#NNPA BlackPress
Enhanced Michael Jackson ONE Immerses Fans in the King of Pop’s Unmatched Brilliance
NNPA NEWSWIRE — The latest unveiling drew notable attendees, including Jackson’s son, Prince, and estate co-executor John Branca. The most recent updates ensure that “Michael Jackson ONE” will remain a must-see for longtime admirers and new fans. And, beginning at 7:30 a.m. EST on Tuesday, Dec. 24, the Black Press of America’s Let It Be Known News will air a presentation about the King of Pop, his genius and lasting legacy. The broadcast will feature Branca, hip-hop legend Chuck D, and more.

By Stacy M. Brown,NNPA Newswire Senior National Correspondent
@StacyBrownMedia
Las Vegas, NV – “Michael Jackson ONE,” Cirque du Soleil’s dazzling tribute to the King of Pop, has entered a new era with groundbreaking technological enhancements, refreshed performances, and a renewed run through 2030. Premiering the updates at the Mandalay Bay Resort and Casino, the 90-minute spectacle continues to honor Jackson’s legacy with cutting-edge visuals, new choreography, mesmerizing drone displays, and newly designed costumes.
The latest unveiling drew notable attendees, including Jackson’s son, Prince, and estate co-executor John Branca. The most recent updates ensure that “Michael Jackson ONE” will remain a must-see for longtime admirers and new fans. And, beginning at 7:30 a.m. EST on Tuesday, Dec. 24, the Black Press of America’s Let It Be Known News will air a presentation about the King of Pop, his genius and lasting legacy. The broadcast will feature Branca, hip-hop legend Chuck D, and more.

Premiering the updates at the Mandalay Bay Resort and Casino, the 90-minute spectacle continues to honor Jackson’s legacy with cutting-edge visuals, new choreography, mesmerizing drone displays, and newly designed costumes./Courtesy Cirque du Soleil/MJ Estate
Branca, who shared a close friendship with the late pop icon, recounted Jackson’s love for Cirque du Soleil in an exclusive conversation with Let It Be Known News during a VIP meet-and-greet. “His security didn’t want to go to San Francisco, where Michael wanted to see a Cirque show, so he asked me to drive him,” Branca said. “I was nervous, but we went, and he loved it. He was just as excited to meet the cast as they were to meet him.”
The Story and Characters
As noted in the production notes, the narrative centers on a character named Mephisto, a sinister media mash-up machine representing the relentless paparazzi and tabloid exploitation. Mephisto’s elite force, the Smooth Criminals, clashes with Michael’s dance corps, the MJ Warriors, who embody Jackson’s artistic strength and resilience. The four misfit characters—Clumsy, Shy, Smarty Pants, and Sneaky—guide the audience through a journey where they are led by Michael, whose presence is felt throughout the show via video, narration, and symbolic elements conveying hope, comfort, dreams, and belief.
New Enhancements and Cutting-Edge Technology
The state-of-the-art theater now features advanced high-tech drones and immersive digital panels, providing audiences with an unforgettable sensory experience. The innovations bring every moment to life, enhancing the production’s visual storytelling. “These new upgrades allow us to expand upon our storytelling,” said Mike Newquist, President of the Resident and Affiliate Shows Divisions at Cirque du Soleil. “We’re always seeking ways to keep the show fresh and exciting for our audiences, making sure each performance leaves a lasting, profound impression.”

Prince Jackson, the oldest son of the King of Pop, takes in a recent performance of Michael Jackson ONE with cast members/Courtesy Cirque du Soleil/MJ Estate
The show opens with “Beat It,” where Mephisto’s paparazzi stand menacingly on stage. Drones flash red and white as they soar through the audience, forming intricate shapes before returning to the stage. The Smooth Criminals descend from the ceiling, intensifying the battle between exploitation and artistry.
In “Leave Me Alone,” “Tabloid Junkie,” and “2 Bad,” the carefully crafted stage layout enhances the dynamic choreography. “Stranger in Moscow” features an intricate rope act symbolizing the loneliness of the Beggar Boy character from the iconic song.
“Smooth Criminal” captivates with an expanded ensemble performing breathtaking flips and spins. The performers wow the audience by flawlessly executing the Smooth Criminal lean. Later, the battle between the Smooth Criminals and MJ Warriors reaches a thrilling climax in this sequence.
The well-designed costumes add to the breathtaking visual elements. In “BAD,” Clumsy dons a bold blue leather outfit and earns a matching jacket by the song’s end. “Jam” bursts with bold red visuals, and dancers in white costumes, each marked with an “M” or “J,” assist Shy in navigating a challenging world.
Reimagined Numbers and Fan Favorites
Set to Jackson’s greatest hits, including “Billie Jean,” “Thriller,” “Beat It,” and “Smooth Criminal,” the production spotlights some of Jackson’s fans’ favorite songs. Perfectly coordinated choreography and mesmerizing visual elements bring each of Jackson’s tracks to life.
“They Don’t Care About Us” remains a standout, with updated visuals highlighting contemporary struggles such as racism, violence, and climate crises, all of which Jackson strongly protested through song, film, and spoken word.

The state-of-the-art theater now features advanced high-tech drones and immersive digital panels, providing audiences with an unforgettable sensory experience. The innovations bring every moment to life, enhancing the production’s visual storytelling. /Courtresy Cirque du Soleil/MJ Estate
Another highlight, “Wanna Be Startin’ Somethin’” introduces performers manipulating illuminated diabolos, dressed in black PVC pants and military jackets. The addition of “Another Part of Me” features a unifying dance sequence that celebrates Jackson’s message of inclusivity.
The first single from the Bad album, “I Just Can’t Stop Loving You,” delivers an emotional duet, blending footage from Jackson’s Dangerous tour with live vocals. The fiery performances of “Dangerous” and “Dirty Diana” include shooting flames, while “Thriller” enchants with ghouls descending from the ceiling and costumes that honor the groundbreaking 1982 concept.
“Scream” features footage of Michael and Janet Jackson, while the finale, set to “Don’t Stop ‘Til You Get Enough,” turns the theater into a dynamic celebration, with dancers performing in the aisles and acrobats launching from trampolines.
A Magical Hologram Moment
Jackson’s hologram appears at one point, causing the crowd to roar its approval.
Jose Concepcion, the show’s dance coach, spoke passionately about his journey from Puerto Rico to Michael Jackson ONE. “I was a student competing in dance competitions worldwide,” he told Let It Be Known News. “When we saw the audition for Cirque du Soleil’s Michael Jackson show, we went for it. Getting that call changed my life.” Now responsible for maintaining the integrity of Jackson’s choreography, Concepcion added, “It’s of extreme importance for us to do justice to the great artist Michael was.”
Michael Jackson ONE celebrates the King of Pop’s genius with moonwalking on walls, reimagined videos on massive screens, dazzling choreography, and cutting-edge technology. “We’re always looking for new ways to honor Michael’s legacy,” Newquist said. “This production ensures that his artistry and message will continue to inspire and mesmerize audiences for years to come.”
Since its opening, the ever-evolving production has captivated audiences with over 4,500 shows and audiences exceeding 5.5 million. Michael Jackson ONE performs Thursday through Monday at 7 p.m. and 9:30 p.m. and has recently extended its contract at Mandalay Bay through 2030. For more information and to purchase tickets, please visit cirquedusoleil.com/michael-jackson-one.
#NNPA BlackPress
Rep. Al Green Files Articles of Impeachment Against President Trump
BLACKPRESSUSA NEWSWIRE — Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.”

By Lauren Burke
Congressman Al Green (D-TX) has filed articles of impeachment against President Trump. Rep. Green, 77, has served in Congress since 2005. President Trump is the only President who has been impeached twice by the U.S. House of Representatives. Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.” The impeachment resolution filed by Rep. Green on May 19, states that President Trump is, “unfit to represent the American values of decency and morality, respectability and civility, honesty, and propriety, reputability, and integrity, is unfit to defend the ideals that have made America great, is unfit to defend liberty and justice for all as extolled in the Pledge of Allegiance, is unfit to defend the American ideal of all persons being created equal as exalted in the Declaration of Independence, is unfit to ensure domestic tranquility, promote the general welfare and to ensure the blessings of liberty to ourselves and our posterity as lauded in the preamble to the United States Constitution, is unfit to protect government of the people…” Whether Rep. Green can force a vote in the U.S. House on impeachment remains an unknown issue. President Trump was impeached on December 18, 2019, for abuse of power and obstruction of Congress. He was then impeached a second time on January 13, 2021, for “Incitement of insurrection” in the wake of the violent January 6, 2021 attack on the U.S. Capitol by Trump’s supporters.
The White House stated Black Press USA on Rep. Green’s effort to impeach the President. “This week, Democrats ousted their DNC ‘leader,’ opposed the largest tax cut in history, and were exposed for actively covering up Joe Biden’s four-year cognitive decline. Now, Democrats have turned their sights to threatening impeachment. We are witnessing the collapse of the Democrat Party before our eyes. Not a single one of these efforts will help the American people. The contrast could not be more clear: President Trump is fighting for historic tax relief for the American people, Democrats are fighting themselves,” said White House Deputy Press Secretary Anna Kelly in a written statement. Several decisions and legal interpretations by the Trump Administration are currently being challenged in federal court. On May 15, the U.S. Supreme Court debated the issue of birthright citizenship after a legal challenge on the issue by the Trump Administration.
During that legal challenge, Justice Ketanji Brown Jackson challenged Trump’s solicitor general Dean John Sauer by saying, “Your argument seems to turn our justice system into a catch-me-if-you-can kind of regime … where everybody has to have a lawyer and file a lawsuit in order for the government to stop violating people’s rights.” Rep. Green’s impeachment resolution also focused on the issue of ignoring judicial orders by the executive branch. A notable example was the deportation case of Maryland father Kilmar Abrego Garcia. Garcia was deported to a prison in El Salvador by federal officials on March 15, 2025.“The Constitution does not tolerate willful disobedience of judicial orders — especially by officials of a coordinate branch who have sworn an oath to uphold it. To permit such officials to freely ‘annul the judgments of the courts of the United States’ would not just ‘destroy the rights acquired under those judgments’; it would make a solemn mockery’ of ‘the constitution itself.’” “You have no mandate,” Congressman Green stood up and yelled at President Trump during his State of the Union Speech on March 4. After the incident, Republicans who control the U.S. House considered sanctioning Rep. Green, but they did not complete an action against him.
#NNPA BlackPress
Affordable Childcare Remains a Barrier: Solutions in New Report
BLACKPRESSUSA NEWSWIRE — We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

While America’s childcare supply grew nationally, the price of that care continues to rise—placing affordable, high-quality care out of reach for many families. A new report released by Child Care Aware® of America (CCAoA), Child Care in America: 2024 Price & Supply, shows that despite promising signs of increased supply, affordability remains a major barrier — and underscores the need for increased sustained federal and state investment.
From 2023 to 2024, the number of childcare centers increased by 1.6% (to 92,613) and the supply of licensed family childcare (FCC) homes increased by 4.8% (to 98,807). The national growth in FCC homes’ supply is driven largely by four states (CA, KS, MA, VA) and is especially notable as it reverses a year-long downward trend.
At the same time, the national average price for childcare rose by 29% from 2020 to 2024, outpacing inflation and exceeding other major family household expenses like rent or mortgage payments in many states. Childcare is now so expensive that it consumes 10% of a married couple with children’s median household income and a staggering 35% for a single parent. In most states, families pay more for childcare than rent, mortgage payments, or in-state university tuition.
“Childcare supply is increasing, and that is a win—but it’s not enough,” said Susan Gale Perry, Chief Executive Officer of CCAoA. “Recent federal and state pandemic-era investments have stabilized and grown supply in some places, but a significant supply gap still exists — especially in rural communities and for infants and toddlers. We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”
CCAoA’s Childcare in America: 2024 Price & Supply report also found that:
- The average price of childcare increased by 29% from 2020 to 2024, outpacing the national inflation rate of 22%.
- In 45 states plus Washington, DC, the average annual price of center-based childcare for two children exceeded mortgage payments, in some states by up to 78%.
- In 49 states plus Washington, DC, the price of center-based childcare for two children exceeded median rent payments ranging from 19% to over 100%.
- In 41 states plus Washington, DC, infant care in a center cost more than in-state university tuition.
CCAoA urges policymakers to increase childcare funding at both state and federal levels to maintain the momentum of growing supply, address rising prices, and expand access to childcare for families. Federal funding increases have fallen short of the need and our research shows that total state investments in child care or preschool vary widely from state to state, putting children, families, and communities across America on an uneven playing field. Further, targeted investments in childcare supply building and stabilization and childcare workforce recruitment and retention strategies are essential to help sustain an adequate supply of high-quality childcare options nationwide.
Child Care Aware® of America (CCAoA) is the only national organization that supports every part of the childcare system. Together with an on-the-ground network of people doing the work in states and communities, it helps America become child care strong by providing research that drives effective practice and policy, building strong child care programs and professionals, helping families find and afford quality child care, delivering thought leadership to the military and direct service to its families, and providing a real-world understanding of what works and what doesn’t to spur policymakers into action and help them build solutions.
#NNPA BlackPress
Sex, Coercion, and Stardom: Diddy Case Mirrors Music’s Ugly History
BLACKPRESSUSA NEWSWIRE — It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him

By Stacy M. Brown
Black Press USA Senior National Correspondent
As Sean “Diddy” Combs faces a federal sex trafficking case and the slow unraveling of his once-untouchable legacy, a larger question looms: Is this the moment the music industry finally confronts its darkest secrets?
It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him: “How much damage could Diddy do to the state of hip hop?” the user asked. “Supposedly, he has incriminating evidence against those who attended his parties. The same parties that had a lot of bad things happen, to say the least.” The implication was chilling—if Diddy were to cooperate with federal authorities, the fallout might not stop at his feet. Names floated in the post—Jay-Z, Beyoncé, Usher, Justin Bieber—aren’t confirmed in any court filings, but their inclusion highlights the breadth of Diddy’s influence and the potential reach of any revelations. If even a fraction of the speculation proves true, the reverberations wouldn’t stop at hip-hop—they’d hit every corner of the music industry. For his part, Combs denies all allegations. His legal team has described the now-infamous “freak-offs” as consensual encounters, part of his non-monogamous lifestyle. But prosecutors allege something much more sinister: a criminal enterprise powered by the machinery of his music and business empire—one that trafficked women, coerced labor, obstructed justice, and used influence and intimidation to maintain control. Still, for all the headlines Combs generates, his alleged crimes do not exist in isolation. The music industry has long tolerated, enabled, and even glamorized behavior that would trigger career-ending consequences in other arenas. Diddy’s story might be shocking—but it’s not new.
Rock music has its own rogue’s gallery. Jerry Lee Lewis nearly destroyed his career in 1958 after marrying his 13-year-old cousin. Elvis Presley met 14-year-old Priscilla Beaulieu when he was 24 and later moved her into his home in Memphis. In more recent years, Aerosmith’s Steven Tyler faced (and ultimately evaded) a lawsuit from a woman who says he sexually assaulted her in the 1970s when she was 17. A judge dismissed the case due to the statute of limitations. Phil Spector, the genius producer behind the “Wall of Sound,” died in prison after being convicted of murdering actress Lana Clarkson. Gary Glitter was convicted of possessing child pornography and later child sex abuse. Kid Rock and Creed frontman Scott Stapp were filmed with strippers in a sex tape that leaked online in 2006. A new biography of the Rolling Stones claims Mick Jagger had sexual relationships with at least two of his male bandmates, raising further questions about the power dynamics inside even the most celebrated groups.
Journalist Ann Powers, writing for NPR, once noted that the “history of rock turns on moments in which women and young boys were exploited in myriad financial, emotional and sexual ways.” Powers added: “From the teen-scream 1950s onward, one of the music’s fundamental functions has been to frame and express sexual feelings for and from the very young… relating to older men whose glamour and influence encourages trust, not caution.” This brings the spotlight back to Diddy—not just as an accused individual but as a symbol. He was once the archetype of success: Harlem-born mogul, founder of Bad Boy Records, and kingmaker behind artists like Notorious B.I.G., Faith Evans, Ma$e, 112, and French Montana. He transformed hip-hop into a global business and amassed influence far beyond the recording booth. He sold more than 500 million records, earned multiple Grammy Awards, and was honored by MTV, Howard University, and the City of New York—until those honors were swiftly revoked after a video surfaced showing him physically assaulting singer Cassie Ventura. Ventura, his longtime partner and protégé, has accused Combs of brutal physical abuse and psychological control. Her lawsuit and the video evidence ignited a wave of allegations from other women and men, describing similar patterns of coercion, manipulation, and fear. “This is not just about bad behavior. This is about systemic exploitation and abuse made possible by fame, money, and silence,” said one advocate for survivors in the entertainment industry.
While hip-hop has long been a target of criticism for misogyny and violence, what’s now being laid bare is a broader, genre-defying truth: from rock and pop to hip-hop and beyond, the music industry has operated for decades without accountability for its biggest stars. “Sex isn’t the problem,” one Reddit user responded. “Coercion via job opportunities is.” Another added, “Zero [impact], just like R. Kelly and MJ did zero to R&B,” referencing the R&B superstar’s conviction and Michael Jackson’s controversial legacy. Others argued hip hop would endure, regardless of Combs’ fate. Maybe it will. But the Diddy scandal pulls back the curtain—not just on the parties, the rumors, or the headlines—but on an industry-wide culture that has, for too long, allowed power to shield predation. As one survivor put it outside a recent court appearance: “This isn’t just a hip hop problem. It’s not even just a music problem. It’s a power problem.” And now, the music industry has to decide: Will it finally tune in, or will it keep playing the same old song?
-
Activism4 weeks ago
AI Is Reshaping Black Healthcare: Promise, Peril, and the Push for Improved Results in California
-
Activism4 weeks ago
Barbara Lee Accepts Victory With “Responsibility, Humility and Love”
-
Activism4 weeks ago
ESSAY: Technology and Medicine, a Primary Care Point of View
-
Activism4 weeks ago
Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’
-
Activism4 weeks ago
Newsom Fights Back as AmeriCorps Shutdown Threatens Vital Services in Black Communities
-
Arts and Culture4 weeks ago
BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy
-
#NNPA BlackPress4 weeks ago
The RESISTANCE – FREEDOM NOW
-
Alameda County4 weeks ago
OUSD Supt. Chief Kyla Johnson-Trammell to Step Down on July 1