Connect with us

Black History

Florence Beatrice Price: A First in Classical Music

In 1903, Price attended the New England Conservatory of Music in Boston. Knowing that race was a barrier for entry, she presented herself as being of Mexican descent. In three years, she earned a soloist’s diploma in organ and a teacher’s diploma in piano.

Published

on

Florence Beatrice Price/ International Florence Price Festival

Eleven years into the Jim Crow laws, Florence B. Price (1888–1953) was born into a middle-class family in Little Rock, Ark. It was a time when anyone of African descent in North America, no matter their successes, was viewed as part of the under-class.
Price’s mother was a music teacher, owned and ran a restaurant, worked in real estate, and served as secretary of the International Loan and Trust Company. 

Her father was an artist, a notable dentist, and inventor of patented dental tools.
The family was considered among the ‘10 percenters,’ meaning people who benefited from a classical education and had the potential to lead American society.

They were known to host gatherings of the Black intelligentsia. Young Florence entertained those guests on the piano, a skill taught by her mother.
In 1903, Price attended the New England Conservatory of Music in Boston. Knowing that race was a barrier for entry, she presented herself as being of Mexican descent. In three years, she earned a soloist’s diploma in organ and a teacher’s diploma in piano.
Encouraged to compose, Florence studied composition and counterpoint. Her early works included pieces for piano and organ. She later returned to the South, teaching at the Arkadelphia Presbyterian Academy and later at Little Rock’s Shorter College. She became head of the music department at Clark University in Atlanta (1910–1912), and then returned to Little Rock.
Despite her qualifications, Price was denied membership to the Arkansas State Music Teachers Association. Refusing to give up, she established her own music studio and founded the Little Rock Club of Musicians. 

At that time, racial tension in Little Rock was escalating. The numbers of Black men being beaten and lynched were on the rise. Price and her husband fled to Chicago for their safety.
The Prices divorced in 1931, leaving Florence a single mother. She then played the organ for silent film screenings and wrote popular songs for WGN radio. She forged friendships with like-minded musicians and artists and continued her composition studies. Eventually, Price’s concert music came to the attention of one of her teachers, which led to her big break in 1932.
Price won several prizes at the Wanamaker Music Composition Contest. These successes attracted the attention of the Chicago Symphony Orchestra’s music director, who, soon after, conducted a performance of Price’s First Symphony (1933).

At that moment, she became established as a composer of note and the first Black woman in American history to have a symphonic work performed by a major American orchestra.
“It is a faultless work, a work that speaks its own message with restraint and yet with passion … worthy of a place in the regular symphonic repertory,” the Chicago Daily News reported.
Despite her success, Price struggled, surviving mostly on the kindness of friends. She suffered from poor health and was often hospitalized. By 1953, her work was gaining a new momentum. While preparing for a promotion trip to Europe, she suffered a heart attack and died.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Black History

Freedom’s Journal: The First Voice of Black America

The four-column weekly publication was printed every Friday. Stories covered foreign and domestic news, editorials, births and deaths in the local black community, weddings, advertisements, and notices for retailers and companies that did not discriminate. Featured were articles on countries such as Haiti and Sierra Leone.

Published

on

Freedom’s Journal, Vol. 1 No. 1, March 16, 1827. Courtesy Library of Congress (sn83030455).

It was 1827, a time when white publishers didn’t run obituaries of African Americans. Politics, sports, money and social issues were reported from the perspectives of whites only.

That same year, John Russwurm and Samuel Cornish founded Freedom’s Journal in New York City. It was the first black-owned and -operated newspaper in the United States. The days of major papers snuffing out the voices of Black America were ending.

The four-column weekly publication was printed every Friday. Stories covered foreign and domestic news, editorials, births and deaths in the local black community, weddings, advertisements, and notices for retailers and companies that did not discriminate. Featured were articles on countries such as Haiti and Sierra Leone.

To encourage Black achievement, it printed biographies of renowned Black figures such as Paul Cuffee, Touissant L’Ouverture and Phyllis Wheatley.

Also included were editorials expressing contempt of slavery, racism and other injustices suffered by Blacks. At the same time, many white papers openly supported slavery and racially biased acts. Boston writer David Walker, an agent for the paper, penned “David Walker’s Appeal,” dubbed the most radical of all anti-slavery documents. In it, he called for slaves to rebel against their masters.

According to Nieman Reports, “Russwurm and Cornish placed great value on the need for reading and writing as keys to empowerment for the Black population and they hoped a Black newspaper would encourage literacy and intellectual development among African Americans.”

The publishers sought to broaden readers’ awareness of world events while acting as a beacon to strengthen ties among Black communities across the U.S. During the paper’s heyday, subscriptions were $3 per year and circulated in 11 states, the District of Columbia, Haiti, Europe and Canada.

In 1827, Cornish resigned from the publication, leaving Russwurm as the sole editor. Cited were differences regarding African-American colonization of Africa. According to Nieman Reports, “Russwurm had begun to promote the colonization movement led by the American Colonization Society, which wanted to free African-American slaves and offer them the opportunity of transport back to Africa.”

The newspaper’s position was unpopular with its readership. Subscriptions quickly declined. By March of 1829, the loss of circulation forced the paper to cease publication.

After the paper shut down, Russwurm emigrated to Liberia. It was the area established on Africa’s western coast to receive those recruited by the American Colonization Society. There, Russwurm became governor of Liberia’s Maryland Colony.

In 1829, Cornish re-entered the newspaper world with a goal to revive Freedom’s Journal, renaming it The Rights of All. But in less than a year, the paper failed. Freedom’s Journal had boasted a lifespan of two years. In spite of this short-lived history, its enormous impact on antebellum Black communities would live on as progress of the Black press continued.

Despite its troubles, Freedom’s Journal was instrumental in spawning other papers. Three decades later, more than 40 Black-owned newspapers were operating throughout the U.S. All 103 issues of Freedom’s Journal are available on the Wisconsin Historical Society website.

Continue Reading

Art

Maestro Michael Morgan Conducts San Francisco Symphony

Morgan was born and raised in Wash., D.C., and is recognized worldwide for innovative and thematically rich programs that make connections between a wide range of artists and musical cultures.

Published

on

Maestro Michael Morgan

Maestro Michael Morgan, music director and conductor of the Oakland Symphony, will conduct the San Francisco Symphony at Davies Symphony Hall, San Francisco, CA, Friday, July 23, 2021 at 7:00 p.m.

The program will include the overture to Gioachino Rossini’s opera “La gazza ladra,” along with a playful Pas de Six from “William Tell.” Louise Farrenc’s revelatory Symphony No. 3 from 1847 takes center stage, while the program concludes with James P. Johnson’s Roaring 20s hit, “Charleston.”

“I am thrilled to be helping the San Francisco Symphony share all the wonderful things they do with a wider and more diverse audience’, said Morgan.

Morgan’s ties to the San Francisco Symphony stretch back to 1994, when he first led Concerts for Kids performances.

Morgan was born and raised in Wash., D.C., and is recognized worldwide for innovative and thematically rich programs that make connections between a wide range of artists and musical cultures.

Continue Reading

African American News & Issues

Gwen Berry: “Activist Athlete” Tokyo Olympics 2021

Berry was formally reprimanded and put on 12-month probation by the U.S. Olympic Committee in 2019 for raising a fist after winning the gold medal at the Pan American Games in Lima, Peru.

Published

on

By

Gwen Berry, Photo courtesy Wikipedia

Gwen Berry is headed to Tokyo representing the United States at the 2021 Olympics in the hammer throw, a track and field event.

Berry, a two-time Olympian, was also in the 2016 Olympics in Rio.  She was born in St. Louis, Missouri in 1989 and is 32 years old.

On June 26, 2021, while qualifying for the U.S. Olympic team in Eugene Oregon, Berry was surprised to hear “The Star-Spangled Banner”, the U.S. National Anthem being played.

On the podium she turned away from the flag and draped her “Activist Athlete” tee-shirt over her head.

Berry said: “I feel like it was a set-up, and they did it on purpose. . .. I was pissed to be honest.”

Berry said she was told that the athletes would be on the podium before or after the playing of the national anthem.

“That’s what they’ve done the whole trials” Berry said.

Texas Republican politicians Senator Ted Cruz and Congressman Dan Crenshaw called for Berry to be removed from the USA Olympic team as she was unpatriotic.

Caitlyn Jenner, an Olympic decathlon winner in 1976 and candidate for California governor on the September 14th Newsom recall election in a statement said Berry’s actions were “disgusting” and to “stay out of politics” and not use the Olympic stage “for your own political gain.”

Berry responded: “I say Caitlyn Jenner does not know how it feels to be a Black person in American who’s representing a country [that] has literally done nothing for Black people in America.  She needs to do her research and understand the history in America before she says anything like that.

Berry was formally reprimanded and put on 12-month probation by the U.S. Olympic Committee in 2019 for raising a fist after winning the gold medal at the Pan American Games in Lima, Peru.

In June of 2020, the USOC supported peaceful protests and condemned “the systemic inequality that disproportionately impacts Black Americans.”

Berry tweeted “I want an apology letter. . . mailed . . . just like you and the IOC MAILED ME WHEN YOU PUT ME ON PROBATION. . . stop playing with me.”

Berry added to The Associated Press: “The anthem doesn’t speak for me.  It never has. . ..  I am here to represent those . . . who dies due to systemic racism.  That’s the important part.  That’s why I’m going.”

White House press secretary Jen Psaki said: “[p]art of that pride in our country means recognizing there are moments where we are, as a country, haven’t lived up to our highest ideals.  And it means respecting the rights of people granted to them in the Constitution to peacefully protest.”

The 2020 Summer Olympics delayed because of the pandemic will be held from July 23 to August 8, 2021, in Tokyo, Japan.

The New York Times, CNN, and Wikipedia were sources for this story.

Continue Reading

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending