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FILM REVIEW: The Gentlemen

NNPA NEWSWIRE — Writer/director Guy Ritchie, coined a style of staccato crime/thriller moviemaking that is dense, filled with characters, laden with cheeky graphic language, sexy, often ultra-violent and cast with teams of multicultural British actors. The Gentlemen is an imperfect return to form.

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Henry Golding, Matthew MacConaughey and Charlie Hunnam in “The Gentlemen.”

By Dwight Brown, NNPA Newswire Film Critic

It’s a sign of the times. Marijuana, which has been illegal in so many places for so long, is about to go legit in the United Kingdom. Anyone who’s been dealing dope in the shadows can come into the light.

That’s the position American expat Mickey Pearson (Matthew McConaughey) finds himself in. He’s been the ghost boss of a thriving reefer empire in London, England, his new home. Thugs, growers and dealers report to him. Weed liberation is just around the corner, and he’s fully prepared to profit in what is likely be a very lucrative industry.

Charlie Hunnamand Hugh Grant in “The Gentlemen.”

Charlie Hunnamand Hugh Grant in “The Gentlemen.”

The dude knows he’s large and in charge. And the saying goes: “If you want to be the king of the jungle, you must act like the king of the jungle.” He’s wise enough to be shopping his business around to the highest bidder. He cultivates a gay, cunning and filthy rich billionaire buyer named Matthew (Jeremy Strong, The Big Short), who seizes on business opportunities. Mickey, his wife Rosalind (Michelle Dockery, Downton Abbey), righthand man Ray (Charlie Hunnam, TV’s Sons of Anarchy) and a protective thug named Bunny (Chidi Ajufo, The Widow) are setting themselves up for a big pay day.

Various scoundrels are just as determined to undermine, rob or murder them: There’s Dry Eye (Henry Golding, Crazy Rich Asians) and his crew of saboteurs. The Coach (Colin Farrell, In Burges) and his adolescent gang. The Asian crook Lord George (Tom Wu, Fast & Furious Presents: Hobbs & Shaw). They all fit into the mix. Hands down the most duplicitous one in the bunch is that snooping bugger private investigator Fletcher (Hugh Grant, Four Weddings and a Funeral). He’s never met anyone he couldn’t swindle or blackmail. Drugs, money, loaded guns. What could go wrong?

Michelle Dockery and Matthew McConaughey in “The Gentlemen.”

Michelle Dockery and Matthew McConaughey in “The Gentlemen.”

Writer/director Guy Ritchie, a former video/commercial director turned filmmaker, made his big splash feature film debut with the very clever crime movie Lock, Stock and Two Smoking Barrels. He coined a style of staccato crime/thriller moviemaking that is dense, filled with characters, laden with cheeky graphic language, sexy, often ultra-violent and cast with teams of multicultural British actors. Snatch and RocknRolla followed this pattern. Sherlock Holmes and Aladdin did not. The Gentlemen is an imperfect return to form. As Ritchie wipes away the cobwebs on his signature writing/directing style, he misses a few ingredients—especially breakneck pacing.

The script uses an overabundance of voiceovers and conversations and too many onscreen narrations by Fletcher. Though Hugh Grant is completely charming, he runs his mouth way too much. His recollections are realized in flashbacks, where there is double-dealing, death and betrayals. There’s some of that in the present too. Deciphering it all is like peeling layers off an onion that smells more intensely as you get to the core.

The difference between this clunky piece of storytelling and Lock… or Snatch is that you’re frustrated during the process and not always gleeful. There are lots of stagnant scenes where the pacing (editor James Herbert, Aladdin) grinds to a halt and will test your patience. That’s when your eyes focus on the way too obvious sets (production designer Gemma Jackson and set decorator Sara Whittle) and the neatly pressed clothes (Michael Wilkinson, American Hustle) that look so new you’ll think they’ve still got price tags on them.

Colin Farrell and Charlie Hunnam in “The Gentlemen.”

Colin Farrell and Charlie Hunnam in “The Gentlemen.”

The wordy script may be a problem, less for adult viewers, more for casual action/thriller fans. But Ritchie’s overall direction of the action scenes, dramatic moments, murders, and swindling is not. In fact, even though he is not at the peak of his game, his style and swagger is still ultra-cool. The cinematographer (Alan Stewart, Aladdin) has a good eye for composition and lighting. The visuals, coupled with a very fun musical score (Christopher Benstead, Gravity) and toe-thumping playlist give the film a rebellious spirit that carries it to the finish line.

Most of the cast looks like they just stepped out of a GQ photo shoot. McConaughey has an air about him that is even more imperialistic than British royalty. Hunnam as Ray is like a hamster in a cage finding out that he’s being played. Strong is suitably sneaky as the buyer. Farrell brings a touch of dry humor to the Coach. Golding, Wu and Ajufo are fun to watch.

But hats off to Grant as the scene stealer. He does whatever he has to do to make Fletcher look like complete scum. If anything, the dazzling Michelle Dockery is not in enough scenes and ditto for the other few actresses who don’t get enough screen time. This is a boy’s club movie.

Time marches on. That youthful swagger that formally burned through Guy Ritchie’s creative soul has matured. So has his selection of actors. Come for the fun of it, sit through the cumbersome storytelling, find a way to enjoy the puzzling antics and you may experience the heady joy of this gangsta caper.

Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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