Art

“Black Founder: The Hidden Power of Being an Outsider” by Stacy Spikes

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Published

1 year ago

March 2, 2023

Oakland Post

"Black Founder: The Hidden Power of Being an Outsider" by Stacy Spikes

c.2023, Dafina, $28.00, 256 pages

By Terri Schlichenmeyer

A good building starts with a substantial foundation.

No matter where you go from there, that base is an opening action, an announcement, a public sign of things to come. Whether it’s a new home for humans, hoopties, heirlooms, or the future site of industry or ideas, the foundation is the start of something exciting. In a new business and as in the new book, “Black Founder” by Stacy Spikes, it needs to be solid.

With high school graduation on the horizon, Stacy Spikes was itching to move.

His hometown of Houston, Texas, had become “too small” to hold his dreams. Education was important in his family, but college held no interest to him either. Instead, he was going to Los Angeles to chase a career in music and movies.

He broke the news to his parents and, with $300 in his pocket, he drove northwest.

Once in California, Spikes quickly understood that he didn’t need a job, he needed several of them. Before he could get settled, though, he fell in with a bad crowd and was hospitalized to help him kick drugs and alcohol abuse.

He returned to a job he had working with a two-in-one company in Encino, making and packaging videos. The men he worked with mentored him; it was there that he learned the need to “go to extra lengths to meet [someone] in their field.”

Spikes took acting classes and absorbed as much as he could about old-time Black comedians. He built a recording studio in his home and learned to make album covers, which led him to a job at Motown, where he went into sales and learned how to make an impression. The “Black Godfather” taught him that it was possible to talk with anyone, Black or white, with honesty. And before he founded Urbanworld Film Festival and MoviePass, Motown helped him see that to succeed, “You didn’t need an army, just a small group of like-minded souls set on making a difference.”

Readers looking for a good business biography are in for a nice surprise when they read “Black Founder.” They’ll also get some entrepreneurial advice. It’s not bold-face or bulleted; you’ll have to look for it, but it’s in there.

“Transparency” is what author Stacy Spikes learned early, and it’s what he applies inside this book, which is refreshing. This isn’t a book about a meteoric rise; Spikes instead writes about setbacks, both personal and professional, and times of struggle. Readers can imagine a Parkour-like hustle that Spikes describes as he overcame seemingly catastrophic events and still landed with both feet; such tales serve to instruct as much as does the actual instruction.

Though it may seem to lag a bit — especially for older readers, or those who are unfamiliar with the businesses Spikes founded — “Black Founder” is entertaining enough to read for fun, with a side dish of instruction. Whether you’re ready to act now or you’re just finding your inner entrepreneur, to launch your idea, it’s a good base.

Here’s a rags-to-riches story for you: “Never Far from Home” by Bruce Jackson (Atria, $28) is the story of Jackson’s life. He was born in Brooklyn and lived his early life in public housing. At age ten, he was arrested for robbery (which he didn’t do) and he caught the attention of drug dealers. Knowing then that that wasn’t the kind of life he wanted, Jackson worked hard to overcome his background. His story is inspiring and awe-striking.

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Art

Marin County: A Snapshot of California’s Black History Is on Display

The Marin County Office of Education, located at 1111 Las Gallinas Ave in San Rafael, will host the extraordinary exhibit, “The Legacy of Marin City: A California Black History Story (1942-1960),” from Feb. 1 to May 31, 2024. The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

Published

1 week ago

April 16, 2024

Oakland Post

Early photo of Marin City in the exhibit showing the first department store, barber shop, and liquor store. (Photo by Godfrey Lee)

By Post Staff

The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

All will have the opportunity to visit and be guided by its curator Felecia Gaston.

The exhibit will include photographs, articles and artifacts about the Black experience in Marin City from 1942 to 1960 from the Felecia Gaston Collection, the Anne T. Kent California Room Collection, The Ruth Marion and Pirkle Jones Collection, The Bancroft Library, and the Daniel Ruark Collection.

It also features contemporary original artwork by Chuck D of the Rock and Roll Hall of Fame group Public Enemy, clay sculptures by San Francisco-based artist Kaytea Petro, and art pieces made by Marin City youth in collaboration with Lynn Sondag, Associate Professor of Art at Dominican University of California.

The exhibit explores how Marin City residents endured housing inequities over the years and captures the history of plans to remove Black residents from the area after World War II. Throughout, it embodies the spirit of survival and endurance that emboldened the people who made Marin City home.

Felecia Gaston is the author of the commemorative book, ‘A Brand New Start…This is Home: The Story of World War II Marinship and the Legacy of Marin City.’ Thanks to the generous contribution of benefactors, a set of Felecia’s book will be placed in every public elementary, middle, and high school library in Marin.

In addition, educators and librarians at each school will have the opportunity to engage with Felecia in a review of best practices for utilizing the valuable primary sources within the book.

“Our goal is to provide students with the opportunity to learn from these significant and historical contributions to Marin County, California, and the United States,” said John Carroll, Marin County Superintendent of Schools.

“By engaging with Felecia’s book and then visiting the exhibit, students will be able to further connect their knowledge and gain a deeper understanding of this significant historical period,” Carroll continued.

Felecia Gaston adds, “The Marin County Office of Education’s decision to bring the Marin City Historical Traveling Exhibit and publication, ‘A Brand New Start…This is Home’ to young students is intentional and plays a substantial role in the educational world. It is imperative that our community knows the contributions of Marin City Black residents to Marin County. Our youth are best placed to lead this transformation.”

The Marin County Office of Education will host an Open House Reception of the exhibit’s debut on Feb. 1 from 4 p.m. – 6 p.m.. All school staff, educators, librarians, and community members are encouraged to attend to preview the exhibit and connect with Felecia Gaston. To contact Gaston, email MarinCityLegacy@marinschools.org

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Activism

Alternative Outcome to Slayings by Police Explored in One-Man Play

BLACK MEN EVERYWHERE! is the explosive new one man play written, directed, and performed by Jinho “Piper” Ferreira. Set against the backdrop of a presidential election, the play explores how political and cultural leaders wield the myth of the dangerous Black man to manipulate the masses for personal gain. Piper penned the follow-up to his ground-breaking solo play, “Cops and Robbers,” after an impromptu cross-country Black history tour.

Published

2 months ago

February 16, 2024

Oakland Post

BLACK MEN EVERYWHERE! is the explosive new one man play written, directed, and performed by Jinho “Piper” Ferreira.

Special to The Post

What would happen if police officers who have gotten off for killing unarmed Black people started turning up dead?

Piper penned the follow-up to his ground-breaking solo play, “Cops and Robbers,” after an impromptu cross-country Black history tour.

“My wife and I had been talking about it for years,” Ferreira said. They had taken their three children to Brazil several times and West Africa but had yet to explore their history as Black people in this country. “It was Juneteenth last year and I realized we had a few weeks to make it happen, so we just jumped in the car and left” Piper said.

Three weeks later the family had seen everything from the African American Museum of History and Culture in Wash., D.C., to the phenomenally preserved Whitney Plantation in Louisiana. They’d stood outside of the balcony of the Lorraine Hotel where Dr. Martin Luther King Jr. was assassinated in Memphis, Tenn., walked across the Edmund Pettus Bridge in Selma, Ala., and paid their respects at the Africa Town cemetery – where the passengers of the Clotilda (the last known U.S. slave ship to smuggle captured Africans into this country) were buried near Mobile, Ala.

“We had the kids keep a journal of the trip and my wife and I took notes, but once we got back home, I knew I had to make the pen move,” he said.

Ferreira plays 21 characters in the 60-minute emotional roller coaster ride; personalities we all know. While brilliantly weaving in themes of revolution, treachery, and revenge, “Black Men Everywhere!” is surprisingly — more than anything else — a love story.

“I wrote the play for Black men and everyone who loves us,” Ferreira said. “The play is narrated by a sistah and performed in front of the deeply spiritual artwork of Nedra T. Williams, an Oakland priestess of Olokun. It’s called ‘Black Men Everywhere!’ but we don’t exist without the Black woman.”

For tickets, please go to: http://tinyurl.com/5dm3mhra

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Art

City of Stockton Seeks Applications for Public Art Murals

The City of Stockton Arts Commission (SAC) has announced the opportunity for artist(s) and/or artist teams to apply to design and paint original artwork on City-owned property through a Public Art Mural Program. The deadline for applications is Friday, March 8, 2024, at 5 p.m. Applications and additional information are available online at www.stocktonca.gov/publicart.

Published

3 months ago

January 24, 2024

Oakland Post

The Public Art Mural Program incentivizes mural installations by providing city funding and the means of curating the City’s collection of murals.

City of Stockton

The deadline for applications is Friday, March 8, 2024, at 5 p.m. Applications and additional information are available online at www.stocktonca.gov/publicart.

The Public Art Mural Program incentivizes mural installations by providing city funding and the means of curating the City’s collection of murals.

This program has $50,000 in available funds for artist(s) and is also available for those who have already identified funds and would like to complete a mural project on city-owned property. Applications will be reviewed on a competitive basis and selected by the SAC.

To learn more about the Stockton Arts Commission (SAC) or qualifications and eligibility for Public Art Mural Program, please visit www.stocktonca.gov/publicart or call the Community Services Department at (209) 937-8206.