Oakland

Egbert Perry, Ronnie Lott, Mayor Libby Schaaf, The Oakland Raiders NFL Coliseum Stadium Deal To Date

Published

10 years ago

September 21, 2016

Oakland Raiders Stadium News Update here.

Egbert Perry, the Fannie Mae Board Member and Chairman and CEO of The Integral Group, a real estate development organization based in Atlanta, Georgia, and his business associate Sorina Givelichian of Stadium Real Estate Partners LLC, may have learned a little something about trying to punk an NFL Hall of Famer: Ronnie Lott. Especially one that has an signed Memorandum of Understanding (MOU) with the City of Oakland and The County of Alameda to develop the Coliseum property and a stadium for the Oakland Raiders.Perhaps Mr. Perry’s association with Ms. Givelichian and with a wonderfully colorful set of hedge fund managers caused him to think he could pull a fast one, as one of my sources seems to believe.

For reasons that I’m not able to completely pin down at this time, a letter of intent sent directly to me via an Oakland Raiders fan, and that contains an offer to buy the Oakland Coliseum Stadium and the land (but not Oracle Arena), from a group that does not include Ronnie Lott (so reports that there are “ties” to Lott, or “led by Ronnie Lott” as if this move was done on his behalf, aren’t correct), but has the following: Stadium Real Estate Partners LLC, which, according to the letter, is owned and controlled by Legacy Investment Partners LLC, which is owned by New York-based Park South Capital LLC.

In turn, those entities are managed by Investment Banker Sorina Givelichian, who’s Linkedin has her listed as “Director, Institutional Solutions at Russell Investment Group” of Toronto, Canada. Ms. Givelichian looks for every bit like a cross between a Bond Girl and “Max”, the character played by Vanessa Redgrave in Tom Cruise’ Mission Impossible.

Moreover, Sorina Givelichian’s Twitter account @sgivelichian is protected, which means she doesn’t want you to see what she’s tweeting about. My guess is it has something to do with the newly hatched work she and Perry are doing in trying to acquire sports and entertainment-related properties. Like in Arizona.

The same Stadium Real Estate Partners LLC sent a similar letter of intent to the Maricopa County Stadium District over one month ago, August 11th. In that case, they offered $60 million for Chase Field Stadium. That letter contains an intent to “raise its offer to match appraised value” – something to note and which could apply to the Oakland Coliseum Land Offer by the same Stadium Real Estate Partners LLC.

The difference between the two Stadium Real Estate Partners LLC deal proposals is that the Oakland one is centered around a proposed price of $167,360,000 – and which they say is a price that can defease “the current bond obligation” of $165,360,000. That refers to the remaining payments that are split between the City of Oakland and the County of Alameda from the original “Raiders Deal” that altered the Oakland Coliseum to accommodate the needs of both the Silver and Black and the perennial tenants the Oakland Athletics, but was not made to a state-of-the-art stadium standard at that time.

(And explains the reason for a number of stadium maintenance and facility design adjustment needs that were noted on a so-called ‘punch list’ made in 1997 by Ezra Rapport, then Oakland’s Assistant City Manager, and the architect of the original “Raiders Deal”.)

Thus, two things are clear: the offering price by Stadium Real Estate Partners LLC was only given to help deal with the bond debt remaining, and was not based on an assumption of land value, however, it’s quite clear Stadium Real Estate Partners LLC is capable of offering more money to the City of Oakland and The County of Alameda.

But it’s also clear that Oakland Mayor Libby Schaaf is not ready to deal with Stadium Real Estate Partners LLC at this time (maybe later).

Mayor Schaaf called while I was writing this post to say the following:

“Its my understanding that Egbert Perry and Ronnie Lott both know each other and are friendly,” she said, “The only people that formally represent the Lott Group are Lott and Rodney Peete to my understanding.”

Schaaf continued “We aren’t considering it for recommendation at this time because we want an agreement with the NFL. I am committed to keeping the Raiders and The League at the center of the deal. We can’t give up our right to control the destiny of what happens to that land (at the Coliseum). A new stadium that keeps the Raiders in Oakland, but is responsible to the team, the league and the taxpayer – and enhances economic vitality around the Coliseum and delivers community benefits.”

NFL Executive Vice President for Business Affairs Eric Grubman visited Oakland and not just for the Raiders game against the visiting Atlanta Falcons. On Grubman’s visit, she said “I appreciated Eric joining me for meetings with business leaders, and supporting my effort to keep the Raiders in Oakland. Everyone has a part to play in maintaining this community asset.”

And while we were talking, I asked Mayor Schaaf about the news that Nevada Governor Brian Sandoval said he was going to call a special session of the Nevada Legislature to vote on the recommendations of the Southern Nevada Tourism and Infrastructure Committee, including the $750 million for developing an NFL-ready stadium for the University of Nevada Las Vegas. Libby said the following: “I take the Las Vegas threat very seriously. I remain convinced that Oakland is a stronger market for the NFL than Las Vegas will ever be. And in spite of the threat, I remain committed to my approach regarding public funds.”

So, in closing, while Stadium Real Estate Partners LLC’s proposal may not be right at this time, it’s a signal that there are players with a lot of money they control involved in the Coliseum City deal. Mr. Lott has not been ‘pushed out’ of this at all, and has his MOU as his dance card.

But the beauty of the MOU approach that Mayor Schaaf called for is that the City of Oakland and the County of Alameda can talk to and bring in well-healed investors capable of executing a privately-financed deal for a new stadium for the Oakland Raiders, all the while keeping Lott at the center of the action.

Not bad.

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Activism

Oakland Museum Presents Landmark Retrospective Celebrating Beloved Bay Area Artist Mildred Howard

“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.

Published

1 week ago

June 24, 2026

Oakland Post

Mildred Howard. Photo by Christine Cueto for the Oakland Museum of California, 2025.

Special to The Post

The Oakland Museum of California (OMCA) opened “Mildred Howard: Poetics of Memory,” the first major museum survey of Bay Area artist Mildred Howard, on June 12.

The exhibition spans five decades of Howard’s influential work, bringing together immersive installations, found-object sculptures, archival materials, and new commissions that explore memory, identity, and power in American life.

Howard was born in San Francisco in 1945 and raised in the East Bay, where she went on to study Afro-Haitian dance, make and sell clothing, and experiment with collage and sculpture.

Her multimedia art practice emerged from these experiences, later becoming associated with West Coast conceptual art, San Francisco funk, and a vibrant community of artists like Oliver Jackson, Betye Saar, and Raymond Saunders. Since the 1970s, she has used found materials and family stories to explore memory—both individual and collective.

At OMCA, visitors enter “Poetics of Memory” through a series of intimate galleries featuring Howard’s early mixed-media pieces and sculptures, along with a large video projection of a number of her public artworks.

Together, they emphasize Howard’s interest in everyday objects as powerful carriers of individual and shared stories. Highlights include collages that remix images of the artist herself; found-object sculptures like The History of the United States with a few Parts Missing (2007) that address omissions in dominant narratives; and public works like “Locks and Keys for Harry Bridges” (2001) that transform urban space into a meditation on access and labor.

This culminates in a richly detailed “studio” environment, where works in progress, archival exhibition flyers, historic photographs of Howard and her community, postcards from fellow artists, and other materials offer insight into her creative process and daily life.

The exhibition then opens into a high-ceilinged, dramatically lit space that brings together Howard’s signature immersive installations. On one end, “Crossings” (1997/2026) – a field of hundreds of ceramic eggs leading to an ornate mirror – suggests cycles of birth, motherhood, and transition, while drawing on the emotional echoes of the Middle Passage. On the other end, “Blackbird in a Red Sky” (a.k.a. “Fall of the Blood House”) (2002) – a red glass shack bordered by a pond – also uses reflection and transparency to draw viewers into the work and prompt consideration of themes of identity and home.

Howard’s newest video installation, “Moving Stills” (2026), repurposes never-before-seen family footage she took as a teenager on a train trip to the American South. Projected onto cascading layers of translucent fabric that stretch across an entire gallery wall, the piece immerses viewers in a layered meditation on memory, migration, and time.

The “Mildred Howard: Poetics of Memory” exhibit will be on display through Oct. 11 at the Oakland Museum of California, 1000 Oak St., Oakland, CA 94612. Museum hours are Wednesday through Sunday, 11 a.m. to 5 p.m., with extended hours on Fridays to 9 p.m.

This story is sourced from the Oakland Museum of California press office.

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Alameda County

Ferry Fares to Increase July 1 as Ridership Hits Record Highs

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

Published

1 week ago

June 24, 2026

Oakland Post

Courtesy photo.

By Mike Aldax, The Richmond Standard

Starting July 1, the standard adult fare for the San Francisco Bay Ferry route between Richmond and San Francisco will increase to $5.20, up from the current $4.90.

Discounted fares for eligible passengers, including youth, seniors, people with disabilities, and Clipper START users, will rise to $2.60 from the current $2.40. Children under 5 will continue to ride for free.

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

The adjustments are part of a systemwide fare update approved by the agency’s Board of Directors, which is moving away from a flat 3% annual increase to route-specific pricing for the 2027 and 2028 fiscal years.

This fare update arrives as San Francisco Bay Ferry celebrates a historic May, transporting 301,270 passengers. The record-breaking figure represents an 8% increase over May 2025 and marks the third consecutive month of record-setting ridership.

Furthermore, it is the sixth month in a row that passenger numbers have exceeded pre-pandemic levels. Weekend travel has been a primary driver of this growth, with average weekend ridership seeing a 56% increase compared to pre-pandemic trends.

The agency states that the fare adjustments are necessary to ensure the long-term fiscal sustainability of public ferry services. By shifting to route-specific adjustments, the agency aims to offset rising operating costs while maintaining the high levels of service frequency and reliability.

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Activism

Stop the Hate Symposium Brings Oakland Together Through Dialogue, Partnership, and Community Healing

More than a meeting and panel discussion, the annual symposium serves as a powerful example of what can happen when neighbors, community leaders, and organizations choose conversation over division, and unity over silence.

Published

1 week ago

June 24, 2026

Oakland Post

Speakers and guests at the annual ‘Stop the Hate Symposium posed with Oakland Chinatown Improvement Council ambassadors. Photo by Marcus Calloway.

By Dr. Maritony Jones, Special to The Post

With the purpose of creating safer, stronger, and more inclusive communities, and in partnership with the Oakland Private Industry Council and other community organizations, the Oakland Chinatown Improvement Council (OCIC) hosted the ‘Stop the Hate Symposium’ on June 13 at the Oakland Asian Cultural Center.

The free event featured keynote speakers, breakout sessions, cultural programming, creating a space where people from many backgrounds sat together with a shared purpose.

The turnout itself reflected the urgency and importance of the topic. The room was packed with community members eager not only to listen, but also to participate. Throughout the event, speakers shared data, personal experiences, research, and practical solutions designed to address hate, violence, social inequity, and community safety.

The keynote panel featured respected leaders and advocates, including Ray Bobbitt, founder of the African American Sports & Entertainment Group (AASEG); Ryan Takemiya from RAMA; Caheri Gutierrez from the Unity Council; honorary guest speaker Oakland City Councilmember at-Large Rowena Brown and City Councilmember Charlene Wang; representatives for Oakland Mayor Barbara Lee and U.S. Rep. Lateefah Simon, with Gia Vang of NBC serving as moderator.

The symposium also offered multiple breakout sessions that addressed issues affecting communities across Oakland and Alameda County:

Session 1, 2, 3: Building Safer and More Inclusive Communities, led by Pastor Raymond Lankfort, CEO of Oakland Private Industry Council (OPIC), Jessica Kang, research manager for Stop AAPI Hate, Kara Guerra of The Unity Council, and Gabriela delaRiva of the Spanish Speaking Citizens Foundation
Session 4: Talk Story: Collective Healing and Relationship Repair, presented by Ryan Takemiya, executive director of RAMA
Session 5: Sexual Violence Prevention, presented by Tunisia Owens, interim deputy director of Realized Potential
Session 6: Violent Attacks on Teens, presented by MaryAnn Alvarado, program manager of Youth Alive

Every session contributed to an important truth: meaningful change begins within communities, through honest dialogue and a willingness to work together.

One of the strongest themes to emerge from the day was the need to create more conversations and stronger partnerships—not just during times of crisis, but consistently and intentionally. Relationships among organizations, neighborhoods, and community leaders often operate behind the scenes but are not always highlighted or celebrated.

Bobbitt spoke powerfully about this issue, noting that partnerships and relationships often go unrecognized despite being essential to community progress. He pointed to examples such as the partnership between OPIC and OCHIC, emphasizing that these collaborations deserve more visibility, investment, and expansion.

Perhaps his most memorable message resonated deeply throughout the room. Bobbitt explained that when a grandparent is attacked or harmed, the impact extends beyond race or ethnicity because today’s families and communities are increasingly multicultural and interconnected.

“We are not going to see our grandparents as just Latino, Asian, Caucasian, or African American,” he shared in essence. “We are going to see them simply as our grandparents.”

Those words reflected the heart of the symposium. Hate may target one group, but pain and loss are felt by everyone. Likewise, healing and progress are shared responsibilities.

For more information about the Stop The Hate Program visit the website: https://www.oaklandchinatownchamber.org/stop-the-hate (or) https://oaklandpic.or