Black Press Exclusive: Dr. Lonnie Bunch’s African American Museum Dream Fulfilled
NNPA NEWSWIRE — During the intimate video-taped interview inside the National Museum of African American History and Culture, the two visionaries also tackled topics that ranged from the Transatlantic Slave Trade, their shared North Carolina families’ histories, the writing legacy of author James Baldwin, and the contemporary vitality of the Black Press of America.
Dr. Lonnie Bunch III, the 14th Secretary of the Smithsonian Institution, sat down for an exclusive interview with National Newspaper Publishers Association (NNPA) President and CEO Dr. Benjamin F. Chavis, Jr. The two discussed Bunch's timely new book released today, "A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump.”
Smithsonian Secretary Goes One-on-One with NNPA President about New Book
By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia
Dr. Lonnie Bunch III, the 14th Secretary of the Smithsonian Institution, sat down for an exclusive interview with National Newspaper Publishers Association (NNPA) President and CEO Dr. Benjamin F. Chavis, Jr., at the National Museum of African American History and Culture.
The two discussed Bunch’s timely new book, “A Fool’s Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump.”
“I [initially] saw this journey to build a museum that could help bridge the chasms that divide us as a ‘fool’s’ errand,'” Dr. Bunch said.
The book outlines the multitude of challenges Bunch faced when pursuing the construction of the historical museum.
Those challenges included choosing the location; architect; design team; and the collection of unique pieces of African American artifacts.
He added that the museum was “an errand worthy of the burdens.”
Available from Smithsonian Books on the organization’s website and at Amazon.com, “A Fool’s Errand” is a tour de force of Bunch’s personal and political accomplishments.
During the intimate video-taped interview inside the National Museum of African American History and Culture, the two visionaries also tackled topics that ranged from the Transatlantic Slave Trade, their shared North Carolina families’ histories, the writing legacy of author James Baldwin, and the contemporary vitality of the Black Press of America.
“The relevance and inclusion of the Black Press in events such as this one, show the continued significance of the Black Press,” NNPA Chair Karen Carter Richards, said after the interview between Chavis and Bunch.
“The Black Press is alive and well, and we will continue to be the daily recorders of our history across the globe. Although we’ve seen many changes within our industry; these changes are bringing better opportunities for the Black Press,” Richards said.
“So, we are honored that Dr. Lonnie Bunch has chosen to include us as a part of this important national media event,” she said.
While in graduate school, Bunch desired to write a dissertation about the Black Press, he said.
However, naysayers told him the Black Press was unimportant.
He said that theory quickly was proven wrong.
“I knew it was,” Bunch said.
“I think the Black Press has always been the guardian of our community. It’s always been the place where facts are found that are not told in other places. It’s a place where you can understand the richness of the community.
“What I love about the Black Press today is that it’s a place that reminds people of the power of the African American community… the Black Press is critically important.
“What [The Black Press] does is it reminds us that there are many different lenses to understand a story. If you don’t have the lens to the African American community, where are you going to find your story? For me, the Black Press is crucial not for the past, but for the future,” Bunch said.
The Smithsonian national leader also marveled over the enduring legacy of Baldwin, whose works explored racial, sexual, and class distinctions in North America.
“As a 17-year-old freshman at Howard, the first book I picked up was ‘Go Tell It on the Mountain,'” Bunch said.
“I was so moved by [Baldwin’s] writings. I read everything that he wrote because, in some ways, what Baldwin did is that he captured the trueness of the community in an unvarnished way. He also inspired us to demand fairness,” he said.
Bunch said he sought out to obtain a building that would reference the spirituality, resilience, and hope that have been key elements within the African American community.
Elements he said that have shaped America’s identity in ways most Americans do not understand.
He said the revolution in South Africa reinforced his belief that history is an effective tool to change a country by embracing the truth of a painful past.
The museum opened three years ago to much fanfare, with former presidents Barack Obama and George W. Bush, among others, in attendance.
“To some, visiting the museum allows them to find hope … that the current poisonous political partisanship and racial antipathy will one day be overcome,” Bunch said.
A historian, author, educator, and curator, Bunch has enjoyed a career of near unapparelled success.
Bunch has held numerous teaching positions, including American University in Washington, D.C. (Bunch’s Alma Mater); the University of Massachusetts, Dartmouth; and the George Washington University in Washington, D.C.
Bunch was elected in 2017 to become a member of the American Academy of Arts and Sciences.
He’s also the recipient of the President’s Award from the NAACP, and the Impact Leader Award from the Greater Washington Urban League.
Last year, the Phi Beta Kappa Society presented Bunch with the Phi Betta Kappa Award for Distinguished Service to the Humanities and the National Education Association honored him with the Award for Distinguished Service to Education.
Earlier this year, Bunch was appointed Secretary of the Smithsonian Institution, the first African American to hold that position in the organization’s 173-year history.
He oversees 19 museums, 21 libraries, the National Zoo, numerous research centers, and several education units and centers.
Now, with “A Fool’s Errand,” Bunch said he has a simple message to convey.
“History matters,” he told Chavis.
“You can’t understand yourself or the future without looking back. History is an amazing tool to live your life. More than anything else, it challenges you to be accurate,”
Watch the full interview between Dr. Chavis and Dr. Bunch here at BlackPressUSA.com.
To purchase Dr. Bunch’s “A Fool’s Errand,” click here, or visit Amazon.com.
ROLLING OUT — Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport.
The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.
The seven-time major champion read frustration, not a real goodbye, in the world No. 1’s words
By David Kesiena | Rolling Out
When the world’s top-ranked player said she wanted to walk away from the sport, Venus Williams chose empathy over alarm.
Aryna Sabalenka’s blunt remark after her French Open quarterfinal collapse rattled plenty of fans, but Williams heard something different in it. The seven-time Grand Slam champion treated the comment as the raw reaction of a hurting athlete rather than a serious signal about her future.
The collapse that triggered the comment
Sabalenka looked headed for a routine win over Diana Shnaider. She took the opening set 6-3 and built a commanding lead in the second, climbing to 4-1 and later serving for the match at 5-4 while sitting just two points from victory.
Then everything unraveled. Shnaider stormed back to steal the second set 7-5 and bageled the world No. 1 in the third, with Sabalenka dropping 12 of the final 13 games in gusty conditions that reached around 26 mph. The 3-6, 7-5, 6-0 result sent Shnaider into her first Grand Slam semifinal and extended Sabalenka’s long wait for a maiden Roland Garros title.
In the aftermath, Sabalenka did not soften her feelings. She told reporters she had no thoughts and no emotions left and felt like quitting on the spot. She described being stuck in a deep, dark mental hole during the match, unable to find her way back.
What Venus Williams said about Sabalenka
Williams reacted with understanding. She admitted the moment made her sad and said she had been swept up in Sabalenka’s emotions, feeling a surge of empathy for her. She praised the Belarusian for laying everything bare on court, where every feeling shows.
Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport. Rather than scold her, Williams offered a gentle observation about the rhythm of professional tennis. She suggested players might benefit from a little more time to gather themselves before stepping in front of the cameras, a quiet acknowledgment that athletes are routinely asked to dissect painful defeats before the sting has faded.
Sabalenka walks it back
The story did not end on that bleak note. Within days, Sabalenka signaled she was not actually quitting, framing the press-conference outburst as heat-of-the-moment honesty rather than a plan. At the time of the loss she had also left the door open, saying she would see how she felt in a few days and hoped to get back on track mentally. The walk-back lined up with how Williams had read the situation from the start.
It is not the first time a Paris quarterfinal has pushed Sabalenka to her limit. In 2024 she exited at the same stage and skipped her press conference entirely because of illness, with the tour later releasing her quotes on her behalf. The pattern underscores how heavily this particular tournament has weighed on her despite deep runs in recent years.
For now, attention shifts to the grass. Wimbledon offers Sabalenka a quick chance to reset, and a strong showing there would turn this French Open meltdown into a footnote rather than a turning point.
COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue
THE CAROLINIAN — Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.
RALEIGH, N.C. – Music filled the air as families danced through the crowd, children gathered around activity stations, and community members explored wellness resources from local organizations. Black-owned businesses lined the streets while people stopped for chair massages, conversations, and moments of connection inside the wellness suite.
At the center of the event stood a simple but powerful reminder:
“You Matter.”
For Darkness RISING, those words represent far more than a slogan. They reflect the organization’s mission to break the stigma surrounding mental health in the Black community while creating spaces centered on healing, honesty, and hope.
Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
The organization hosts a variety of programs and events throughout the year, including block parties, wellness workshops, mixers, kickoff events, community classes, and Darkness RISING: Live — a free annual arts and wellness festival now celebrating its ninth year.
The festival combines entertainment with healing-centered resources, featuring live music, dancing, singing, food trucks, Black vendors, children’s activities, mental health resources, wellness spaces, and opportunities for open conversations about mental health.
While the events may feel celebratory on the surface, organizers say the deeper purpose is creating safe spaces where people can feel comfortable discussing mental health without fear of judgment.
Darkness RISING also provides free nationwide resources, including a Black Mental Health Resource Packet, a Black Mental Health Provider Database, and its “Find Me a Therapist” initiative, which helps connect individuals with culturally competent care.
The organization’s work is rooted in addressing longstanding inequities that continue impacting mental health access within Black communities.
Historically, segregation, redlining, racial discrimination, incarceration, poverty, and unequal healthcare access have contributed to higher rates of behavioral health challenges while simultaneously limiting access to proper treatment and support. Darkness RISING approaches those issues through what organizers describe as a transformative justice lens, focusing on healing rather than punishment and creating equitable wellness opportunities for marginalized communities.
Its REBUILD program specifically supports justice-involved and formerly incarcerated people of color through free therapy and wellness support, while the REBUILD Youth program focuses on young people impacted by Adverse Childhood Experiences, also known as ACEs.
For Rudolph, therapy became life-changing after decades of incarceration and years of rejection after returning home.
“Came home in 2015, started my own computer company, investing in real estate, did the normal thing and got some jobs here and there and was met with rejection after rejection and people telling me I am not a good person,” Rudolph shared. “Even had a rejection in church.”
He said one of the hardest battles became overcoming the mental barriers created during incarceration.
“I got in touch with a couple of friends, and they explained to me how I had to get over the mental hurdles and get rid of the way my prison mindset was in order to survive and become successful,” he said.
Rudolph later moved to North Carolina hoping for a fresh start, but the struggle continued.
“Things were looking bad,” he said. “Could not get a job. The struggle was real.”
Eventually, therapy and support through organizations like Darkness RISING helped begin his healing process. He said working alongside other justice-involved men through therapy gave him the ability to rebuild mentally while finding community with people who understood his experiences.
Stories like Rudolph’s reflect the foundation behind Darkness RISING’s mission: ensuring people feel seen, supported, and worthy of healing regardless of their background or circumstances.
Community members who attend the organization’s events often describe them as emotionally transformative.
Some participants say Darkness RISING encouraged them to seek therapy for the first time, while others say the organization gave them a safe space to openly discuss struggles they previously kept hidden.
“I have been encouraged by the beautiful, generous, brave and open individuals who come together and use their talents to create art, share personal experiences and provide hope to those who may be struggling with mental health,” one participant shared.
By combining art, wellness, education, and community outreach, Darkness RISING continues changing how mental health conversations happen within the Black community.
Not through silence.
But through healing, honesty, connection, and joy.
Uptown Music Theatre Summer Camp Returns to Inspire the Next Generation of Performers
LA DATA NEWS WEEKLY — The 2026 UMT Summer Camp runs from June 1st through July 10th and is open to young people ages 8 to 18. Camp activities will take place Monday through Friday from 9 a.m. to 3 p.m. at the Contemporary Arts Center.
The post Uptown Music Theatre Summer Camp Returns to Inspire the Next Generation of Performers appeared first on BlackPressUSA.
By Edwin Buggage, Editor-in-Chief | New Orleans Data News Weekly
For 25 years, Uptown Music Theatre (UMT) has helped young people across New Orleans discover their talents, build confidence, and develop a love for the performing arts. This summer, the organization will once again open its doors to aspiring performers through its Annual Summer Camp Program.
Founded by renowned New Orleans Jazz Musician and Educator Delfeayo Marsalis, Uptown Music Theatre has become a cornerstone of arts education in the city. The program provides youth with professional-level training in musical theater while creating a supportive environment where creativity, teamwork, and self-expression can flourish.
The 2026 UMT Summer Camp runs from June 1st through July 10th and is open to young people ages 8 to 18. Camp activities will take place Monday through Friday from 9 a.m. to 3 p.m. at the Contemporary Arts Center.
Participants will receive instruction in acting, singing, dancing, stage movement, and performance techniques from experienced theater professionals and educators. Throughout the Six-Week Program, students will work together to develop their skills and prepare for a culminating stage production that showcases what they have learned.
Marsalis founded Uptown Music Theatre with a vision of providing young people with opportunities that extend beyond the classroom. Over the years, the organization has helped hundreds of students develop discipline, leadership skills, and confidence while exposing them to the transformative power of the arts.
The Summer Camp continues that mission by offering youth a chance to spend part of their summer immersed in a creative environment that encourages artistic growth and personal development.
As New Orleans continues to celebrate its rich cultural heritage, programs like Uptown Music Theatre play an important role in ensuring that the next generation of performers, artists, and community leaders have the opportunity to learn, grow, and shine on stage.
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