The Corte Madera Lions Electric Vehicle and Classic Car Show was held last Sunday, September 12, at the Village shopping center’s overflow parking lot next to Nordstrom’s. 

The latest electric vehicles from Marin Luxury Cars — Mercedes, Mini, Ford, Electra Meccanica, and more than 75 pristine pre-1975 classic cars were featured at the show, including a fire truck and a farm tractor.

The event featured food from the The Pig in the Pickle, beer, wine, and live music from three local bands.

The Corte Madera Lions presented this community wide event. All proceeds will benefit local charities.

“The Marin Post’s coverage of local news in Marin County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.”

It was the late spring of 1959. The music industry’s elite converged inside the Grand Ballroom of Los Angeles’ Beverly Hilton. Others were gathering at a function held simultaneously in New York City.

That night, the Grammy Award’s first show took place, and no one knew then that it would become a historic event for African-American performers.

Two Black performers left the event that night with Grammys in hand: Ella Jane Fitzgerald (1917–1996) for Best Vocal Performance, Female, and Best Jazz Performance, Individual; and William James “Count” Basie (1904–1984), for Best Performance by a Dance Band and Best Jazz Performance, Group. Recognition for the pair was well overdue as their roads to the Grammy were storied.

Fitzgerald was a teen when her mother died. Her aunt then took young Ella from her home in Yonkers, N.Y., back to Newport News, Va. Shortly after, Ella’s stepfather died. These events brought on depression. Ella began failing school and frequently skipped classes. After getting into trouble with the police, she was sent to a reform school. There she endured beatings by the caretakers. The brutality forced her to escape.

At age 15, she was alone and struggling to make a life for herself. But things would change when she was in New York City about five years later.

In 1934, young Ella performed at the Apollo’s Amateur Night. The crowd booed her; shouted “What’s she going to do?” A frightened Ella decided to sing. She asked the band to play Hoagy Carmichael’s “Judy,” one of her mother’s favorites. Her voice silenced the audience, and by the song’s end they begged for an encore.

Two years later, Ella made her first recording, “Love and Kisses,” under the Decca label. The rest was music history.
Later dubbed “The First Lady of Song,” Ella was the most popular female jazz singer in the United States for more than half a century. On June 15, 1996, she died in her Beverly Hills home. She’d taken home 14 Grammys throughout her career.

Basie, born in Red Bank, N.J., was one of the all-time great jazz band leaders. Dubbed the “King of Swing,” his career started in clubs and speakeasies in Asbury Park and Long Branch, N.J., then New York City (1924) and later Kansas City (1927).

His music served as inspiration for artists including John Lewis, Thelonious Monk, and Oscar Peterson. Along the way, he faced discrimination but overcame barriers to become one of the most influential musicians of the 20th century.

“Every day, we used to say, ‘Not one drop of my self-worth depends on your acceptance of me,’” musician and producer Quincy Jones said of the racism that he and Basie experienced back then. “It was horrible. It ain’t much better now.”

Basie wrote in a letter: “I can’t remember when I did not experience discrimination … And I didn’t let it bug me.”
The Count won nine Grammy awards over the course of his career. He died on April 26, 1984, in Hollywood, Fla.

Authors Elizabeth Pepin Silva and Lewis Watts will talk about their book, “Harlem of the West: The San Francisco Fillmore Jazz Era” at the San Francisco Botanical Gardens in Golden Gate Park on Monday, September 20.  It will be followed by a mini-concert by the Sam Peoples Trio. The event, co-sponsored by the garden, Bayview Opera House, and the San Francisco African American Historical & Cultural Society will run from 4:00-5:00 p.m. It is part of the garden’s critically acclaimed “Flower Piano” program, where 12 grand pianos are placed around the garden and musicians are invited to come and play them. 

Sam, whose father was a highly regarded, Fillmore-based musician in San Francisco back in the heyday of Harlem of the West, will be performing music that celebrates the great jazz and cultural heritage of the Fillmore District in San Francisco which is described Silva and Watts book.  

The fourth edition of the book, released by Heyday Books in 2020, will also be on sale at the garden. For more information, go to: https://www.sfbg.org/flowerpiano

The San Francisco Post’s coverage of local news in San Francisco County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.

The Corte Madera Lions Electric Vehicle and Classic Car Show was held last Sunday, September 12, at the Village shopping center’s overflow parking lot next to Nordstrom’s. 

The latest electric vehicles from Marin Luxury Cars — Mercedes, Mini, Ford, Electra Meccanica, and more than 75 pristine pre-1975 classic cars were featured at the show, including a fire truck and a farm tractor.

The event featured food from the The Pig in the Pickle, beer, wine, and live music from three local bands.

The Corte Madera Lions presented this community wide event. All proceeds will benefit local charities.

“The Marin Post’s coverage of local news in Marin County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.”

It was the late spring of 1959. The music industry’s elite converged inside the Grand Ballroom of Los Angeles’ Beverly Hilton. Others were gathering at a function held simultaneously in New York City.

That night, the Grammy Award’s first show took place, and no one knew then that it would become a historic event for African-American performers.

Two Black performers left the event that night with Grammys in hand: Ella Jane Fitzgerald (1917–1996) for Best Vocal Performance, Female, and Best Jazz Performance, Individual; and William James “Count” Basie (1904–1984), for Best Performance by a Dance Band and Best Jazz Performance, Group. Recognition for the pair was well overdue as their roads to the Grammy were storied.

Fitzgerald was a teen when her mother died. Her aunt then took young Ella from her home in Yonkers, N.Y., back to Newport News, Va. Shortly after, Ella’s stepfather died. These events brought on depression. Ella began failing school and frequently skipped classes. After getting into trouble with the police, she was sent to a reform school. There she endured beatings by the caretakers. The brutality forced her to escape.

At age 15, she was alone and struggling to make a life for herself. But things would change when she was in New York City about five years later.

In 1934, young Ella performed at the Apollo’s Amateur Night. The crowd booed her; shouted “What’s she going to do?” A frightened Ella decided to sing. She asked the band to play Hoagy Carmichael’s “Judy,” one of her mother’s favorites. Her voice silenced the audience, and by the song’s end they begged for an encore.

Two years later, Ella made her first recording, “Love and Kisses,” under the Decca label. The rest was music history.
Later dubbed “The First Lady of Song,” Ella was the most popular female jazz singer in the United States for more than half a century. On June 15, 1996, she died in her Beverly Hills home. She’d taken home 14 Grammys throughout her career.

Basie, born in Red Bank, N.J., was one of the all-time great jazz band leaders. Dubbed the “King of Swing,” his career started in clubs and speakeasies in Asbury Park and Long Branch, N.J., then New York City (1924) and later Kansas City (1927).

His music served as inspiration for artists including John Lewis, Thelonious Monk, and Oscar Peterson. Along the way, he faced discrimination but overcame barriers to become one of the most influential musicians of the 20th century.

“Every day, we used to say, ‘Not one drop of my self-worth depends on your acceptance of me,’” musician and producer Quincy Jones said of the racism that he and Basie experienced back then. “It was horrible. It ain’t much better now.”

Basie wrote in a letter: “I can’t remember when I did not experience discrimination … And I didn’t let it bug me.”
The Count won nine Grammy awards over the course of his career. He died on April 26, 1984, in Hollywood, Fla.

Authors Elizabeth Pepin Silva and Lewis Watts will talk about their book, “Harlem of the West: The San Francisco Fillmore Jazz Era” at the San Francisco Botanical Gardens in Golden Gate Park on Monday, September 20.  It will be followed by a mini-concert by the Sam Peoples Trio. The event, co-sponsored by the garden, Bayview Opera House, and the San Francisco African American Historical & Cultural Society will run from 4:00-5:00 p.m. It is part of the garden’s critically acclaimed “Flower Piano” program, where 12 grand pianos are placed around the garden and musicians are invited to come and play them. 

Sam, whose father was a highly regarded, Fillmore-based musician in San Francisco back in the heyday of Harlem of the West, will be performing music that celebrates the great jazz and cultural heritage of the Fillmore District in San Francisco which is described Silva and Watts book.  

The fourth edition of the book, released by Heyday Books in 2020, will also be on sale at the garden. For more information, go to: https://www.sfbg.org/flowerpiano

The San Francisco Post’s coverage of local news in San Francisco County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.