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‘Birdman,’ ‘Budapest’ Top Oscar Nominations with 9 Each

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In this image released by Fox Searchlight Pictures, Michael Keaton portrays Riggan in a scene from "Birdman." Keaton was nominated for an Oscar Award for best actor on Thursday, Jan. 15, 2015, for his role in the film. The 87th Annual Academy Awards will take place on Sunday, Feb. 22, 2015 at the Dolby Theatre in Los Angeles. (AP Photo/Fox Searchlight, Atsushi Nishijima)

In this image released by Fox Searchlight Pictures, Michael Keaton portrays Riggan in a scene from “Birdman.” Keaton was nominated for an Oscar Award for best actor on Thursday, Jan. 15, 2015, for his role in the film. The 87th Annual Academy Awards will take place on Sunday, Feb. 22, 2015 at the Dolby Theatre in Los Angeles. (AP Photo/Fox Searchlight, Atsushi Nishijima)

JAKE COYLE, AP Film Writer

Two extravagant comedies, “Birdman” and “The Grand Budapest Hotel,” dominated nominations for the 87th annual Academy Awards with nine nods each, while “Boyhood” remained the widely acknowledged front-runner.

The three films were nominated for best picture on Thursday along with “Whiplash,” ”The Theory of Everything,” ”The Imitation Game,” ”American Sniper” and “Selma.” The eight films, mostly more modestly sized movies dwarfed by Hollywood’s stampede of bigger blockbusters at the box office, gave the Oscars a classy if not particularly high-wattage batch of nominees.

In Hollywood’s ever-expanding industrial complex of awards season, the year’s front-runners — Richard Linklater’s coming of age epic “Boyhood” (six noms) and Alejandro Gonazalez Inarritu’s elegantly shot backstage romp “Birdman (or The Unexpected Virtue of Ignorance)” — haven’t been dislodged from their lofty perch, steadily accumulating hardware.

“This is what everyone waits for. This is the last one, unless there’s another one that I don’t know about,” said Michael Keaton, who was rewarded with a best-actor nod for his performance as a washed-up star trying to mount a serious Broadway play in “Birdman.” He added: “I don’t care how much people tell you: ‘It’s gonna happen.’ When it happens, you’re thrilled.”

The uniquely time-elapse “Boyhood” earned Linklater nominations for best director and screenplay, as well as supporting nods Patricia Arquette and Ethan Hawke. The film, 12 years in the making, landed the latest in a string of awards Sunday at the Golden Globes, taking best drama.

But there were other films — “The Grand Budapest Hotel,” ”American Sniper” and “The Imitation Game” — that came away big winners Thursday, just as others such as “Selma” failed to breakthrough.

World War II code-breaker thriller “The Imitation Game,” about pioneering computer scientist Alan Turing (Benedict Cumberbatch), captured eight nominations, including best actor for Cumberbatch. The film’s distributor, the Weinstein Co., has previously shepherded prestige British period films (“The King’s Speech”) all the way to best picture.

“I am knocked for six by this,” said Cumberbatch of his first Oscar nod. “To ring my parents who are both actors and tell them that their only son has been nominated for an Oscar is one of the proudest moments of my life.”

Wes Anderson’s old Europe caper “The Grand Budapest Hotel,” which also won best comedy or musical at the Globes, has emerged as the most unexpected awards heavyweight. It managed nine nominations without a single acting nod and was instead repeatedly cited for Anderson’s meticulous craft in directing, production design, makeup and screenplay.

With $59.1 million at the North American box office (opening all the way back in March), “The Grand Budapest Hotel” is also the most money-making best-picture entry.

That, however, is likely to change soon after “American Sniper” expands nationwide this weekend. Clint Eastwood’s Navy SEAL drama — one of the season’s last entries — did especially well Thursday, landing six nods including best actor for Bradley Cooper.

Steve Carell (“Foxcatcher”) and Eddie Redmayne (“The Theory of Everything”) rounded out the best actor category. Redmayne, the freckled British actor who stars as Stephen Hawking in the film, said by phone from Los Angeles that he was woken with the news.

“I was in a deep, dark sleep,” said Redmayne. “I was in a dazed state. I was half undressed and stumbled to the door. I found my manager there brandishing a phone with a lot of screams coming out of it.”

David Oyelowo, who stars as Martin Luther King Jr. in “Selma,” was surprisingly left out of best actor. Ava DuVernay’s civil rights drama, at one point considered a major contender, faded even after its late debut. “Selma,” which has been nagged by criticism over its portrayal of President Lyndon Johnson, managed just two nominations. (The second was for best song.)

The poor showing of “Selma” (and on King’s birthday no less) was striking because it followed an Academy Awards led by best-picture winner “12 Years a Slave” and much chest-thumping about Hollywood’s thawing close-mindedness.

On Twitter, DuVernay called the nominations “an Oscar gift” to King on his birthday, but referenced Oyelowo’s oversight, calling him “our miracle.”

Yet Thursday’s nominees, in which all 20 nominated actors are white, was not a diverse bunch. Like DuVernay, Angelina Jolie also failed to crack the historical male category of best director. Her WWII survival tale “Unbroken” landed three nods, including a 12th nomination for cinematographer Roger Deakins.

Marion Cotillard for the French-language “Two Days, One Night” was the surprise nominee for best actress. She was joined by Felicity Jones (“The Theory of Everything”), Julianne Moore (“Still Alice”), Rosamund Pike (“Gone Girl”) and Reese Witherspoon (“Wild”). Those picks left Jennifer Aniston’s pained and grieving performance in “Cake” on the outside.

The eight best-picture nominees left out two wild cards that might have added a dose of darkness to the category: the creepy Jake Gyllenhaal thriller “Nightcrawler” and the tragic wrestling drama “Foxcatcher.” In the three previous years since the category was expanded (anywhere between five and 10 film may be nominated), there were nine movies contending for best picture.

Big box-office hits were also scarce. Christopher Nolan’s sci-fi epic “Interstellar” was restricted to five nominations in technical categories: visual effects, sound mixing, sound editing, score and production design. David Fincher’s popular and well-reviewed “Gone Girl” managed only Pike’s nomination.

“Foxcatcher” helmer Bennett Miller (previously nominated for “Capote”) squeaked into best director. Also nominated were Inarritu (“Birdman”) and Morten Tyldum (“The Imitation Game”).

One of the most notable snubs came in best animation, usually a particularly staid category. Despite critical love and major box office, “The Lego Movie” failed to join nominees “Big Hero 6,” ”The Boxtrolls,” ”How to Train Your Dragon 2,” ”Song of the Sea” and “The Tale of the Princess Kaguya.”

“Lego” co-director Phil Lord tweeted a photo of a Lego-built Oscar, writing: “It’s okay. Made my own!”

Some nominees came with the reliability of clockwork. Meryl Streep landed her 19th nomination (a record) for her supporting performance as a witch in Disney’s Stephen Sondheim musical “Into the Woods.” Along with Arquette, the other nominees were Keira Knightley (“The Imitation Game”), Emma Stone (“Birdman”) and Laura Dern (“Wild”).

Aside from Hawke, supporting actor nominations went to Robert Duvall (“The Judge”), Edward Norton (“Birdman”), Mark Ruffalo (“Foxcatcher”) and J.K. Simmons (“Whiplash”).

The nominees for best foreign language film are: “Ida” (Poland), “Leviathan” (Russia), “Tangerines” (Estonia), “Timbuktu” (Mauritania) and “Wild Tales” (Argentina). The acclaimed black-and-white “Ida” also surprised with a nod for cinematography.

Best documentary nods went to “CitizenFour,” ”Finding Vivian Maier,” ”Last Days in Vietnam,” ”The Salt of the Earth” and “Virunga.” The last gave Netflix its second Oscar nomination. (It last year released the nominated documentary “The Square.”) Left out was the Roger Ebert documentary “Life Itself.”

The Academy of Motion Pictures Arts and Sciences will hope this year’s coterie of stars will be enough to maintain the recent upswing in ratings for the Oscars. Last year’s ceremony, hosted by Ellen DeGeneres, drew 43 million viewers, making it the most-watched entertainment telecast in a decade.

This year’s show on Feb. 22 will be hosted by Neil Patrick Harris, a veteran of the Tony Awards.

___

Associated Press writers Lindsey Bahr and Derrik J. Lang in Beverly Hills contributed to this report

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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Alameda County

Black History Events in the East Bay

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event

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The Oakland Black Cowboys Association will hold an event to teach children the love of riding at Fairyland on Feb. 14. Here, a member of the OBCA high-fives a young rider at an event in 2021. Facebook photo.
The Oakland Black Cowboys Association will hold an event to teach children the love of riding at Fairyland on Feb. 14. Here, a member of the OBCA high-fives a young rider at an event in 2021. Facebook photo.

By Post Staff

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event, and nearly every day in the Bay Area, there is somewhere to honor the ancestors, our living thought leaders, artists, and activists, and prepare children for the future. Below are just a few places to go.

Lunar New Year X Black History Month 2026: Celebrating Asian & African American Solidarity

Now in its fourth year, the Oakland Asian Cultural Center rolls out its biggest event, featuring lion dancers, drummers, performers, arts & crafts, a Kids + Teens Zone curated by Storyland Collective, a marketplace of local artisans, and free admission for all ages! This event is part of OACC’s ongoing Open E.A.R.S. for Change initiative, launched in 2020 to build stronger relationships between local APIA and Black communities. SambaFunk closes out the day at 3:15 and the Bantaba Drum Call and Comrade Lover Lion Dancers perform shortly after story time for young children at noon. Register for free tickets. https://oacc.liveimpact.org/li/8737/sevent/evt/home/294475/69

Oakland Asian Cultural Center
388 Ninth St. Suite 290
Oakland, CA
Feb. 7, 11 a.m.- 4 p.m.

DIY: Black Culture Bookmark Making

Go to the Golden Gate Branch of the Oakland Public Library for small-scale collaging at this Black-themed make-your-own-bookmarks session.

Bring: Your vision, creativity, and, if you like, wallet-sized photos or images of your favorite Black heroes or family members.

We’ll supply the cardstock paper, African diaspora designs, artwork, images, lettering, glue, scissors, and laminating. This session is suitable for adults and seniors.

Golden Gate Library
5609 San Pablo Ave.
Oakland, CA,
Feb. 11, 5:30-7 p.m.

Oakland Black Cowboy Association Shares Love of the Ride

Celebrate the history, culture, and living legacy of Black cowboys at the Black Cowboy Academy. It will be an interactive day of lasso lessons, pony grooming with real live ponies, and meet and greets with actual cowboys! Fairyland joins hands and hearts with the Oakland Black Cowboy Association and the Metropolitan Horsemen’s Association this Valentine’s Day for an immersive event of learning and love. Included with general admission.

Children’s Fairyland
699 Bellevue Ave.
Sat., Feb. 14, 10 a.m.- 1 p.m.

Love Stories for Black History Month

At the Berkeley Public Library, a children’s book fair “Valentine to Black Stories” will feature some of your favorite Black authors of children’s books!

Come celebrate love, Black authors, and Black stories at this special children’s book fair. They will have free books, crafts and special presentations from Bay Area Black authors.Festivities will feature a collage workshop led by Oakland artist  Chanel London of Hella Artsy. Participants will be invited to make collage portraits inspired by artist Derrick Barnes.

Berkeley Central Public Library
2090 Kittredge St. Berkeley, CA
Sat. Feb. 14, 1- 4 p.m.

The Black Child Book Fair (BCBF) from Chicago to Oakland, CA- Book Signing Event

BCBF began in Chicago in 2009 through the vision and experience of author and poet Darryl Harvey. Harvey’s vision brings extraordinary children’s book authors together to close the great need for black representation in children’s books. Engage with authors, participate in story time and fun activities.

Oakland African American Museum and Library
859 14th St., Oakland CA
Sat. Feb. 21, 12-5 p.m.

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