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Claire Hartfield, Ekua Holmes win 2019 Coretta Scott King Book Awards

CHARLESTON CHRONICLE — Claire Hartfield and Ekua Holmes are the winners of the 2019 Coretta Scott King Book Awards.

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The Charleston Chronicle

Claire Hartfield, author of “A Few Red Drops: The Chicago Race Riot of 1919,” and Ekua Holmes, illustrator of “The Stuff of Stars,” are the winners of the 2019 Coretta Scott King Book Awards honoring African American authors and illustrators of outstanding books for children and young adults. Tiffany D. Jackson, author of “Monday’s Not Coming,” and Oge Mora, illustrator of “Thank You, Omu!” are the Coretta Scott King/John Steptoe Award for New Talent winners. The awards were announced today at the American Library Association (ALA) Midwinter Meeting & Exhibits, held Jan. 25-29, 2019, in Seattle, Washington and will be presented in Washington, D.C. at the ALA Annual Conference & Exhibition in June.

This year marks the 50th anniversary of the Coretta Scott King Book Awards. Presented annually by the Coretta Scott King Book Awards Committee of the ALA’s Ethnic and Multicultural Information Exchange Round Table (EMIERT), the awards encourage the artistic expression of the African American experience via literature and the graphic arts; promote an understanding and appreciation of the Black culture and experience, and commemorate the life and legacy of Mrs. Coretta Scott King for her courage and determination in supporting the work of her husband, Dr. Martin Luther King Jr., for peace and world brotherhood.

“A Few Red Drops: The Chicago Race Riot of 1919,” published by Clarion Books, an imprint of Houghton Mifflin Harcourt, is a meticulously researched exposition of the socio-economic landscape and racial tensions that led to the death of a black teen who wanted to swim, and the violent clash that resulted. In 20 chapters, Hartfield’s balanced, eye-opening account contextualizes a range of social justice issues that persist to this day.

Claire Hartfield, a lifelong Chicago resident, published her debut novel, “Me and Uncle Romie” (Dial Books), which received national honors in 2002. Hartfield’s second book, “A Few Red Drops: The Chicago Race Riot of 1919” (Clarion), tells the story of the Chicago Race Riot of 1919. She is particularly interested in writing about people and events.

“Hartfield’s nuanced account of unrest between African Americans and white European immigrants in early 20th century Chicago fills a much-needed gap in the children’s literature world,” said Coretta Scott King Book Awards Jury Chair Sam Bloom.

In “The Stuff of Stars,” written by Marion Dane Bauer and published by Candlewick Press, illustrator Ekua Holmes uses hand marbled paper and collage to create a lush explosion of color that brings to life the formation of the universe while distinctly reflecting the essence of the African diaspora.

“Using oceanic waves of color, Holmes employs her trademark aesthetic to carry this creation story to its stunning crescendo,” said Bloom.

Ekua Holmes is a native of Roxbury, Massachusetts and a graduate of the Massachusetts College of Art and Design. The recipient of several children’s awards, Holmes received the 2018 Coretta Scott King Illustrator Award for “Out of Wonder: Poems Celebrating Poets”; and a Caldecott Honor, Robert F. Sibert Honor, John Steptoe New Talent Illustrator Award, and Boston Globe-Horn Book Non-fiction Honor for “Voice of Freedom: Fannie Lou Hamer, The Spirit of the Civil Rights Movement.”

The Coretta Scott King/John Steptoe Award for New Talent affirms new talent and offers visibility for excellence in writing and/or illustration at the beginning of a career as a published African American creator of children’s books. This year’s winners are Tiffany D. Jackson, author of “Monday’s Not Coming,” published by Katherine Tegen Books, an imprint of HarperCollins Publishers, and Oge Mora, illustrator of “Thank You, Omu!” published by Little, Brown Young Readers.

In the timely thriller “Monday’s Not Coming,” Jackson examines friendship, child abuse, and family relationships. In alternating chapters, the reader is immediately pulled into the angst that Claudia feels as she struggles to piece together this fragmented tale that concludes with a mind-blowing resolution of Monday’s disappearance.

“Thank You, Omu!” is a fresh take on a timeless tale of altruism and community-mindedness. Mora’s collage work is skillfully pieced together with acrylic, marker, pastels, patterned paper, and old book clippings, creating a visual smorgasbord. Mora brings to life an amalgamation of many grandmothers and captures the African spirit of generosity and community.

Three King Author Honor Books were selected:

“Finding Langston” by Lesa Cline-Ransome, published by Holiday House; “The Parker inheritance” by Varian Johnson, published by Arthur A. Levine Books, an imprint of Scholastic Inc.; and “The season of Styx Malone” by Kekla Magoon, published by Wendy Lamb Books, an imprint of Random House Children’s Books, a division of Penguin Random House LLC.

Three Illustrator Honor Books were selected:

“Hidden Figures” illustrated by Laura Freeman, written by Margot Lee Shetterly, and published by HarperCollins Children’s Books, a division of HarperCollins Publishers; “Let the children march” illustrated by Frank Morrison, written by Monica Clark-Robinson, and published by Houghton Mifflin Harcourt Publishing Company; and “Memphis, Martin, and the Mountaintop” illustrated by R. Gregory Christie, written by Alice Faye Duncan, and published by Calkins Creek, an imprint of Highlights.

Members of the 2019 Coretta Scott King Book Awards Jury are: Chair Sam Bloom, Public Library of Cincinnati and Hamilton County; Jessica Anne Bratt, Grand Rapids (Mich.) Public Library; Irene L. Briggs, Retired, Silver Spring, Md.; LaKeshia Darden, Campbell University, N.C.; Jason Miles Driver, Sr., Chicago Public Library; Dr. Sujin Bernadette Huggins, Dominican University, River Forest, Ill.; and Christina Vortia, HypeLit, Land O’Lakes, Fla.

For information on the Coretta Scott King Book Awards and other ALA Youth Media Awards, visit www.ala.org/yma.

This article originally appeared in the Charleston Chronicle. 

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Oakland Post: Week of September 30 – October 6, 2026

The printed Weekly Edition of the Oakland Post: Week of September 30 – October 6, 2026

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Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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Books

BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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