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Arts and Culture

Civil Rights Veterans Jesse Jackson and Paul Cobb Attend “Selma” Screening

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In the weeks following the release of the Oscar-nominated film “Selma,” Rev. Jesse Jackson along with Charley Moore, Mitch Kapor and Freada Kapor Klein hosted a private screening of the film in San Francisco’s historic Vogue Theatre.

Following the film, a discussion with Jackson, Post Publisher Paul Cobb, Ben Jealous, Mitch and Freada Kapor reflected on the struggle for civil rights 50 years ago and the movement that has gained steam today.

Jackson said the current fight is not one that should be viewed “from the rear view mirror, but the front windshield. This fight is as alive today as it was yesterday.”

Referring to the alarming voter suppression activity going on throughout the nation, former NAACP President Ben Jealous said, “The laws are being modified so that people can’t use their college ID to register to vote in places like Texas and Florida. This is deeply impacting the number of registered voters.”

Cobb shared his experience marching with Dr. Martin Luther King, Jr. and Harry Belafonte in 1965.

“It was a really scary time but we were committed and vested in the fight,” said Cobb. “The brutality that took place on the bridge was very accurate.”

Simply registering the more than 50 million non-registered Black and Brown voters in the nation would be enough voting power to change the nation and fight the GOP agenda, he explained.

“Jesse Jackson’s run for president in the 80s was unprecedented in the number of voter registrants,” Cobb said.

“This was a very powerful movie and I hope it sparks the necessary dialogue between OG’s like me with the young G’s who are protesting for change today,” he said.

Freada Kapor, founder of the Level Playing Field Institute and Kapor Center for Social Impact, featured two graduates of her STEM education SMASH program that is designed to prepare minorities for employment and innovation in the tech world.

“These young people are fine examples of what happens when you add capital to ideas and invest in our children,” she said.

Donations from the screening benefitted the Kapor Center for Social Impact and the Citizenship Education Fund.

Attending the screening, Dr. Joseph Bryant, Jr., national director of the Rainbow PUSH Sports Division, said, “Do not lose sight of the future and its possibilities. We have a lot of work to do, but together we can get it done.”

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Arts and Culture

Deputy Library Director Bestowed National Honor

A respected national publication called Library Journal took notice and awarded Deputy MCFL Director Raemona Little Taylor in its 2022 Movers & Shakers class of community builders for her outstanding leadership and impact to the library industry as a change agent. Only 41 people were in the 2022 class, and just over 1,000 librarians nationwide have earned such status since the awards were first given in 2002.

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Deputy MCFL Director Raemona Little Taylor did not let the pandemic get in the way of her equity work to benefit library patrons. (Photo: Library Journal)
Deputy MCFL Director Raemona Little Taylor did not let the pandemic get in the way of her equity work to benefit library patrons. (Photo: Library Journal)

Raemona Little Taylor earns accolade as advocate and literacy partner

Courtesy of Marin County

Advancing equity, from talk to action, is a trademark for Raemona Little Taylor, Deputy Director of the Marin County Free Library (MCFL). And there’s no way the COVID-19 pandemic was going to get in her way.

A respected national publication called Library Journal took notice and awarded Little Taylor in its 2022 Movers & Shakers class of community builders for her outstanding leadership and impact to the library industry as a change agent. Only 41 people were in the 2022 class, and just over 1,000 librarians nationwide have earned such status since the awards were first given in 2002.

Library Journal has provided features and news reporting about American libraries since 1876 and is the top trade publication in that industry. Movers & Shakers profiles up-and-coming, innovative, creative individuals from around the world — both great leaders and behind-the-scenes contributors — who are providing inspiration and model programs for others, including programs developed this year in response to the COVID-19 pandemic. Little Taylor is just the second MCFL employee to receive the national recognition; Diana Lopez, manager of the Marin City MCFL branch, was selected in 2016.

The publication noted that Little Taylor “worked tirelessly” to develop successful initiatives that are considered widely inclusive, stepping up to serve people in need and in marginalized populations. Her signature projects have included offering services to incarcerated youth, developing school partnerships, providing direct tutoring services, and overseeing the day-to-day operations of the Learning Bus, a “green” vehicle that brings literary and education outreach services to children and their families living in rural areas of West Marin. She also piloted a Reading Buddies program and implemented blueprints for safety around children working with adult volunteers.

Undeterred by the pandemic, Little Taylor moved the Reading Buddies program online, teamed with partners to create 500 new wireless hotspots for school-age children who were rushed into online learning for the first time, and led efforts to create a licensed day care center for children of health care and essential workers at an MCFL branch.

“The entire Marin County Free Library team stands with Raemona in our commitment to racial equity in Marin County,” said MCFL Director Lana Adlawan. “Raemona works tirelessly to ensure that community and staff voices are heard and that library programs are inclusive for all. She isn’t afraid to dream big and work hard to make new things happen. I am excited to see what she dreams up next!”

Little Taylor’s passion lies in offering services around literacy and education that are appropriate to the realities of disproportionately affected communities. The first step is acknowledging what she described as a long history of libraries as segregated spaces.

“Until libraries and librarians grapple with their history as gatekeepers for white-dominant culture, they will struggle to create welcoming and inclusive workplaces where diverse workers feel like they truly belong,” Little Taylor told the Library Journal. “It can be a real challenge to work within institutions as the one and only Black, Indigenous and people of color [BIPOC] staff member. We need to move beyond being tolerated to being celebrated.”

Little Taylor, an MCFL employee since 2017, is the public services administrator of the 10 MCFL branches and two mobile vehicles serving patrons in the field. Previously she was a teen and adult services librarian at the Fairfax branch and then senior librarian and education initiatives coordinator for four branches in West Marin. After earning her master’s degree from the University of Tennessee at Knoxville, she began her professional career as a public records researcher and in several roles with the Nashville Public Library prior to joining MCFL.

Nominations for annual awards were vetted by the editors of Library Journal, giving weight to factors such as innovation, the impact of the person’s work, and the potential for programs to serve as models and inspiration for others in the field.

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Art

Marin Fair Competitive Exhibits Open for Entry

“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”

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Marin County Fair “So Happy Together!” returns June 30-July 4

Courtesy of Marin County

2022 Marin County Fair Poster depicting a variety of farm animals with the Marin County Civic Center and Marin Fairgrounds property in the background. San Rafael, California — With Marin County Fair’s June 30 opening day just around the corner, the Competitive Exhibits categories for the 2022 Fair are now available on the Fair’s website MarinFair.org.

The competitive exhibit program, which usually takes place indoors, will remain online for one more year and will include competitions such as fine art and photography, decorated cakes and cookies, wine and beer label design, clothing and textiles, cartoon art, exceptional art, poetry and creative writing, hobbies and crafts, and more. The Plein Air painting competition on the first day of the Fair will take place outdoors. The agriculture competitions will remain outdoors and will include poultry, rabbits, sheep dog trials, pocket pets, dog care and training, and small animal round robin showmanship, to name a few.

“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”

The full list of categories and entry guidelines is available online at MarinFair.org. Submissions will be accepted from May 6 to May 31 and winners will be announced online during Fair time.

The 2022 fair will also focus on outdoor entertainment including the headline concerts, performers roaming the grounds such as jugglers, unicyclists, and stilt walkers, and interactive art experiences for fans of all ages. Returning fair favorites will include traditional carnival rides, the Global Marketplace, the Barnyard, food and drinks, and fireworks every night over the Civic Center’s Lagoon Park.

Early bird tickets sold out within one day of release. Discounted Fair tickets are still available for adults and teens through June 29. The Fair is a one-price gate featuring 28 carnival rides, exciting exhibits, spectacular firework displays, first-rate concerts and exciting attractions are FREE with gate admission. Tickets are available online only at MarinFair.org.

Headline concerts will soon be announced, and reserved gold circle tickets will go on sale May 16. Reserved concert seating in a special section is $60 per person and includes Fair admission.

Special Admission Days:
Kids Day at the Fair – Thursday, June 30
Children 12 and under are FREE on Thursday, June 30.
Senior Day at the Fair – Thursday, June 30
Seniors 65+ are admitted FREE

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Activism

Installation Invoking Black Struggle for Justice in Opens May 14 at Oakland City Hall

Society’s Cage is an open air, accessible pavilion featuring 500 hanging steel bars that form a cavernous cube with a habitable void allowing visitors to experience the symbolic weight of institutional racism. This immersive experience offers the opportunity to consider the severity of racial biases within our institutional structures of justice and allows for moments of reflection and healing. 

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Support Oakland Artists Executive Director Randolph Belle atop the installation called ‘Society’s Cage’ as it was being assembled. Photo courtesy of Facebook.
View of ‘Society’s Cage,’ an immersive exhibit at Oakland City Hall. Photo courtesy of the organizers.

By Randolph Belle

A traveling exhibit that invokes the history of repression of Blacks in the United States arrived in Oakland for installation this week at Frank Ogawa Plaza.

Support Oakland Artists, an Oakland based 501(C)3, partnered with Society’s Cage to bring the acclaimed social justice art installation as a feature in front of Oakland City Hall from May 9-30, 2022.

Society’s Cage is an open air, accessible pavilion featuring 500 hanging steel bars that form a cavernous cube with a habitable void allowing visitors to experience the symbolic weight of institutional racism.

This immersive experience offers the opportunity to consider the severity of racial biases within our institutional structures of justice and allows for moments of reflection and healing.

The designers, Dayton Schroeter, Julian Arrington, Monteil Crawley and Ivan O’Garro, created the installation to contextualize the contemporary phenomenon of police killings of Black Americans within the 400+ year continuum of racialized state violence in the United States.

It is a data-driven installation shaped in response to the question “What is the value of Black life in America?”

The Oakland installation will be the first on the West Coast as it travels nationally to sites of symbolic power related to justice, freedom & democracy. Originating in Washington, D.C. on the National Mall in response to the 2020 murders of George Floyd and Breonna Taylor, Society’s Cage has continued its journey as an interpretive lens highlighting the historic forces of racialized state violence in the United States.

Other sites have included War Memorial Plaza in Baltimore, Maryland, and the site of the Vernon AME Chapel in Tulsa, Oklahoma, for the 100th anniversary of the Tulsa Race massacre and destruction of the Greenwood District, known as Black Wall Street.

Oakland is an ideal host site for the installation as the home of the Black Panther Party, which was founded to combat the legacy of police oppression, inequitable incarceration practices, and remnants of slavery in the form of state-sponsored terrorism against Black people.

In 2009, the killing of Oscar Grant, a 22-year-old, unarmed Black transit rider by the BART police in Oakland set off local and regional organized protests that catalyzed a national movement.

Support Oakland Artists Executive Director Randolph Belle atop the installation called ‘Society’s Cage’ as it was being assembled. Photo courtesy of Facebook.

Support Oakland Artists Executive Director Randolph Belle atop the installation called ‘Society’s Cage’ as it was being assembled. Photo courtesy of Facebook.

“We were inspired to create the installation as a response to the murders of George Floyd and Breonna Taylor,” explains Dayton Schroeter, lead designer of Society’s Cage and design director at SmithGroup, which has offices in San Francisco. “The pavilion is a real and raw reflection of the conversations about racism happening now. It’s a physical manifestation of the institutional structures that have undermined the progress of Black Americans over the history of this country.

“The name Society’s Cage refers to the societal constraints that limit the prosperity of the Black community,” says Julian Arrington, who led the design with Schroeter, and is an associate at SmithGroup. “The pavilion creates an experience to help visitors understand and acknowledge these impacts of racism and be moved to create change.”

 

 

 

“It only took an instant for me to commit to this project,” said Randolph Belle, executive director of Support Oakland Artists. “In my over 30 years in Oakland as an artist and community developer, I’ve strived to utilize the arts to engage the public in thoughtful ways around important and timely topics. This project, this site, and these times are an unprecedented example of that.”

Visitors are encouraged to participate in a shared experience upon entering the pavilion. After holding their breath for as long as they can, evoking the common plea among victims of police killings, “I can’t breathe,” visitors then post a video reflection of their experience on social media using the hashtag #SocietysCage. This exercise is meant not only to build empathy but expand the installation’s impact online to allow anyone to participate in this shared exercise.

The pavilion was fabricated by Gronning Design + Manufacturing LLC in Washington, D.C., and Mejia Ironworks in Hyattsville, Maryland. A soundscape was commissioned from a pair of composers, Raney Antoine Jr. and Lovell “U-P” Cooper.

Comprised of four pieces, each eight minutes and 46 seconds in length in recognition of the time George Floyd suffered under the knee of police, they are themed to reflect each of the four institutional forces that sculpted the pavilion’s interior — mass incarceration, police terrorism, capital punishment and racist lynchings.

Early sponsors who have made the hosting of the Society’s Cage Oakland installation possible include the Akonadi Foundation, Tarbell Family Foundation, individual sponsors including principals from SmithGroup’s San Francisco office, corporate sponsorship including SmithGroup and many community partners including BIG Oakland.

Jeremy Crandall and Emax Exhibits were the Oakland Installation team.

A public unveiling is scheduled for Saturday, May 14, 2022, at 11 a.m., and a programmed event featuring local cultural artists is scheduled for Sunday, May 29, 2022, at 7 p.m. Participating individuals and organizations include original members of the Black Panther Party, the Black Cultural Zone, HipHopTV, and a host of local artists.

For more information, visit www.societyscage.com to find a link to the donation site. Additional donations will assist with programming and documentation related to the Oakland activation.

Randolph Belle is the executive director of Support Oakland Artists and RBA Creative studio in Oakland.

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