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Black Teen Suicide Reaches Historic Highs

NNPA NEWSWIRE — Researchers in the NYU study noted that suicide is the second-leading cause of death for teens from all demographics. They found that only accidents kill more young people than suicide.

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“Parents should take heed when they observe specific warning signs like changes in behavior, including difficulty concentrating, difficulty focusing on school or following routine activities, researching ways to kill oneself on the internet, increasing the use of alcohol or other drugs, and acting recklessly,” said Dr. Fran Walfish, a Beverly Hills family and relationship psychotherapist and the author of “The Self-Aware Parent.”

By Stacy M. Brown, NNPA Newswire Senior Correspondent
@StacyBrownMedia

African American teenagers in the United States historically have had lower suicide rates than their white counterparts – until now.

A new study analyzing suicide among American teens by a team led by researchers at the McSilver Institute for Poverty Policy and Research at New York University have uncovered several troubling trends from 1991 to 2017, among Black high school students in particular.

Researchers discovered that between 1991 and 2017, there has been an increase in the number of African American teens who said they had attempted suicide in the past year. Suicide rates for teenagers of other races and ethnicities either remained the same or decreased over that period.

The researchers did not cite a reason for the trend.

Bill Prasad, a licensed professional counselor with Contemporary Medicine Associates in Bellaire, Texas, cited what he believed are some reasons.

“Lack of accessibility to mental health care, the inability to pay for medications and healthcare coverage, the lack of acceptance of mental illness among some members of the black community, and the availability of firearms,” Prasad stated.

Prasad was not among the researchers involved in the study.

Frank King, the so-called “Mental Health Comedian,” called the problem a “cultural phenomenon.”

“Young people in these groups are less likely to share their issues surrounding depression and thoughts of suicide with friends and family than youth in other racial and ethnic groups,” King stated.

Among the answers is starting the conversation on depression and suicide in high-risk groups,” he said.

“A partial answer is giving young people permission to give voice to their experiences and feelings, without recrimination, such as ‘If you were stronger in Christ this wouldn’t be happening,’ or ‘What do you have to be depressed about, we’ve given you everything. Your father and I started our life with nothing,’ and so forth,” King stated.

Researchers in the NYU study noted that suicide is the second-leading cause of death for teens from all demographics. They found that only accidents kill more young people than suicide.

The study also revealed that, in 2017, approximately 2,200 teens between the ages of 15 and 19 died by suicide.

Researchers gathered information provided by the Centers for Disease Control and Prevention from 198,540 high school students from 1991 to 2017.

Among high school students of all demographics, 1 in 5 said they were thinking about suicide, and 1 in 10 said they had made a plan to end their lives.

CNN Health reported that the study is in line with earlier research that has shown African American boys, especially younger boys between the ages of 5 and 11, have experienced an increase in the rate of suicide deaths.

In black children ages 5 to 12, the suicide rate was found to be two times higher compared with white children, according to CNN Health.

The study authors found “an increased risk in reported suicide attempts among African-American teens between 1991 and 2017, and boys saw an increase in injuries related to those attempts. That might mean that black teens were using more lethal means when attempting suicide.”

They found a decline in attempts overall among teens who identified as white, Hispanic, Asian American, or Pacific Islander.

“As an African American woman, suicide is prominent in our community for two reasons: we often do not know how to handle it amongst our families, and the pressures on our culture are rising,” said Sabriya Dobbins of Project Passport LLC, a company that encourages getaway retreats centered around three mental wellness areas: reflection, community and personal.

“Oftentimes when a black family member says they want to take their life, the family may resort to church, belittle their response and tell them to stop overreacting, or simply assume it is not a big deal,” Dobbins stated.

“African American families are taught to be tough and to hold it together because it is already ‘us against the world.’ We are taught to put our heads down and work hard to get those degrees and move up in our careers.

“This causes expectations to be too high, then depression and anxiety are heightened. Not only are black youth trying to satisfy their families and be strong, but they are trying to fight their way through a world that is not always accepting. A world where they are dying in alarming numbers in senseless crimes. It is a double edge sword.”

Parents should be on the lookout for risk factors, such as a recent or severe loss like death or divorce, said Dr. Fran Walfish, a Beverly Hills family and relationship psychotherapist, author of The Self-Aware Parent.

Dr. Walfish also counts as a regular expert child psychologist on CBS Television’s “The Doctors,” and she co-stars on WE TV’s, “Sexbox.”

“Parents should take heed when they observe specific warning signs like changes in behavior, including difficulty concentrating, difficulty focusing on school or following routine activities, researching ways to kill oneself on the internet, increasing the use of alcohol or other drugs, and acting recklessly,” Walfish stated.

Included among other signs are changes in personality, appearing withdrawn, isolating to their room, irritability, extreme mood changes that are more than typical moodiness, exhibiting rage or talking about seeking revenge, Walfish added.

Other alarms include changes in sleep patterns, insomnia, oversleeping, nightmares, talking about dying, going away, or different types of self-harm, she said.

“Teaching problem-solving and conflict resolution skills, building a strong connection to family, friends, and community support are ways to help,” Walfish stated.

“Restrict access to highly lethal means of suicide, such as firearms, and provide access to effective mental health care, including substance use treatment. Talk to your child. Many people are fearful that talking to their children about suicide will increase their risk of suicide. This is a myth,” Walfish said.

How to get help: In the US, call the National Suicide Prevention Lifeline at 1-800-273-8255, or 1-800-432-8366. You can also visit http://teenlineonline.org.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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