named ‘Murder’ and he has three teardrops under his eye which means that he has three bodies, three murders that he committed.

LAS: Three, that’s a lot. What was it like working with the cast? It’s an impressive ensemble.

MB: I love great actors and learning from them. It was a great thrill to work with such a great cast. Patricia [Arquette] won the Golden Globe Award [Best Performance by an Actress in a Television Limited Series]. And you know, Benicio [Del Toro] is a really nice guy. He and I have several scenes together and he would turn to me and ask ‘Michael, what do you think about this scene?’ and I am thinking you’re Benicio Del Toro and you’re asking me? Working on this series really opened up my palette to a lot more things now.

LAS: What does that mean, to open up your palette in the context of acting?

MB: It means that I have a plan to go to the next level. I attended the Golden Globe red carpet, in LA, (“ESCAPE AT DANNEMORA”), and I got a sense of what the next level is. Now, I am working on that plan to get ‘there’ and to stay ‘there.’ First, you have to see it. Then you have to believe it. Then I plan it out and then I start working as if it’s already happened.

LAS: I think that you just gave me the headline for this story!

MB: You have to put it out into the universe.

LAS: Can you edit it down a bit for me?

MB: First, I see it and then I make it happen.

“Escape at Dannemora” directed by Ben Stiller, starring Benicio del Toro, Paul Dano, Patricia Arquette, and Michael Beasley is now playing on Showtime.

Watch the trailer: https://youtu.be/RVbOjP1Ziec

This article originally appeared in the Los Angeles Sentinel. 

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Business

From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

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Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum. 

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”

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Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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Books

BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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