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For People of Color, Gentrification is More a Curse than a Blessing

NNPA NEWSWIRE — According to a March 2019 study by the National Community Reinvestment Coalition (NCRC), more than 135,000 Black and Hispanics around the nation were displaced between 2000 and 2012. Gentrification and displacement of long-time residents were most intense from 2000 to 2013 in the nation’s biggest cities, and rare in most other places, according to the study. During those years, gentrification was concentrated in larger cities with vibrant economies but also appeared in smaller cities where it often impacted areas with the most amenities near central business districts.

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Philadelphia, PA, USA - March 6, 2018: Community members, activists and students protest the then proposed $130 million, 30,000-seat stadium on Temple University's campus in North Philadelphia, Pennsylvania. (Photo: iStockphoto / NNPA)

By Stacy M. Brown, NNPA Newswire Senior Correspondent
@StacyBrownMedia

From a dowdy provincial city in the 1980s, Philadelphia has become a world-class urban center through gentrification – primarily through landmark architecture that now sets the city center and University City, apart.

“Over 50, and retirees, are moving back from the suburbs where they raised their children into Center City and the Italian Market where I have lived since 1980,” stated Dr. Margaret J. King, the director of The Center for Cultural Studies & Analysis in Philadelphia.

“Of course, gentrification brings money into the city, while it also drives up home prices – some houses have multiplied their asking prices 15 times over 40 years,” King noted.

“Housing is being restored and renovated, making more of the city habitable and in fact desirable. Now the suburbs have flipped into a working-class magnet as well as a market for Millennials who can’t afford center-city prices yet,” King stated.

Gentrification isn’t just an issue in Philadelphia – not by a long shot.

According to a March 2019 study by the National Community Reinvestment Coalition (NCRC), more than 135,000 Black and Hispanics around the nation were displaced between 2000 and 2012.

Gentrification and displacement of long-time residents were most intense from 2000 to 2013 in the nation’s biggest cities, and rare in most other places, according to the study.

During those years, gentrification was concentrated in larger cities with vibrant economies but also appeared in smaller cities where it often impacted areas with the most amenities near central business districts.

In Washington, D.C., 20,000 Black residents were displaced, and in Portland, Oregon, 13 percent of the Black community was displaced over the more than decade period that was studied.

Seven cities accounted for nearly half of the gentrification nationally: New York City, Los Angeles, Washington, D.C., Philadelphia, Baltimore, San Diego, and Chicago.

Washington, D.C., was the most gentrified city by percentage of eligible neighborhoods that experienced gentrification; New York City was the most gentrified by sheer volume, study authors noted.

According to the Merriam-Webster Dictionary, gentrification is defined as the process of repairing and rebuilding homes and businesses in a deteriorating area, such as an urban neighborhood, accompanied by an influx of middle-class or affluent people and that often results in the displacement of earlier, usually poorer residents.

“Gentrification is rich people deciding they want a specific neighborhood as their own, and they get municipal backing, pay some money, and get all of the poor people out of there,” stated Mark Love, a New York realtor.

Neighborhoods were considered to be eligible to gentrify if, in 2000, they were in the lower 40 percent of home values and family incomes in that metropolitan area.

During the study, researchers found that most low- to moderate-income neighborhoods did not gentrify or revitalize.

Instead, they remained impoverished, untouched by investments and building booms that occurred in major cities, and vulnerable to future gentrification and displacement.

“When a neighborhood gentrifies, the cost of living increases, and it’s harder for low-income families to find housing, and that’s one of the biggest downsides,” stated Melanie Musson, a writer for ExpertInsuranceReviews.com.

“In a city like Philadelphia, neighborhoods are part of your identity. If you grow up in a neighborhood, you often want to remain living there your whole life because it’s who you are,” Musson stated.

“Unfortunately, sometimes, after several generations living in the same zip code, the newest generation has to find housing elsewhere because it’s too expensive to live where their home has always been,” she said.

Bruce Mirken, the media relations director for the nonprofit public, policy, and advocacy organization, The Greenlining Institute, said he lives in San Francisco and works in Oakland – two cities that are ground zero for the gentrification crisis in California.

“We see the most obvious results among the very low-income, who increasingly cannot keep a roof over their heads, leading to a growing homeless population,” Mirken stated.

“And homelessness in California has a distinct racial dynamic, tracing back through a long history of redlining and discrimination: Black Californians represent about six and a half percent of our state’s population, but about 40 percent of its homeless,” he noted.

In New York, where many residents are still growing accustomed to the decades-long gentrification of Harlem, the Bronx has forever been known as the city’s most urban borough. That’s quickly changing due to gentrification.

In November 2019, officials announced a $950 million, 4.3 acre, multi-tower, and mixed-use development along the Mott Haven waterfront. More than 1,300 high-end apartments are among the upgrades that are certain to price many long-time residents out of the area.

Mychal Johnson, a co-founding member of South Bronx Unite, told The Bronx Times that gentrification isn’t good for economically oppressed communities of color.

“It seems like the community board, and Borough president isn’t looking out for the community,” Johnson stated.

For the NCRC study, Shekinah Mitchell, the Neighborhood Partnerships Manager for the Virginia Local Initiatives Support Corporation, noted that, as the former capital of the Confederacy, Richmond’s history is steeped in racial oppression, inequality, and injustice.

Mitchell noted that, in 2016, Richmond had similar numbers of Black and White residents. From 2000 to 2016, the Black population decreased by seven percent, while the White population increased by 35 percent.

In 2000, Blacks were 57 percent of the population, and whites were 38 percent. In 2016, Blacks represented 47 percent and Whites were 46 percent of the population.

“This shift has come to the East End like a racialized wave crashing onto the shores of the neighborhood in currents of physical, cultural, and economic displacement. The Black community is drowning as we watch our land and culture swallowed up, block by block with no reprieve in sight,” Mitchell wrote in the report.

“Gentrification in the East End of Richmond is manifesting as a process of re-segregation,” she stated. “In Richmond, gentrification is colonization.”

In Portland, Oregon, an essay that accompanied the NCRC study noted that city as the “Whitest city of its size in the United States.”

The city’s White population currently stands at 77.4 percent while Blacks make up just 5.7 percent.

“Take a group of people who have been systematically denied wealth-building opportunities for generations, add low, stagnating incomes, throw in a subprime mortgage disaster, spiraling housing costs and wholesale community displacement, and you have a recipe for a severe economic backslide,” Cheryl Chandler-Roberts, executive director of Portland’s African American Alliance for Homeownership, said in the report.

“There is no African American community in Portland at this point,” Chandler-Roberts stated.

“It’s a scattered community.”

NEXT: Urban development and public policy experts from Carnegie Mellon University weigh-in on gentrification.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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