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BEST FILMS OF 2019

NNPA NEWSWIRE — Look back on the most noteworthy films of 2019 and they all display a diverse array of superb talent—in front of and behind the camera. These movies entertained, educated and often inspired us. They challenged our opinions. They made us contemplate our fate and become more aware of the world around us.

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By Dwight Brown NNPA Newswire Film Critic

Look back on the most noteworthy films of 2019 and they all display a diverse array of superb talent—in front of and behind the camera.

These movies entertained, educated and often inspired us. They challenged our opinions. They made us contemplate our fate and become more aware of the world around us.

Enjoy.

Best Films

Booksmart (***1/2) – Two coeds (Beanie Feldstein and Kaitlyn Dever), high-school outcasts, find refuge in their close friendship. Animated performances.  Funny and thoughtful dialogue. Astute comic direction by first-time filmmaker and noted actress Olivia Wilde. Who knew nerdy teen angst could be hilarious?

Dolemite Is My Name (****) – King of comedy Eddie Murphy rises like a phoenix in this oh-so-hysterical ode to comedian and pioneering indie filmmaker Rudy Ray Moore. Dream team cast includes: Keegan-Michael Key, Craig Robinson, Tituss Burgess, Wesley Snipes, Mike Epps and scene stealer Da’Vine Joy Randolph.

The Farewell (***1/2) – An Asian family handles the last-chapter of life process with charm to spare. Writer/director Lulu Wang digs into her own experiences in a premise and script filled with colorful kin folk. Star turns by Awkwafina, Shuzhen Zhao and Tzi Ma make the characters lifelike.

Harriet (***) – Depicting the legendary life of the courageous abolitionist Harriet Tubman is a task few are worthy of. Director Kasi Lemmons (Eve’s Bayou) is the chosen one. Her epic bio tale catalogs the inhumanity and humanity of the 1800s. Cynthia Erivo (Widows) infuses Tubman’s spirit in every frame. Terence Blanchard’s emotionally charged musical score is haunting.

The Irishman (****) — Martin Scorsese, Robert DeNiro, Joe Pesci and Al Pacino team up for an impressive crime/drama/thriller about a man who purportedly murdered Jimmy Hoffa. Brilliant performances. Strong direction, writing and editing. Ingenious use of CGI. The crowning achievement of Scorsese’s career.

Williem Dafoe and Robert Pattinson in director Robert Eggers THE LIGHTHOUSE. Credit : A24 Pictures

The Lighthouse (****) – Two workers (Robert Pattinson and Willem Dafoe) and a bunch of seagulls are engaged in a melodramatic relationship at a desolate New England lighthouse, circa 1890s. Brutal allegory. Totally engaging. Director/writer Robert Eggers and co-writer Max Eggers make riveting cinema on a black and white canvas (cinematographer Jarin Blaschke).

Emma Watson, Saoirse Ronan, Eliza Scanlen and Florence Pugh in Columbia Pictures’ LITTLE WOMEN.

Little Women (****) — Actress turned director Greta Gerwig gives the classic Louisa May Alcott Civil War novel her own feminist spin with relatable three-dimensional characters. Fiery relationships among sisters, parents and friends. Feels like you’re on a long buggy ride with lots of bumps in the road. Superb performances by Saoirse Ronan, Timothée Chalamet and Laura Dern.

Marriage Story Scarlett Johansson and Adam Driver

Marriage Story Scarlett Johansson and Adam Driver

Marriage Story (****) — Writer/director Noah Baumbach captures the angst of thirtysomethings (Adam Driver, Scarlett Johansson) going through what should have been a friendly D-I-V-O-R-C-E that turns into a war of threats, betrayals and raw emotions. As primal in ways as Who’s Afraid of Virginia Woolf? Full of life at its worst and people struggling to take their next steps.

(from left) Slim (Daniel Kaluuya) and Queen (Jodie Turner-Smith) in “Queen & Slim,” directed by Melina Matsoukas.

Queen & Slim (****) – Easily the most talked about black movie of the year. Director Melina Matsoukas (HBO’s Insecure) and  screenwriter Lena Waithe (TV’s Master of None) weave a very modern crime tale and a poignant love story together. Hints of social relevance are threaded in. Lovers on the run are played by Daniel Kaluuya and Jodie Turner-Smith. So thoughtful. So cool. So romantic.

Adam Sandler in UncutGems

Adam Sandler in UncutGems

Uncut Gems (****) — A gregarious, Jewish NYC jeweler (Adam Sandler) is deep in debt to thugs. His schemes dig him into a deeper hole. Gritty, sewer-level urban drama written and directed by the very talented brothers Benny and Josh Safdie. Sandler deserves an Oscar nom. Kevin Garnett, Idina Menzel, Julia Fox and LaKeith Stanfield round out a powerhouse cast.

Best Directors

  • Noah Baumbach = Marriage Story
  • Robert Eggers =The Lighthouse
  • Greta Gerwig = Little Women
  • Melina Matsoukas = Queen & Slim
  • Martin Scorsese = The Irishman

Best First Films

  • Laure de Clermont-Tonnerre = The Mustang
  • Mati Diop = Atlantics
  • Melina Matsoukas = Queen & Slim
  • Olivia Wilde = Booksmart
  • Phillip Youmans = Burning Cane

Best Foreign Language Films

  • Ash Is Purest White
  • Atlantics
  • Corpus Christi
  • Les Misérables
  • Transit

Best Documentaries

  • After Parkland
  • Miles Davis: The Birth of the Cool
  • David Crosby: Remember My Name
  • Pavarotti
  • Tony Morrison: The Pieces I Am

Best Actors

  • Robert DeNiro = The Irishman
  • Daniel Kaluuya = Queen & Slim
  • Eddie Murphy = Dolemite Is My Name
  • Robert Pattinson = The Lighthouse
  • Adam Sandler = Uncut Gems

Best Actresses

  • Awkwafina = The Farewell
  • Cynthia Erivo = Harriet
  • Lupita Nyong’o = Us
  • Alfre Woodard = Clemency
  • Renee Zellweger = Judy

Best Supporting Actors

  • Jamie Foxx = Just Mercy
  • Aldis Hodge = Clemency
  • Joe Pesci = The Irishman
  • Brad Pitt = Once Upon a Time in Hollywood
  • Bokeem Woodbine = Queen & Slim

Best Supporting Actresses

  • Indya Moore = Queen & Slim
  • Florence Pugh = Little Women
  • Da’Vine Joy Randolph = Dolemite Is My Name
  • Jennifer Lopez = Hustlers
  • Shuzhen Zhao = The Farewell

Best Screenplays

  • Ad Astra = James Gray, Ethan Gross
  • The Farewell = Lulu Wang
  • The Lighthouse = Max Eggers, Robert Eggers
  • Little Women = Greta Gerwig
  • Queen & Slim = Lena Waithe

Best Cinematography

  • 1917 = Roger Deakins
  • Atlantics = Claire Mathon
  • The Irishman = Rodrigo Prieto
  • The Lighthouse = Jarin Blaschke
  • Queen + Slim = Pete Beaudreau

Best Animation/CGI

  • Frozen II
  • How to Train Your Dragon: The Hidden World
  • I Lost My Body
  • Toy Story 4

Other Great Films

1917, Ad Astra, Avengers: Endgame, The Beach Bum, Giant Little Ones, Good Boys, A Hidden Life, Hotel Mumbai, Hustlers, The Mustang, Never Grow Old, Portrait of a Lady on Fire, The Report, Rocketman, Sauvage, Skin, Us, The Two Popes, Woman at War.

HAPPY HOLIDAYS.

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#NNPA BlackPress

Study: Waiting Lists for Child Care Assistance Nearly Doubled

BLACKPRESS USA NEWSWIRE — “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”
The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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By National Women’s Law Center

The National Women’s Law Center released its annual State Child Care Assistance Policies report, finding that the number of children placed on waiting lists for federally funded child care assistance nearly doubled between 2024 and 2025 — and that number has only continued to grow.

The report serves as a key resource for state lawmakers, advocates, and policymakers by tracking state child care assistance policies and identifying where states are strengthening support for families and early educators — or falling behind.

“This deeply troubling increase in the number of children on child care waiting lists is the result of a failure to invest in this crucial sector,” said Karen Schulman, senior director of state child care policy and author of the report. “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”

Key findings in the report related to waiting lists for child care assistance include:

• 17 states had waiting lists or a freeze on intake for child care assistance in February 2025, up from 13 states in February 2024.

• Approximately 106,700 children nationwide were added to waiting lists between February 2024 and February 2025, bringing the total to 225,500 children in February 2025 — a 90 percent increase compared to February 2024.

• The numbers climbed even further between February 2025 and summer/fall 2025, with more than 175,000 additional children added to state waiting lists in just a few months — a 78 percent increase.

• At least seven states newly began placing families on waiting lists or freezing intake, while at least 10 additional states saw their waiting lists grow, after February 2025.

The report also includes state-by-state data on key child care assistance policies, including income eligibility limits, parent copayments, provider payment rates, and eligibility policies for parents searching for work.

Click the link to learn more: Warning Signs: State Child Care Assistance Policies 2025.

The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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Venus Williams Calls a Sabalenka Exit a Tragedy

ROLLING OUT — Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport.
The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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The seven-time major champion read frustration, not a real goodbye, in the world No. 1’s words

By David Kesiena | Rolling Out

When the world’s top-ranked player said she wanted to walk away from the sport, Venus Williams chose empathy over alarm.

Aryna Sabalenka’s blunt remark after her French Open quarterfinal collapse rattled plenty of fans, but Williams heard something different in it. The seven-time Grand Slam champion treated the comment as the raw reaction of a hurting athlete rather than a serious signal about her future.

The collapse that triggered the comment

Sabalenka looked headed for a routine win over Diana Shnaider. She took the opening set 6-3 and built a commanding lead in the second, climbing to 4-1 and later serving for the match at 5-4 while sitting just two points from victory.

Then everything unraveled. Shnaider stormed back to steal the second set 7-5 and bageled the world No. 1 in the third, with Sabalenka dropping 12 of the final 13 games in gusty conditions that reached around 26 mph. The 3-6, 7-5, 6-0 result sent Shnaider into her first Grand Slam semifinal and extended Sabalenka’s long wait for a maiden Roland Garros title.

In the aftermath, Sabalenka did not soften her feelings. She told reporters she had no thoughts and no emotions left and felt like quitting on the spot. She described being stuck in a deep, dark mental hole during the match, unable to find her way back.

What Venus Williams said about Sabalenka

Williams reacted with understanding. She admitted the moment made her sad and said she had been swept up in Sabalenka’s emotions, feeling a surge of empathy for her. She praised the Belarusian for laying everything bare on court, where every feeling shows.

Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport. Rather than scold her, Williams offered a gentle observation about the rhythm of professional tennis. She suggested players might benefit from a little more time to gather themselves before stepping in front of the cameras, a quiet acknowledgment that athletes are routinely asked to dissect painful defeats before the sting has faded.

Sabalenka walks it back

The story did not end on that bleak note. Within days, Sabalenka signaled she was not actually quitting, framing the press-conference outburst as heat-of-the-moment honesty rather than a plan. At the time of the loss she had also left the door open, saying she would see how she felt in a few days and hoped to get back on track mentally. The walk-back lined up with how Williams had read the situation from the start.

It is not the first time a Paris quarterfinal has pushed Sabalenka to her limit. In 2024 she exited at the same stage and skipped her press conference entirely because of illness, with the tour later releasing her quotes on her behalf. The pattern underscores how heavily this particular tournament has weighed on her despite deep runs in recent years.

For now, attention shifts to the grass. Wimbledon offers Sabalenka a quick chance to reset, and a strong showing there would turn this French Open meltdown into a footnote rather than a turning point.

Originally published by Rolling Out — https://rollingout.com

The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue

THE CAROLINIAN — Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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By Judaea Ingram | Special to The Carolinian

RALEIGH, N.C. – Music filled the air as families danced through the crowd, children gathered around activity stations, and community members explored wellness resources from local organizations. Black-owned businesses lined the streets while people stopped for chair massages, conversations, and moments of connection inside the wellness suite.

At the center of the event stood a simple but powerful reminder:

“You Matter.”

For Darkness RISING, those words represent far more than a slogan. They reflect the organization’s mission to break the stigma surrounding mental health in the Black community while creating spaces centered on healing, honesty, and hope.

Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.

The organization hosts a variety of programs and events throughout the year, including block parties, wellness workshops, mixers, kickoff events, community classes, and Darkness RISING: Live — a free annual arts and wellness festival now celebrating its ninth year.

The festival combines entertainment with healing-centered resources, featuring live music, dancing, singing, food trucks, Black vendors, children’s activities, mental health resources, wellness spaces, and opportunities for open conversations about mental health.

While the events may feel celebratory on the surface, organizers say the deeper purpose is creating safe spaces where people can feel comfortable discussing mental health without fear of judgment.

Darkness RISING also provides free nationwide resources, including a Black Mental Health Resource Packet, a Black Mental Health Provider Database, and its “Find Me a Therapist” initiative, which helps connect individuals with culturally competent care.

The organization’s work is rooted in addressing longstanding inequities that continue impacting mental health access within Black communities.

Historically, segregation, redlining, racial discrimination, incarceration, poverty, and unequal healthcare access have contributed to higher rates of behavioral health challenges while simultaneously limiting access to proper treatment and support. Darkness RISING approaches those issues through what organizers describe as a transformative justice lens, focusing on healing rather than punishment and creating equitable wellness opportunities for marginalized communities.

Its REBUILD program specifically supports justice-involved and formerly incarcerated people of color through free therapy and wellness support, while the REBUILD Youth program focuses on young people impacted by Adverse Childhood Experiences, also known as ACEs.

For Rudolph, therapy became life-changing after decades of incarceration and years of rejection after returning home.

“Came home in 2015, started my own computer company, investing in real estate, did the normal thing and got some jobs here and there and was met with rejection after rejection and people telling me I am not a good person,” Rudolph shared. “Even had a rejection in church.”

He said one of the hardest battles became overcoming the mental barriers created during incarceration.

“I got in touch with a couple of friends, and they explained to me how I had to get over the mental hurdles and get rid of the way my prison mindset was in order to survive and become successful,” he said.

Rudolph later moved to North Carolina hoping for a fresh start, but the struggle continued.

“Things were looking bad,” he said. “Could not get a job. The struggle was real.”

Eventually, therapy and support through organizations like Darkness RISING helped begin his healing process. He said working alongside other justice-involved men through therapy gave him the ability to rebuild mentally while finding community with people who understood his experiences.

Stories like Rudolph’s reflect the foundation behind Darkness RISING’s mission: ensuring people feel seen, supported, and worthy of healing regardless of their background or circumstances.

Community members who attend the organization’s events often describe them as emotionally transformative.

Some participants say Darkness RISING encouraged them to seek therapy for the first time, while others say the organization gave them a safe space to openly discuss struggles they previously kept hidden.

“I have been encouraged by the beautiful, generous, brave and open individuals who come together and use their talents to create art, share personal experiences and provide hope to those who may be struggling with mental health,” one participant shared.

By combining art, wellness, education, and community outreach, Darkness RISING continues changing how mental health conversations happen within the Black community.

Not through silence.

But through healing, honesty, connection, and joy.

Originally published by The Carolinian — https://caro.news

The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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