By Kathy Chouteau | Richmond Standard

The Richmond Art Center (RAC) has announced its lineup of three winter exhibitions, including Art of the African Diaspora, Connected Always and The Remembrance Project, on display at its galleries Jan. 18 through March 18, 2023.

Community members can check out Art of the African Diaspora Jan. 18 through March 18 in the RAC’s Main Gallery, with the opening reception being held Saturday, Jan. 21 from 2 – 4 p.m. The exhibition will spotlight the work of more than 120 artists of African descent “through representation, professional development and building a creative community,” per the RAC.

Artists Derrick Bell, Cynthia Brannvall, and Pryce Jones will be featured in the exhibition and community members can find the Art of the African Diaspora print catalog at the center for info about open studios and satellite exhibitions off-shooting from the RAC event. Learn more about the exhibition https://richmondartcenter.org/exhibitions/art-of-the-african-diaspora-2023

Amanda Ayala’s exhibition, Connected Always, will take place in the RAC’s South Gallery Jan. 20 through March 11, 2023. An opening reception is set for Saturday, Jan. 21 from 2 – 4 p.m., while a free Ancestor Wheel Workshop and artist talk open to everyone will be held by the artist Saturday, Feb. 18, 12 – 2 p.m.

Connected Always will see Ayala — who identifies as a Xicana indigenous visual artist — explore our ancestral connections through her latest works. The interdisciplinary Santa Rosa artist runs workshops “that combine artist liberation and social justice for people of all ages,” per the RAC, and will have one as part of her continuing Ancestor Wheel project during her RAC exhibition. Find out more about Ayala’s exhibition at: https://richmondartcenter.org/exhibitions/connected-always/.

The third winter exhibition, The Remembrance Project, will be shown in the Community Gallery Jan. 18 to March 18, with the opening reception being hosted Saturday, Jan. 21 from 2 – 4 p.m. The Remembrance Project Workshop will be held Saturday, Jan. 28 from 2-4 p.m. and a book talk with Sara Trail will happen on Saturday, March 4, from 1-2:30 p.m.

The Remembrance Project is not only “a cloth memorial of activist art banners commemorating the many people who have lost their lives to systems of inequity and racist structures,” per the RAC, but also two special events for community members — the aforementioned workshop and book talk.

The Social Justice Sewing Academy is presenting the cloth memorial, which has been created by volunteers nationwide “to help educate and inform communities about the human impact of systemic violence,” said the RAC.

The community can coalesce with others fighting for social justice and remember those lost to violence, while also learning about the academy’s work, through two related special events. A workshop on Saturday, Jan. 28 will blend craft, art and activism, while the founder of the academy, Sara Trail, will give a talk and book signing of her work Stitching Stolen Lives on Saturday, March 4. The events are free and available to community members of all ages. Learn more about The Remembrance Project at https://richmondartcenter.org/exhibitions/the-remembrance-project

The RAC is located at 2540 Barrett Ave. in Richmond. Gallery hours are Wednesday through Saturday, 10 a.m. to 4 p.m.; the exhibitions and events are free and open to the community.

The Black woman whose cells have helped advance medical research will be honored in her hometown

By Angela Johnson

The city of Roanoke, Va., is honoring a Black woman who made tremendous contributions to modern medical research without her knowledge or consent.

In a video of a December 19 press conference posted on the city’s Facebook page, it was announced that a statue honoring Henrietta Lacks will be unveiled in fall of 2023 in the very place that once held a monument dedicated to Confederate General Robert E. Lee.

The new statue’s permanent home, which was once named Lee Plaza, was renamed Lacks Plaza in Henrietta’s honor.

Civil Rights attorney Ben Crump, who was on hand for the press conference, said the new Lacks statue is a step toward healing some of the racial divisions of the past. “In the past, we commemorated a lot of men with statues that divided us,” he said. “Here in Roanoke, Va., we will have a statue of a Black woman who brings us all together.”

Fundraisers collected over $160,000 for the project. Roanoke artist Bryce Cobbs created the sketch for the 400-pound bronze sculpture based on two photographs.

And Larry Bechtel, a Blacksburg, Virginia, artist, will sculpt the statue of Lacks who was a Roanoke native.

“I really wanted to have a distinguished, powerful pose. And I wanted her looking up. I always remember, like, looking up as being something like a feeling of proudness and of having that confidence in yourself and the strength in who you are,” Cobbs told NPR.

Henrietta Lacks was undergoing treatment for cervical cancer at Johns Hopkins Hospital in 1951 when doctors sent portions of her cancerous tissue to another laboratory without her consent. Lacks passed away in October of that year at age 31.

Researchers used her tissue to harvest a line of living cells known as HeLa cells that are still used in medical research today.

According to Johns Hopkins, the HeLa cells have contributed to several major medical developments over the past several decades, such as the development of polio and COVID-19 vaccines and the study of leukemia and AIDS.

Johns Hopkins says they have never sold or profited from the HeLa cells and have shared them freely for other scientific research.

That is little consolation to the Lacks’ family, who is still seeking justice on Henrietta’s behalf.

By Post Staff

Songwriter Thom Bell, a classically trained instrumentalist who wrote songs for 1970s singing groups Delfonics, Spinners and Stylistics, passed away at his home Bellingham, Wash., on December 22. He was 79.

With Kenny Gamble and Leon Huff, Bell gained renown in creating what became known as the “Sound of Philadelphia,” writing, arranging and producing songs for those soul groups as well as the O’Jays, Temptations, Little Anthony and the Imperials and individual artists including Phyllis Hyman, Lou Rawls, Teddy Pendergrass, Johnny Mathis, Dionne Warwick, The Temptations, Phyllis Hyman, Dee Dee Bridgwater, Elton John, Fatboy Slim, Dusty Springfield, David Byrne, Joss Stone and more.

“Thom Bell left an indelible and everlasting mark on the history of popular music, but even more so, he will be remembered by all who knew him as a kind and loving friend and family man. The music world has truly lost one of the greats,” his attorney wrote in a statement published in Billboard magazine.

Born in 1943 and raised in West Philadelphia, Bell showed early talent as a musician and went on the road with Chubby Checker as a touring conductor in his early 20s. His familiarity with classical and global instruments like bassoons, oboe and sitars made his productions lush and full, influencing Soul music for some time afterwards.

His first production gig was in with the Delfonics, producing the hits “La-La Means I Love You,” and “Didn’t I Blow Your Mind This Time” in 1969. In 1972, he produced The Stylistics self-titled first album and later helped The Spinners achieve hits with “I’ll Be Around” and “Could It Be I’m Falling In Love.”

His 11-year partnership with fellow songwriter Linda Creed, yielded several more hits, among them “People Make the World Go Round,” and “You Are Everything.”

In 1975, Bell became the first winner in the Grammy category ‘Best Producer of the Year.’ He worked in the 1990s with James Ingram, David Byrne, Angela Winbush and Josh Stone. In 2006, he was inducted into the Songwriters Hall of Fame and won the Grammy Trustees Award in 2016.

Bell is survived by his wife, Vanessa, and children Royal, Troy, Tia, Mark, Cybell, and Christopher.

Vibe, Yahoo, The Songwriters Hall of Fame, The Seattle Times and Wikipedia were the sources for this report.