Connect with us

Entertainment

Film Review: ‘The Divergent Series: Insurgent’

Published

on

Octavia Spencer in the sci-fi thriller "The Divergent Series: Insurgent."

Octavia Spencer in the sci-fi thriller “The Divergent Series: Insurgent.”

 

By Dwight Brown
Syndication Film Critic

(NNPA) – Up until now, The Divergent Series couldn’t hold a candle to The Hunger Games franchise, though they are both cut from the same cloth: teen girl hero, sci fi adventure, mean overlords and hunky boyfriends. The Divergent Series: Insurgent doesn’t change that dynamic much, but during its final minutes, it ups the visuals to a level that almost compensates for a weak beginning.

The rehash: The world, 200 years from now has been neatly divided into five classifications or “factions.” The “Divergent” group doesn’t neatly fit into any of the other sectors. They are hunted like deer by the very jealous Erudite faction, which is run by the evil Jeanine (Kate Winslet). The mean queen, who looks like she has swallowed a whole lemon, has confiscated a magic box with unknown powers. Evidently the only way to open it and reveal its treasures is to get a Divergent to go through a treacherous five-stage simulation, which often results in death at stage three.

Jeanine has sent her army out to capture the perfect victim. Meanwhile Tris (Shailene Woodley) and her man Four (Theo James), who are Divergents, are dodging the mean queen’s soldiers, led by Max (Mekhi Phifer). They try to talk other factions into joining them to overthrow Jeanine. Will they be successful?

The first half of this installment doesn’t bode well. The sets, feigning Chicago, look like Legos, the costumes look like hand-me-downs from a high school production of Les Miz and the cast seems bored.

Octavia Spencer plays Johanna, the leader of the peaceful faction Amity, where Tris, Four, her meek brother Caleb (Ansel Elgort) and their duplicitous friend Peter (Miles Teller, Whiplash) have taken refuge. Johanna, as interpreted by Spencer, stares vacantly like a Charles Manson follower. Woodley has two emotions, cry and fight. And watching her fight grown men takes a huge leap of faith, as her arms are the size of pencils. Elgort is so wimpy you want him to join the Marines. And Teller is way too obviously untrustworthy; you wonder why the other three would trust him with their rent money, much less their lives.

As the film progresses, the chase scenes, action sequences and weak subplots—turns out Four has a missing mom (Naomi Watts) that he can’t trust—unload like debris falling off a slow moving truck. Brian Duffield, Akiva Goldsman and Mark Bomback’s ho-hum screenplay feels like it is leading nowhere. Robert Schwentke’s direction makes the fight scenes look over-choreographed and under his guidance the actors are about as animated as robots. For this installment, the writers and director are new. Which begs the question: “Why did the producers pick them?” They are not up to the task.

Fortunately for all concerned, director of photography Florian Ballhaus (The Book Thief) and production designer Alec Hammond (RED) have a deep bag of tricks, which they unleash in the last third of the movie. The visions they conjure are amazing. The decor in the closed glass room where the magic box sits and Divergents are tortured is sleek and artsy. The simulation sequences are mesmerizing to watch: Buildings disintegrate. People too. Tris is haunted by her mom and will do anything to save her; that spirit drives her to be courageous in unique ways. She swings from a rope attached to a burning cinder block room that inflames her mother as it floats in the air above an eerie city skyline. Nice image.

Yes, there is the silly adventure stuff and chest-heaving emotional romantic scenes for the teen girl audience. That’s the first act. The second act is only slightly better as plans for a revolution are made. The visually pleasing third act saves this movie from oblivion, as it progresses to a surprisingly fulfilling ending.

The Divergent Series still lacks the va-va-voom of The Hunger Games. But eventually, it may find its own cannon.

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Activism

Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

Published

on

Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

Continue Reading

Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

Published

on

‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.