Connect with us

Entertainment

Bill Cosby Accuser’s Mom Appeals to Comedian’s Wife

Published

on

In this March 6, 2015 photo, Jennifer Thompson pauses before answering a question during an interview at her family's home in Spring Hill, Fla. When Thompson's parents met comedian Bill Cosby in the late 1980s to discuss her modeling and acting career, they felt immediately at ease. However, more than 20 women have stepped forward in recent months to level various accusations against Cosby, ranging from unwanted advances to sexual assault and rape. (AP Photo/Chris O'Meara)

In this March 6, 2015 photo, Jennifer Thompson pauses before answering a question during an interview at her family’s home in Spring Hill, Fla. When Thompson’s parents met comedian Bill Cosby in the late 1980s to discuss her modeling and acting career, they felt immediately at ease. However, more than 20 women have stepped forward in recent months to level various accusations against Cosby, ranging from unwanted advances to sexual assault and rape. (AP Photo/Chris O’Meara)

TAMARA LUSH, Associated Press

SPRING HILL, Fla. (AP) — When William and Judy Thompson met comedian Bill Cosby in the late 1980s to discuss their teen daughter’s modeling and acting career, they felt immediately at ease.

Cosby and William Thompson both belonged to black fraternities in college. They both had lived in the Washington, D.C.-Maryland area. Both were born in July and both went by Bill as a first name.

Cosby reassured the Thompsons that their then-17-year-old daughter, Jennifer, would be fine living in an apartment with other models as she launched her career. He promised to help the teen, they said.

“We thought we were talking to Dr. Huxtable,” said William Thompson, referring to the comedian’s TV persona in “The Cosby Show.”

Jennifer Thompson now says she fended off unwanted sexual advances from Cosby and once performed a sex act on the comedian. He then gave her $700. That encounter — their final — clouded Jennifer Thompson’s next two decades.

“It basically shattered my faith so that anything that used to look promising to me, I saw it through a different lens,” she said.

Thompson, now 44, and her parents recently spoke to The Associated Press about the encounters with Cosby. They also revealed that three weeks ago, Judy Thompson sent a letter to Cosby’s wife, Camille.

“Mother to mother,” said Judy Thompson. “This letter was written from my heart.”

More than 20 women have stepped forward in recent months to level various accusations against Cosby, ranging from unwanted advances to sexual assault and rape. Additionally, Cosby is being sued by three women for defamation and by another woman who says he molested her when she was 15. Cosby has not been charged with any crime, and neither Cosby’s lawyer nor his spokesman returned calls seeking comment. Cosby’s lawyer, Martin Singer, previously has denied some of the allegations and made no comment on others.

Judy Thompson said she was inspired to pen the letter after she read Camille Cosby’s statement issued in December suggesting that her husband, not the women, is the party being harmed by the women’s allegations.

“None of us will ever want to be in the position of attacking a victim,” Camille Cosby said. “But the question should be asked __ who is the victim?”

Judy Thompson bristled when she read Cosby’s words. She said she watched her daughter go from a sparkling, ambitious teen to a woman “with an inner light extinguished.”

Only recently has Jennifer Thompson emerged from under “the dark cloud,” said Judy Thompson, who included a Psalms prayer in the letter.

“Your husband crossed boundaries that never should have been breached,” she wrote to Camille Cosby. “He shattered her innocence.”

Judy Thompson said she prays daily for the Cosbys and ended the letter by writing, “May you and Bill speak the truth and be afforded peace for your souls.”

It could not be determined whether Camille Cosby received the letter.

Judy Thompson said that it was difficult to find anyone, even a therapist, who would believe her daughter’s story. She didn’t go to police.

“To be so hurt and violated, and then not be believed! Resolution has not been easily forthcoming. We all remained in the shadows of your husband’s sick behavior,” she wrote.

Jennifer Thompson was one 13 so-called “Jane Does” in a 2005 civil suit that was brought by a woman named Andrea Constand, a former Temple University employee who claimed Cosby drugged and sexually assaulted her in 2004.

Constand later settled out of court and Thompson and the other women did not testify in the case.

Cosby on Monday released a new video message, his first in months. He doesn’t discuss the allegations and in the short video, promoted his Saturday show in Wheeling, West Virginia, the next stop in Cosby’s stand-up comedy tour which has seen more than a dozen shows canceled since the most recent round of allegations arose in November.

“You know I’ll be hilarious,” Cosby said in the video. “Can’t wait.”

He also added a note to the video, which read: “Dear fans, I hope you enjoy my wonderful video message that’s filled with laughter… Hey, hey, hey, I’m far from finished.”

____

Follow Tamara Lush on Twitter at http://twitter.com/tamaralush

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Activism

Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

Published

on

Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

Continue Reading

Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

Published

on

‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.