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D.C. Activist Leads Search for Solutions to Shootings

WASHINGTON INFORMER — Most of the nation’s attention continues to rest on the cities of El Paso and Dayton where families, friends and local officials struggle to make sense of last weekend’s two mass shootings that left a collective and rising death toll of 31 with dozens injured and still hospitalized.

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A little girl holds a candle during a vigil in southeast D.C. for Karon Brown, 11, who was killed by an adult after a dispute with other children. (Courtesy of Ward 8C07 Commissioner Salim Adofo)

By D. Kevin McNeir

Most of the nation’s attention continues to rest on the cities of El Paso and Dayton where families, friends and local officials struggle to make sense of last weekend’s two mass shootings that left a collective and rising death toll of 31 with dozens injured and still hospitalized.

But closer to home, community activists like D.C.’s Roach Brown, known for his zeal and commitment on behalf of returning citizens, has taken on another mission: finding solutions to the District’s rising gun violence.

On August 6 during Brown’s monthly “Crossroads Radio Show” (WPFW, 89.3 FM), which airs live every first Tuesday from Ben’s Chili Bowl in Northwest, he facilitated two panel discussions in a room filled with interested local residents for a lively two-hour conversation about the impact that escalating shootings have had throughout the District.

But his most ardent concern, he says, remains the rise of injuries and deaths among children.

“We have reached a point where our children are being shot and killed in our streets before our very eyes,” he said. “We can no longer sit by idly as the death toll rises. If you can ignore what’s happening in the Black community to our babies, then there’s something terribly wrong with you. We can stop this – we must stop this.”

“And it doesn’t matter what color these babies are. Nor do I care if they’re the children of Black folks or children whose parents are members of the Ku Klux Klan. Children deserve being protected and having the chance to grow up and go after their dreams. It’s our job to keep them safe,” Brown exclaimed.

Before turning the conversation over to his first panel, Brown pointed to poverty which disproportionately lays claim over Blacks in America as a significant reason for the frustration and disillusionment that have led to numerous examples of misdirected violence erupting in recent months in his hometown of D.C. as well as other mostly-Black urban cities including Baltimore and Philadelphia.

“Since the 40s when the U.S. government began to develop the projects where they ushered Black families in and forced us to live on top of one another, we’ve had to live like crabs in the bucket,” he said. “Each time the fire has been turned on, we’ve crawled over one another desperately trying to get out.”

Panelists for the first session, whose reflections mirrored the passionate pleas of the talk show host, included: co-host, Kymone Freeman, We ACT Radio; Tyrone Parker, director, The Alliance of Concerned Men; Minister Abdul Khadir Muhammad, Nation of Islam; and the Rev. Tony Lee, founder and senior pastor, Community of Hope AME Church.

“We have far too many guns on our streets and many of those weapons have been illegally acquired,” Parker said. “And while there are organizations like ours that are out in the community doing everything we can, we still haven’t received the full support of District government, particularly in terms of the kinds of resources that the City could but has yet to provide.”

“In addition, we are in short supply of men who are willing to join us. The numbers are simply inadequate given the challenges before us. Thirty percent of District youth are currently living in poverty. That’s something that city officials must address.”

“When an 11-year-old child was recently shot and killed in D.C. by another youth, the police found that the fight and shooting that subsequently occurred happened because the children were fighting for the right to control a street corner where they could make a few dollars selling legal goods to people in the community. They were trying to make a few dollars so they could make ends meet,” Parker said, adding that his organized has compiled a conflict resolution manual that many believe could positively change the mindset of youth if placed in the hands of the District’s public school leaders and utilized in classrooms.

Muhammad, a man who admits having once lived a life dominated by negative forces, agreed with Parker’s notion that changing the way youth think and often react when they feel threatened, remains the first step in reducing violence.

“Before our communities can be changed for the better, individuals have to regain control over their own minds,” he said. “Too many within the Black community have chosen to embrace a Satanic-led existence and have turned away from the Creator. It’s easy to understand why our children are in so much turmoil – in their homes they can easily pick up drugs, alcohol and guns all of which are just laying around on their parents’ kitchen tables.”

“Further, it’s imperative that we begin to agree to disagree in love. Even this panel illustrates the diversity within the Black community. But bickering among ourselves won’t get us anywhere. Even if those who are already out on the streets trying to bring peace in the hood don’t always see eye-to-eye, we can still work together,” Muhammad added.

Lee noted that viable solutions already exist but without financial support and a concerted effort to more effectively direct those resources, gun violence will inevitably continue to plague the city and its residents.

“Many activists are already on the scene, even before the police arrive, attempting to provide solace and some form of understanding when gunfire erupts – we often get there while the smoke from guns is still in the air,” he said.

“We don’t need to create strategies or look for answers – we already have them. But in the District, the vast majority of financial resources is going to building buildings rather than building people. Our City’s leaders don’t want to disrupt their program. Gentrification benefits those leaders who have found that it’s easy to paint our residents as barbarians so they can dismantle communities and move people so they can make way for business opportunities.”

“We must hold our leaders accountable and force them to transform people before transforming physical properties – a current policy that rarely benefits Blacks and more often bodes well for people who don’t have our welfare in mind and who don’t like anything like us,” Lee said.

This post originally appeared in The Washington Informer.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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