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EXCLUSIVE! — Michael Jackson’s Thriving Estate Makes it a Target for Extortion Attempts

NNPA NEWSWIRE — Despite vast challenges and unproven allegations, the executors have transformed Jackson’s estate into a financial powerhouse. Following Jackson’s death in 2009, the estate was nearly half a billion dollars in debt. Through strategic deals and projects, they turned it into a multi-billion-dollar enterprise. This included a blockbuster $600 million sale of 50% of Jackson’s music catalog to Sony wherein the Estate maintained control and the success of projects like “Michael Jackson’s This Is It,” the highest-grossing concert film in history.

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“Enough Is Enough” say Representatives to Latest Attempt

By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

As we reported earlier this month, Michael Jackson’s legacy continues to dominate the entertainment industry, with his various projects collectively surpassing $2 billion in global ticket sales. The King of Pop’s influence remains unmatched, from groundbreaking concert films to sold-out Broadway shows, making his the most successful celebrity estate ever. Ironically, the greater its success the more it has faced attempts from those seeking to shake down the Estate for money.

The most recent case resulted in the Michael Jackson Estate having to go so far as to contact law enforcement officials while filing an arbitration claim in response to threats from a few longtime friends and former associates of the pop icon.

We have learned that they are now demanding $213 million from the estate threatening to release false damaging information about Jackson if their demands are not met, even though for decades they have stated Michael did nothing to them. Co-Executor of the Estate John Branca has described their actions as a blatant attempt to exploit Jackson’s legacy for financial gain at no risk of defamation because those laws don’t protect the deceased. These threats come amidst the Estate’s enormous financial success, having generated $3 billion for beneficiaries.

For 25 years these associates have steadfastly maintained Michael’s innocence. In his book, one group member defended Jackson, writing, “Michael had never acted in any way even approximating inappropriate toward us. Michael was being attacked by liars. There was nothing ambiguous about the whole thing. These people were after Michael’s money. But he was innocent.”

He reiterated this stance in numerous media appearances, including interviews with Oprah Winfrey and Wendy Williams. “I’m gonna tell you what sleepovers were like,” he told Williams. “Everybody in a room, me, and others, we would just sit up talking, us on the floor, talking until four o’clock in the morning; let’s go raid the kitchen.” In a group sit down with Oprah, another member insisted, “Michael couldn’t harm a fly. He’s such a kind and gentle soul. Michael was a target.”

Despite their public support for Jackson, the person is engaging in the very behavior he once condemned. In 2019, following HBO’s release of the controversial documentary “Leaving Neverland,” the Jackson estate was under significant pressure due to the media frenzy that spawned calls to cancel Michael. Representatives sought the group’s support, given they vouched for Michael’s character for years, and that’s when they turned. As fiduciaries, the executors’ mission is to generate income for Michael’s beneficiaries. So, they had two goals: preserve the upcoming projects while shielding his loved ones from the further pain of enduring another round of salacious, unproven allegations. The estate reached a private settlement with the group, which included $3 million for each of the five individuals. Both sides mutually agreed to keep the agreement under wraps so that even its existence couldn’t be divulged.

“In 2019, there was ‘Leaving Neverland,’ which was a complete surprise hit job,” Branca said in an exclusive interview with the Black Press of America’s Let It Be Known. “We didn’t know it was coming and weren’t asked for comment. And the media didn’t want to hear Michael’s story. MGM was threatening to cancel the Cirque show. We wouldn’t have been able to mount a Broadway show. There were a lot of things that would have gone south. We have a fiduciary responsibility to maximize the income of the estate, and our counsel insisted we sign the agreement. So, we did it with a mutual nondisclosure. And they didn’t want it disclosed either because Michael’s fans would have gone after these people,” Branca said.

The estate’s mutual nondisclosure agreement with the associates was vital in keeping the matter private and allowing the estate to move forward with projects that would ensure that future generations could share in Michael’s musical and creative legacy and that could prove lucrative for Michael’s three children, the King of Pop’s heirs. “We and they signed this nondisclosure agreement, and the nondisclosure said you can’t even tell people there’s an agreement,” Branca explained. “It was awkward because we were making a movie with Antoine Fuqua and Graham King. And we couldn’t tell anybody about it, including the filmmakers.”

The recent demand for $213 million and the threat of making salacious claims have pushed the estate to take legal action. Branca commented, “The associate’s lawyer even said to us, if you don’t meet our demands, we’re going to have to share these allegations with a wider group of people. It was a shakedown. Enough is enough.”

The estate has reported the extortion attempt to authorities and is filing an arbitration proceeding against the associates for civil extortion. Branca noted the challenge of protecting Jackson’s legacy after his death, as libel laws that protect the living do not extend to those who have passed away.

When asked, Branca addressed the racial element in the treatment of Jackson, pointing out the media’s bias. “I definitely believe there’s a racist element in the media coverage of Michael Jackson since the 1980s. I was there. Michael got so big many were jealous, especially when he bought the Beatles catalog. I remember James Baldwin having that famous quote: ‘Michael will forever pay the price for his success.’”

Jackson himself was acutely aware of the racial undertones in how he was perceived. Branca recalled Jackson saying, “Sinatra’s the chairman of the board. Elvis is the king. Springsteen is the boss. But what do they call me? They call me the Gloved One. And he says, you know that’s racist. They’re trying to keep me down.” Branca added, “I don’t think they would do this to Bruce Springsteen, John Lennon or Elvis for that matter.”

Branca has played a pivotal role in Jackson’s legacy, including his involvement in the 1985 acquisition of the vaunted ATV catalog that included the Beatles and music from other artists. “The music catalog was something that carried him through good times and bad,” Branca noted. “Michael was somewhat of a visionary because some of his advisers said it was too expensive. And Michael said, ‘Branca, get that catalog.’” This move proved to be one of the most strategic decisions in Jackson’s career, solidifying his financial future and expanding his influence in the music industry.

The partnership between Branca and Jackson extended beyond financial dealings. They shared a mutual appreciation for creativity and entertainment. Branca recalled attending a Cirque du Soleil show with Jackson. “He and I attended a Cirque du Soleil show together in Santa Monica. And he said, ‘Branca, we gotta go backstage and meet everybody.’ So, Cirque was an easy one,” Branca remembered. This shared vision later led to successful collaborations, including the Cirque shows centered around Jackson’s music.

Despite vast challenges and unproven allegations, the executors have transformed Jackson’s estate into a financial powerhouse. Following Jackson’s death in 2009, the estate was nearly half a billion dollars in debt. Through strategic deals and projects, they turned it into a multi-billion-dollar enterprise. This included a blockbuster $600 million sale of 50% of Jackson’s music catalog to Sony wherein the Estate maintained control and the success of projects like “Michael Jackson’s This Is It,” the highest-grossing concert film in history. Upcoming endeavors, such as the Antoine Fuqua biopic MICHAEL starring Jackson’s nephew Jaafar Jackson, aim to solidify Jackson’s enduring influence in popular culture.

The estate has also diligently ensured the well-being of Jackson’s family. Branca confirmed that Jackson’s mother, Katherine, is well cared for. Earlier reports suggested that Katherine has received more than $60 million from the estate since her son’s tragic death in 2009. “She’s well taken care of. She’s got two beautiful homes,” Branca stated, “full-time security and a private chef. Mrs. Jackson, as she should be, is well taken care of.”

Branca reflected on the estate’s role in maintaining Jackson’s vision, saying, “We’re not Michael. We would never pretend to be. But we know what he loves. A lot of it is trying to execute Michael’s vision.” Despite the hurdles, he remains steadfast in his commitment to protecting and preserving Jackson’s legacy. “We will continue to manage the estate with the integrity and dedication that Michael deserved,” Branca affirmed. “Attempts like this to tarnish his memory for financial gain will not succeed.”

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Rep. Al Green Files Articles of Impeachment Against President Trump

BLACKPRESSUSA NEWSWIRE — Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.”

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By Lauren Burke

Congressman Al Green (D-TX) has filed articles of impeachment against President Trump. Rep. Green, 77, has served in Congress since 2005.  President Trump is the only President who has been impeached twice by the U.S. House of Representatives. Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.” The impeachment resolution filed by Rep. Green on May 19, states that President Trump is, “unfit to represent the American values of decency and morality, respectability and civility, honesty, and propriety, reputability, and integrity, is unfit to defend the ideals that have made America great, is unfit to defend liberty and justice for all as extolled in the Pledge of Allegiance, is unfit to defend the American ideal of all persons being created equal as exalted in the Declaration of Independence, is unfit to ensure domestic tranquility, promote the general welfare and to ensure the blessings of liberty to ourselves and our posterity as lauded in the preamble to the United States Constitution, is unfit to protect government of the people…” Whether Rep. Green can force a vote in the U.S. House on impeachment remains an unknown issue. President Trump was impeached on December 18, 2019, for abuse of power and obstruction of Congress. He was then impeached a second time on January 13, 2021, for “Incitement of insurrection” in the wake of the violent January 6, 2021 attack on the U.S. Capitol by Trump’s supporters.

The White House stated Black Press USA on Rep. Green’s effort to impeach the President. “This week, Democrats ousted their DNC ‘leader,’ opposed the largest tax cut in history, and were exposed for actively covering up Joe Biden’s four-year cognitive decline. Now, Democrats have turned their sights to threatening impeachment. We are witnessing the collapse of the Democrat Party before our eyes. Not a single one of these efforts will help the American people. The contrast could not be more clear: President Trump is fighting for historic tax relief for the American people, Democrats are fighting themselves,” said White House Deputy Press Secretary Anna Kelly in a written statement. Several decisions and legal interpretations by the Trump Administration are currently being challenged in federal court. On May 15, the U.S. Supreme Court debated the issue of birthright citizenship after a legal challenge on the issue by the Trump Administration.

During that legal challenge, Justice Ketanji Brown Jackson challenged Trump’s solicitor general Dean John Sauer by saying, “Your argument seems to turn our justice system into a catch-me-if-you-can kind of regime … where everybody has to have a lawyer and file a lawsuit in order for the government to stop violating people’s rights.” Rep. Green’s impeachment resolution also focused on the issue of ignoring judicial orders by the executive branch. A notable example was the deportation case of Maryland father Kilmar Abrego Garcia. Garcia was deported to a prison in El Salvador by federal officials on March 15, 2025.“The Constitution does not tolerate willful disobedience of judicial orders — especially by officials of a coordinate branch who have sworn an oath to uphold it. To permit such officials to freely ‘annul the judgments of the courts of the United States’ would not just ‘destroy the rights acquired under those judgments’; it would make a solemn mockery’ of ‘the constitution itself.’” “You have no mandate,” Congressman Green stood up and yelled at President Trump during his State of the Union Speech on March 4. After the incident, Republicans who control the U.S. House considered sanctioning Rep. Green, but they did not complete an action against him.

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Affordable Childcare Remains a Barrier: Solutions in New Report

BLACKPRESSUSA NEWSWIRE — We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

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While America’s childcare supply grew nationally, the price of that care continues to rise—placing affordable, high-quality care out of reach for many families. A new report released by Child Care Aware® of America (CCAoA), Child Care in America: 2024 Price & Supply, shows that despite promising signs of increased supply, affordability remains a major barrier — and underscores the need for increased sustained federal and state investment.

From 2023 to 2024, the number of childcare centers increased by 1.6% (to 92,613) and the supply of licensed family childcare (FCC) homes increased by 4.8% (to 98,807). The national growth in FCC homes’ supply is driven largely by four states (CA, KS, MA, VA) and is especially notable as it reverses a year-long downward trend.

At the same time, the national average price for childcare rose by 29% from 2020 to 2024, outpacing inflation and exceeding other major family household expenses like rent or mortgage payments in many states. Childcare is now so expensive that it consumes 10% of a married couple with children’s median household income and a staggering 35% for a single parent. In most states, families pay more for childcare than rent, mortgage payments, or in-state university tuition.

“Childcare supply is increasing, and that is a win—but it’s not enough,” said Susan Gale Perry, Chief Executive Officer of CCAoA. “Recent federal and state pandemic-era investments have stabilized and grown supply in some places, but a significant supply gap still exists — especially in rural communities and for infants and toddlers. We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

CCAoA’s Childcare in America: 2024 Price & Supply report also found that:

  • The average price of childcare increased by 29% from 2020 to 2024, outpacing the national inflation rate of 22%.
  • In 45 states plus Washington, DC, the average annual price of center-based childcare for two children exceeded mortgage payments, in some states by up to 78%.
  • In 49 states plus Washington, DC, the price of center-based childcare for two children exceeded median rent payments ranging from 19% to over 100%.
  • In 41 states plus Washington, DC, infant care in a center cost more than in-state university tuition.

CCAoA urges policymakers to increase childcare funding at both state and federal levels to maintain the momentum of growing supply, address rising prices, and expand access to childcare for families. Federal funding increases have fallen short of the need and our research shows that total state investments in child care or preschool vary widely from state to state, putting children, families, and communities across America on an uneven playing field. Further, targeted investments in childcare supply building and stabilization and childcare workforce recruitment and retention strategies are essential to help sustain an adequate supply of high-quality childcare options nationwide.

Child Care Aware® of America (CCAoA) is the only national organization that supports every part of the childcare system. Together with an on-the-ground network of people doing the work in states and communities, it helps America become child care strong by providing research that drives effective practice and policy, building strong child care programs and professionals, helping families find and afford quality child care, delivering thought leadership to the military and direct service to its families, and providing a real-world understanding of what works and what doesn’t to spur policymakers into action and help them build solutions.

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Sex, Coercion, and Stardom: Diddy Case Mirrors Music’s Ugly History

BLACKPRESSUSA NEWSWIRE — It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him

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By Stacy M. Brown
Black Press USA Senior National Correspondent

As Sean “Diddy” Combs faces a federal sex trafficking case and the slow unraveling of his once-untouchable legacy, a larger question looms: Is this the moment the music industry finally confronts its darkest secrets?

It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him: “How much damage could Diddy do to the state of hip hop?” the user asked. “Supposedly, he has incriminating evidence against those who attended his parties. The same parties that had a lot of bad things happen, to say the least.” The implication was chilling—if Diddy were to cooperate with federal authorities, the fallout might not stop at his feet. Names floated in the post—Jay-Z, Beyoncé, Usher, Justin Bieber—aren’t confirmed in any court filings, but their inclusion highlights the breadth of Diddy’s influence and the potential reach of any revelations. If even a fraction of the speculation proves true, the reverberations wouldn’t stop at hip-hop—they’d hit every corner of the music industry. For his part, Combs denies all allegations. His legal team has described the now-infamous “freak-offs” as consensual encounters, part of his non-monogamous lifestyle. But prosecutors allege something much more sinister: a criminal enterprise powered by the machinery of his music and business empire—one that trafficked women, coerced labor, obstructed justice, and used influence and intimidation to maintain control. Still, for all the headlines Combs generates, his alleged crimes do not exist in isolation. The music industry has long tolerated, enabled, and even glamorized behavior that would trigger career-ending consequences in other arenas. Diddy’s story might be shocking—but it’s not new.

Rock music has its own rogue’s gallery. Jerry Lee Lewis nearly destroyed his career in 1958 after marrying his 13-year-old cousin. Elvis Presley met 14-year-old Priscilla Beaulieu when he was 24 and later moved her into his home in Memphis. In more recent years, Aerosmith’s Steven Tyler faced (and ultimately evaded) a lawsuit from a woman who says he sexually assaulted her in the 1970s when she was 17. A judge dismissed the case due to the statute of limitations. Phil Spector, the genius producer behind the “Wall of Sound,” died in prison after being convicted of murdering actress Lana Clarkson. Gary Glitter was convicted of possessing child pornography and later child sex abuse. Kid Rock and Creed frontman Scott Stapp were filmed with strippers in a sex tape that leaked online in 2006. A new biography of the Rolling Stones claims Mick Jagger had sexual relationships with at least two of his male bandmates, raising further questions about the power dynamics inside even the most celebrated groups.

Journalist Ann Powers, writing for NPR, once noted that the “history of rock turns on moments in which women and young boys were exploited in myriad financial, emotional and sexual ways.” Powers added: “From the teen-scream 1950s onward, one of the music’s fundamental functions has been to frame and express sexual feelings for and from the very young… relating to older men whose glamour and influence encourages trust, not caution.” This brings the spotlight back to Diddy—not just as an accused individual but as a symbol. He was once the archetype of success: Harlem-born mogul, founder of Bad Boy Records, and kingmaker behind artists like Notorious B.I.G., Faith Evans, Ma$e, 112, and French Montana. He transformed hip-hop into a global business and amassed influence far beyond the recording booth. He sold more than 500 million records, earned multiple Grammy Awards, and was honored by MTV, Howard University, and the City of New York—until those honors were swiftly revoked after a video surfaced showing him physically assaulting singer Cassie Ventura. Ventura, his longtime partner and protégé, has accused Combs of brutal physical abuse and psychological control. Her lawsuit and the video evidence ignited a wave of allegations from other women and men, describing similar patterns of coercion, manipulation, and fear. “This is not just about bad behavior. This is about systemic exploitation and abuse made possible by fame, money, and silence,” said one advocate for survivors in the entertainment industry.

While hip-hop has long been a target of criticism for misogyny and violence, what’s now being laid bare is a broader, genre-defying truth: from rock and pop to hip-hop and beyond, the music industry has operated for decades without accountability for its biggest stars. “Sex isn’t the problem,” one Reddit user responded. “Coercion via job opportunities is.” Another added, “Zero [impact], just like R. Kelly and MJ did zero to R&B,” referencing the R&B superstar’s conviction and Michael Jackson’s controversial legacy. Others argued hip hop would endure, regardless of Combs’ fate. Maybe it will. But the Diddy scandal pulls back the curtain—not just on the parties, the rumors, or the headlines—but on an industry-wide culture that has, for too long, allowed power to shield predation. As one survivor put it outside a recent court appearance: “This isn’t just a hip hop problem. It’s not even just a music problem. It’s a power problem.” And now, the music industry has to decide: Will it finally tune in, or will it keep playing the same old song?

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