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Broadway Luminaries to Perform in ‘Let Freedom Ring’ Concert

WASHINGTON INFORMER — This year, two performers usually associated with theater, Audra McDonald and Brian Stokes Mitchell, will share the marquee to present a new incarnation of the musical tribute to King.

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By Eve M. Ferguson

The year 2019 has dawned as a different sort for many reasons, and not all good ones. But this year, the annual “Let Freedom Ring” concert, presented by Georgetown University in partnership with the Kennedy Center for the Performing Arts, is taking a new approach to the talent slated to perform with the Let Freedom Ring Choir, celebrating the legacy of Dr. Martin Luther King Jr. in the annual holiday program.

This year, two performers usually associated with theater, Audra McDonald and Brian Stokes Mitchell, will share the marquee to present a new incarnation of the musical tribute to King. The two African-American luminaries are considered among the finest in musical theater currently performing.

McDonald is a multiple award winner for her roles in theatrical performances from “Carousel” to “Master Class.” As the youngest recipient of three Tony Awards before the age of 30, she also has a dedication to African-American theater and music. Her legacy has been compared to that of Judy Garland and Barbara Streisand.

In 2004, she won a Tony for her role in “A Raisin in the Sun” and went on to reprise the performance in the made-for-television version with Sean “Diddy” Combs. She also received critical acclaim for her solo performance in “Lady Day at Emerson’s Bar & Grill” adapted from the Broadway play for HBO.

She has also played major African-American characters in “Porgy and Bess” and was instrumental in reviving the Noble Sissle and Eubie Blake 1921 musical revue, “Shuffle Along,” which she had to withdraw from performing to take an unexpected maternity leave.

“Maybe it is because my uncle and my parents were always very involved with the civil rights movement, so I just grew up and I was raised that you have to speak out and look out for your fellow man, woman and child,” McDonald said.

Brian Stokes Mitchell (Courtesy of brianstokes.com)

[/media-credit] Brian Stokes Mitchell

It is no coincidence that she will perform with Brian Stokes Mitchell, her frequent co-star who has played alongside her in “Shuffle Along” and also the Broadway version of “Ragtime,” where Mitchell took on the role of protagonist Coalhouse Walker.

Dubbed the “Last Leading Man” by the New York Times, Mitchell’s resume on Broadway and beyond is nearly unmatched by any performer, regardless of race.

Mitchell recently took the stage at Carnegie Hall for his solo debut, despite his long history in theater. The sold-out event where he performed with a 42-piece orchestra conducted by Paul Gemignani, saw him joined by some of his past leading ladies including Reba McEntire, Heather Headley and Phylicia Rashad.

Mitchell is best known for his work on the Broadway stage, where he has received impressive accolades, including Broadway’s highest honor, the Tony Award. Mitchell appeared most recently on Broadway in the revival of “Man of La Mancha,” portraying the dual roles of Cervantes and Don Quixote and earning a Tony nomination and a Helen Hayes Award for his work.

The pair will perform part of the concert with the Let Freedom Ring Choir, created in 2006 for the King Day celebration. The choir, made up of local church choir singers and students from Georgetown University, is directed by Rev. Nolan Williams Jr., a local musician and scholar whose resume includes minister of music for Metropolitan Baptist Church and chief music editor of the critically acclaimed “The African American Heritage Hymnal.”

The concert also includes the annual bestowal of a humanitarian award to a community activist who has played a significant role in the betterment of life through the lens of King’s legendary work.

The yearly concert, held on the King holiday, is free and open to the public, with tickets to the concert being distributed onsite at the Kennedy Center’s Hall of Nations beginning at 4:30 p.m. on Jan. 21.

This article originally appeared in the Washington Informer

Activism

San Francisco Proposes Art Installation to Honor Black Lives, History of African Americans

The sculptural figures created in all-black steel with vinyl tubing, each standing four feet high, would surround the empty pedestal where a statue of Francis Scott Key once stood. Key, who wrote the lyrics to “The Star-Spangled Banner,” was a slave owner and abolition opponent.

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Dana King/ Wikimedia Commons

San Francisco, CA. – Mayor London N. Breed today announced the City of San Francisco is planning a new public art installation to honor Black lives and the history of African Americans. The installation is planned to be located in Golden Gate Park’s Music Concourse next month, in time for Juneteenth.

The installation, ‘Monumental Reckoning,’ by Bay Area sculptor Dana King, honors the first Africans stolen from their homeland and sold into chattel slavery in the New World. The installation consists of 350 sculptures representing the number of Africans initially forced onto the slave ship San Juan Bautista for a journey of death and suffering across the Atlantic in 1619. A handful of these original 350 ancestors became America’s first enslaved people.

The sculptural figures created in all-black steel with vinyl tubing, each standing four feet high, would surround the empty pedestal where a statue of Francis Scott Key once stood. Key, who wrote the lyrics to “The Star-Spangled Banner,” was a slave owner and abolition opponent. Protestors toppled the statue on Juneteenth 2020.

“The art and monuments that we choose to display in our city and the civic art that fills our public spaces must reflect the diversity of our community, and honor our history,” said Breed. “This powerful public art installation in Golden Gate Park will help us not only commemorate Juneteenth, but also serve as an example of how we can honor our past, no matter how painful, and reflect on the challenges that are still with us today.”

Monumental Reckoning would allow visitors to commune with the figures. The phrase “Lift Every Voice” would shine from atop the nearby Spreckels Temple of Music through a second, connected piece by Illuminate the Arts. These are the first three words of “Lift Every Voice and Sing”, a song written by civil rights champion James Weldon Johnson which was first performed in 1900—the same year the Spreckels Temple of Music opened. 

For more than a century, Johnson’s song of unity has been sung as the Black national anthem. U.S. Representative James Clyburn is currently leading an effort to have the song named America’s national hymn.

“I’m excited to see the new monument go up in Golden Gate Park to honor Black lives and the rich history of African Americans,” said Board of Supervisors President Shamann Walton. “I think this is a perfect example of trying to right a wrong. Rather than uplifting individuals with oppressive histories, this is an opportunity to honor diversity and our community through public art.”

The installation was approved by both the San Francisco Arts Commission and the San Francisco Recreation and Park Commission’s Operations Committee this week. It is currently under review by the Planning Commission. “Lift Every Voice” will also need to be approved by the City’s Historical Preservation Committee before it can be installed. If approved, Monumental Reckoning would open to the public on June 19, or Juneteenth 2021, which commemorates the end of slavery in the U.S. The art piece would remain in place through June 20, 2023.

“The memory of African descendants deserves to be told truthfully and publicly,” said King, Monumental Reckoning’s creator. “Monumental Reckoning fulfills both objectives with the installation of 350 ‘ancestors’ who will encircle the Francis Scott Key plinth in Golden Gate Park. The ancestors stand in judgement, holding history accountable to the terror inflicted on the first group of enslaved people brought here in 1619 to the last person sold to another, all victims of chattel slavery. Even though the business of enslavement ended long ago, it still resonates generationally for African Americans and forms the bedrock from which systems of oppression proliferate today.”

Fundraising, community outreach, and ongoing support for the installation is being provided by the Museum of the African Diaspora. Creative and programming support would be provided by The Black Woman is God, which is an annual group exhibition of Black women artists curated by Karen Seneferu and Melorra Green. The project celebrates Black women as essential to building a more just society and sustainable future and reclaims space historically denied to Black women artists.

“What Dana King’s powerful installation communicates and commemorates is a sober cultural gut-punch long overdue, and I hope it’s the beginning of many such visual testaments in the public realm that venerate the origin stories of our most marginalized and disenfranchised populations,” said Ralph Remington, San Francisco’s Director of Cultural Affairs. “We almost never see images of Black people represented in our public monuments, or in the American telling of history. So, it’s no surprise that in a society rooted in white supremacy, people of color remain invisible and undervalued in our mythology, symbols, architecture and national narrative. While the City examines the historic works in our Civic Art Collection and the future of monuments in San Francisco, this installation will help build and advance a discourse about who and what we venerate in our open spaces.”

 “We are incredibly proud to host this powerful piece,” said San Francisco Recreation and Park Department General Manager Phil Ginsburg. “Monumental Reckoning prompts frank discussion about the legacy of slavery, while charting a course between past, present and future. We are grateful to have these crucial conversations in Golden Gate Park—a beloved public space that belongs to everyone.”

This story was produced by the San Francisco Mayor’s office.

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Art

MC Arts Gallery Opens During the Marin Open Studio

The Gallery and its website display the art of a number of Black artists which includes: TheArthur Wright, Lumumba Edwards, and Maalak Atkins. Zwanda and Mitchell Howard also display their art at the Gallery. 

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From top: Oshalla Marcus (director/curator, MC Arts & Culture) with Osiezhe’s drawings to the right of the photo, Zwanda, Mitchell Howard , ISOJI’s Art Is Health Band: Carlton Carey (drums), Mwanza Furaha, (vocals), Jack Prendergast (bass), Ricardo Moncrief (keyboard), James Moseley (guitar, vocal). Photos by Godfrey Lee.

The MC Arts Gallery, located on 100 Donahue St. in the Gateway Shopping Center in Marin City, is open during the Marin Open Studios, which took place on Saturday and Sunday, May 1 & 2. 

The Gallery and its website display the art of a number of Black artists which includes: The Arthur Wright, Lumumba Edwards, and Maalak Atkins. Zwanda and Mitchell Howard also display their art at the Gallery. 

Zwanda seeks to be creative as she expands her ideas as a sculptress and painter. She is inspired by the human figure and dancers and is fascinated with music and the instruments themselves. Her art is a way to express this love and to share it with others.

Mitchell Howard studied art at San Francisco State University and the Computer Arts Institute of San Francisco. He was an art director at Cummingham & Walsh in San Francisco and has displayed his paintings at the Hannah Gallery, worked on the Rocky Graham Park Mural and has taught art at the Martin Luther King Jr. Academy Elementary School.

“Art can bring people together and illustrate things that people can relate to,” Howard says. “Art can also be powerful in sending social messages to society. Art makes you think, it expands your horizons and makes you use your imagination. People may see different things in the same painting.”

Osiezhe, Shakira Gregory’s son, will be displaying his drawings at the Gallery.

The ISOJI’s Art Is Health Band played last Saturday afternoon with Mwanza Furaha as their guest vocalist.

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Art

City Council Approves $480,000 in Arts Grants

The city made the announcement Tuesday about the grants, which will support 772 distinct arts events and activities that will expose more than 110,000 participants to cultural programming.

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The Oakland City Council approved $480,000 in grants to 17 Oakland-based non-profit organizations and 20 individual artists through the city’s Cultural Funding Program, Neighborhood Voices.

The city made the announcement Tuesday about the grants, which will support 772 distinct arts events and activities that will expose more than 110,000 participants to cultural programming.

The grant program seeks to bring Oaklanders together to create and support a sense of belonging within a community, to foster social connections that lift people’s spirits, to encourage community well-being and offer visions for a collective future, according to the announcement.

The following individual artists each won $7,000 Neighborhood Voices awards:

Frederick Alvarado; Karla Brundage; Cristina Carpio; Darren Lee Colston; Maria De La Rosa; Elizabeth D. Foggie; Rachel-Anne Palacios; Laurie Polster; Hasain Rasheed; Kweku Kumi Rauf; Carmen Roman; Michael Roosevelt; Fernando Santos; Teofanny Octavia Saragi; Kimberly Sims-Battiste; Cleavon Smith; Lena Sok; Babette Thomas; Ja Ronn Thompson; Joseph Warner.

Each of the following organizations received $20,000 Neighborhood Voices awards:

Asian Health Services for Banteay Srei;

Beats Rhymes and Life;

Chapter 510 INK;

Dancers Group for dNaga GIRL Project;

Dancers Group for Dohee Lee Puri Arts;

Dancers Group for Grown Women Dance Collective;

East Oakland Youth Development Center;

Higher Gliffs for Endangered Ideas;

Hip Hop for Change;

Junior Center of Art and Science;

Mycelium Youth Network;

Oakland Education Fund for Youth Beat;

Oakland Theater Project, Inc.;

Sarah Webster Fabio Center for Social Justice;

The Intersection for Alphabet Rockers;

Women’s Audio Mission;

Youth Radio/YR Media.

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