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How Much is Too Much Television?

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This image released by Fox shows Taraji P. Henson, as Cookie, in a scene from "Empire," an original scripted series airing on the Fox network. There were 26 original scripted series on cable in prime time and late night in 1999, and 199 last year _ an increase of 665 percent. An additional 25 series were offered in 2014 on Netflix, Amazon or Hulu, services that didn't exist as original programmers 15 years ago. (AP Photo/Fox, Chuck Hodes)

This image released by Fox shows Taraji P. Henson, as Cookie, in a scene from “Empire,” an original scripted series airing on the Fox network. There were 26 original scripted series on cable in prime time and late night in 1999, and 199 last year, an increase of 665 percent. An additional 25 series were offered in 2014 on Netflix, Amazon or Hulu, services that didn’t exist as original programmers 15 years ago. (AP Photo/Fox, Chuck Hodes)

DAVID BAUDER, AP Television Writer

NEW YORK (AP) — Beth Hoppe loves television dramas. Yet even with a digital video recorder and on-demand services that enable her to watch on her own schedule, there’s not enough time to see everything on her list.

As the chief programmer for PBS, Hoppe has a business reason to stay current. So if she’s feeling overwhelmed, how can the rest of us keep up?

For all of the changes in television, none is more profound than the sheer volume of material available now. From NBC’s “About a Boy” to SyFy’s “Z Nation,” there were 352 original scripted series shown in 2014 on broadcast, cable and streaming services. That doesn’t count news, sports, talk shows, documentaries, movies or reality shows.

There were 26 original scripted series on cable in prime time and late night in 1999, and 199 last year — an increase of 665 percent. An additional 25 series were offered in 2014 on Netflix, Amazon or Hulu, services that didn’t exist as original programmers 15 years ago.

The pace is only accelerating: the number of original cable prime-time series alone has essentially doubled since 2010, according to the FX networks, which keeps count of the programs.

“The amount of competition is just literally insane,” said John Landgraf, FX chief executive.

Cable networks could once run a successful business by showing primarily movies and reruns of old broadcast shows. “That’s over,” Hoppe said.

Viewers now can order an old movie whenever they want through a streaming service and not wait for a network to air it, said Alan Wurtzel, chief researcher at NBC Universal. Despite occasional successes like “The Big Bang Theory,” the taste for past-season network reruns is also fading, in large part because of all the fresh material available. Many reruns, too, can be ordered online for binge watching.

Distinctiveness is crucial now. Networks need shows of their own to establish identities. What was AMC before “Mad Men”? IFC before “Portlandia”? FX before “Rescue Me”?

“People won’t become Lifetime fans because it ran ‘Golden Girls’ for a while,” said Tim Brooks, author of “The Complete Directory to Prime Time Network and Cable TV Shows.” ”But when you produce original shows, especially ones that pop, they come back to the network looking for the next premiere.”

Brooks and co-author Earle Marsh updated their book for a ninth edition in 2007. No more, though. There are just too many shows.

Maybe there will be a saturation point, but it clearly isn’t evident. The market doesn’t really punish failure, Landgraf said. Unsuccessful shows disappear, but networks rarely do.

For viewers, there’s almost never a lull period. There’s a series premiere, or season premiere, seemingly every week. All of the action makes true out-of-the-box hits, like Fox has achieved with “Empire” the past few weeks, more and more rare.

A decade ago a television executive could advertise a new program and take comfort that a potential audience would be motivated to watch, knowing they might miss it or miss being a part of the cultural conversation, Landgraf said.

“Now, why should you pay attention to television marketing?” he said. “Because there are too many shows. Most of them aren’t very good. The good ones are going to survive and you’ll know about them eventually. By the time you know about them, you can just go back really easily and catch up. You can save time by just being Darwinian about it. Say ‘I’m not going to pay attention to television, I’ll just wait for the fittest to survive.'”

If the crowded marketplace offers one advantage for producers, it’s that it makes executives tend to give shows more of a chance to stick. They often can’t immediately be sure if viewers have rejected a show or simply haven’t found it yet.

The competition forces creators to sharpen ideas, increasing the pressure to make something unique. NBC’s upcoming drama “Allegiance,” for example, starts with a major handicap because critics have suggested its plot about embedded Russian spies in the United States makes it sound like a watered-down version of FX’s “The Americans.”

“We’re at a world where passion rules, where social conversation is so important and where people can watch what they want to watch when they want to watch it,” said ABC entertainment president Paul Lee. “So they’re only going to watch the shows that they really love, that they’re really passionate about.”

TV executives have a phrase for it: They say the time of “least objectionable television” is dead.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Alameda County

The Marin City Flea Market Is Back

The Marin City Flea Market returns on May 23, offering arts, crafts, vintage items, and collectibles. The market aims to uplift local vendors and celebrate cultural diversity.

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Customers shopping in Marin City Flea Market. Photo courtesy of marincityflea.org.
Customers shopping in Marin City Flea Market. Photo courtesy of marincityflea.org.

By Godfrey Lee

After a long absence, Marin City will once again hold its flea market. The market will have its grand opening on Saturday, May 23, from 8 a.m. to 2 p.m. at the St. Andrew Presbyterian Church parking lot on 101 Donahue St. It will be held every fourth Saturday of the month

The market will be free to the public

There will be arts, crafts, vintage, collectibles, and other items on sale at the market. Interested vendors can contact info@marincityflea.org or text (415) 484-2984 for more information.

“The Marin City Flea Market’s mission is to uplift local vendors, celebrate cultural diversity, and provide an accessible community space where creativity, entrepreneurship, and connection can thrive,” says their website, marincityflea.org.

The flea market is sponsored and run by the Rotary Club of Marin City.

For more information, contact info@marincityflea.org. Or text to (415) 484-2984

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Alameda County

Mayor Barbara Lee Declares ‘Delroy Lindo Day,’ Presents Acclaimed Actor with Key to the City

Oakland Mayor Barbara Lee honored acclaimed actor Delroy Lindo with the Key to the City and declared “Delroy Lindo Day” to celebrate his contributions to film, television, and theater.

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Oakland Mayor Barbara Lee presents Oakland actor Delroy Lindo the key to the cCity Council chambers of Oakland City Hall in downtown Oakland. Photo by Carla Thomas. 
Oakland Mayor Barbara Lee presents Oakland actor Delroy Lindo the key to the cCity Council chambers of Oakland City Hall in downtown Oakland. Photo by Carla Thomas. 

By Carla Thomas

Oakland honored one of its most distinguished residents on May 6 as Mayor Barbara Lee presented acclaimed actor Delroy Lindo with the Key to the City and an official proclamation declaring “Delroy Lindo Day.”

The event, titled “Rooted in Legacy: Honoring Delroy Lindo,” took place at Oakland City Hall and brought together community leaders, artists, and young people for an evening centered on storytelling, cultural pride, and intergenerational connection.

Lindo, a critically acclaimed artist who lives in Oakland, was recognized for his extensive contributions to film, television, and theater, as well as his impact on the global African diaspora. Most recently the Oscar-nominated artist was recognized for his phenomenal role as a bluesman in Ryan Coogler’s “Sinners,” a winner both critically and at the box office.

His celebrated body of work included roles in “Unprisoned,” “Malcolm X”, “Clockers,” “Get Shorty,” and ”Da 5 Bloods,” among others.

“He’s brought depth, inspiration, and authenticity to the screen,” said Lee.

The program highlighted both Lindo’s artistic legacy and his influence as a mentor. A centerpiece of the evening was an intimate fireside conversation between MLee and Lindo.

“I am a living, breathing example of somebody who has achieved the American Dream,” said Lindo. “The other side of that is I walk through the world as a Black man of African descent.”

At 5 years of age, Lindo played King Balthazar in a Nativity play. And years later on Easter of 1973 in New York the Negro Ensemble Company’s play, “The River Niger” left a great impact on him.

“Seeing that production and so many Blacks in the audience, gave me an understanding that maybe I could have a career as an actor,” said Lindo.

Students from the Oakland School for the Arts delivered powerful monologues, adding a dynamic and emotional layer to the program. The students’ instructor, Tavia Percia, chairman of the school’s theatre department, watched the performance proudly. Their performances emphasized the importance of arts education and demonstrated the next generation of talent inspired by figures like Lindo.

Five young men from All Tied Up Academy had the honor of presenting the “Rooted in Legacy” plaque to Lindo with Lee.

The evening also featured a cinematic showcase of Lindo’s work, offering a retrospective glimpse into his decades-long career.

The Golden State Warriors presented Lindo with a custom jersey, symbolizing the city’s appreciation for his contributions both on and off the screen.

The highlight of the evening came as  Lee formally presented Lindo with the Key to the City and read the proclamation establishing “Delroy Lindo Day.” The recognition marked not only his artistic achievements but also his enduring connection to Oakland and his commitment to community engagement.

Celebrities, including filmmaker Ryan Coogler, congratulated Lindo via a video presentation. Lindo did not hold back the tears of gratitude. “I carry Oakland with me wherever I go,” said. Lindo, who is Jamaican via the UK, said he chose the Bay Area to call home with his wife and raise his son.

When young men who grew up with his son entered the council chambers, Lindo welcomed them to the stage for a hug and acknowledgement. “These young men are all honorable. I’ve watched them grow up, and they are the future,” he said. “These are three people that give me hope for this country.”

Addressing the audience, Lindo said, “You are part of the infrastructure of my life. My life would not be as it is without you. You give me more than I give you. Wherever I go, I bring Oakland with me.”

advised everyone to push past negativity of the world.

“Hold onto your dreams, particularly now in this country being fed the constant narrative that ‘we are less than,’ because we know we are more than. And kudos to Mayor Lee at the forefront for decades repping us for Oakland and America.”

“Everyone, hold fast to your purpose and charge as a human being and to the young; go for yours!”

Lindo thanked his many fans, friends, and family in the audience. Attendees included broadcaster Dave Clark, attorney John Burris, former Alameda County Supervisor Keith Carson, Dr. Albert Brooks who delivered his son, and First African Methodist Episcopal Church  Rev. Rodney Smith. Screenwriter David Webb Peoples, who gave him his first film role in Australia, “The Blood of Heroes, was also in attendance.

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Activism

Oakland Post: Week of May 13 – 19, 2026

The printed Weekly Edition of the Oakland Post: Week of May 13 – 19, 2026

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