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Dennis-Benn’s novel of Jamaican immigrant is magnetic, wrenching

FLORIDA COURIER — In her new novel, Nicole Dennis-Benn contrasts the deep chasm between the American dream and immigrant reality, and the result is magnetic and wrenching. The story is a perfect fit for the author: Her first novel, “Here Comes the Sun,” laid bare the poster image of Jamaica as a tropical paradise, revealing the ugly truths behind the promises of sun, sand and sex.

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By Connie Ogle

In America, anyone can be anything. That’s what the dream assures us, right?

We live in the land of opportunity for anyone willing to work hard. Unless of course you get here the wrong way. Then there’s little opportunity, few choices, constant unease, quick despair. You don’t belong.

In her new novel, Nicole Dennis-Benn contrasts the deep chasm between the American dream and immigrant reality, and the result is magnetic and wrenching.

The story is a perfect fit for the author: Her first novel, “Here Comes the Sun,” laid bare the poster image of Jamaica as a tropical paradise, revealing the ugly truths behind the promises of sun, sand and sex.

Another mirage

Now, in “Patsy,” she exposes another mirage, returning to themes she explored with insight and empathy — sexism, racism, colorism, homophobia, motherhood and poverty.

What must women sacrifice, Dennis-Benn asks, to become their true selves? It’s not just a question for the privileged. Patsy, a civil servant in Jamaica, knows her answer.

In a fair world, her affinity for math would lead her to a desirable job.

Accounting, maybe. But such work is impossible to find, because dark-skinned, poor women like Patsy have little value in her town.

So Patsy has invested the little money she has saved and spent it on a visa application. She is going to America, she tells her 5-year-old daughter Tru, to “mek t’ings bettah fah you. Fall all ah we.”

A new life

This is a lie. Patsy hopes to find a better job — after all, she has taken two courses at a community college and once solved 100 math problems in a row at school.

But she won’t return to Jamaica because Cicely is in America. Cicely, her beautiful friend who emigrated and married for a green card.

Patsy and Cicely loved each other once, and Cicely still writes hopeful letters to Patsy, encouraging her to come to New York. And so Patsy leaves Tru to build a new life. But America is less a paradise than a treacherous illusion.

Hard choices

A mother who abandons her child is a monster in most cultures, but Dennis-Benn’s deep compassion for Patsy — for all women facing unthinkable choices — forces you to reconsider your own preconceptions.

She urges you to think about this woman’s desperation, her fear, her past, her yearning for connection. She never wanted to be a mother, and Tru’s father, a married police officer, can provide a stable home for the girl.

That rationalization doesn’t soothe Patsy’s guilt, nor does it comfort Tru, who clings to her mother’s promise to return for as long as she can.

Eventually, though, Tru has to grow up and make hard choices of her own.

Two views

“Patsy” is told from both points of view, mother and daughter, the voices raw, honest and haunting. Patsy faces the irony that the only options open to her are nanny jobs, caring for the children of others.

She hates being labeled “illegal” and “can’t understand why she’s deemed a criminal for wanting more.” She wonders: “What am I good at?” and simply doesn’t know.

As a teenager, Tru begins to reject the role her culture has carved out for her (Dennis-Benn has a lot to say about how girls are raised in her native Jamaica).

Both women suffer depression, a battle all the harder to win when you don’t have the means to fight it.

But reinvention and redemption are possible. The story ends on a note of hope, though it comes at a price. What are you good at, Patsy? Loving. Learning. Living. The most human strengths of all.

This article originally appeared in the Florida Courier

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Oakland Post: Week of June 17 – 23, 2026

The printed Weekly Edition of the Oakland Post: Week of June 17 – 23, 2026

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Book Review: Something We Said: Richard Pryor, A Notorious Word, and Me

Though sticks and stones and words are weapons, as in the new memoir, “Something We Said” by Elizabeth Stordeur Pryor, they can also hold people together.

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By Terri Schlichenmeyer

Author: Elizabeth Stordeur Pryor, Copyright: c.2026, Publisher: Simon & Schuster, SRP: $29.00, Page Count: 304 pages

Sticks and stones may break my bones.

You know the rest of that childhood rhyme, and you know it’s not true: words have meaning, and they can cut like a knife. And yet, though sticks and stones and words are weapons, as in the new memoir, “Something We Said” by Elizabeth Stordeur Pryor, they can also hold people together.

The college lecture was supposed to have been about the 1850 Fugitive Slave Act.

It was supposed to be a lively discussion, but unintentionally it quickly veered off course. When a White student quoted a movie line featuring the “n-word,” the room went quiet, and Professor Elizabeth Stordeur Pryor panicked.

She’d grown up hearing that word, and seeing it, and she’d experienced the painful feelings attached to it. She knew who wrote that movie line. It was her father, Richard Pryor.

In her first few years, Pryor spent most of her time in a White world, hearing her mother’s tales of her larger-than-life father, and trying to grasp meaning in her father’s albums, peppered as they were with a word that was off-limits to her.

When she was six, she met her father for the first time. She began to visit him regularly.

It was fun at her Dad’s house; though he was sometimes moody, he taught her to fish and play dominoes. She became close with her siblings, fearful of her great-grandmother, and confused about a word that her father’s uncles threw around like a beach ball. It was a forbidden word at her mother’s house, but her father used it. Differently. Often.

The word hurt. She knew first-hand that it did.

“The word became a degrading slur that shackled all Black people together into a single, inescapable tribe,” she says.

So why was it okay for certain people to say it?

Knowing that, in the years since Richard Pryor’s accident and his death from multiple sclerosis, he’s become somewhat of a legend. It is a very satisfying thing, isn’t it? So is reading about him, especially from the viewpoint of one of his seven children. But his is not the only story you get inside “Something We Said.”

Wrapped around the life of Richard Pryor is the life of a word that straddles a line between danger and provocation, a word that author Elizabeth Stordeur Pryor refuses to say or even print. As she tells readers about her father and her loving-but-difficult relationship with him, she warily circles that word, as if it might bite. You may cringe, but she weighs it carefully, helping readers see it as a chameleon before always bringing us back to her father, his work, and his life before and after her and that word.

It’s a push-pull balance that holds readers fast, and keeps them there. It’s perfect for fans of this genre, or Richard Pryor, or of language – and it’s going to make you think. If you want a good memoir this week, one that may send you to your old album collection, “Something We Said” is rock-solid.

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Oakland Post: Week of June 10 – 16, 2026

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