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Emmett Till HBO Miniseries From Jay-Z, Will Smith & Aaron Kaplan In the Works

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Nellie Andreeva, DEADLINE

 
(Deadline.com) — Emmett Till was only 14 when the black teen was brutally murdered after allegedly flirting with a white woman in Mississippi in 1955. The tragic story that galvanized the emerging Civil Rights Movement is the subject of an HBO miniseries from a A-list producing team that includes Jay-Z, Will Smith and Aaron Kaplan.

The untitled mini, now in active development, is described as an immersive and in depth exploration of the Emmett Till story. Search is underway for a writer to pen the project, likely a six-hour miniseries, executive produced by Jay-Z and his partner Jay Brown of Roc Nation, Smith and James Lassiter of Overbrook Entertainment and Kaplan of Kapital Entertainment.

Chicago native Till was visiting relatives in Money, Mississippi in August 1955 when he spoke and possibly flirted with Carolyn Bryant, the 21-year-old White co-owner of a local grocery store, reportedly asking her on a date. Several nights later, Bryant’s husband Roy and his half-brother J. W. Milam went to Till’s great-uncle’s house, forcefully took him and tortured him before shooting him in the head throwing his body in the Tallahatchie River.

 

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Activism

Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

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Late playwright August Wilson. Wikipedia photo.
Late playwright August Wilson. Wikipedia photo.

By Godfrey Lee

Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.

The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.

For more information, go to griottheatercompany.squarespace.com/productions-v2

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Arts and Culture

Paul Robeson: A Voice for the Ages, A Champion for Justice

Robeson first gained widespread recognition on stage and screen, delivering commanding performances that captivated audiences. Yet, it was his voice in concert halls that sealed his legacy. His repertoire was vast, spanning spirituals, classical compositions, global folk traditions, and songs of struggle — music that carried the weight of the oppressed and the hopes of the marginalized.

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Paul Robeson. Public domain.
Paul Robeson. Public domain.

By Tamara Shiloh

Paul Robeson was born April 9, 1898, in Princeton, New Jersey. At 6’ 3”, he was a towering man of intellect, talent, and conviction. Before he became an international icon, he earned his law degree from Columbia University in 1923, supporting himself by teaching Latin and playing professional football on the weekends. But the law would not hold him for long. His voice had other plans.

Robeson first gained widespread recognition on stage and screen, delivering commanding performances that captivated audiences. Yet, it was his voice in concert halls that sealed his legacy. His repertoire was vast, spanning spirituals, classical compositions, global folk traditions, and songs of struggle — music that carried the weight of the oppressed and the hopes of the marginalized.

In 1921, he married Eslanda Goode, a fellow Columbia student and a journalist with her own remarkable intellect and ambition. Their marriage, which lasted over four decades, was a partnership in every sense. Goode became his manager, encouraging him to leave law behind and fully embrace his calling. In 1927, they welcomed their son, Paul Robeson Jr.

By the mid-1920s, Robeson was making waves in theater. He starred in All God’s Chillun Got Wings (1924) and The Emperor Jones (1925). That same year, he made his film debut in Body and Soul, directed by pioneering Black filmmaker Oscar Micheaux. In 1928, he mesmerized London audiences in Show Boat, where his rendition of Ol’ Man River transformed the song into a powerful anthem of resilience.

Robeson and his family moved to Europe in the late 1920s, and over the next decade, he built an impressive career in both film and music. He starred in Borderline (1930) and later again in the 1933 film adaptation of The Emperor Jones. Over the next few years, he appeared in six British films, including Jericho and Big Fella (both released in 1937). He also starred in the second screen adaptation of Show Boat (1936), alongside Hattie McDaniel and Irene Dunne. However, his final film, Tales of Manhattan (1942), left him deeply disillusioned. He openly criticized its degrading depiction of Black life, signaling his growing commitment to using his platform for activism.

In 1963, after years of political persecution and declining health, Robeson returned to the United States. Following Goode’s death in 1965, he lived quietly with his sister. On January 23, 1976, Robeson passed away from a stroke at the age of 77 in Philadelphia.

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Activism

OPINION: Politics, Football and Identity in Trump’s America

If you haven’t noticed, all Americans are engaged in an even bigger game that means so much more than the Super Bowl. Our democracy is falling apart.

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iStock.

By Emil Guillermo

Two Filipino American stories made headlines recently.

First, Nikko Remigio, the Filipino and African American kick returner for the Kansas City Chiefs, did not win Super Bowl LIX.

The other, Alameda’s Rob Bonta said no to running for governor.  I don’t blame him. It’s not like a mass of people wanted him to run.

But I did.

Whenever there is a Filipino American in a place you don’t expect, I’m rooting for that person.

As California’s Attorney General, Bonta is probably the most active defender among Blue States pushing back against Trump’s Extreme-Right agenda.

I’d like to Bonta run for California’s top job, but he’s better off waiting in line. The Democrats need a spot for Kamala Harris, and Bonta not running obliges the hierarchy.

History can wait. Bonta’s just 52.

Harris has held off speculation of her next move, saying she just moved back to the state. But it seems governor is the path for her.

For now, Bonta needs to continue taking the fight to Trump in the courts.

Football and Identity Politics

My dad, whose birthday would have been Super Bowl weekend, came to the US in 1928 as a colonized Filipino, an “American National,” where he couldn’t be a citizen, vote, own property or even marry the person he wanted.

Not if they were White.

Still, he believed in America.  He never gave up.

Sort of like Nikko Remigio.

My dad would have loved Nikko.

If you haven’t noticed, all Americans are engaged in an even bigger game that means so much more than the Super Bowl. Our democracy is falling apart.

You want to get passionate about Eagles and Chiefs?

Let’s be passionate about our Founding Fathers, too.

Nikko didn’t change the game. He touched it three times and provided more yards than all of KC’s running backs.

That’s all I needed to see.

He’s our Filipino guy.

Detractors may call it “identity politics.”

People don’t seem to understand the fight for visibility. To be recognized. To be seen. It’s all wrapped up in the big idea of Civil Rights.

I was nowhere near as good as Nikko when I played. But when you are blessed to play football, you play your hardest.

For me, that was when I was 12 and 13 playing Pop Warner football in San Francisco. I was MVP for my team as a running back.

But I was ashamed of my dad. He wasn’t like the other dads. And I remember going to the team banquet to retrieve my trophy alone.

I didn’t realize it probably meant more to him than I thought.

I wish I had shared my MVP moment with him like Nikko shared his joy with his dad, Mark, born in Seattle to two Filipino immigrants, and his mom, whose mixture of Black and White made Nikko the picture of diversity.

Filipino American and Black and White at the Super Bowl.

But don’t forget, there is one game bigger.

The Super Bowl for Democracy. We’re battling for it every day Trump pushes a cockamamie idea that shakes the foundation of our Democracy.

About the Author

Emil Guillermo is an award-winning journalist and commentator. Watch his micro-talk show “Emil Amok’s Takeout/What Does an Asian American Think?” on www.YouTube.com/emilamok1  Or join him on http://www.patreon.com/emilamok

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