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Opinion: What Brown v. Brooks Means For Black Folk

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By J. Douglas Allen-Taylor
On the morning in the fall of 2015 when I heard about the argument and physical confrontation between former Black Panther chairperson Elaine Brown and Oakland City Councilmember Desley Brooks—two prominent Oakland African American women leaders—down near Jack London Square, I could only shake my head and say to myself that regardless of which one of the women got the blame and who was actually at fault, this was going to end up being bad for Black Folk in Oakland and the Bay Area as a whole. Nothing that has happened since then has
changed my opinion.
Let’s try to sort out as much as we can, in order to explain why I feel that way.
Two years ago, Ms. Brown was seeking public assistance for her Oakland and World Enterprises non-profit organization—including land from the City of Oakland—in creating an affordable housing complex in West Oakland dedicated to formerly-incarcerated persons. On October 30th of that year, by all accounts, Ms. Brown and Ms. Brooks got into a argument at Everett & Jones Restaurant near the Oakland waterfront after Ms. Brooks indicated that she would oppose the proposed land deal with Ms. Brown’s organization. The argument turned heated, and ended with Ms. Brooks pushing Ms. Brown, causing the former Panther leader to fall and sustain injuries. Ms. Brown says the pushing was unprovoked. Ms. Brown says she was defending herself from an attack by Ms. Brooks. Ms. Brown eventually sued both Ms. Brooks and the City of Oakland in civil court, winning a more than $4 million verdict that is mostly charged to the city.
Other than who was at fault in the shoving incident, all of these facts are uncontested by either side in the dispute.
As for who was at fault, who was right and who was wrong, I’m not going to get into that. The first reason is that I would only be guessing. The second—and most important—reason is that while the right and wrong of it are extremely important to the two women involved in the Everett & Jones confrontation, it’s what has happened and is happening surrounding that confrontation that are more important to the interests of Black Folk in the area.
Let’s start with Ms. Brooks.
The District 6 Councilmember has amassed a lot of enemies over the years, both political and personal, and one of the immediate effects of the Brown/Brooks confrontation is that these opponents wasted little time in using the civil jury verdict against the city and Ms. Brooks to attempt to strip the long-time East Oakland City Councilmember of most, if not all, of her political power.
For example, in a January 31st joint San Jose Mercury News/East Bay Times editorial, the newspapers editors said that “if Brooks refuses to do the right thing by resigning and then stands for re-election later this year,” then voters in her district 6 should should vote to remove the Councilmember from office in the November November (“Replace Oakland City Council Bully Desley Brooks” Mercury News/East Bay Times January 31, 2018).
But Ms. Brown and her proposed housing project did not come out untouched by local media and official agencies in the wake of her confrontation with Ms. Brooks.
“The Oakland City Council is scheduled to vote tonight on a deal to sell city-owned land near West Oakland’s BART station to a nonprofit that improperly obtained hundreds of thousands in county tax dollars, according to the Alameda County Grand Jury,” The East Bay Express reported in an article about Ms. Brown’s project in June of last year (“City of Oakland Poised to Give Public Land to Nonprofit that Improperly Received $710,000 in County Funds” East Bay Express June 20, 2017).
“The nonprofit, the Oakland and the World Enterprises,” the Express article continued, “was set up by former Black Panther Elaine Brown to build affordable housing and operate an urban farm in West Oakland. … [A]ccording to the Grand Jury, Brown’s group was given $710,000 by Alameda County Supervisor Keith Carson at the same time Brown was a paid staff member in Carson’s office. ‘[T]he dual role of the county employee in these transactions constituted both a failure of good governance practices by the county of Alameda and a conflict of interest,’ concluded the Grand Jury in their investigation, which was published yesterday.”
It’s not certain that local media would not have weighed in with criticism of the Brown affordable housing project funding even if the confrontation with Ms. Brown and Ms. Brooks had not taken place. But it can’t be doubted that the confrontation helped to put that housing project funding directly in the media spotlight.
At least for now, in any event, the Alameda County Grand Jury report did not appear to be having any immediate adverse effect on Ms. Brooks’ land deal with the City of Oakland or with other public money involving her West Oakland affordable housing project.
Meanwhile, however, the major blows were landing heaviest against Ms. Brooks.
While the News/Times editors said in their January “Replace Bully Brooks” editorial that Ms. Brooks’ “assault of former Black Panther leader Elaine Brown in a restaurant altercation that will cost Oakland taxpayers $3 million is the final straw,” they asserted that “for 15 years, the city has endured [Ms. Brooks’] self-centered behavior. … After all,” the editors continued, “this isn’t the first time the four-term councilwoman has abused her power.”
And what were Ms. Brooks’ “abuse[s] of power” were the editors alleging that should cause District 6 voters to turn her out of office? The Mercury News/East Bay Times editors were happy to provide them.
“For example,” they noted, “in 2013, the city auditor found that Brooks interfered with the construction of two city recreation centers, meddled in the contracting for demolition of an Oakland Army Base building and threatened a city employee’s work assignment.”
I’m sorry to have to backtrack a little again, but to understand—and rebut—what the News/Times editors were talking about here, we’re going to have to give a little history lesson to try to uncomplicate a four-year-old controversy as briefly and as simply as possible.
In the spring of 2013, citing the fact that while “the City of Oakland’s Charter has included a bold provision to ensure the appropriate separation of duties and functions and to shield City staff from City Councilmembers’ political interference and demands for special treatment,” then-Oakland City Auditor Courtney Ruby conducted a city audit supposedly to see if Oakland City Councilmembers were violating that “bold provision” by interfering with city staff in conducting city business.
“After interviewing more than 40 employees, reviewing 27 hotline reports, and examining thousands of Councilmembers’ and Council Aides’ emails and select phone records,” the City Auditor’s office eventually concluded, “this audit was able to substantiate 14 instances of Councilmembers or their Aides violating the City Charter, Section 218, Non-Interference in Administrative Affairs.” (Non‐Interference in Administrative Affairs Performance Audit FY 2009‐10 – FY 2011‐12)
Despite the fact that the City Audior had noted that “for many years there have been signs that problems exist with Councilmember interference” with city staff functions, the audit itself could only find violations involving two City Councilmembers: Larry Reid and Desley Brooks, with the heaviest criticisms falling on the office of Ms. Brooks. Mr. Reid and Ms. Brooks were the only African-Americans sitting on the Oakland City Council during the time period the city audit was examining. You can take that as coincidence or not. Your choice. Rightfully sensing in advance that this might cause the results of the audit to come into some question, the opening memo of the audit explained that “This audit was not designed to account for all occurrences of interference nor did it catch all instances of interference during the audit’s scope. Instead, it was aimed at confirming reported instances of interference that had occurred…”
The explanation did not help. The concentration by the audit on the only two African-American Councilmembers in a City Council notorious for cutting administrative corners led many observers at the time to charge that the city audit was either racially biased or a political hit-piece designed to try to turn Ms. Brooks’ District 6 voters against her when she ran for re-election in 2014.
If you’re interested in reading more about the details of the city audit’s findings against Ms. Brooks and Mr. Reid, one of which provides my own reporting on the substance of one of the findings (“Fight for Army Base Jobs Linked to Audit Issues” Oakland Post April 5, 2013 [http://content.postnewsgroup.com/2013/04/fight-army-base-jobs-linked-audit-issues/]), and the other which provides Ms. Brooks’ answer to one of the other findings (“Auditor: 2 on Oakland council broke law” San Francisco Chronicle June 5, 2014).
What is more important is what actually came out of the findings in the 2013 Oakland City Auditor’s Non-Interference Audit. The quick answer is: nothing.
The audit itself noted that ‘[t]his audit does not make any legal determinations; such matters will be properly referred to the appropriate law enforcement authorities. However, the City Charter is clear on the seriousness of Councilmember interference, stating that ‘violation of the provisions of this section by a member of the Council shall be a misdemeanor, conviction of which shall immediately forfeit the office of the convicted member.’ Conviction can only be determined in a court of law. What, if any, consequences related to these violations have yet to be determined by the appropriate parties.”
If any legal charges were ever brought against either Ms. Brooks or Mr. Reid regarding the incidents cited in the city’s 2013 Non-Interference Audit, I’m not aware of them.
Shortly after the city audit was issued, the Oakland City Council attempted to censure Ms. Brooks—though not Mr. Reid—over the findings. Nothing came of that attempt, either.
In July of 2013, what was then The Oakland Tribune (they have since abandoned the Oakland name and now call themselves the East Bay Times) published an editorial asking for that censure.
“The problem has reached crisis stage in Oakland where some, most notably Councilwoman Desley Brooks, have stepped way over the line,” the Tribune editors wrote. “After stinging criticism from the city administrator, city auditor and grand jury about Brooks’ meddling, it’s time for the council to act. Council President Pat Kernighan has called for censuring Brooks.
The action, to be considered at a special meeting July 25, would be symbolic because there would be no fine or other penalty. But it would send a long-overdue message. It’s time to assure city residents that council members will stop acting on their own to advance their personal agendas, bolster their pet projects or benefit their political backers. It’s time to assure city employees that individual council members cannot overrule their professional judgment. The long-standing ‘culture of interference,’ identified in City Auditor Courtney Ruby’s investigation, must end.” (“Oakland Tribune editorial: Oakland council should censure Desley Brooks for overstepping authority” Oakland Tribune July 18, 2013)
The Tribune editors also dismissed out of hand that the audit had only brought findings against the city’s two African-American Councilmembers.
“Some have claimed the auditor’s report is racially biased because it singles out Brooks and Reid, who are both African-American,” the Tribune editors continued. “We find that allegation offensive. Playing the race card here is inappropriate. An ‘everyone else does it’ defense claim is unacceptable.”
The Oakland City Council took up the issue of censuring Ms. Brooks in July of 2013. After sometimes-heated deliberations the motion was defeating, with not a single Councilmember voting for censure and even then-Council President Patricia Kernighan (who was the member who had brought forth the censure motion) abstaining.
A year and a half later, with the audit findings still recent history, voters in Oakland City Council District 6 re-elected Ms. Brooks as their Councilmember over three named opponents.
To recap, both local law enforcement officials, the Oakland City Council, and Oakland City Council District 6 voters all looked at the findings against Ms. Brooks in the 2013 Non-Interference city audit and found in it no cause for action against Ms. Brooks. The editors of the San Jose Mercury News/East Bay Times continue to think otherwise and, as we have seen, have resurrected them as part of their campaign to get Ms. Brooks out of office by resignation or defeat at the ballot box that was given new life by the findings by the Brown v. Brooks civil jury.
That was by no means the only actions coming out of that jury finding, none of which are good for Black Folk in Oakland and the Bay Area as a whole. But we’ll have to wait until we can gather together again to continue this discussion. Until then…

Activism

Oakland Museum Presents Landmark Retrospective Celebrating Beloved Bay Area Artist Mildred Howard

“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.

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Mildred Howard. Photo by Christine Cueto for the Oakland Museum of California, 2025.
Mildred Howard. Photo by Christine Cueto for the Oakland Museum of California, 2025.

Special to The Post

The Oakland Museum of California (OMCA) opened “Mildred Howard: Poetics of Memory,” the first major museum survey of Bay Area artist Mildred Howard, on June 12.

The exhibition spans five decades of Howard’s influential work, bringing together immersive installations, found-object sculptures, archival materials, and new commissions that explore memory, identity, and power in American life.

“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.

Howard was born in San Francisco in 1945 and raised in the East Bay, where she went on to study Afro-Haitian dance, make and sell clothing, and experiment with collage and sculpture.

Her multimedia art practice emerged from these experiences, later becoming associated with West Coast conceptual art, San Francisco funk, and a vibrant community of artists like Oliver Jackson, Betye Saar, and Raymond Saunders. Since the 1970s, she has used found materials and family stories to explore memory—both individual and collective.

At OMCA, visitors enter “Poetics of Memory” through a series of intimate galleries featuring Howard’s early mixed-media pieces and sculptures, along with a large video projection of a number of her public artworks.

Together, they emphasize Howard’s interest in everyday objects as powerful carriers of individual and shared stories. Highlights include collages that remix images of the artist herself; found-object sculptures like The History of the United States with a few Parts Missing (2007) that address omissions in dominant narratives; and public works like “Locks and Keys for Harry Bridges” (2001) that transform urban space into a meditation on access and labor.

This culminates in a richly detailed “studio” environment, where works in progress, archival exhibition flyers, historic photographs of Howard and her community, postcards from fellow artists, and other materials offer insight into her creative process and daily life.

The exhibition then opens into a high-ceilinged, dramatically lit space that brings together Howard’s signature immersive installations. On one end, “Crossings” (1997/2026) – a field of hundreds of ceramic eggs leading to an ornate mirror – suggests cycles of birth, motherhood, and transition, while drawing on the emotional echoes of the Middle Passage. On the other end, “Blackbird in a Red Sky” (a.k.a. “Fall of the Blood House”) (2002) – a red glass shack bordered by a pond – also uses reflection and transparency to draw viewers into the work and prompt consideration of themes of identity and home.

Howard’s newest video installation, “Moving Stills” (2026), repurposes never-before-seen family footage she took as a teenager on a train trip to the American South. Projected onto cascading layers of translucent fabric that stretch across an entire gallery wall, the piece immerses viewers in a layered meditation on memory, migration, and time.

The “Mildred Howard: Poetics of Memoryexhibit will be on display through Oct. 11 at the Oakland Museum of California, 1000 Oak St., Oakland, CA 94612. Museum hours are Wednesday through Sunday, 11 a.m. to 5 p.m., with extended hours on Fridays to 9 p.m.

This story is sourced from the Oakland Museum of California press office.

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Alameda County

Ferry Fares to Increase July 1 as Ridership Hits Record Highs

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

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Courtesy photo.

By Mike Aldax, The Richmond Standard

Starting July 1, the standard adult fare for the San Francisco Bay Ferry route between Richmond and San Francisco will increase to $5.20, up from the current $4.90.

Discounted fares for eligible passengers, including youth, seniors, people with disabilities, and Clipper START users, will rise to $2.60 from the current $2.40. Children under 5 will continue to ride for free.

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

The adjustments are part of a systemwide fare update approved by the agency’s Board of Directors, which is moving away from a flat 3% annual increase to route-specific pricing for the 2027 and 2028 fiscal years.

This fare update arrives as San Francisco Bay Ferry celebrates a historic May, transporting 301,270 passengers. The record-breaking figure represents an 8% increase over May 2025 and marks the third consecutive month of record-setting ridership.

Furthermore, it is the sixth month in a row that passenger numbers have exceeded pre-pandemic levels. Weekend travel has been a primary driver of this growth, with average weekend ridership seeing a 56% increase compared to pre-pandemic trends.

The agency states that the fare adjustments are necessary to ensure the long-term fiscal sustainability of public ferry services. By shifting to route-specific adjustments, the agency aims to offset rising operating costs while maintaining the high levels of service frequency and reliability.

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Activism

Stop the Hate Symposium Brings Oakland Together Through Dialogue, Partnership, and Community Healing

 More than a meeting and panel discussion, the annual symposium serves as a powerful example of what can happen when neighbors, community leaders, and organizations choose conversation over division, and unity over silence.

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Speakers and guests at the annual ‘Stop the Hate Symposium posed with Oakland Chinatown Improvement Council ambassadors. Photo by Marcus Calloway.
Speakers and guests at the annual ‘Stop the Hate Symposium posed with Oakland Chinatown Improvement Council ambassadors. Photo by Marcus Calloway.

By Dr. Maritony Jones, Special to The Post

With the purpose of creating safer, stronger, and more inclusive communities, and in partnership with the Oakland Private Industry Council and other community organizations, the Oakland Chinatown Improvement Council (OCIC) hosted the ‘Stop the Hate Symposium’ on June 13 at the Oakland Asian Cultural Center.

More than a meeting and panel discussion, the annual symposium serves as a powerful example of what can happen when neighbors, community leaders, and organizations choose conversation over division, and unity over silence.

The free event featured keynote speakers, breakout sessions, cultural programming, creating a space where people from many backgrounds sat together with a shared purpose.

The turnout itself reflected the urgency and importance of the topic. The room was packed with community members eager not only to listen, but also to participate. Throughout the event, speakers shared data, personal experiences, research, and practical solutions designed to address hate, violence, social inequity, and community safety.

The keynote panel featured respected leaders and advocates, including Ray Bobbitt, founder of the African American Sports & Entertainment Group (AASEG); Ryan Takemiya from RAMA; Caheri Gutierrez from the Unity Council; honorary guest speaker Oakland City Councilmember at-Large Rowena Brown and City Councilmember Charlene Wang; representatives for Oakland Mayor Barbara Lee and U.S. Rep. Lateefah Simon, with Gia Vang of NBC serving as moderator.

The symposium also offered multiple breakout sessions that addressed issues affecting communities across Oakland and Alameda County:

  • Session 1, 2, 3: Building Safer and More Inclusive Communities, led by Pastor Raymond Lankfort, CEO of Oakland Private Industry Council (OPIC), Jessica Kang, research manager for Stop AAPI Hate, Kara Guerra of The Unity Council, and Gabriela delaRiva of the Spanish Speaking Citizens Foundation
  • Session 4: Talk Story: Collective Healing and Relationship Repair, presented by Ryan Takemiya, executive director of RAMA
  • Session 5: Sexual Violence Prevention, presented by Tunisia Owens, interim deputy director of Realized Potential
  • Session 6: Violent Attacks on Teens, presented by MaryAnn Alvarado, program manager of Youth Alive

Every session contributed to an important truth: meaningful change begins within communities, through honest dialogue and a willingness to work together.

One of the strongest themes to emerge from the day was the need to create more conversations and stronger partnerships—not just during times of crisis, but consistently and intentionally. Relationships among organizations, neighborhoods, and community leaders often operate behind the scenes but are not always highlighted or celebrated.

Bobbitt spoke powerfully about this issue, noting that partnerships and relationships often go unrecognized despite being essential to community progress. He pointed to examples such as the partnership between OPIC and OCHIC, emphasizing that these collaborations deserve more visibility, investment, and expansion.

Perhaps his most memorable message resonated deeply throughout the room. Bobbitt explained that when a grandparent is attacked or harmed, the impact extends beyond race or ethnicity because today’s families and communities are increasingly multicultural and interconnected.

“We are not going to see our grandparents as just Latino, Asian, Caucasian, or African American,” he shared in essence. “We are going to see them simply as our grandparents.”

Those words reflected the heart of the symposium. Hate may target one group, but pain and loss are felt by everyone. Likewise, healing and progress are shared responsibilities.

For more information about the Stop The Hate Program visit the website: https://www.oaklandchinatownchamber.org/stop-the-hate (or) https://oaklandpic.or

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